Category: Movies

  • Eros readies pipeline of 65 movies across 7 languages in 2016

    Eros readies pipeline of 65 movies across 7 languages in 2016

    MUMBAI: Even as it has been embroiled in controversy over the last few months regarding its accounting practices, Eros International is planning to release as many as 65 movies in 2016 across seven different Indian languages like Hindi, Marathi, Tamil, Telugu, Malayalam, Bengali and Punjabi.

     

    Additionally, Eros is also planning to release Sanjay Leela Bhansali’s Bajirao Mastani in China and other international markets in 2016.

     

    HINDI

     

    Eros’ Hindi films pipeline for 2016 includes R. Balki’s Ki & Ka starring Arjun Kapoor and Kareena Kapoor, the promos of which are already out. The company will also be releasing Sajid Nadiadwala’s Housefull 3 starring Akshay Kumar, and Rohit Dhawan’s Dishoom starring John Abraham and Varun Dhawan.

     

    Baar Baar Dekho – a love story starring Katrina Kaif and Siddharth Malhotra will be releasing in association with Dharma Production, whereas Rock On 2 featuring Farhan Akhtar and Shraddha Kapoor will be released with Excel Entertainment.

     

    After associating with producer-director Aanand L Rai on films like Tanu Weds Manu Returns and Raanjhanaa, Eros will release multiple films with Rai’s joint production company Colour Yellow Production. These include Nil Battey Sannata that has received a good response at various festivals including the 20th Busan International Film Festival, 59th BFI London Film Festival with Swara Bhaskar wining the Best Actress at the Silk Road Film Festival of China. Also in the pipeline are films like Happy Bhaag Jayegi, a comedy that will present the first-time pair of Abhay Deol and Diana Penty and Manmarziyan, a romantic drama starring Bhumi Pednekar and Ayushmann Khurrana. 

     

    Apart from these, Rai is also working on his own directorial film, which will go into production this summer.

     

    This Diwali, Eros will release Ajay Devgn’s action drama – Shivaay. 

     

    After co-producing films like Goliyon Ki Rasleela Ram-Leela and Bajirao Mastani, Eros and Bhansali Productions will be joining hands on more co-productions, details of which will be announced at a later date. 

     

    Also scheduled to go on floor this year will be Eros and Phantom’s socio-drama superhero film Bhavesh Joshistarring Harshvardhan Kapoor to be directed by Vikramaditya Motwane.

     

    Other films slated to release in 2016 include Hansal Mehta’s critically-acclaimed Aligarh, Marathi director and National award winner Ravi Jadhav’s Hindi debut Banjo starring Riteish Deshmukh and Nargis Fakri, director Mohit Jha’s sports drama Saat Kadam and Pawan Kripalani’s psychological thriller Phobia starring Raadhika Apte.

     

    Eros will also release Vinay Sapru and Radhika Rao’s musical love story Sanam Teri Kasam starringnewcomers Harshvardhan Rane and Pakistani actress Mawra Hocane; Do Lafzon Ki Kahani by Deepak Tijori with Randeep Hooda and Kajal Agarwal as the lead pair along with Saif Ali Khan starrer Chef, a remake of 2014’s Hollywood hit Chef.

     

    REGIONAL LANGUAGES

     

    The company’s regional slate includes Marathi films like Sanjay Jadhav’s Guru, National award winning director Sujay Dahake’s Phuntroo, and Prakash Kunte’s & Jara Hatke. 

     

    Eros has already released the Telugu films – Balakrishna’s Dictator on 14 January, Pawan Kalyan’s Sardar Gabbar Singh, Mammootty’s Malayalam films White and Fahad Fazil’s Nale along with 2 Penkuttikalfeaturing Tovino Thomas, Amala Paul, Anju Kurian and Anna Fathima.

