Category: Movies

  • Banjo…Out of sync

    Banjo…Out of sync

    MUMBAI: Banjo is a musical love story of a young man with a mastery over the stringed instrument. The banjo is said to have its origin in Africa. The instrument is seen to be more popular during festivals in India.

    Riteish Deshmukh is shown in the movie to be excelling in playing banjo and leads a group of friends who play music as a hobby as well as to make some extra money besides their regular jobs. He has three partners, each specializing in playing an instrument. Riteish works for a local corporator collecting haftas (extortion) for him.

    The demand for the musical group is seasonal, but there are a number of such banjo groups. The competition is stiff. However, the rivalry between two such groups is severe, which often leads to fist fights. On one such Ganesh festival, Riteish and his band come up with a number which becomes instantly popular with the local folk.

    Sitting far away in New York, Nargis Fakhri hears the number which catches her attention. Nargis is preparing to participate in a music show and has been scouting for talent. She thinks she found the group she has been looking for. She arrives in India and lands up right near his house.

    Banjo playing is not considered a glorious art and, though appointed as a guide to show her around the settlement and help her search, he does not disclose his identity to Nargis. While he helps her, he also falls in love with her.

    Nargis goes on auditioning group after group, only to be disappointed. She is finally ready to give up and decides to go back. Riteish is heartbroken. He wants to drown his sadness in music, and asks his friends to play though they have just returned from a gig and are tired. Nargis catches the sound from afar and realizes who he was. So close yet so far. Nargis is still sent back in disappointment, for, the group members have parted ways. Riteish has been framed in the murder of the corporator and sent to jail. The happy ending is certain but not so soon.

    Banjo moves on predictable lines of an underdog whose dreams are in the process of being realized as well as the usual underdog falling in love with the first girl showing concern. While the story or scripting don’t inspire much, the main drawback is the lack of good music that is mandatory for a musical. While the songs are good for gully dances due to the heavy beats played to Maharashtrian taste, the Bappa song being the mainstay, the only sober number worth humming is Rahemokaram.

    The cinematography is good. Riteish performs well and Nargis tries. The supporting actors make sincere efforts.

    Banjo could have been made for Marathi audience where the industry is thriving presently. Going for pan-India market has not helped as the opening is poor and so are the prospects.

    Producers: Krishika Lulla

    Director: Ravi Jadhav

    Cast: Riteish Deshmukh, Nargis Fakri, Mohan Kapoor.

    Dil Sala Sanki…God save your soul!

    Another film about UP bahubalis and their love story! Dil Sala Sanki is a love triangle based in the city of Jhansi.  

    Jimmy Shergill is playing the local don in Jhansi. He has inherited the reign from his foster father who wished for Jimmy to share it with his adopted son. But, Jimmy would have nothing of that sort. He kills both, the other heir as well as his father. He wishes to rule alone.

    While the rest of the city is scared of Jimmy and his goons, he has a fan in Yogesh Kumar, the son of a local barber, Avtar Gill, who wants to follow in the footsteps of Jimmy. Yogesh goes around beating up people and expects to be feared for his acts.

    Yogesh takes up small assignments like settling disputes. On one such case, he is asked to get vacated a house occupied by goons as the landlord’s new tenant, Shakti Kapoor, a school teacher, has rented it out. True to the tradition of goon stories, Yogesh falls in love with Shakti’s daughter, played by Madalsa Sharma. He starts with the usual routine followed by all filmy lovelorn goons: stalk.

    It is raining and Manalsa is shown as going berserk dancing on a lonely road. Jimmy happens to pass by, sees her, and falls in love too although he has a loving wife at home, played by Harshita Bhatt. Being a bahubali who is not answerable to anybody, he simply kills Harshita.

    Jimmy soon realizes that his protégée, Yogesh, also loves Madlasa. The fight to finish begins.

    Dil Sala Sanki is a routine, humdrum love story lacking imagination or the grammar of filmmaking. The casting is curious as the hero, Yogesh Kumar, has zero acting skills or screen presence. Jimmy has a limited role. Madalsa is okay. Rest of the aspects merit no mention.

    Dil Sala Sanki has no prospects despite its limited exploitation at few screens in single show a day.

    Producer: SK Pictures P Ltd.

    Director: Sushi Kailash.

    Cast: Yogesh Kumar, Madalsa Sharma, Jimmy Shergill, Shakti Kapoor, Avtar Gill.

