Category: Movies

  • HBO to hold Indian premiere of ‘Terminator Genisys’ on 12 June

    HBO to hold Indian premiere of ‘Terminator Genisys’ on 12 June

    MUMBAI: Indian fans of the fiction action film Terminator Genisys have a reason to rejoice. The much awaited movie is premiering for the very first time on Indian television on 12 June 2016 at 1 pm exclusively on HBO.

    Directed by Alan Taylor and written by Laeta Kalogridis and Patrick, the fifth instalmentof the franchise, stars Arnold Schwarzenegger reprising his role as the eponymous, along with Jason Clarke, Emilia Clarke and Jai Courtney. The film’s plot follows soldier Kyle Reese in the war against Skynet, who is sent from the year 2029 to 1984 by John Connor, leader of the Human Resistance, to protect Connor’s mother Sarah Connor. However, once Reese goes back in time, he discovers Sarah has been raised by a reprogrammed Terminator.

    The movie’s marketing campaign across social media pages of HBO is set to ignite the imagination of moviegoers across India. HBO will give a chance to movie enthusiasts to participate in the terminator era by creating their own customised gif & also stand a chance to win exclusive Terminator merchandise. Other exciting contests include uploading a photo of a daily object as a possible weapon on the Instagram page with the hashtag #TerminatorOnHBO.and a twitter battle for the movie buffs. The tweet battle will run a poll for the fans to choose where their loyalty lies- with the power of machine or emotions of a human by commenting with the hashtag #ManVsMachine.

    Directed by Alan Taylor, Terminator Genisys stars; Arnold Schwarzenegger, Jason Clarke, Emilia Clarke, Jai Courtney, J. K. Simmons, Dayo Okeniy, iMatt, Smith, Courtney B. Vance, Lee Byung-hun.

  • Box Office: Housefull 3 – decent collection

    Box Office: Housefull 3 – decent collection

    MUMBAI: Akshay Kumar’s films have a safe selling price because of which they also have a safe recovery target. Most of his films fold up within the hundred crore mark save for a couple.

    Houseful 3 has been panned by our critics who will praise the similar Dumb & Dumber or The Nice Guys of the similar genre. Houseful 3 is an entertainer even if branded a no brainer. The public has been deprived of a mass entertainer catering to all sort of audience for over three months because of which the film has had a decent opening. It has maintained well and the collections saw a huge leap on Sunday to end its opening weekend with Rs 53.25 crore.

    The collections will affected from tomorrow onwards as Ramadan sets in.

    Project Marathwada was poor.

    Waiting, despite Naseeruddin Shah in the lead, has failed to stir up any interest in the audience. The film has managed to collect barely Rs 1.9 crore in its first week.

    Phobia, a kind of thriller laced with horror, collected Rs 2.95 crore in its first week.

    Veerappan, did better finding some support from single screen mass cinemas. The film collected Rs 6.75 crore in its first week.

    Fredrick went down as a total loss project.

    Sarbjit collected Rs 6.65 crore in its second week to take its two week tally to Rs 26.05 crore.
    Azhar added Rs 30 lakh in its third week taking its three week total to Rs 31.95 crore.

    Baaghi has added Rs 20 lakh in its fifth week to take its five week total to Rs 78.25 crore.

  • Box Office: Housefull 3 – decent collection

    Box Office: Housefull 3 – decent collection

    MUMBAI: Akshay Kumar’s films have a safe selling price because of which they also have a safe recovery target. Most of his films fold up within the hundred crore mark save for a couple.

    Houseful 3 has been panned by our critics who will praise the similar Dumb & Dumber or The Nice Guys of the similar genre. Houseful 3 is an entertainer even if branded a no brainer. The public has been deprived of a mass entertainer catering to all sort of audience for over three months because of which the film has had a decent opening. It has maintained well and the collections saw a huge leap on Sunday to end its opening weekend with Rs 53.25 crore.

    The collections will affected from tomorrow onwards as Ramadan sets in.

    Project Marathwada was poor.

    Waiting, despite Naseeruddin Shah in the lead, has failed to stir up any interest in the audience. The film has managed to collect barely Rs 1.9 crore in its first week.

    Phobia, a kind of thriller laced with horror, collected Rs 2.95 crore in its first week.

    Veerappan, did better finding some support from single screen mass cinemas. The film collected Rs 6.75 crore in its first week.

    Fredrick went down as a total loss project.

    Sarbjit collected Rs 6.65 crore in its second week to take its two week tally to Rs 26.05 crore.
    Azhar added Rs 30 lakh in its third week taking its three week total to Rs 31.95 crore.

    Baaghi has added Rs 20 lakh in its fifth week to take its five week total to Rs 78.25 crore.

  • Houseful 3……Happy hours!

    Houseful 3……Happy hours!

    MUMBAI: Houseful 3 follows Sajid Nadiadwala’s Houseful (2010) and Houseful 2 (2012), both of which saw varying degrees of success. This instalment too follows the same pattern of many characters filling the screen with silly gags and actions that are meant to keep the viewer occupied. In short, it is a leave-your-brain-at-home film that does not require a script.

    Boman Irani is a kind of shipping tycoon based in UK with three daughters, Jacqueline Fernandez, Nargis Fakhri and Lisa Haydon who he assumes to be simple, sanskari girls living according to their names: Ganga, Jamuna and Saraswati. He has some superstition about women in his family marrying because there are instances of bad happenings in the aftermath.

    However, unknown to Boman as well as to each other, all three sisters have a man in their life. These are Akshay Kumar, Abhishek Bachchan and Riteish Deshmukh. These three pretend to be in love but their real aim is to pocket many millions of wealth that vests between these three sisters.

    Boman has sought the help of Chunky Pandey, playing Aakhri Pasta in all the films, who comes dressed as a fortuneteller and predicts that the marriage of each girl bodes ill for Boman, who will die the moment the each sister’s man sets eyes on him, or steps into the house or utters the first word to Boman, respectively.

    For the comedy and buffoonery to happen, most of the characters have to be under one roof. The girls and guys devise a plan. Akshay, an aspiring footballer, comes over on a wheel chair, he is incapable of stepping down or walking so Boman is safe on that count. Abhishek, dreaming of becoming a rapper, enters the house as a mute so there is no question of uttering a word to Boman. Riteish, who is raring to become a formula one driver, pretends to be blind; he can’t set eyes on Boman and hence even the third bad omen is ineffective.

    Now enter three more suitors for these girls in Nikitin Dheer, Sameer Kochhar and Arav Chowdhary. Just out of jail, they are presented as Boman’s choice for the girls. Jackie Shroff enters the scene. An ex-don of Mumbai, Jackie is also just out of jail and decides to meet his underling, Boman in London. When jailed, Jackie had transferred Boman along with all his wealth to London. He also agrees with Boman’s choice of boys.

    For Dheer, Kochhar and Chowdhary, the hitch is that though Boman and Jackie prefer them for the girls, but the girls love Akshay, Abhishek and Riteish. After some more one-upmanship duels between the two groups, the good have to win over the evil. The idea is toraise some laughter and, hence, the battles have to be won with wit, not hand-to-hand fights.

    The film does not have to adhere to a particular script. It resorts to gags to follow a loosely woven story and anything can be turned or twisted at will. On that count, Sajid and Farhad do a fair job. The film has passable musical score despite a number of lyric writers and composers; however, the choreography is executed in an entertaining manner. Photography captures lush London locations very well.

    As for performances, Akshay Kumar, playing one with a split personality, excels in this film with his varied expressions and deadpan timing. Abhishek and Riteish play the perfect foils. Jacqueline, Nargis and Lisa add to the glamour quotient. Boman and Jackie do well. Of the three villains, Nikitin towers over the rest while Kochhar and Chowdhary are okay.

    Houseful 3 is a fair entertainer to hit the cinemas after a long draught. The film caters to all kind of audience and should manage a decent stay at the box office.

    Producer: Sajid Nadiadwala.

    Directors: Sajid, Farhad.

    Cast: Akshay Kumar, Abhishek Bachchan, Riteish Deshmukh, Jacqueline Fernandez, Nargis Fakhri, Lisa Haydon, Boman Irani, Jackie Shroff, Chunky Pandey, Nikitin Dheer, Sameer Kochhar, Arav Chowdhary.

  • Houseful 3……Happy hours!

    Houseful 3……Happy hours!

    MUMBAI: Houseful 3 follows Sajid Nadiadwala’s Houseful (2010) and Houseful 2 (2012), both of which saw varying degrees of success. This instalment too follows the same pattern of many characters filling the screen with silly gags and actions that are meant to keep the viewer occupied. In short, it is a leave-your-brain-at-home film that does not require a script.

    Boman Irani is a kind of shipping tycoon based in UK with three daughters, Jacqueline Fernandez, Nargis Fakhri and Lisa Haydon who he assumes to be simple, sanskari girls living according to their names: Ganga, Jamuna and Saraswati. He has some superstition about women in his family marrying because there are instances of bad happenings in the aftermath.

    However, unknown to Boman as well as to each other, all three sisters have a man in their life. These are Akshay Kumar, Abhishek Bachchan and Riteish Deshmukh. These three pretend to be in love but their real aim is to pocket many millions of wealth that vests between these three sisters.

    Boman has sought the help of Chunky Pandey, playing Aakhri Pasta in all the films, who comes dressed as a fortuneteller and predicts that the marriage of each girl bodes ill for Boman, who will die the moment the each sister’s man sets eyes on him, or steps into the house or utters the first word to Boman, respectively.

    For the comedy and buffoonery to happen, most of the characters have to be under one roof. The girls and guys devise a plan. Akshay, an aspiring footballer, comes over on a wheel chair, he is incapable of stepping down or walking so Boman is safe on that count. Abhishek, dreaming of becoming a rapper, enters the house as a mute so there is no question of uttering a word to Boman. Riteish, who is raring to become a formula one driver, pretends to be blind; he can’t set eyes on Boman and hence even the third bad omen is ineffective.

    Now enter three more suitors for these girls in Nikitin Dheer, Sameer Kochhar and Arav Chowdhary. Just out of jail, they are presented as Boman’s choice for the girls. Jackie Shroff enters the scene. An ex-don of Mumbai, Jackie is also just out of jail and decides to meet his underling, Boman in London. When jailed, Jackie had transferred Boman along with all his wealth to London. He also agrees with Boman’s choice of boys.

    For Dheer, Kochhar and Chowdhary, the hitch is that though Boman and Jackie prefer them for the girls, but the girls love Akshay, Abhishek and Riteish. After some more one-upmanship duels between the two groups, the good have to win over the evil. The idea is toraise some laughter and, hence, the battles have to be won with wit, not hand-to-hand fights.

    The film does not have to adhere to a particular script. It resorts to gags to follow a loosely woven story and anything can be turned or twisted at will. On that count, Sajid and Farhad do a fair job. The film has passable musical score despite a number of lyric writers and composers; however, the choreography is executed in an entertaining manner. Photography captures lush London locations very well.

    As for performances, Akshay Kumar, playing one with a split personality, excels in this film with his varied expressions and deadpan timing. Abhishek and Riteish play the perfect foils. Jacqueline, Nargis and Lisa add to the glamour quotient. Boman and Jackie do well. Of the three villains, Nikitin towers over the rest while Kochhar and Chowdhary are okay.

    Houseful 3 is a fair entertainer to hit the cinemas after a long draught. The film caters to all kind of audience and should manage a decent stay at the box office.

    Producer: Sajid Nadiadwala.

    Directors: Sajid, Farhad.

    Cast: Akshay Kumar, Abhishek Bachchan, Riteish Deshmukh, Jacqueline Fernandez, Nargis Fakhri, Lisa Haydon, Boman Irani, Jackie Shroff, Chunky Pandey, Nikitin Dheer, Sameer Kochhar, Arav Chowdhary.

  • Producer, trade analyst and editor Vikas Mohan no more

    Producer, trade analyst and editor Vikas Mohan no more

    NEW DELHI: Renowned Bollywood analyst and film producer Vikas Mohan passed away today, aged 65. Mohan who was founder editor of the film trade paper ‘Super Cinema’ suffered a heart attack yesterday evening and was hospitalized. His end came early this morning.

    Mohan is survived by his wife and two sons who were presently working with him on his magazine. Mohan had undergone a by-pass surgery around two decades earlier.

    Vikas had produced the Gulzar-directed ‘Libaas’ in 1988 earlier which became a national award winner and later produced the film “Arzoo” in 1999 starring Akshay Kumar and Madhuri Dixit.