     

    Following the release of Bengali film Monchora by Sandip Ray with Abir Chatterjee and Raima Sen in January, Eros will release Prakton directed by Shiboprasad Mukherjee starring Prosenjit Chatterjee and Rituparna Sengupta paired together after a decade. 

     

    The Tamil movies’ in the pipeline include the Sivakarthikeyan starrer Rajini Murugan that released earlier this month; Suriya’s 24 directed by Vikram, Enkitta Mothathe, which is cinematographer Natarajan Subramaniam’s (Nutty) debut as an actor with Sanchita Shetty directed by Ramu Chellapa, actor Jaya Prada’s first Tamil production Uyire Uyire, Suriya’s Singam 3, Kai Neelam directed by Nalan Kumarsamy, Oru Kidayin Karunai Mamu directed by Suresh Sangiah and an untitled film starring mega star Karthi.

     

    The company is also collaborating with Harry Baweja to co-produce the sequel to the 3D animation film, Chaar Sahibzade, titled Chaar Sahibzaade 2 (Rise of Banda Singh Bahadur) followed by another 3D animation film Guru Tegh Bahadur. 

     

    Commenting on the company’s line-up, Eros International Media managing director Sunil Lulla said, “We have seen an excellent 2015 with the resounding success of Tanu Weds Manu Returns, peaking with the multiple-record breaking Bajrangi Bhaijaan and ending the year with our crowning glory Bajirao Mastani. We are at a very exciting phase in Eros and have an equally promising slate coming up this year that will reinforce and further strengthen our leadership position in the Indian media and entertainment industry. As a strategy, we will continue to diversify our presence across difference film genres, budgets and languages with a mix of popular and content driven cinema. In a few weeks, we will showcase to the world the first set of films under our Trinity franchise banner. Also scheduled to go on floor this year are some exciting directorial ventures by Sanjay Leela Bhansali, Kabir Khan, Aanand L Rai, Homi Ajadania, Sujoy Ghosh, Nishikant Kamat and Siddharth Anand. We hope and believe that 2016 will be just as magical as 2015 has been.”

  • ‘Airlift:’ A dose of patriotism

    ‘Airlift:’ A dose of patriotism

    Stories are at a premium for film scripts, so are the imaginative script writers and, if there are a few around, the makers are not willing to indulge them at premium. No wonder that more often than not, even our superstars fail to carry a film through.

    In quest of new themes, some makers tried with scripts our people dream about; like bringing Dawood back (D-Day) or like assassinating a Pakistani terror outfit chief (Baby). However, these films did not really convince the film buffs; they were daydreams, after all.

    Airlift, hence, is about a real life massive venture of safeguarding 1.7 lakh Indian expatriates in Kuwait when Iran invaded the country in 1990. Makers in search of real life stories have made films like Who Killed Jessica, Talvar, Manjhi, Pan Singh Tomar, Bhaag Milkha Bhaag etc may confuse the event with the last year’s airlifting/shipping Indians out of Middle East.

    While all above named films have been dramatised for film adaptations, Airlift has taken such a liberty by combining the actions of four protagonists of this 1990 Kuwait operation into one hero in Akshay Kumar.

    Akshay is a successful businessman in Kuwait living with his wife, Nimrat Kaur, and a daughter. He has taken to Kuwait and feels very much at home there; India no more means much to him. That is when his world turns topsy-turvy. The long running feud between Iraq and Kuwait climaxes into Iraq’s invasion of Kuwait. Initially, Akshay as well as other expats think it is another usual threat till they see Iraqi troops demolishing Kuwait and killing the locals at random.

    Fortunately for Akshay and others, India is considered a friendly nation by Iraq and the troops have instructions not to harm Indians. Akshay senses the seriousness of the situation and decides to send away Nimrat and his daughter to England till things settle down. But, while driving through the city, he is captured by soldiers. His driver is shot dead. He is presented in front of the Iraqi army general. Again fortunately for Akshay, the general knows him from one of his trips to Iraq when he was in charge of Akshay’s security. He promises help for a consideration.