  • Parched…Dry run at box office

    Parched…Dry run at box office

    MUMBAI: Leena Yadav’s Parched debuted at the Toronto International Film Festival in 2015. Ever since, it has been on the festival circuit extensively till its theatrical release this week.

    Parched is about the state of women in the hinterland. The injustice meted out to women is a part of all societies; while the urban tales do not usually come out, rural stories abound but taken as a way of life till, a film or a story is made on it.

    Parched is about three women in arid Rajasthan, each having her own woes, mainly men-inflicted.These women find solace on the shoulders of each other. The women eventually gather courage to chart their own lives instead of submission.

    Tannishtha Chatterjee is playing a widow with a son of marriageable age. However, the lad is unwilling. Radhika Apte, Tannishtha’s confidante, is not better off either as she is labelled a ‘baanjh’ by her alcoholic husband and subjected to a regular dose of beating. Sharing her pain with Tannishtha is the only solace in her life.

    Surveen Chawla is playing a prostitute. Seemingly liberated, she too has her own problems as she is losing out on business to her younger rivals while also bearing the brunt of the anger of her pimp and others. Surveen has this idea that why all the foul words in Hindi are addressed to women and why can’t they be reversed and used for men?

    Nobody is aware of the desires of women; they seek care, love and, also, sex. Tannishtha has but some solace in a secret admirer who keeps calling her on phone. And, there is this sage like figure, Adil Hussain, who helps Radhika experience a fulfilling life while also assisting her get rid of the social stigma of ‘baanjh’.

    Parched has worthy contribution from all actors. Leena Yadav has rightly chosen a subject that needs a bold approach and executed it well. Her handling of the subject is deft. The cinematography by the American, Russel Carpenter, captures the surroundings well while also justifying the essence of the film. Editing, also entrusted to a foreign technician, Kevin Tent, keeps the process taut.

    This women-centric film is for performers. Tannishtha, Radhika and Surveen do full justice to their roles, while Surveen excels.

    Parched, having already made it to about a dozen film festivals, is one for the laurels while commercially it would appeal to a few at the high-end multiplexes.

    Producers: Ajay Devgn, AssemBajaaj.

    Director: LeenaYadav.

    Cast: RadhikaApte, Tannishtha Chatterjee, Surveen Chawla, Laher Khan, Adil Hussain, Riddhi Sen.

    Days Of Tafree: In Class; Out Of Class….Lacks class!

    Days Of Tafree: In Class-Out Of Class is a youth oriented film with a college background. It is a remake of the Gujarati film, Chhello Divas: A New Beginning (2015).

    Though many Hindi films have been adapted from Gujarati stage plays, the recent ones being OMG: Oh! My God (2012: Kanji Virudh Kanji), Waqt: Race Against Time (2005: Aavjo Vahla Fari Malishu), Super Nani  (2014: Baa ae Mari Boundary) and Aankhen (2002: Andhalo Pato), instances of Gujarati film remake in Hindi are rare if not non-existent.

    The film is about a group of college friends whose behavior in class and on the campus is unlike that of other college boys you would see in real life or in films. They hoot behind the teacher’s back, they talk filthy language as if it was the new in-thing. They are loud and always chasing girls and lady instructors. And, the bunch also has one Big Moose kind of brainless hulk which also makes the boys feel invincible.

    The pranks of these boys are supposed to arouse laughter. What really happens through the film is that only those on screen keep laughing failing to take the audience along. The film also makes jokes on physical deformities which is rather rude.

    The film is a flashback into the college life of one of the boys. There is no drama or conclusion as there is no story in the film. The music is loud in keeping with the tone of the film but non-appealing. Direction is amateurish and the editing is poor. The performances are over the top.

    Days OfTafree: In Class Out Of Class is poor in all respects.

    Producers: Anand Pandit and Rashmi Sharma

    Director: Krishnadev Yagnik

    Cast: Nimisha MehtaAnsh BagriSanchay GoswamiSarabjeet Bindra, Anuradha Mukharjee

  • Parched…Dry run at box office

    Parched…Dry run at box office

    MUMBAI: Leena Yadav’s Parched debuted at the Toronto International Film Festival in 2015. Ever since, it has been on the festival circuit extensively till its theatrical release this week.

    Parched is about the state of women in the hinterland. The injustice meted out to women is a part of all societies; while the urban tales do not usually come out, rural stories abound but taken as a way of life till, a film or a story is made on it.

