Category: Movies

  • Hollywood star Meryl Streep leading campaign for best documentary Oscar for “India’s Daughter”

    Hollywood star Meryl Streep leading campaign for best documentary Oscar for “India’s Daughter”

    New Delhi, 17 October: The controversial BBC documentary film on the December 2012 Nirbhaya rape case.

     

    “India’s Daughter” by Leslee Udwin which was banned in early March by the government, is opening at various theatres in the United States next week.

     

    Oscar-winning actress Meryl Streep, who introduced the documentary at its US theatrical release in New York City, said “I’m on the campaign now to get Udwin nominated for best documentary.”

     

    The film is largely based on an extensive interview in jail with one of the attackers who blamed the victim, a 23-year-old trainee physiotherapist, for being out in the evening with a male friend.

     

    In a statement, the government warned that certain excerpts “appear to encourage and incite violence against women.”

     

    Promoter Christine Merser said screenings are also scheduled in some other countries.

     

    Despite the uproar in India, “India’s Daughter” by Leslee Udwin was re-telecast on BBC4 to mark International Women’s Day.

     

    Although BBC News is available in the country, the British pubcaster aired the documentary – for the second time in five days – on BBC4 which is not available to Indian viewers.

     

    The documentary was also screened in countries across the globe — including Switzerland, Norway and Canada — to mark International Women’s Day and is being screened in the United States today. The film also continues to be available to Indian viewers on the internet. 

  • Friday Cine Entertainment to release ‘Ishq Forever’ on 15 January, 2016

    Friday Cine Entertainment to release ‘Ishq Forever’ on 15 January, 2016

     MUMBAI: Friday Cine Entertainment’s romantic comedy Ishq Forever starring an ensemble cast is all set to release on 15 January, 2016.

     

    Produced by Ajay Shah, Himanshu Gandhi & Shabeer Boxwala, Ishq Forever is directed by Sameer Sippy.

     

    The movie will be introducing Krishna. It will also star Ruhi Singh, Lisa Ray, Zakir Hussain, Chetan Pandit, Sonal Jha, Arif Zakaria, Gurpreet Singh, Kuljeet Kaur, Sachin Parikh, Denzil Smith, Mahesh Balraj and Javed Jafferi. Raza Murad and Sharat Saxena will have special appearances in the movie.

     

    Written by Shabeer Boxwala, Ishq Forever has music by Nadeem Saifi and lyrics by Sameer.

  • Box Office: ‘Pyaar Ka Punchnama 2’ takes Rs 21 crore in opening weekend

    Box Office: ‘Pyaar Ka Punchnama 2’ takes Rs 21 crore in opening weekend

    MUMBAI: ‘It is the season for small budget comedies be it about romance or sex. Pyaar Ka Punchnama 2 appeals hugely to youth and proves that a film has to be youth oriented for they are the ones who guarantee a decent opening at the box office and also spread good or bad word of mouth.

     

    Despite very limited promotions, the film took an impressive opening and the figures reflect the fact. The film only showed a marked rise in collections on Saturday and Sunday. And, despite being Navratri period, which is not the best of times for a new release, especially one counting mainly on its youth appeal. The film collected a heartening Rs 20.8 crore in its opening weekend.

     

    Wedding Pullav is poor and failed to get footfalls through its opening weekend.

     

    On the other hand, Jazbaa, a comeback film for Aishwarya Rai Bachchan after a five year break and an expected hat-trick for Irrfan Khan, who has given two much appreciated films in Piku andTalvar, falls prey to its bad scripting and inapt handling. The film could not sustain its collection after its opening weekend and the figures dropped through the week. The film could manage to put together just Rs 20.6 crore for its first week.

     

    Singh Is Bliing loses the plot in its second week with the collections dropping by a major chunk as the film collects Rs 10.5 crore to take its two week total to Rs 72.65.

     

    Talvar maintains a strong trend in its second week cashing in on the appreciation received. The film collects Rs 10.5 crore to take its two week tally to Rs 26 crore.

     

    Kapil Sharma’s Kis Kisko Pyaar Karoon has added Rs 75 lakh in its third week to take its three week total to Rs 43.95 crore making a star out of the TV comedian in the process.

