Category: Movies

  • Aaron Mascarenhas transitions to  JioStar as Hindi movies strategy & acquisitions head

    Aaron Mascarenhas transitions to JioStar as Hindi movies strategy & acquisitions head

    MUMBAI:  JioStar has announced the tranisition of Aaron Mascarenhas as the new head of Hindi movies strategy & acquisitions (digital). 

    With a robust background in commercial negotiations, content management, and acquisitions, Mascarenhas brings over a decade of media experience to his new role.

    Prior to  JioStar, Mascarenhas served as associate vice president of content acquisitions & strategy at Viacom18, and held senior positions at Amazon’s MX Player, LeEco, and Zee Entertainment. 

    He holds a master’s degree in marketing and advertising from Alliance Manchester Business School and a bachelor’s degree in management Studies from the University of Mumbai.
     

  • PVR Inox  launches Screenit; brings power of film curation in movie goers’ hands

    PVR Inox launches Screenit; brings power of film curation in movie goers’ hands

    MUMBAI: Theatrical chain PVR Inox has introduced Screenit, an innovative platform exclusive to  its  app that transforms how audiences enjoy films. With it, movie lovers can create or join personalised screenings at their chosen cinemas, enhancing the cinema experience through customisation.

    Building on the success of classic film re-releases, Screenit  offers over 500 titles, allowing audiences to curate screenings of their favorite films across more than 120 locations nationwide. Overall, PVR operates 1,739 screens across 353 properties in 111 cities in India and Sri Lanka

    “Screenit is more than just a platform—it’s a transformative step toward redefining the cinematic experience,” said  PVR Inox  Luxury Collection and Innovation CEO Renaud Palliere. “It empowers audiences to choose what, when, and where to watch, all while offering exciting rewards and fostering community connections.”

    “Screenit celebrates nostalgia while offering a modern, flexible way to enjoy films,” said PVR Inox Chief Business Planning & Strategy Kamal Gianchandani.“It’s an innovation that brings timeless cinema back to life on your terms.”

    The process is simple: users can explore the Screenit platform to find or create shows by selecting preferred movies, times, and locations. A minimum of two tickets is required to create a screening, enabling users to invite friends or join existing shows.

    Beyond customisation, Screenit incorporates a rewards system. Users can share unique promotional links to invite others to join their screenings. For each ticket booked through these links, users earn exciting incentives, supporting a communal movie-going experience.

    Additionally, the ‘promote & earn’ feature allows users to create promotional links for current movies, earning two per cent  of the ticket sales as cash incentives for shares made via social media or messaging platforms.

  • Abhishek Bachchan’s heartfelt drama “I Want To Talk” premieres on Prime Video

    Abhishek Bachchan’s heartfelt drama “I Want To Talk” premieres on Prime Video

    MUMBAI: A dimly lit living room, a steaming cup of chai in hand, and Prime Video on your screen. You click ‘play’, thinking you’re ready for Shoojit Sircar’s latest masterpiece, I Want To Talk.

    Spoiler alert—you’re not ready.

    Known for crafting stories that hit you like a runaway truck full of feels (Piku, anyone?), Shoojit Sircar has once again proven he’s the maestro of raw emotions. And this time, he’s teamed up with Abhishek Bachchan—yes, the guy we all once (perhaps unfairly) dismissed as the not-so-Amitabh. But let’s hold that thought because this movie flips the script entirely.

    In I Want To Talk, Abhishek delivers a career-defining performance that says, “Remember me? Well, you will now.” Shoojit Sircar, with his midas touch, peels back layers of humanity so deeply you’ll find yourself questioning your life choices, texting old friends, and yes, sobbing into that aforementioned chai.

    So, clear your weekend plans, charge your emotions, and prepare to be wrecked—in the best possible way.

    In I Want to Talk, Abhishek Bachchan steps into the shoes of Arjun Sen, a sharp, chatty Bengali man chasing the “American Dream.” But here’s the kicker: Arjun has just 100 days to live. Yep, you read that right—100 days to untangle a lifetime of complications. From reuniting with his estranged seven-year-old daughter to redefining what truly matters, this father-daughter saga is all about finding connection in the chaos.