    Parched is about three women in arid Rajasthan, each having her own woes, mainly men-inflicted.These women find solace on the shoulders of each other. The women eventually gather courage to chart their own lives instead of submission.

    Tannishtha Chatterjee is playing a widow with a son of marriageable age. However, the lad is unwilling. Radhika Apte, Tannishtha’s confidante, is not better off either as she is labelled a ‘baanjh’ by her alcoholic husband and subjected to a regular dose of beating. Sharing her pain with Tannishtha is the only solace in her life.

    Surveen Chawla is playing a prostitute. Seemingly liberated, she too has her own problems as she is losing out on business to her younger rivals while also bearing the brunt of the anger of her pimp and others. Surveen has this idea that why all the foul words in Hindi are addressed to women and why can’t they be reversed and used for men?

    Nobody is aware of the desires of women; they seek care, love and, also, sex. Tannishtha has but some solace in a secret admirer who keeps calling her on phone. And, there is this sage like figure, Adil Hussain, who helps Radhika experience a fulfilling life while also assisting her get rid of the social stigma of ‘baanjh’.

    Parched has worthy contribution from all actors. Leena Yadav has rightly chosen a subject that needs a bold approach and executed it well. Her handling of the subject is deft. The cinematography by the American, Russel Carpenter, captures the surroundings well while also justifying the essence of the film. Editing, also entrusted to a foreign technician, Kevin Tent, keeps the process taut.

    This women-centric film is for performers. Tannishtha, Radhika and Surveen do full justice to their roles, while Surveen excels.

    Parched, having already made it to about a dozen film festivals, is one for the laurels while commercially it would appeal to a few at the high-end multiplexes.

    Producers: Ajay Devgn, AssemBajaaj.

    Director: LeenaYadav.

    Cast: RadhikaApte, Tannishtha Chatterjee, Surveen Chawla, Laher Khan, Adil Hussain, Riddhi Sen.

    Days Of Tafree: In Class; Out Of Class….Lacks class!

    Days Of Tafree: In Class-Out Of Class is a youth oriented film with a college background. It is a remake of the Gujarati film, Chhello Divas: A New Beginning (2015).

    Though many Hindi films have been adapted from Gujarati stage plays, the recent ones being OMG: Oh! My God (2012: Kanji Virudh Kanji), Waqt: Race Against Time (2005: Aavjo Vahla Fari Malishu), Super Nani  (2014: Baa ae Mari Boundary) and Aankhen (2002: Andhalo Pato), instances of Gujarati film remake in Hindi are rare if not non-existent.

    The film is about a group of college friends whose behavior in class and on the campus is unlike that of other college boys you would see in real life or in films. They hoot behind the teacher’s back, they talk filthy language as if it was the new in-thing. They are loud and always chasing girls and lady instructors. And, the bunch also has one Big Moose kind of brainless hulk which also makes the boys feel invincible.

    The pranks of these boys are supposed to arouse laughter. What really happens through the film is that only those on screen keep laughing failing to take the audience along. The film also makes jokes on physical deformities which is rather rude.

    The film is a flashback into the college life of one of the boys. There is no drama or conclusion as there is no story in the film. The music is loud in keeping with the tone of the film but non-appealing. Direction is amateurish and the editing is poor. The performances are over the top.

    Days OfTafree: In Class Out Of Class is poor in all respects.

    Producers: Anand Pandit and Rashmi Sharma

    Director: Krishnadev Yagnik

    Cast: Nimisha MehtaAnsh BagriSanchay GoswamiSarabjeet Bindra, Anuradha Mukharjee

  • ‘Visanarai’ to represent India at Oscars

    ‘Visanarai’ to represent India at Oscars

    NEW DELHI: The Tamil film ‘Visanarai’ (Interrogation) will represent India at the American Academy of Motion Pictures (Oscars) awards next year. This was announced by the selection committee set up by the Film Federation of India in Hyderabad.

    The film has been directed by Vetrimaaran, and will compete in the foreign language competition category. The film is about a group of immigrants who are forced by the police to confess to a crime they did not commit.

    Produced by Wunderbar and Grass Root Film Company, the film stars Samuthirakani, Dinesh, Anandhi and Murugadass.

    The film won the Amnesty International Italia Award at Venice in 2015. It bagged awards for best Tamil feature, best supporting actor for Samuthirakani, and best editing for T I Kishore in the National Film Awards in May this year.