  • Drishyam Films to kick-start ‘The Masters’ series with Sriram Raghavan

    Drishyam Films to kick-start ‘The Masters’ series with Sriram Raghavan

    MUMBAI: Drishyam Films will be hosting screenings and interactions with noted filmmakers, cinematographers, editors and producers titled as The Masters. The monthly series is an effort to give the audiences and film buffs a unique and enriching cinematic experience. 

     

    The series will kick-start with the screening of Raman Raghav and will be followed by a master class by director Sriram Raghavan. The two-part made for video series will be introduced by filmmaker and director Atul Sabharwal. The sequence comes from the year 1991 based on the true story of a serial killerThe series will outlay the successful investigations of the Stoneman murders that took place in the 1960s, drawing from official police case files.

     

    The screening will take place on 21 October, 2015 at PVR Citimall Andheri at 8 pm.

     

    “This is a one-of-a-kind initiative by us to reinvent the way master filmmakers interact with their audiences as well as aspiring filmmakers. We are sure that this will be an exciting opportunity for both to have a lively and fruitful exchange every month,” said Drishyam Films CEO Shiladitya Bora. 

     

    This is the first theatrical outing of the series, exclusive to early bird registrations. The event will be free and open to all, based on a first-come-first serve basis. The registrations can be made at http://www.drishyamfilms.com/events/

  • Navin Shetty’s Nube Studios gets new Baselight facility

    Navin Shetty’s Nube Studios gets new Baselight facility

    NEW DELHI: Nube Studio, set up to provide uncompromised grading services for the Indian market, has opened with a Baselight Two grading workstation as its centrepiece.

     

    The colour-driven facility is providing services for commercials, music videos, television and film throughout the region. As a facility aimed at the top end of production, an important requirement is the potential to work natively with raw files from any camera on the same timeline.

     

    The Baselight system is renowned for its ability to accommodate all professional formats and also fully supports grading metadata of any complexity, including primaries, secondaries, keys, shapes, tracks, LUTs and Truelight Colour Spaces. This allows the colourist to explore all the details from the camera, and achieve the look the cinematographer intended.

     

    Open only since June 2015, Nube already boasts an impressive 100+ TVCs, with a client register including BMW, Philips, Godrej Air, Cadbury, Flip Kart, Maruti, Amazon, Dabur, Yardley, Myntra, Pepperfry, OLX, Sunsilk, Intex, KIT KAT, Kohler, Honda, Nescafe, Britannia, Nerolac, TATA, Airtel, Grofers, STAR TV, EPSON, Mahindra, Olay, Jaguar, Lava, Lifebuoy, Renault, Mentos and Solly Sport.

     

    “Baselight delivers on every feature without restricting the creative process. I am able to concentrate on grading and never compromise on quality or inspiration,” said senior colourist and Nube Studio co-founder Navin Shetty.

     

    “Even at HDR 4K, Baselight delivers real-time playback as soon as the content is in the system,” added Shetty. “Clients are not kept waiting, and with the help of the superior grading tools they can see the final result immediately. For clients, the faster system equals staying within budget.”

     

    FilmLight CEO Wolfgang Lempp said, “We are proud to be associated with India’s leading colourist, Navin Shetty. He is very particular about the quality and output of his films. What he and his business head, Ranjan Karkera, have recognised is that directors and producers want to come to a post house and see great pictures just the way they imagined them. At FilmLight we developed our core systems to provide real-time performance even when there is a multi-level grade on top of the raw image. Baselight takes away the technical constraints of transcoding, proxies and unpredictable performance and leaves the colourist to achieve the best look in the shortest time.”

     

    FilmLight will be demonstrating the capabilities of its real-time, render-free grading approach using FilmLight’s BLG interchange format at Broadcast India on the stand of their partners, RED and Avid at Broadcast India 2015 to be held at Bombay Exhibition Centre, Mumbai, 15 to 17 October. 

  • ‘Pyaar Ka Punchnama 2:’ Fun all the way

    ‘Pyaar Ka Punchnama 2:’ Fun all the way

    Ideas are at premium and a safe way is to cash in on brand equity. Pyaar Ka Punchnama was a reasonable earner in 2011. What better than to en-cash the equity and hence Pyaar Ka Punchnama 2 follows the prequel almost to the T.