    As Akshay visits his office, his staff members look at him expectantly and it soon dawns on him that only he and his family can’t run away leaving his people behind. He settles all his staffers and their families in the office premises and, to his surprise, soon discovers that those who have taken refuge in and around his office don’t all belong to his company.

    The situation around makes him a changed man. From a hardcore, self-centred businessman, he has softened up into a caring person; he takes charge of the Indians who have taken shelter with him and plans on getting them out of Kuwait. His contacts are no use in such a situation, only dollar talk is understood.

    Akshay’s efforts to involve the Indian embassies in Kuwait as well as Iraq fail. So do his attempts to involve the Indian government. The lethargic babus don’t want to take the responsibility while the ministers concerned are not even willing to face the one babu who shows concern and appeals on behalf of the 1.7 lakh Indians. But, it is because of that one babu’s persistence that the minister finally approves action.

    Airlift may come as a new story to the audience who generally is exposed to little besides cross border terrorism. For them, the film is informative with the plus being this is a true account. But, that being the case, the film also has a documentary kind of effect, especially through its first part. Post interval, the film picks up pace as the evacuation drama unfolds and comes up with moments, which stir up patriotism in the viewer. Considering the dry subject, efforts are made to keep the script and narrative as tight and short as possible.

    Direction is generally good sticking to ambience of the region. However, the Iraqi shoulders look shabby and un-Iraqi like. The film has a pleasant musical score and, considering the theme, all songs play in the background. Camera work is apt. Dialogue is sharp. Casting is perfect with Akshay being just the star to invoke patriotism. Nimrat does very well as do others.

    Airlift caters mainly to the elite audience. Its opening is fair. The film, however, should pick up over the weekend with 26 January – Republic Day fervour adding to the patriotic quotient.

    Producers: Bhushan Kumar, Krishan Kumar, Nikhil Advani

    Director: Raja Krishna Menon

    Cast: Akshay Kumar, Nimrat Kaur, Purab Kohli, Prakash Belawadi, Kumud Mishra, Avtar Gill

    ‘Kyaa Kool Hain Hum 3:’ About being fools!

    Kyaa Kool Hain Hum 3 is the third instalment of the Kyaa Kool… series from Balaji Motion Pictures, a sex comedy that has proved lucrative for the makers. The idea is titillation bordering on vulgarity.

    Aftab Shivdasani and Tusshar Kapoor are best friends who are doing things together. Tusshar has a problem with colours, which affects his eyes. The pair usually goofs up and is rendered penniless as well as homeless.

    A friend, Krishna Abhishek, throws them a lifeline and invites them to visit him in Bangkok where he makes porn films. His aides and stars are Claudia Ciesla, Gizele Thakral, Andy Kumar and Danny Sura. Tusshar and Aftab are offered to do porn films, which they are reluctant to do at first. But, they need money badly and that makes them change their minds.

    There has to be something in the name of story to go on so, Tusshar falls in love with Mandana Karimi. Mandana’s father, Darshan Jariwala, however, wants to meet his daughter’s choice along with his family. Where would Tusshar get a family from? Easy! His porn star team comes to his aid. They all have to present themselves as a traditional sanskari family to Jariwala. This is where the film is expected to generate comic situations with its acting challenged cast, some of which has been imported from Bigg Boss show.

    Hindi comedy is usually about gags stolen from here and there and slaps and lewd expressions aided by double meaning dialogue. This film tries to include all of that.

    Uday Ghadge has directed a Marathi film earlier and assisted David Dhawan on a few films. Dhawan’s flair for comedy does not seem to have influenced him. The film is average in all aspects with even songs being of no help.

    Kyaa Kool Hain Hum 3 will find some audience in youth and single screens.