    India has been nominated three times – “Mother India” (1957), “Salaam Bombay” (1989), and “Lagaan: Once Upon a Time in India” (2002).

    Indians working in foreign films or international films made by Indians have won Oscars. These include Richard Attenborough’s ‘Gandhi’ in which costumes award went to Bhanu Athaiya, Shekhar Kapoor’s ‘Elizabeth’ which won several awards, and ‘Slumdog Millionaire’ which won A R Rahman two Oscars for the song ‘Jai Ho’ penned by Gulzar.

  • ‘Visanarai’ to represent India at Oscars

    ‘Visanarai’ to represent India at Oscars

    NEW DELHI: The Tamil film ‘Visanarai’ (Interrogation) will represent India at the American Academy of Motion Pictures (Oscars) awards next year. This was announced by the selection committee set up by the Film Federation of India in Hyderabad.

    The film has been directed by Vetrimaaran, and will compete in the foreign language competition category. The film is about a group of immigrants who are forced by the police to confess to a crime they did not commit.

    Produced by Wunderbar and Grass Root Film Company, the film stars Samuthirakani, Dinesh, Anandhi and Murugadass.

    The film won the Amnesty International Italia Award at Venice in 2015. It bagged awards for best Tamil feature, best supporting actor for Samuthirakani, and best editing for T I Kishore in the National Film Awards in May this year.

    India has been nominated three times – “Mother India” (1957), “Salaam Bombay” (1989), and “Lagaan: Once Upon a Time in India” (2002).

    Indians working in foreign films or international films made by Indians have won Oscars. These include Richard Attenborough’s ‘Gandhi’ in which costumes award went to Bhanu Athaiya, Shekhar Kapoor’s ‘Elizabeth’ which won several awards, and ‘Slumdog Millionaire’ which won A R Rahman two Oscars for the song ‘Jai Ho’ penned by Gulzar.

  • ‘Days of Tafree’ twists ‘Chello Divas’

    ‘Days of Tafree’ twists ‘Chello Divas’

    MUMBAI: Gujarati blockbuster Chhello Divas will hit cinemas across the country as Days of Tafree – In Class; Out of Class. The movie is produced by Anand Pandit Motion Pictures and Rashmi Sharma Films and will release it on 23 September.

    The film has a fresh star cast which includes Yash Soni, Ansh Bagri, Sanchay Goswami, Sarabjeet Bindra, Nimisha Mehta, Kinjal Rajpriya, Anuradha Mukherjee and Mamta Chowdhary.

    “Chhello Divas enjoys a cult status in Gujarat, and we felt that Days of Tafree had to be made so that the essence of this film is enjoyed by audiences across the country,’ said Pandit.

    “We are confident that all age groups will love the film because ‎it has nostalgia for those out of college and fun for those who are still in college,” added Sharma.

    The movie follows the lives of these seven characters and their journey through college – the highs and lows of youth.

    Written and directed by Krishnadev Yagnik, who echoes the same sentiment, “For fans of Chhello Divas, while they might feel nostalgic about the original, in Days of Tafree, they will see a different twist”.

  • ‘Days of Tafree’ twists ‘Chello Divas’

    ‘Days of Tafree’ twists ‘Chello Divas’

    MUMBAI: Gujarati blockbuster Chhello Divas will hit cinemas across the country as Days of Tafree – In Class; Out of Class. The movie is produced by Anand Pandit Motion Pictures and Rashmi Sharma Films and will release it on 23 September.

    The film has a fresh star cast which includes Yash Soni, Ansh Bagri, Sanchay Goswami, Sarabjeet Bindra, Nimisha Mehta, Kinjal Rajpriya, Anuradha Mukherjee and Mamta Chowdhary.

    “Chhello Divas enjoys a cult status in Gujarat, and we felt that Days of Tafree had to be made so that the essence of this film is enjoyed by audiences across the country,’ said Pandit.

    “We are confident that all age groups will love the film because ‎it has nostalgia for those out of college and fun for those who are still in college,” added Sharma.

    The movie follows the lives of these seven characters and their journey through college – the highs and lows of youth.

    Written and directed by Krishnadev Yagnik, who echoes the same sentiment, “For fans of Chhello Divas, while they might feel nostalgic about the original, in Days of Tafree, they will see a different twist”.

  • Pink: Neither strategy nor reviews helped

    Pink: Neither strategy nor reviews helped

    Pink, with Shoojit Sircar as the force behind the film, was much hyped. The film also enjoyed a great deal of media and critics support. However, all this hype did not help the film as the response on the opening day remained tepid with a business of about Rs 4.2 crore.