    With a stellar cast including Ahilya Bamroo, Johnny Lever, Jayant Kriplani, Pearle Dey, and Kristin Goddard, and backed by the visionary team at Rising Sun Films, I Want To Talk promises to be as moving as it is inspiring.

    Speaking about the film, Sircar said, “I Want To Talk is a poignant reminder of the indomitable power of human connection and resilience. I’ve always been fascinated by the complexities of human relationships and how these can help one heal and transform.”

    Honestly, Sircar’s track record—from Piku to October—has been impeccable. So, are we surprised that this film is already being dubbed a masterpiece? Not really.

    Still on the fence? Here are three reasons to hit play on Prime Video tonight:

    1.  The Plot: A 100-day ticking clock? Stakes don’t get higher—or more emotional—than that.

    2.   The Cast: Abhishek Bachchan in one of his career-best performances, alongside a powerhouse supporting cast.

     3.  The Director: Shoojit Sircar’s genius at weaving intricate human emotions is unmatched.

    Add to that the stunning cinematography and a soul-stirring soundtrack, and you’ve got a movie that’s not just watched—it’s felt.

    Prime members in 240+ countries and territories can stream the movie starting today. If you’ve ever needed a reason to renew that subscription, this is it.

    What would you do if you had just 100 days left? Would you chase old dreams, mend broken relationships, or binge-watch every Shoojit Sircar film on Prime? Maybe all three?

     

  • From Aamir Khan to Junaid Khan – New Excelsior Mukta A2 cinemas connects two generations

    From Aamir Khan to Junaid Khan – New Excelsior Mukta A2 cinemas connects two generations

    UMBAI: Mumbai’s legendary New Excelsior Mukta A2 Cinemas set the stage for the highly anticipated trailer launch of Loveyapa, a film that is already making waves with its captivating title song and intriguing trailer.
    The grand theatre, celebrated for its historic legacy and grandeur, provided the perfect backdrop for an evening filled with nostalgia and excitement. 

    Known for its massive screen and impressive seating capacity of 596, New Excelsior Mukta A2 Cinemas holds a special place in Indian cinemas history, having hosted the premiere of Aamir Khan’s debut film Qayamat Se Qayamat Tak in 1988. This symbolic connection added a layer of significance to the event as Loveyapa marks the theatrical debut of Aamir Khan’s son, Junaid Khan.

    The trailer was unveiled in front of an enthusiastic audience of over 300 special guests, including members of the media, influencers, and students. Attendees were treated to a first look at the chemistry between Junaid Khan and Khushi Kapoor, who star in the film. The relatable themes of trust, relationships, and the challenges of modern love resonated deeply with the young crowd.

    Loveyapa tells the story of Gucchi and Bani, a young couple whose relationship is tested when Bani’s father challenges them to swap phones to prove their trust. As secrets are uncovered, the couple’s faith in each other faces its ultimate trial.

    Adding to the fun and engaging atmosphere of the evening, a unique collaboration with Burger King saw all attendees served a special Loveyapa combo, enhancing the event’s casual and relatable vibe.

    Phantom Studios CEO Srishti Behl shared her thoughts on the choice of venue: “When planning the trailer launch, we sought a location that was both historic and iconic—something that bridged the past and the future. New Excelsior, with its incredible legacy and its connection to Aamir Khan’s debut, felt like the perfect setting to introduce Loveyapa.”

    Mukta A2 Cinemas CEO Satwik Lele added: “From hosting the premiere of Qayamat Se Qayamat Tak to unveiling the trailer of Loveyapa, it feels like a full-circle moment. We can’t wait to showcase this film on our big screens.

    Produced by Phantom Studios and AGS Entertainment, Loveyapa is set to hit theatres on 7 February 2025.

  • Ormax Box Office Report 2024: a mixed bag for Indian cinema with a record-breaking highlight

    Ormax Box Office Report 2024: a mixed bag for Indian cinema with a record-breaking highlight

    MUMBAI: The annual Ormax Box Office Report (Obor) for 2024 reveals a year of highs and lows for the Indian film industry. The Obor states that despite a 13  per cent decline in Hindi box office collections, 2024 emerged as the second-best year of all time for the Indian market, with a total gross box office of Rs 11,833 crore, just three per cent shy of 2023’s record-breaking Rs 12,226  crore.

     

    PVR Cinemas

    Key Highlights of the Report:
      Overall Performance:
    o With gross box office collections of Rs 11,833 crore, 2024 became the second-best year in Indian cinema history, despite a dip in footfalls and ticket price stabilisation.

     Language-wise Trends:
    o Hindi Cinema: Collections dropped from Rs 5,380 crore in 2023 to Rs 4,679 crore  in 2024, with its market share falling to 40 per cent  (a decline of 4 percentage points). Notably, 31 per cent of Hindi collections came from dubbed versions of South Indian films. Excluding dubbed films, original Hindi cinema witnessed a steep 37 per cent decline.
    o Malayalam Cinema: A standout performer, it doubled its market share from five per cent in 2023 to 10 per cent  in 2024, crossing the Rs 1,000 crore milestone for the first time.
    o Tamil & Telugu Cinema: Maintained stable market shares with only marginal fluctuations.
    o Hollywood: Experienced the steepest drop, with a 17 per cent  decline in collections compared to 2023.
    o Gujarati Cinema: Recorded a remarkable 66 per cent growth, second only to Malayalam cinema.
     

    Mega CR ICE Screen

     

    Top-Grossing Films:
    o Pushpa 2: The Rule dominated the box office with Rs 1,403 crore, making it the highest-grossing film of 2024. Its Hindi dubbed version collected Rs 889 crore, setting a new record as the highest-grossing ‘Hindi’ film of all time.
    o Other high-performing films included Kalki 2898 AD and Stree 2, which joined Pushpa 2 in crossing the Rs 500 crore mark.
    o Films like Devara – Part 1, Bhool Bhulaiyaa 3, and The Greatest Of All Time grossed above Rs 300 crore.

    cinematicket
    Footfalls & Ticket Pricing:
    o Total footfalls stood at 88.3 crore  (883 million), reflecting a six per cent decline from 2023 and remaining below pre-pandemic levels.
    o The Average Ticket Price (ATP) grew marginally by three per cent, from Rs 130 in 2023 to Rs 134 in 2024, marking stability after two years of double-digit growth.

    Industry Insights:
    The Obor  highlights a shifting landscape in Indian cinema, with regional industries like Malayalam and Gujarati gaining prominence and south Indian films, particularly Pushpa 2, dominating national and Hindi markets. At the same time, challenges such as declining footfalls and a drop in Hollywood collections signal areas for growth.

    Ormax Media, recognized as a credible source for domestic box office analytics, continues to shed light on these evolving trends. For more detailed insights, the full Ormax Box Office Report: 2024 is available for download.

  • Remembering Pritish Nandy – the  poet, journalist, filmmaker, painter and a humanist

    Remembering Pritish Nandy – the poet, journalist, filmmaker, painter and a humanist

    MUMBAI: Around two years and eight months ago, the following post appeared on Pritish Nandy’s timeline on social media.

    “You relax on a plane, even if you don’t know the pilot. You relax on a ship even if you don’t know the captain. You relax on a bus even if you don’t know the driver. Why don’t you relax in life knowing that the universe is in control?”

    To which Pritish  responded. 

    Loved this post by @malini_ramani Perhaps I am trying to tell myself this as well. I have lived my whole life chasing stress. Stress brought forth poetry. Stress inspired my journalism. Stress informs all my creative work. Yet I yearn to relax, to switch off and go on a long vacation. Someday perhaps… when life expects less from me.”

    Pritish Nandy did realise his dream to go for a vacation five months later after that post when he got a chance to travel through Italy. He roamed the streets of Rome like a commoner, visited Harry’s Bar, soaked in the sights, the Vatican, appreciating and admiring art and the sculpting finesse of Michaelangelo’s David and the unknown Pieta. He looked relaxed and like he was having a good time. But the trip was relatively short and his thoughts kept him busy and they were probably racing a hundred a dozen through that vast and deep mind of his.

    And that’s exactly how Pritish Nandy lived his life:  busy.  He kept himself busy, as a poet in his younger days in Calcutta, a city he fled from around 40 years ago for the city of dreams. He published his own works and translated the works of other great poets – altogether more than 40 of them.  

    In Mumbai, he kept himself pre-occupied as publishing director of Bennett Coleman & Co between 1982-91 working on all its magazines but he got the most known for what he did as the editor of The Illustrated Weekly, which he transformed into a publication that stood out and made every one stand up too. Whether they were authors or politicians or  painters or film stars or beauty queens or musicians.

    Pritish Nandy in Italy

    President Gen Zia ul Haq invited him to his residence in Pakistan and gave him an explosive interview just a short while before he was assassinated. Then he and Rajat Sharma secretly recorded an off the record interview with the godman Chandraswami in London, which led to political explosions in India. Actress Neena Gupta  never forgave him for picking up Masaba Gupta’s birth certificate and identifying Viv Richards as the father of their love child. 

    Pritish did a stint with the Observer of Politics & Business, which was Reliance Industries’ Anil Ambani’s attempt at getting into media with his father Dhirubhai’s blessings. It floundered soon, despite first Prem Shankar Jha’s initial editorial guidance and then Pritish’s but it gave him an impetus to launch his own company which he set up in the offices of OBP, if I remember correctly.

    Thus Pritish Nandy Communications (PNC) was born. Which then again kep him busy as it went on to make television shows for Doordarshan, Zee TV, Star and Sony. Among them were current affairs shows, business chat shows, comedies, daily entertainment bulletins, Marathi dramas, Hindi dramas. Some of these he hosted himself. 

    From television PNC transitioned to films making some memorable titles like Jhankar Beats,  Kaante, Sur, Hazaaron Khwaishein Aisi., Pyaar ke side effects, Chameli and  Mastizaade. Some of the biggest names worked with him Amitabh Bachchan, Juhi Chawla, Sanjay Dutt, Kareena Kapoor, Aishwarya Rai in his films.
     
    And then of course came the era of streaming.  That got him busy again, it got his creative juices flowing. He, along with his daughters Rangita and Ishita, ploughed right in. Their first original approved by Prime Video Four More Shots Please was among the top shows of the year, in terms of viewership. It also went to get nominated for an international Emmy, which pleased Pritish no end.  Of course, what gave him a lot of pride was that his was amongst the first few production companies to be listed on the stock exchanges, way back in 2000.  And that the company was celebrating 25 years of its listing in 2025.

    Pritish got recognition very early at the age of 26 when he was given the Padma Shri. And he did hobnob with the powers that be. Indira Gandhi the then prime minister came to the release of his book of poems Lonesong Street and appreciated his work. This was much before he became a power house courtesy his journalistic endeavors.
    Pritish with his Pet

    He  has been a recipient of many awards: the EM Forster Literary Award, the Unesco Asia Pacific Heritage Award, the International Association Award from the Humane Society of the United States, the Friends of Liberation War Honour from Bangladesh, and hundreds  of award nominations for the films PNC has produced, from all over the world.

    A lot has been written about Pritish’s  caring for animals and how he along with Maneka Gandhi set up People for Animals much before its time. For him his pets were his children. His caring for strays on the street led him to strike a friendship with Ratan Tata who also shared with him his love for animals. In fact, so close was their friendship that Ratan Tata also picked up a chunk of  PNC shares from the open  stock market.

    Pritish was elected to the Rajya Sabha on a Shiv Sena ticket in 1998 from Maharashtra with the support  from both Sena and the BJP members without either of them knowing it.

    His pen shall write no more. Nor will his brush make the strokes on canvas. