Category: Movies

  • LA India Film Council proposes setting up Film Commissions in India

    LA India Film Council proposes setting up Film Commissions in India

    MUMBAI: The LA India Film Council has proposed to set-up of Film Commissions in India and also its operational framework at a national and state level. In its latest report titled – Unleashing the power of film tourism: the first step – LA India Film Council has highlighted India’s potential to become a preferred film shooting destination. 

     

    The role of a Film Commission is to serve as a local government liaison, to provide and coordinate public and private services for film shoots, attract foreign productions to India, create a sustainable ecosystem that benefits both international productions and the local economy through effective film incentive programs and promote film tourism.

     

    The report also assessed the current single window clearance mechanism for film shooting, recommended solutions to build a strong production tax regime in the country and highlighted global best practices to promote film tourism in the country.

     

    India has natural advantages in terms of scenic locations, incredible cultural diversity, trained film crews and low production costs to attract film productions. The current Single Window Clearance Mechanism to support productions is a welcome step by the film industry, however multiple challenges faced during the clearance process at the regulatory and administrative level – including procedural hurdles during the application stage – undermine the potential of film production and its allied industries to grow.

     

    In 2014, the media and entertainment industry was recognized as one of the top 25 sectors in the ‘Make in India’ initiative. Transforming India into a global film-shooting destination will require establishing an effective single window clearance system to simplify and expedite flow of information between various government bodies and the industry in an efficient and resourceful manner.

     

    MPA, Asia Pacific president and managing director Mike Ellis said, “India’s film and television industry is one of the largest and fastest growing sectors in the country, and there has been a renewed surge of investment into the country by global companies. Simplification of clearance procedures for film shooting, support to productions through a robust tax incentive regime, and adopting global best practices, will help to attract big budget productions and in turn boost inbound tourism.”

     

    Film & Television Producers’ Guild of India (FTPGI) president Mukesh Bhatt added, “A Film Commission should be an independent full time body and involve participation from film industry stakeholders who have the experience and understand the film making process. Moreover, it would really help if the members of the Film Commission were compensated either project-wise or on payroll. This would ensure active participation by members.”

     

    U.S. Consul General Thomas L. Vajda opined, “There is great potential for expanded collaboration between our film and entertainment industries. Whether it is Indian studios shooting in the United States, US studios filming here in India, developing strategies for intellectual property protection, or sharing knowledge on production methods and technologies, both countries can benefit from efforts to bring our film and entertainment industries closer together. We look forward to working with partners here in India to provide knowhow, experience, and whatever other value we can to take this relationship forward.”

     

    Consul General Canada, Mumbai Richard Bale asserted, “With Canada and India having signed a bilateral Audio-Visual Co-Production Agreement in 2014, India has a wonderful opportunity to attract Canadian producers and directors to shoot in India. Improving the ease of doing business in the film sector through the establishment of Films Commissions and a transparent framework of incentives would be very effective next steps for India to build on the new interest in India among Canadian filmmakers.”

     

    FICCI president Jyostna Suri opined, “Our country has a vast wealth of spectacular terrain and it is important that we explore and exhaust avenues of locale shooting for entertainment with state governments as our partners. This can only happen in the true spirit of a public-private model. Through effective film tourism and enhancing our locales, we will lay strong foundations for India as the most dynamic destination for international stakeholders, generating local revenues and jobs and providing on-the-job skills for the workforce.”

     

    Setup in 2010 by a joint declaration between the City of Los Angeles and the Indian film industry, the Council continues to provide new platforms to foster knowledge exchange and partnerships between stakeholders in the US and the Indian media and entertainment industries.

     

  • “CBFC should examine a film’s message & not ban it due to some scenes”: Paresh Rawal

    “CBFC should examine a film’s message & not ban it due to some scenes”: Paresh Rawal

    NEW DELHI: In the wake of fingers being pointed at the current Central Board of Film Certification (CBFC) chairman Pahlaj Nahalani’s questionable decisions regarding many a films that have come up for release recently, veteran actor Paresh Rawal has said that the message of a film and not some shots here or there should come in for scrutiny before the CBFC.

     

    Rawal said that every film may contain one or two scenes that may hurt someone, but what has to be seen is whether the message sought to be conveyed by the film is meaningful. He felt that the work of the CBFC was a thankless job.

     

    Referring to protests held outside film theatres, often by persons who had not even bothered to see the concerned film, Rawal said this was sad. He added that even the communal divides in the country often occurred because of misinformation.

     

    Denying reports that his latest film Dharam Sankat Mein had been shown to some religious leaders to get their approval, he said it would be a “dangerous trend if a film is shown to extra-constitutional authorities.”

     

    Rawal, who was in the Capital for promoting the film along with actor Annu Kapoor, said: “Even a serious message if conveyed lightly manages to make an impact.”

     

    Replying to a question posed by Indiantelevision.com about the run-of-the-mill comedies that he acts in along with some meaningful cinema, he said that it should not be forgotten that it was the money made from those so-called trashy comedies, which helped him take serious cinema even at fees far lower than he would otherwise get.

     

    Rawal revealed that he was making the biopic on Narendra Modi under his own banner. He said that films on Modi had been made in Gujarati, but never in Hindi. The movie is slated to go on floors in August.

     

    He also said a sequel to OMG was underway with him, Akshay Kumar and Mithun Chakraborty.

     

    Rawal informed that he loved serious cinema and therefore his most memorable films were Sardar, which was a biopic on Sardar Vallabhbhai Patel, Road to Sangam, and OMG – Oh my God.

     

    Hailing from the theatre background, Rawal had never planned his career in cinema when he came on the big screen in 1984.

     

    Answering a question, he said that he had cut down the number of films he would do to three or four a year, after become a Member of Parliament. However, he said he was an actor first, then an MP. Rawal also informed that his perspective about Parliament had changed since he became an MP.

     

    Stressing that the country faced problems because there was no ‘Manav Dharam’ or ‘Rashtra Dharam,’ Rawal said that if people loved their country, there would have been no need for the Government to announce programmes on Swachh Bharat or sanitation.

     

    Agreeing to his point of view, Kapoor said that problems like rape etc. were not confined to India, but Indians themselves often talked about them as if they were ashamed of being Indian but did little to stop these crimes. He said Manav Dharam should be uppermost. He added that while there was freedom of speech, why did people resort to freedom of action.

     

    When asked about simultaneously acting in comedy and serious films, he said that every theatre person learnt to have a ‘switch on, switch off’ quality and therefore he has no problem going from the set of light film to that of a serious one.

     

    Speaking about the message that their latest film conveys, Kapoor said, “We are sure that you’ll learn something from this film and the message it gives is of ‘humanity’ and that of all religions, humanity is the biggest religion.”

     

    Directed by Fuwad Khan and produced by Sajjad Chunawala, Dharam Sankat Meinis a remake of the 2010 British comedy film The Infidel and also stars Naseeruddin Shah.

     

    The story revolves around a character named Dharam Pal, played by Rawal, who faces the dilemma of choosing between two religions and goes through identity crises when he discovers that what he believed himself to be was actually born to a Muslim family.

     

    The film is slated for release on 10 April.

  • Maharashtra govt orders multiplexes to allocate primetime slot for Marathi films

    Maharashtra govt orders multiplexes to allocate primetime slot for Marathi films

    MUMBAI: The Maharashtra government has issued a directive to all multiplexes in the state to screen at least one Marathi language movie at their properties in the prime time slot of 6 – 9 pm.

     

    Home Minister RR Patil was quoted in a DNA report saying, “Hereafter, it will be mandatory for all 27 multiplexes in Mumbai to give Marathi cinema prime time slots. The permission for new multiplexes will be sanctioned only if they dedicate a separate screen entirely to Marathi cinema.”

     

    The move comes in a bid to give a fillip to the state’s Marathi film industry. Actor Riteish Deshmukh, who made his Marathi film debut with Lai Bhaari, took to Twitter to welcome this news.

     

    It may be noted that the BJP government has also made it mandatory for theatres to play the national anthem as well as a song that honours the father of Indian cinema – Dadasaheb Phalke.

     

    The order, issued by Culture Minister Vinod Tawde on Tuesday, also mentioned that the word ‘Bombay’ will be replaced with ‘Mumbai’ in all the 199 occurrences in the laws on culture and entertainment.