    Producers: Shobha Kapoor, Ekta Kapoor

    Director: Uday Ghadge

    Cast: Tusshar Kapoor, Aftab Shivdasani, Krishna Abhishek, Mandana Karimi, Darshan Jariwala, Gizele Thakral, Claudia Ciesla, Shakti Kapoor

  • ‘Airlift:’ A dose of patriotism

    ‘Airlift:’ A dose of patriotism

    Stories are at a premium for film scripts, so are the imaginative script writers and, if there are a few around, the makers are not willing to indulge them at premium. No wonder that more often than not, even our superstars fail to carry a film through.

    In quest of new themes, some makers tried with scripts our people dream about; like bringing Dawood back (D-Day) or like assassinating a Pakistani terror outfit chief (Baby). However, these films did not really convince the film buffs; they were daydreams, after all.

    Airlift, hence, is about a real life massive venture of safeguarding 1.7 lakh Indian expatriates in Kuwait when Iran invaded the country in 1990. Makers in search of real life stories have made films like Who Killed Jessica, Talvar, Manjhi, Pan Singh Tomar, Bhaag Milkha Bhaag etc may confuse the event with the last year’s airlifting/shipping Indians out of Middle East.

    While all above named films have been dramatised for film adaptations, Airlift has taken such a liberty by combining the actions of four protagonists of this 1990 Kuwait operation into one hero in Akshay Kumar.

    Akshay is a successful businessman in Kuwait living with his wife, Nimrat Kaur, and a daughter. He has taken to Kuwait and feels very much at home there; India no more means much to him. That is when his world turns topsy-turvy. The long running feud between Iraq and Kuwait climaxes into Iraq’s invasion of Kuwait. Initially, Akshay as well as other expats think it is another usual threat till they see Iraqi troops demolishing Kuwait and killing the locals at random.

    Fortunately for Akshay and others, India is considered a friendly nation by Iraq and the troops have instructions not to harm Indians. Akshay senses the seriousness of the situation and decides to send away Nimrat and his daughter to England till things settle down. But, while driving through the city, he is captured by soldiers. His driver is shot dead. He is presented in front of the Iraqi army general. Again fortunately for Akshay, the general knows him from one of his trips to Iraq when he was in charge of Akshay’s security. He promises help for a consideration.

    As Akshay visits his office, his staff members look at him expectantly and it soon dawns on him that only he and his family can’t run away leaving his people behind. He settles all his staffers and their families in the office premises and, to his surprise, soon discovers that those who have taken refuge in and around his office don’t all belong to his company.

    The situation around makes him a changed man. From a hardcore, self-centred businessman, he has softened up into a caring person; he takes charge of the Indians who have taken shelter with him and plans on getting them out of Kuwait. His contacts are no use in such a situation, only dollar talk is understood.

    Akshay’s efforts to involve the Indian embassies in Kuwait as well as Iraq fail. So do his attempts to involve the Indian government. The lethargic babus don’t want to take the responsibility while the ministers concerned are not even willing to face the one babu who shows concern and appeals on behalf of the 1.7 lakh Indians. But, it is because of that one babu’s persistence that the minister finally approves action.

    Airlift may come as a new story to the audience who generally is exposed to little besides cross border terrorism. For them, the film is informative with the plus being this is a true account. But, that being the case, the film also has a documentary kind of effect, especially through its first part. Post interval, the film picks up pace as the evacuation drama unfolds and comes up with moments, which stir up patriotism in the viewer. Considering the dry subject, efforts are made to keep the script and narrative as tight and short as possible.

    Direction is generally good sticking to ambience of the region. However, the Iraqi shoulders look shabby and un-Iraqi like. The film has a pleasant musical score and, considering the theme, all songs play in the background. Camera work is apt. Dialogue is sharp. Casting is perfect with Akshay being just the star to invoke patriotism. Nimrat does very well as do others.

    Airlift caters mainly to the elite audience. Its opening is fair. The film, however, should pick up over the weekend with 26 January – Republic Day fervour adding to the patriotic quotient.