    The story, as such, follows the same lines. Three friends suckered by three girls. They are desperate for dates, company, sex and love; love comes last though they are foolish enough to think they are in love when they do find their respective girlfriends. 

    Kartik Aryan, Sunny Singh and Omkar Kapoor are roomies. They share a flat in Delhi, eat together, drink together and dream of girls together. All three are stag. They are thicker than brothers in that they can take each other for granted, whoever earns more picks up all the tabs and there is no accounting or sharing of cash spent; all they share is bonhomie. 

    Soon enough, their desire for girlfriends comes true. All three find one each. All three girls represent different mind-sets. Kartik is with Nushrat Bharucha (both being the only common factor from the earlierPKP), Omkar gets Ishita Raj while Sunny ends up with Sonalli Sehgal. 

    The three men, deprived of romance and sex, go all out to woo their girls and, thanks to their blind love and desperateness, they trust the girls immensely while the girls use their weakness to exploit them. Not all three get in return what they had dreamt of.

    Kartik is head over heels with Nushrat. She is game for everything, sex included, though she is too finicky, her every question, which is answered by him leads to a counter question from her. Also, she is still in love with her ex-boyfriend from Chandigarh with whom she sleeps around even while professing her true and total love for Kartik. 

    Sunny and Priyanka are dating. He hopes to marry her but ends up becoming an errand boy for her father and mother, Sharat Saxena and Mona Ambegaonkar. She is the chaste kind who won’t sleep before marriage. She does not, however, have the guts to tell her father she loves Sunny. Priyanka’s father is looking for a groom for her and Sunny even ends up escorting her to her meetings with her grooms to be. 

    Omkar’s girlfriend, Ishita is game for everything Omkar would desire in a woman. She pretends to be dignified always ready to pay her own share of an outing. Soon, having established herself as a self-sufficient and self-respecting girl, she gradually starts milking Omkar even talking him into giving her an add-on credit card and open a joint bank account where he deposits 20 per cent of his Rs 3 lakh salary against 20 per cent of her Rs 20,000 salary.

    The rest of the film follows the earlier version as the boys realise what they have got into. Establish the guilt of each of their partner and want out.

    The film has nothing new for those who have seen its earlier version since it adheres mainly to the same sequence of events. Yet, what works is some witty lines and its raw youth appeal. The young ones who would want to get in to and out of affairs; sex being the aim. The film has some fun moments and some dull ones. However, you don’t come out cursing it. Direction is in keeping with the theme. Music is soothing as it comes mostly in small doses. What helps it is the visuals since it has been shot at Pattaya while taking liberty to shift to UAE for a song or two. 

    While the acting is generally competent, the three boys do better. Sunny tops the list with equal contribution from Kartik and Omkar. Kartik has his minutes of glory when he delivers a long monologue on girls. Ishita as a scrounging girlfriend to Omkar is best among girls with Nushrat is close on her heels. Priyanka is fine too. Sharat is in his element while Mona has little to make an impact with. 

    Pyaar Ka Punchnama 2 enjoys the brand equity. The film has opened to very good response despite Navratri and Ram Leela season and should turn out to be a minor hit.

    Producer: Abhishek Pathak

    Director: Luv Ranjan

    Cast: Kartik Aaryan, Nushrat Bharucha, Sunny Singh, Sonalli Sehgall, Ishita Raj, Omkar Kapoor

    ‘Wedding Pullav:’ Unappetising fare, served cold

    Wedding Pullav is loosely based on the 1997 Hollywood movie, My Best Friend’s Wedding. This is also the launch pad for Film & Television Institute of India (FTII) alumni and Shashi and Anu Ranjan’s daughter Anushka Ranjan. When a girl is to be launched, romantic comedy would seem like a safe bet. Hence, ready to serve inspiration from Hollywood.

    Diganth Manchale is getting engaged to Sonalli Sehgal with who he thinks he is in love for, after all, she is the one who convinced him to pursue a course in MBA, got him a job in her dad, Parmeet Sethi’s company where he designs motorbikes! One would think an IIT grad would be better suited for such a job! But, an MBA is the flavour of the season.