     

    It may be recalled that the Maharashtra government led by Devendra Fadnavis had recently offered benefits to private players to make Marathi language films.

     

    A Delhi based advocate Ishkaran S. Bhandari tweeted, “Doubt whether Govt order of 6-9 pm time slot only for Marathi movie in multiplex is Constitutionally Valid. Should be violative of 19(1)(g).”

     

    It remains to be seen how the exhibition industry reacts to this bit of news.

     

  • ‘Star Wars’ movies available for digital download for first time ever

    ‘Star Wars’ movies available for digital download for first time ever

    MUMBAI: As anticipation builds for the December release of Star Wars: The Force Awakens, the first new film in the Star Wars Saga in a decade, The Walt Disney Studios, Lucasfilm Ltd., and 20th Century Fox are gearing up to release The Star Wars Digital Movie Collection.

     

    For the first time ever, all six epic films in the saga, from The Phantom Menace to Return of the Jedi, will be available on Digital HD globally from 10 April.

     

    “Since the debut of the first film nearly 40 years ago, Star Wars has become a worldwide phenomenon with legions of fans from every generation. It’s only fitting that audiences enjoy this legendary Saga and its many fascinating behind-the-scenes stories on a wide variety of platforms, and we’re very excited to finally bring all six films to Digital HD for the first time,” said The Walt Disney Studios president Alan Bergman.

     

    “We’re thrilled that fans will be able to enjoy the Star Wars Saga on their digital devices wherever they go. These films broke new ground in technology, design, sound, and visual effects, and we’ve created some very special bonus material which delves into the Saga’s rich history, including new and never-before-released conversations between legendary Star Wars artists – the masters who helped George bring his iconic universe to life,” added Lucasfilm president Kathleen Kennedy.

     

    With Star Wars: Episodes I-VI available for purchase as a complete digital movie collection and individually, viewers will have the Rebel forces at their beck and call across their favorite devices anywhere – sunbathing at the beach, relaxing in their living room with friends, or waiting to board a flight to Endor (or elsewhere).

     

    Enhancing the movie collection are a host of never-before-seen special features including Star Wars: Discoveries from Inside and insightful Conversations between key contributors from across this celebrated film franchise, plus a curated collection of classic Star Wars extras from each film.

     

    The six movies in the Star Wars saga are: The Phantom Menace, Attack of the Clones, Revenge of the Sith, A New Hope, The Empire Strikes Back and Return of the Jedi.

  • ‘Detective Byomkesh Bakshy!’ collects Rs 14.06 crore in opening weekend

    ‘Detective Byomkesh Bakshy!’ collects Rs 14.06 crore in opening weekend

    MUMBAI: Yash Raj Films usually has a good experience with its small budget films and the studio’s one such film, Dum Laga Ke Haisha, has already established itself as a mini hit. These films also create a valuable repertoire for the studio. 

     

    However, its latest, Detective Byomkesh Bakshy! is not quite living up to expectations. The film did not make much of the Friday despite being a holiday. The collections remained stagnant on Saturday but showed some improvement on Sunday to close its opening weekend with a figure of Rs 14.06 crore.

     

    Barkhaa rates as a total loss film barely managing to touch the Rs 1 crore mark in its first week.

     

    Delhiwali Zaalim Girlfriend adds Rs 40 lakh in its second week to take its two week tally to Rs 4.1 crore.

     

    Hunterrr collects Rs 2.9 crore in its second week to take its two week total to Rs 9.75 crore.

     

    NH 10 maintains reasonably good collections in its third week in absence of any watchable opposition. The film collects Rs 3.15 crore in its third week to take its three week total to Rs 30.2 crore.

     

    Dum Laga Ke Haisha has become a mini hit; the film has added Rs 1.9 crore in its fifth week to take its total to Rs 29.97 crore. The sixth weekend took it past the Rs 30 crore mark by adding Rs 17 lakh for three days.

     

    On the other hand, Dirty Politics has added approximately Rs 5 lakh in its second week to take its two week total to Rs 6.11 crore.

  • ‘Furious 7’ production generated $47 million for Georgia’s economy

    ‘Furious 7’ production generated $47 million for Georgia’s economy

    MUMBAI: The production of Universal Pictures’ Furious 7 contributed over $47 million to Georgia’s economy in payments to local businesses and workers, according to new data released.