    It is the word of mouth which matters more in the days of high-priced admission rates and the film caters mainly to the multiplex audience. As the film managed to generate a debate on the social media, its collections took a jump on Saturday with figures of Rs 7 crore plus while Sunday went very well as the film collected Rs 20.6 crore for its first weekend.

    Raaz: Reboot opened a bit better benefitting on its brand as it followed three Raaz episodes. The film took a reasonable opening day collections of about Rs 5 crore but, once the word of mouth spread about its poor merits, it dropped on Saturday while the Sunday collections remained static for the film to collect Rs 14.8 crore for its opening weekend.

    Baar Baar Dekho proved to be a let-down on all counts. A farfetched story idea, to script writing to execution and casting, it looked amateur in all departments. The film earned almost total rejection. With an opening weekend of Rs 18.4 crore, the drop in the four days that followed was telling as it closed its first week with a total of Rs 26.1 crore.

    Freaky Ali, a lift from a Hollywood film, Happy Gilmore, tried to attempt a comedy around the sport of golf, an unfamiliar sport with the Hindi audience, backfired. Nawazuddin Siddiqui’s talent could not sell this dud.

    The film had a poor opening weekend of Rs 6.4 crore, and had little hope of sustaining through rest of the week as it collected Rs 10.7 crore for its first week.

    Akira continued with its poor run in second week. The film collected Rs 3.1 crore to take its two week tally to Rs 27.2 crore.

    A Flying Jatt collected Rs 10 lakh in its third week to take its three week total to Rs 35.6 crore.

    Rustom collected Rs 20 lakh in its fifth week to take its five week total to Rs 124.3 crore.

  • Pink: Neither strategy nor reviews helped

    Pink: Neither strategy nor reviews helped

    Pink, with Shoojit Sircar as the force behind the film, was much hyped. The film also enjoyed a great deal of media and critics support. However, all this hype did not help the film as the response on the opening day remained tepid with a business of about Rs 4.2 crore.

    It is the word of mouth which matters more in the days of high-priced admission rates and the film caters mainly to the multiplex audience. As the film managed to generate a debate on the social media, its collections took a jump on Saturday with figures of Rs 7 crore plus while Sunday went very well as the film collected Rs 20.6 crore for its first weekend.

    Raaz: Reboot opened a bit better benefitting on its brand as it followed three Raaz episodes. The film took a reasonable opening day collections of about Rs 5 crore but, once the word of mouth spread about its poor merits, it dropped on Saturday while the Sunday collections remained static for the film to collect Rs 14.8 crore for its opening weekend.

    Baar Baar Dekho proved to be a let-down on all counts. A farfetched story idea, to script writing to execution and casting, it looked amateur in all departments. The film earned almost total rejection. With an opening weekend of Rs 18.4 crore, the drop in the four days that followed was telling as it closed its first week with a total of Rs 26.1 crore.

    Freaky Ali, a lift from a Hollywood film, Happy Gilmore, tried to attempt a comedy around the sport of golf, an unfamiliar sport with the Hindi audience, backfired. Nawazuddin Siddiqui’s talent could not sell this dud.

    The film had a poor opening weekend of Rs 6.4 crore, and had little hope of sustaining through rest of the week as it collected Rs 10.7 crore for its first week.

    Akira continued with its poor run in second week. The film collected Rs 3.1 crore to take its two week tally to Rs 27.2 crore.

    A Flying Jatt collected Rs 10 lakh in its third week to take its three week total to Rs 35.6 crore.

    Rustom collected Rs 20 lakh in its fifth week to take its five week total to Rs 124.3 crore.

  • Sony Max2 initiates Double Trouble film festival

    Sony Max2 initiates Double Trouble film festival

    MUMBAI: The Double role formula has wooed the Indian audience ever since and has been a major success in Bollywood. This September Sony Max2 attempts to ride high on this formula by doubling up the entertainment quotient for its viewers with Double Trouble film festival starting from 19 September until 23 at 8 pm.

    Max 2’s film festival, will bring some of the most iconic movies of the yesteryears that guarantee to offer double the action, comedy and drama. The movie festival will be showcasing films of some of Bollywood’s favorite superstars like Amitabh Bachchan, Rajesh Khanna, Dilip Kumar, etc.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/im_0.jpg?itok=aaRXHp6D