    While there are minutes left for the mahurat for the engagement ceremony, Diganth is anxious because there is no way he can proceed unless his best friend since childhood, Anushka, does not arrive. Anushka and Diganth had a tiff four years ago after which she had left in a huff for London. So what makes her come to his engagement? No script is ever all perfect. The engagement is done with and when it comes to wedding time, the families concerned shift to Pattaya where the ceremony will take place.  

    Anushka makes a grand entry with a band in tow. She is tomboyish and her usual dress code is casuals, jeans mostly and that is what she wears at the engagement, too. For, if she dresses up as a glam girl, love happens. Which does when she ‘dresses to kill’ as she plans to go receive her boyfriend from London, Karan Grover. 

    Since Anushka and Diganth are best buddies, it is suggested that both the couples, Diganth and Sonalli as well as Anushka and Karan marry at the same venue back to back. And so, Karan arrives in Pattaya. The presence of another man in Anushka’s life sort of makes Diganth uncomfortable and, soon, he realises he loves Anushka and not Sonalli. 

    Even as Diganth gets drawn to Anushka more with every passing moment, he is committed to Sonalli and her father’s millions as well as his career. Also in attendance at the venue in Pattaya are his three friends, Anushka’s relatives Himani Shivpuri and grandma and, of course, his parents, Satish Kaushik and Upasana Singh. They all can see that Diganth actually loves Anushka but is marrying Sonalli. 

    So there are some melodramatic moments, which actually seem like hours to slow down the pace of the narration till Diganth realises and gathers enough courage to open his mind while just about everybody else knew who he loved including his bride to be, Sonalli and Anushka’s groom to be, Karan. 

    It is time to sum up things; the wedding rituals have started when Diganth decides to walk out of the ceremony and go searching for Anushka. Of course, Jai is very much there to complete the matchmaking. Love triumphs and hero and heroine get each other. QED. 

    Though inspired from a hit Hollywood film, the film lacks on reworking the script. The direction is just passable while the editing needed to be a bit crisper. For a love story, the music is lacking. Dialogue is not much either. Anushka is a sort of photoshop version of Juhi Chawla and few more though, eventually, fairly charming. Diganth needs getting used to and does not appeal when in mug shots. Karan has good screen presence. Sonalli is fair. Rishi Kapoor plays a cameo and makes his presence felt. Satish has nothing to back his comic yet is a wary father while Upasana is loud without a cause as she has always been. Himani is her usual self. Kitu Gidwani and Parmeet fill the bill. 

    Wedding Pullav is a film you can sit through but not carry home. Lacking face value, it faces a tough challenge of drawing the audience from show one. For after all, admission rates offer no discounts for a film sans face value.

    Producers: Shashi Ranjan, Anu Ranjan

    Director: Binod Pradhan

    Cast: Anushka Ranjan, Diganth Manchale, Sonalli Sehgall, Karan Grover, Rishi Kapoor, Satish Kaushik, Himani Shivpuri, Parmeet Sethi, Upasana Singh, Kitu Gidwani

  • ‘Piku,’ ‘Dum Laga Ke Haisha,’ ‘Mardaani’ screened at Indian Film Festival Japan

    ‘Piku,’ ‘Dum Laga Ke Haisha,’ ‘Mardaani’ screened at Indian Film Festival Japan

    MUMBAI: Yash Raj Films’ productions Mardaani and Dum Laga Ke Haisha along with MSM Motion Pictures’ Piku, which is co-produced by Saraswati Entertainment and Rising Sun Films and distributed by YRF are being showcased at the Indian Film Festival Japan.

     

    The festival is being held from 9 – 23 October, 2015.

     

    This year, the Indian Film Festival Japan festival opened with a screening of Piku on 9 October. The film starring Amitabh Bachchan, Irrfan Khan and Deepika Padukone, has already been screened at Indian Film Festivals in Russia and Australia.

     

    Dum Laga Ke Haisha director Sharat Katariya attended the screening of his film at the festival in Japan on 10 October.

     

    YRF’s Mardaani starring Rani Mukerji will be screened later this week.