     

    The movie opened in theaters on 3 April. The economic impact figures also detail that the production hired 7,500 local Georgians. 

     

    Universal Pictures’ Furious 7 is the latest high-profile film to call Georgia home during production, benefiting a wide-array of local businesses across a number economic sectors. The overall spend for Furious 7 includes over $15 million for hotels and nearly $5 million for hardware and lumber supplies. In particular, the production built a number of interior sets along with exterior green-screen sets in Norcross, Georgia. This includes sets used to shoot scenes taking place at an opulent Abu Dhabi penthouse, a cement factory, federal law enforcement headquarters, and even scenes featuring a stealth helicopter.

     

    “The entertainment industry in Georgia has experienced exceptional growth, which in turn has created a sustainable environment for the industry to continue to thrive here. Offering a pro-business environment with competitive incentives and investing in our workforce are just two of the ways that Governor Deal and the Georgia legislature have committed to the growth of the entertainment industry,” said Georgia Department of Economic Development Commissioner Chris Carr.

     

    “The highly-skilled local crew and competitive production climate make Georgia an attractive filming location, allowing the local businesses and workers to reap significant economic benefits. The continued support and leadership of Governor Deal and the state’s lawmakers on this issue has truly enabled Georgia’s motion picture and TV industry to flourish,” said MPAA chairman and CEO Senator Chris Dodd. 

     

    Key economic impact figures from the production of Furious 7 in Georgia: 

     

    – Spent over $47 million dollars towards local businesses and wages

     

    – Hired over 7,500 local Georgians

     

    – Paid over $15 million on hotels and nearly $5 million on hardware and lumber supplies.

  • Ultra to promote 3D Marathi films

    Ultra to promote 3D Marathi films

    MUMBAI: Ultra Media & Entertainment is all set to promote 3D Marathi films in India. Ultra Studios & Digital Labs – a division of Ultra Media & Entertainment with its state of the art studio will be offering various end-to-end 3D film making solutions for the Marathi filmmakers in subsidized rates globally.

     

    A custom made solutions package will be provided for every 3D filmmaker as per their unique requirements under this vertical. The core idea behind this initiative is to provide specialized, hi-tech 3D content output of global standards for these filmmakers in India.

     

    The various services offered under this vertical will be: 2D to 3D Stereoscopic Conversion using the studio’s in-house indigenous software VFX for 3D films; analytical quality measurement and enhancement software application; providing specialized 3D direct cameras on rental supply made to order 3D camera rigs on rental; and provide technically sound stereographers for film direction and assistance etc.

     

    In the recent past, the Marathi film industry has been churning some interesting 3D films but with a rare frequency. The first 3D film in Marathi Aai Mala Maru Nako was made by Satyaprakash Mangtan and released in 2012. This was followed with Zapatlela 2 by Mahesh Kothare in 2013. Dhyaaas, which released in 2014 was the last 2D to 3D stereoscopic film in Marathi that was released in India. 

     

    Currently young filmmakers are making interesting films on various contemporary and out of the box subjects. This has opened up a new set of viewers who patronize such films. 3D technology can enhance viewing experience especially of films made by these makers in certain genres like sci-fi, action and adventure, horror and thriller etc. 

     

    Ultra, in the recent past, had successfully provided complete 3D solutions to many national and international projects. Especially by providing these 3D solutions package, Ultra particularly wants these experimental filmmakers to experience the “Make in India” phenomenon in its true sense. 

     

    In their endeavor to provide a one-stop shop service for the Marathi film industry from shooting the first scene to the end DPX/ DCP format, Ultra Studios recently also started providing them with their state of the art, in-house post-production facilities in subsidized rates.

     

    Ultra Media & Entertainment MD Sushil Kumar Agrawal said, “We at Ultra have always offered all our services abreast with its latest technology. Currently Marathi cinema is going through a very interesting phase with films made in all genres possible for the global audience. I can foresee many Marathi films being made in 3D in the immediate future and our specialized 3D film solutions will only enhance the story telling and viewing experience for the audience. By offering these exclusive services in subsidized rates we only would like to help these filmmakers. It will actually assist them to completely concentrate in their craft of making interesting 3D films with less commercial burden.”