    Producers: Bhushan Kumar, Krishan Kumar, Nikhil Advani

    Director: Raja Krishna Menon

    Cast: Akshay Kumar, Nimrat Kaur, Purab Kohli, Prakash Belawadi, Kumud Mishra, Avtar Gill

    ‘Kyaa Kool Hain Hum 3:’ About being fools!

    Kyaa Kool Hain Hum 3 is the third instalment of the Kyaa Kool… series from Balaji Motion Pictures, a sex comedy that has proved lucrative for the makers. The idea is titillation bordering on vulgarity.

    Aftab Shivdasani and Tusshar Kapoor are best friends who are doing things together. Tusshar has a problem with colours, which affects his eyes. The pair usually goofs up and is rendered penniless as well as homeless.

    A friend, Krishna Abhishek, throws them a lifeline and invites them to visit him in Bangkok where he makes porn films. His aides and stars are Claudia Ciesla, Gizele Thakral, Andy Kumar and Danny Sura. Tusshar and Aftab are offered to do porn films, which they are reluctant to do at first. But, they need money badly and that makes them change their minds.

    There has to be something in the name of story to go on so, Tusshar falls in love with Mandana Karimi. Mandana’s father, Darshan Jariwala, however, wants to meet his daughter’s choice along with his family. Where would Tusshar get a family from? Easy! His porn star team comes to his aid. They all have to present themselves as a traditional sanskari family to Jariwala. This is where the film is expected to generate comic situations with its acting challenged cast, some of which has been imported from Bigg Boss show.

    Hindi comedy is usually about gags stolen from here and there and slaps and lewd expressions aided by double meaning dialogue. This film tries to include all of that.

    Uday Ghadge has directed a Marathi film earlier and assisted David Dhawan on a few films. Dhawan’s flair for comedy does not seem to have influenced him. The film is average in all aspects with even songs being of no help.

    Kyaa Kool Hain Hum 3 will find some audience in youth and single screens.

    Producers: Shobha Kapoor, Ekta Kapoor

    Director: Uday Ghadge

    Cast: Tusshar Kapoor, Aftab Shivdasani, Krishna Abhishek, Mandana Karimi, Darshan Jariwala, Gizele Thakral, Claudia Ciesla, Shakti Kapoor

  • Disney delays ‘Star Wars: Episode VIII’ release; replaces it with ‘Pirates’

    Disney delays ‘Star Wars: Episode VIII’ release; replaces it with ‘Pirates’

    MUMBAI: Walt Disney Studios has postponed the release of Star Wars: Episode VIII from 26 May, 2017 to 15 December of the same year.

     

    With Star Wars: Episode VIII jumping to December, Disney’s Pirates of the Caribbean: Dead Men Tell No Tales will set sail on 26 May, 2017, from its previously scheduled 7 July, 2017, berth.

     

    The move follows the success of Star Wars: The Force Awakens, which was the first Star Wars movie to premiere in December. In the popular holiday moviegoing corridor, it smashed numerous records, including biggest domestic and global debuts of all time as well as the biggest domestic second and third weekends, en route to becoming the highest grossing domestic release of all time with over $861 million and the third biggest global release ever with $1.887 billion.

     

    Written and directed by Rian Johnson, Star Wars: Episode VIII is currently in pre-production and will begin principal photography in London next month. Kathleen Kennedy and Ram Bergman will produce and J.J. Abrams, Tom Karnowski, and Jason McGatlinwill executive produce.

     

    In Pirates of the Caribbean: Dead Men Tell No Tales, Johnny Depp returns as Captain Jack Sparrow with Geoffrey Rush back on board as Barbossa, Orlando Bloom resurfacing as Will Turner, and a terrifying new adversary, Captain Salazar, played by Javier Bardem, in the mix. Produced by Jerry Bruckheimer and directed by Joachim R?nning and Espen Sandberg, the film is currently in post-production.