     

    YRF vice president of international operations Avtar Panesar said, “It has always been our endeavour at YRF to take Indian cinema to the widest possible audience. It’s heart-warming to see native audiences connect with our films through festivals, which eventually lead to commercial releases. Japan is a very vibrant market and we hope to build on the earlier successes we have had with Jab Tak Hai Jaan andEk Tha Tiger.”

  • Warner Bros, Legendary plan ‘Godzilla,’ ‘King Kong’ trilogy

    Warner Bros, Legendary plan ‘Godzilla,’ ‘King Kong’ trilogy

    MUMBAI: Following Legendary’s and Warner Bros. Pictures’ 2014 success with the global reinvention of the Godzilla franchise, the companies have come together to create an epic, new shared cinematic franchise.

     

    The initial trio of films are 2017’s Kong: Skull IslandGodzilla 2 in 2018; and then Godzilla vs. Kong, arriving in theaters in 2020.

     

    All-powerful monsters become towering heroes for a new generation, revealing a mythology that brings together Godzilla and Legendary’s King Kong in an ecosystem of other giant super-species, both classic and new. Monarch, the human organization that uncovered Godzilla in the 2014 film, will expand their mission across multiple releases.

     

    While Legendary maintains its new home at Universal Pictures, the Godzilla films remain in partnership with Warner Bros., who will now also distribute Kong as a part of this franchise. Production on Kong: Skull Island begins 19 October.

     

    Warner Bros. and Legendary released Godzilla in May 2014 with an agreement to release Godzilla 2 on 8 June, 2018. Both films feature the human Monarch organization. Shortly following Legendary’s pact with NBC Universal, Legendary acquired rights to additional classic characters from Toho’s Godzilla universe, including Rodan, Mothra, and King Ghidorah. This paved the way for developing a franchise centered around Monarch and anchored by Godzilla, King Kong, and other famous creatures.

     

    When Legendary announced films centered on Godzilla and Kong, fans all over the world speculated these two characters might one day meet in the same film. Classic Toho monsters including King Ghidorah, Mothra, and Rodan, as announced at Comic-Con 2014, may also join the Legendary pantheon of giant monster mayhem going forward.

     

    Legendary CEO Thomas Tull said, “Audiences really responded to Godzilla. Today, I’m excited to reveal that film was only the beginning of an epic new entertainment universe. As a lifelong fan of these characters, I’ve always wanted to see the ultimate showdown, and today we’re pleased to be announcing that and more.”

     

    “Working with our partners at Legendary, we enjoyed tremendous creative and commercial success with Godzilla. It’s great to be able to revisit these characters and help create a franchise with so many creative possibilities for filmmakers. Fans love these big, globally iconic films and it doesn’t get any bigger than this,” added Warner Bros Chairman and CEO Kevin Tsujihara.

     

    Kong: Skull Island stars Tom Hiddleston, Sam Jackson, Brie Larson, John Goodman, Tian Jing, Corey Hawkins, Jason Mitchell, John Ortiz, Shea Whigham, and Toby Kebbell. Directed by Jordan Vogt-Roberts and written by Max Borenstein, John Gatins, Dan Gilroy, and Derek Connolly, Kong: Skull Island will fully immerse audiences in the mysterious and dangerous home of the king of the apes as a team of explorers ventures deep inside the treacherous, primordial island. Legendary’s Thomas Tull and Jon Jashni will produce with Mary Parent. Alex Garcia and Eric McLeod will executive produce. Warner Bros. will distribute the film in 3D and IMAX 3D on 10 March, 2017.

     

    Godzilla 2 will be written by Max Borenstein and directed by Gareth Edwards. Legendary is producing with Parent, and Garcia will executive produce. The film is set to be released by Warner Bros. on 8 June, 2018.

     

    Godzilla vs. Kong will be released in 2020.

  • Y-Films readies new web series ‘Bang Baaja Baaraat;’ ropes in Lakme as sponsor

    Y-Films readies new web series ‘Bang Baaja Baaraat;’ ropes in Lakme as sponsor

    MUMBAI: Buoyed by the success of its maiden web series called Man’s World, Yash Raj Films’ youth films wing – Y-Films is planning to launch its second web series – Bang Baaja Baaraat – on 4 November.