  • Choreographer Longinus Fernandes joins Amelia and Satish Reddy for ‘Bollywood Dance Seminar’

    Choreographer Longinus Fernandes joins Amelia and Satish Reddy for ‘Bollywood Dance Seminar’

    NEW DELHI: Even as Japan and some Southeast Asian countries have taken to the dance styles of Indian cinema, the interest also appears to be spreading to Europe.

     

    Choreographer Longinus Fernandes, popular for choreographing Jai Ho from Slumdog Millionaire, is conducting a dance seminar and workshop organised by Oriental Dream and Scribes Paris India Connection (INC) at the prestigious club located in the heart of Paris this month.

     

    The workshop will start on 12 April at Club Montmartrois, 60 Rue Ordener in Paris, France.

     

    The Seminar will be a combination of all the ingredients of music, dance, costumes, drama and emotions. Fernandes has made actors in Slumdog Millionaire dance to his tunes and also directed a sequence in Hollywood film Eat, Pray & Love.

     

    Amelia of Oriental Dream said, “I am very happy to receive the Choreographer Longinus Fernandes from Bollywood. All passionate lovers of Indian dances and fans of Indian movies are very excited to meet him finally in real. This International Dance Seminar will be a big success in Europe.”

     

    Satish Reddy of Scribes INC said, “It was a pleasure to be associated with the workshop as we will be bringing more Indian artistes and Culture to Europe. I am happy that I am getting a chance to explore in Paris through this Seminar.”

     

    Many movies have been shot in Paris. Preity Zinta revived the trend after a long gap when she shot her last film Ishq in Paris. The Shammi Kapoor- Sharmila Tagore film An Evening in Paris was the first Hindi film to be filmed there. 

  • 18th Latin American films to compete in Havana Filmfest in New York

    18th Latin American films to compete in Havana Filmfest in New York

    NEW DELHI: Eighteen films will be competing to receive the Havana Star Prize for Best Film, Best Director and Best Screenplay, as well as the Havana Star Prize for Best Documentary at the 16th Havana Film Festival in New York

     

    The awards will be announced at the festival’s Closing Night Ceremony on 17 April at the Directors Guild Theatre. The Festival commences from 9 April.

     

    Prominent members of Latino culture and film industry will choose the winning films. In the fiction category, the jury includes director and screenwriter Alberto Ferreras (HBO’s Habla series, Que Viva la Musica); film producer and director of Festival International del Nuevo Cine Latinoamericano de la Habana Ivan Giroud; and actress and singer Cristina Morrison.

     

    In the documentary category, the jury will include director and producer Catherine Murphy (Maestra); director and cinematographer German Gutierrez (Coca-Cola Case, Who Shot my Brother) and Assistant Professor of Spanish and Portuguese, Fairfield University, Michelle Farell.

     

    The films in competition come from Argentina, Brazil, Chile, Colombia, Cuba, Dominican Republic, Mexico, Nicaragua, United States, Uruguay and Venezuela.

     

    Many of the filmmakers will be in New York to present their films. A majority of the films will have their American premieres at the Festival.

     

    The films competing for the Havana Star Prize in Fiction are: Refugiado (Diego Lerman, Argentina); Road 47 (Vicente Ferraz, Brazil), Natural Disasters (Bernardo Quesney, Chile), Wasting Time (Alexander Giraldo, Colombia),Boccacio in Havana (Arturo Sotto, Cuba), The Wall Of Words (Fernando Perez, Cuba); His Wedding Dress (Marilyn Solaya, Cuba); Venice (Kiki Alvarez, Cuba – Colombia); Open Cage (Maximiliano Zunino, Mexico); and Kaplan (Alvaro Brencher, Uruguay).

     

    The documentary films competing for the Havana Star Prize in Documentary are: A Matter of Land (Patricia Ayala, Colombia); Omara: Cuba (Lester Hamlet, Cuba); Another Island (Heidi Hassan, Cuba – Switzerland); You and Me (Natalia Cabral and Oriol Estrada, Dominican Republic); All of Me (Arturo Gonzalez Villasenor, Mexico); The Troublemaker, Behind the Scenes of the United Nations (Roberto Salinas, Nicaragua – US – Italy); Havana Curveball (Marcia Jarmel & Ken Schneider, US – Cuba); and The Silence Of The Flies (Eliezer Arias, Venezuela).