  • Disney delays ‘Star Wars: Episode VIII’ release; replaces it with ‘Pirates’

    Disney delays ‘Star Wars: Episode VIII’ release; replaces it with ‘Pirates’

    MUMBAI: Walt Disney Studios has postponed the release of Star Wars: Episode VIII from 26 May, 2017 to 15 December of the same year.

     

    With Star Wars: Episode VIII jumping to December, Disney’s Pirates of the Caribbean: Dead Men Tell No Tales will set sail on 26 May, 2017, from its previously scheduled 7 July, 2017, berth.

     

    The move follows the success of Star Wars: The Force Awakens, which was the first Star Wars movie to premiere in December. In the popular holiday moviegoing corridor, it smashed numerous records, including biggest domestic and global debuts of all time as well as the biggest domestic second and third weekends, en route to becoming the highest grossing domestic release of all time with over $861 million and the third biggest global release ever with $1.887 billion.

     

    Written and directed by Rian Johnson, Star Wars: Episode VIII is currently in pre-production and will begin principal photography in London next month. Kathleen Kennedy and Ram Bergman will produce and J.J. Abrams, Tom Karnowski, and Jason McGatlinwill executive produce.

     

    In Pirates of the Caribbean: Dead Men Tell No Tales, Johnny Depp returns as Captain Jack Sparrow with Geoffrey Rush back on board as Barbossa, Orlando Bloom resurfacing as Will Turner, and a terrifying new adversary, Captain Salazar, played by Javier Bardem, in the mix. Produced by Jerry Bruckheimer and directed by Joachim R?nning and Espen Sandberg, the film is currently in post-production.

  • Cinepolis creates video to correlate the love between movies and popcorns

    Cinepolis creates video to correlate the love between movies and popcorns

    MUMBAI: On the occasion of National Popcorn Day on 19 January 2016, India’s first International cinema chain and the world’s fourth largest exhibitor, Cinépolis releases a heart-warming video celebrating the intrinsic link between movie-going and this universally loved snack. The video illustrates how watching a film in a theatre is absolutely incomplete without digging into a bag of delicious popcorn.

    Conceptualized by Cinépolis Global Team, the film light-heartedly turns the spotlight on several people who walk into the cinema resisting the urge to buy the snack. These very movie-goers end up indulging whole-heartedly in their companion’s bag of popcorn when they are immersed in their films. The video sums up this trend by saying, 60% people buy popcorn at Cinépolis. 100% eat!

    A tribute to the light, fluffy, flavoured favourite of cine-lovers, the video is backed by a study of popcorn consumption patterns in India which suggests that the money spent on this snack has almost doubled between 2012 and 2015 and currently stands at Rs 2,034 crore. The most loved flavours in the country are butter salted, caramel and cheese. The combination of a cold beverage and popcorn stands out as the most preferred snack inside cinema halls which comes as no surprise. After all, the identities of popcorn and movie watching are inherently tied together and Cinépolis has been fuelling this relationship with the superlative popcorn it serves at its cinema screens across the globe!

  • Box Office: ‘Chalk N Duster’ lacklustre; ‘Wazir’ rakes in Rs 28.4 crore

    Box Office: ‘Chalk N Duster’ lacklustre; ‘Wazir’ rakes in Rs 28.4 crore

    MUMBAI: Despite sporting a horde of talent in Shabana Azmi, Juhi Chawla, Richa Chaddha, Divya Dutta and Zarina Wahab, Chalk N Duster had a lacklustre performance at the box office. The theme failed to appeal viewers and the movie has just about managed to touch the Rs 1 crore mark in its opening weekend.

     

    On the other hand, the Amitabh Bachchan and Farhan Akhtar starrer Wazir drops as the week progresses. The film added little over the next four days after a weak opening weekend of Rs 19.85 and finishes its first week with Rs 28.4 crore.

     

    Dilwale added Rs 1.75 crore in its fourth week to take its four week tally to Rs 138.75 crore. While the other big film Bajirao Mastani collected Rs 7.5 crore in its fourth week to take its four week total to Rs 165.9 crore.

     

    The beginning of 2016 has so far been poor with no film sustaining at the box office. The exhibitors desperately need a film that can sustain for at least a couple of weeks. The coming lineup starting with the Akshay Kumar starrer Airlift this coming Friday is expected to bring in some relief.

  • Viacom18 Motion Pictures to release ‘Santa Banta Pvt Ltd’ on 11 March

    Viacom18 Motion Pictures to release ‘Santa Banta Pvt Ltd’ on 11 March

    MUMBAI: Viacom18 Motion Pictures will be releasing the comic caper Santa Banta Pvt Ltd on 11 March, 2016.

     

    The movie is produced by Viacom18 Media and Cinetek Telefilms.

     

    Santa Banta Pvt Ltd is an out-an-out laugh riot that chronicles the misadventures of Santa and Banta in the island of Fiji.

     

    Directed by Akashdeep Sabir, the film stars Boman Irani, Vir Das, Lisa Haydon and Neha Dhupia.

  • Reliance to release ‘Ghayal Once Again’ in India; B4U to distribute internationally

    Reliance to release ‘Ghayal Once Again’ in India; B4U to distribute internationally

    MUMBAI: The Sunny Deol starrer Ghayal Once Again, which is the sequel to the yesteryears film Ghayal, will be distributed in India by Reliance Entertainment.

     

    Internationally, the movie will be distributed by B4U.

     

    Ghayal Once Again will release on 5 February, 2016. The movie’s release date has been pushed from January as Reliance Entertainment and Deol’s teams will be strategising on efficiently promoting and distributing the movie.

  • ‘Chalk N Duster:’ Insipid tale

    ‘Chalk N Duster:’ Insipid tale

    MUMBAI: Chalk N Duster is an almost all-women game of politics taking place at a school, bearing a traditional old-fashioned name like Kantaben High School. There is a bunch of teachers, dedicated as they can be until an overly ambitious new principal steps in.

     

    Divya Dutta manipulates her way to the position of the principal of Kantaben High School by ousting Zarina Wahab from the post. From there on, she wants to convert this traditional institution into a much-in-vogue “international school.” The overpriced school would automatically render it unaffordable for poor children making it a school only for the rich. The trustee of the school, Arya Babbar, supports her whims.

     

    Now Dutta needs to get rid of the current lot of teachers. To achieve her goal, she starts harassing the teachers, changing the rules hoping this would force them to resign. While she harasses the teachers she wants to get rid of, she also rewards those who follow her line with better positions.

     

    She starts with sacking teachers she does not want. As she sacks veteran teacher Shabana Azmi, there is a reaction but the others know they can’t do anything about it. However, a fellow teacher, Juhi Chawla, takes up the issue and also gets sacked in the bargain.

     

    Babbar is delighted at the events at his school and also challenges the chairman of a rival school, Jackie Shroff, that his school will become more reputed than his. That boast proves costly for Babbar as Shroff does not take kindly to this dare. He decides to involve the media into the matters of Kantaben High School and soon a reporter, Richa Chadha, exposes the deeds of Babbar and Dutta on national television, no less.

     

    Chalk N Duster has a horde of talented actors but this badly written and directed film fails to exploit their worth. It needed the duster right when the first draft for the film was penned.

     

    Chalk N Duster is an insipid film unlikely to attract audience.

     

    Producer: Amin Surani

     

    Director: Jayant Gilatar

     

    Cast: Shabana Azmi, Juhi Chawla, Divya Dutta, Upasna Singh, Girish Karnad, Zarina Wahab, Aarya Babbar, Samir Soni and Adi Irani with special appearances by Rishi Kapoor, Jackie Shroff and Richa Chaddha