     

    The five-part series is directed by Anand Tiwari and written by Sumeet Vyas, Amritpal Bindra and Anand Tiwari. Bang Baaja Baaraat is thestory of two crazy families that come together for one mental wedding. 

     

    The cast includes Ali Fazal, Rajit Kapoor, Shernaz Patel, Gajraj Rao, Ayesha Raza, Neil Bhoopalam. The series will also mark the debut of YRF’s new find – Angira Dhar, who has also been signed up by the studio.

     

    Additionally, the studio has also brought on board Lakme as the sponsor of the series. 

     

    YRF talent management and Y-Films head and producer of the series Ashish Patil said, “Y-Films has always believed in pushing the boundaries of story-telling, our first series Man’s World was just the start of that journey on the web. With Bang Baaja Baaraat, we are upping the ante on the medium with one of the most incredible star casts that a web series has ever seen in India and a cinematic vision that’s never been seen on the net. The series itself is a fantastic ride, like a mad destination wedding gone wrong. Don’t miss it!”

     

    HUL vice president – skin care Srinandan Sundaram added, “Bang Baajaa Baaraat promises to be an entertaining wedding story that the young audiences will relate to. We are happy to partner with YRF on this endeavour with our brand Lakmé as this is a good opportunity to strengthen Lakmé’s image on styling for special occasions such as weddings, a pivotal moment in a woman’s life.”

     

    Mindshare Fulcrum leader Amin Lakhani said, “We, at Mindshare always thrive in coming up with unique ideas that connect a brand to its consumer. YRF’s forte of creating clutter breaking content & Mindshare’s expertise at driving innovations paves way for an iconic partnership. Given the grandeur & the star cast, we saw Bang Baaja Baaraat as a great opportunity for a contemporary brand like Lakmé. It has also given us a platform to engage the brand’s audience by creating interesting content around the series and its protagonist, Angira.”

     

    The series’ costumes have been exclusively designed and styled by Diva’ni – a YRF & KBSH brand.

  • Directorate of Film Festivals ropes in Sabu Cyril as art director for IFFI 2015

    Directorate of Film Festivals ropes in Sabu Cyril as art director for IFFI 2015

    NEW DELHI: The Directorate of Film Festivals of the Information and Broadcasting (I&B) Ministry, which organises the International Film Festival of India (IFFI) has roped in four-time National Award winner production designer Sabu Cyril to design all the sets for different components of this year’s festival. 

     

    The 46th International Film Festival of India will be held from 20 – 30 November, 2015.

     

    Right from the motif of the peacock as the logo for the festival to creating an appealing ambience at different event venues for delegates at Panaji in Goa, he will be bringing alive cinema in different shades at the IFFI.

     

    With a career spanning over two decades, Cyril has been associated with some of the landmark films in Hindi, Telugu, Malayalam, Kannada and Tamil cinema.

     

    Speaking about his association with IFFI 2015, Cyril said, “I am very pleased to be a part of one of the biggest film festivals of Asia. In a commercially competitive world of filmmaking, the International Film Festival of India is doing a great job of promoting aesthetically rich Indian films, which are no less than a masterpiece in the context of cinematography and art direction. It feels good to handle the creative responsibilities of one of the prestigious film festivals in the world. IFFI is a great platform for aspiring as well as established filmmakers to showcase their talent to global audience and let them experience the creativity of Indian cinema.”

     

    Directorate of Film Festivals director C. Senthil Rajan added, “Saby Cyril is a perfect combination of great credentials and imaginative skills and has been a part of some of the best and globally renowned Indian films. Under his creative guidance, I am sure the 46th IFFI would be a wonderful journey of visual opulence that will impress the film lovers across the globe.”

     

    Cyril began his production designing career in 1988 and till date has directed more than 2500 advertisements, three tele-serials and 115 feature films in various languages. In 1996, he directed the stage design for the Miss World beauty pageant.

     

    IFFI will showcase movies across sections including Indian and International Panorama, Indian and Foreign Retrospectives, tributes, special focus, workshops, short films, Master Classes and the Film Bazaar.