     

    HFFNY is made possible with public funds from the NYS Council on the Arts, a state agency, and supported, in part, by public funds from the NYC Department of Cultural Affairs.

     

    The Havana Film Festival New York is a project of American Friends of the Ludwig Foundation of Cuba (AFLFC), a non-profit organization that builds cultural bridges between the U.S. and Cuba through programmes in the arts. 

  • ‘Detective Byomkesh Bakshy!’: Lacks twists & turns; is slow

    ‘Detective Byomkesh Bakshy!’: Lacks twists & turns; is slow

    MUMBAI: As is apparent from the name, Detective Byomkesh Bakshy! falls in the detective genre, the kind that has not been tried in some time. Set in WW II Calcutta of 1942, it can be termed as a period detective saga. It is based on the famous detective character, Byomkesh Bakshy, created by writer Sharadindu Bandopadhyay, which has been made into many TV and movie versions.

     

    Sushant Singh Rajput, who plays Byomkesh, is just finishing his college and is uncertain about his future plans. Anand Tiwari, a batch mate, learns that his father has gone missing and he asks Sushant to help find him. 

     

    Sushant has this knack for observing and making logical deductions. Sushant refuses to help saying his father may have committed some crime and vanished. This earns him a slap from Anand. 

     

    However, Sushant gets back to Anand and agrees to help him. He starts with checking in into the same guest house, Anukul Lodge.  This where Anand’s father also stayed and from where he had gone missing. Sushant is an accidental detective and he beats around the bush, looking for clues everywhere. His suspicion hovers around a suddenly shut down chemical factory owned by a politician from where, finally, Anand’s father’s dead body is recovered.

     

    The politician is booked but even while the DCP is interrogating him, it strikes Sushant that the politician is being framed. On his word, the DCP lets him go. The trial and error method of detecting continues while the truth is right around Sushant as he searches far and wide. 

     

    The plot thickens as the theme expands its scope from a murder of a chemistry scholar to heroin to the local politics to free the country to a plot to pave the way for the entry of Japanese troop through the river Ganga! 

     

    There is also a conflict between a Chinese drug dealer and a presumed dead rival who has hijacked tons of heroin of the Chinese.

     

    After all this detective work done by Sushant, the film is taken to its conclusion in a traditional way by collecting people concerned under one roof. The culprit being one of them is a given. As happens in all detective stories, Sushant takes to retelling the plot, laying bare the intentions of culprit and who it is. How you wish you were told this an hour earlier.

     

    The problem with Detective Byomkesh Bakshy! is that it is too slow and lacks the twists and turns and red herrings that such a story needs. It therefore has no grip. The script needed to be tight. Visually too it is drab with indoor scenes being dimly lit while outdoor ones are dulled even more with smoke added for effect. 

     

    While the background score is effective, songs are chosen keeping the period in mind and, hence, lack appeal to today’s listener. 

     

    What lands some relief to the viewer is Sushant’s pleasant outlook (which other regional actors don’t quite have). Of the women, Swastika Mukherjee brings some oomph though as a performer she has limits. Anand is good and so is Divya Menon despite getting a limited exposure. Meiyang Chang is a good addition to character artistes. The one who impresses is Neeraj Kabi (who also threatens a sequel at the end).

    Detective Byomkesh Bakshy! is slow and offers nothing to recommend it.

     

    Producers: Aditya Chopra, Dibakar Banerjee

     

    Director: Dibakar Banerjee

     

    Cast: Sushant Singh Rajput, Anand Tiwari, Neeraj Kabi, Divya Menon, Swastika Mukherjee, Meiyang Chang, Mark Bennington, Takanori Kikuchi, Shivam, Dr Kaushik Ghosh, Anindya Banerjee, Arindol Bagchi, Peter Wong, Pradipto Kumar Chakraborty, Manoshi Nath, Moumita Chakraborty, Tirtha Mallick, Prasun Gain, Aryann Bhaumik, Prashant Kumar & Nishant Kumar, Shaktipada Dey, Sandip Bhattacharya, Piyali Ray.