    The last rites were held this afternoon in the presence of a large number of Bollywood celebrities and media persons.

    Prior to launching ‘Super Cinema’, Mohan had been editor of ‘Complete Cinema’ which is now edited by his brother Kumar Mohan.

    Known to always help out filmmakers, at least nine other Bollywood films including ‘Shagird’, ‘No Problem’, ‘Action Replayy’, ‘Akrosh’, ‘Anjaane’ and ‘Page 3’ carried special or sincere thanks to him in the credits.

    Several Bollywood celebrities mourned the death of Mohan. They described him as a respected and wonderful human being.

    Megastar Amitabh Bachchan tweeted: “Vikas Mohan, senior journalist owner of Trade magazine, eminent member of film association passes away. Our prayers and condolences.”

    Filmmaker Karan Johar in a tweet called him a “a truly respected and loved member of our fraternity… Always helpful and supportive…thoughts and prayers to the family”.

    RIP Vikas Mohan…a truly respected and loved member of our fraternity…always helpful and supportive…thoughts and prayers to the family

    Filmmaker-actor Satish Kaushik paid condolences on the “demise of dear friend Vikas Mohan… May his soul rest in peace”. He tweeted: Sad to hear abt demise of dear friend # Vikas Mohan..my heartfelt condolences to @amul_mohan and mohan family..may his soul rest in peace..

    Veteran actor Anupam Kher said: “Deeply saddened to know about the demise of Vikas Mohan ji. Apart from a veteran film trade analyst, he was wonderful and helpful human being.”

    Filmmaker Hansal Mehta, saddened by the news of Mohan’s passing away, remembered him as an “always helpful and supportive” person.

    Actor Hrithik Roshan shared that Mohan was “one of the most dignified honest and respected journalist”, while actress Sophie Choudry said he was “always so full of life”.

    Bipasha Basu: You will be missed Vikas Mohanji. RIP Strength to Amul Mohan, Anshul and family.

  • Producer, trade analyst and editor Vikas Mohan no more

    Producer, trade analyst and editor Vikas Mohan no more

    NEW DELHI: Renowned Bollywood analyst and film producer Vikas Mohan passed away today, aged 65. Mohan who was founder editor of the film trade paper ‘Super Cinema’ suffered a heart attack yesterday evening and was hospitalized. His end came early this morning.

    Mohan is survived by his wife and two sons who were presently working with him on his magazine. Mohan had undergone a by-pass surgery around two decades earlier.

    Vikas had produced the Gulzar-directed ‘Libaas’ in 1988 earlier which became a national award winner and later produced the film “Arzoo” in 1999 starring Akshay Kumar and Madhuri Dixit.

    The last rites were held this afternoon in the presence of a large number of Bollywood celebrities and media persons.

    Prior to launching ‘Super Cinema’, Mohan had been editor of ‘Complete Cinema’ which is now edited by his brother Kumar Mohan.

    Known to always help out filmmakers, at least nine other Bollywood films including ‘Shagird’, ‘No Problem’, ‘Action Replayy’, ‘Akrosh’, ‘Anjaane’ and ‘Page 3’ carried special or sincere thanks to him in the credits.

    Several Bollywood celebrities mourned the death of Mohan. They described him as a respected and wonderful human being.

    Megastar Amitabh Bachchan tweeted: “Vikas Mohan, senior journalist owner of Trade magazine, eminent member of film association passes away. Our prayers and condolences.”

    Filmmaker Karan Johar in a tweet called him a “a truly respected and loved member of our fraternity… Always helpful and supportive…thoughts and prayers to the family”.

    RIP Vikas Mohan…a truly respected and loved member of our fraternity…always helpful and supportive…thoughts and prayers to the family

    Filmmaker-actor Satish Kaushik paid condolences on the “demise of dear friend Vikas Mohan… May his soul rest in peace”. He tweeted: Sad to hear abt demise of dear friend # Vikas Mohan..my heartfelt condolences to @amul_mohan and mohan family..may his soul rest in peace..

    Veteran actor Anupam Kher said: “Deeply saddened to know about the demise of Vikas Mohan ji. Apart from a veteran film trade analyst, he was wonderful and helpful human being.”

    Filmmaker Hansal Mehta, saddened by the news of Mohan’s passing away, remembered him as an “always helpful and supportive” person.

    Actor Hrithik Roshan shared that Mohan was “one of the most dignified honest and respected journalist”, while actress Sophie Choudry said he was “always so full of life”.

    Bipasha Basu: You will be missed Vikas Mohanji. RIP Strength to Amul Mohan, Anshul and family.

  • The Angry Birds movie flies to the top of the box office with gross opening weekend of Rs. 12.8 crore

    The Angry Birds movie flies to the top of the box office with gross opening weekend of Rs. 12.8 crore

    MUMBAI: Rovio Entertainment and Sony Pictures’ The Angry Birds Movie was #1 at the Indian box office this weekend with a box office gross of approximately Rs. 12.8 crore (USD 1.91m) making it the highest opening weekend for a non-franchise animated film and the second biggest opening for an animated film on the whole. It also had the distinction for being the widest animated release in India with 696 locations in English, Hindi and Tamil and released in both 2D and 3D.

    The trans-created Hindi version of the film was also very popular and contributed a strong 27% to the total collection – the highest ever for an animated Hollywood film.

    Sony Pictures India managing director Vivek Krishnani commented on opening saying, “The movie had huge anticipation, particularly for one that is not a sequel. This can be attributed to the fact that the awareness of the franchise in India is 98% amongst the target audience and that we promoted it as an event film that could not be missed. Families are enjoying the film but the humour is connecting with youth as well. This positive reception amongst all ages, combined with the vacations continuing across the country, gives us confidence that the film will continue its strong run in the weeks to come.”

  • The Angry Birds movie flies to the top of the box office with gross opening weekend of Rs. 12.8 crore

    The Angry Birds movie flies to the top of the box office with gross opening weekend of Rs. 12.8 crore

    MUMBAI: Rovio Entertainment and Sony Pictures’ The Angry Birds Movie was #1 at the Indian box office this weekend with a box office gross of approximately Rs. 12.8 crore (USD 1.91m) making it the highest opening weekend for a non-franchise animated film and the second biggest opening for an animated film on the whole. It also had the distinction for being the widest animated release in India with 696 locations in English, Hindi and Tamil and released in both 2D and 3D.

    The trans-created Hindi version of the film was also very popular and contributed a strong 27% to the total collection – the highest ever for an animated Hollywood film.

    Sony Pictures India managing director Vivek Krishnani commented on opening saying, “The movie had huge anticipation, particularly for one that is not a sequel. This can be attributed to the fact that the awareness of the franchise in India is 98% amongst the target audience and that we promoted it as an event film that could not be missed. Families are enjoying the film but the humour is connecting with youth as well. This positive reception amongst all ages, combined with the vacations continuing across the country, gives us confidence that the film will continue its strong run in the weeks to come.”

  • Poor show by new releases

    Poor show by new releases

    Of the three new releases last Friday, Waiting happened to be the one people looked forward to thanks to Naseeruddin Shah in the lead. Alas, the box office collections did not show any appreciation in Shah and the film remained a very limited grosser barely managing to cross the Rscrore mark in its opening weekend. It collected Rs1.3 crore.

    Phobia, a less publicized film blending horror with Agoraphobia, stayed poor. It managed just about Rs1.4 crore for its opening weekend.

    Veerappan, an outdated story about the sandalwood mafia run by Veerappan in the jungles of Mysore, finds some footfalls at single screens. The film has collectedRs4.75 crore for its first weekend.

    Fredrick passed unnoticed.

    Sarbjit has not been able to make a mark with an inconclusive account of the life of an Indian in a Pakistani jail. There was not much relevance of the story for the moviegoer. The film has collected Rs19.4 crore in its first week.

    Azhar has added Rs2.7 crore in its second week to take its two week total to Rs31.65 crore.
    1920 London has collected Rs40 lakh in its third week to take its three week tally to Rs14.6 crore.

    *Traffic has collected 20 lakh in its third week to take its three week total to 3.7 crore.
    Baaghi has added Rs45 lakh in fourth week to take its four week tally to Rs78.05 crore.

    The Jungle Book continues its stronghold on the box office. The film has added Rs2.7 crore in its seventh week taking its seven week tally to Rs182.65 crore.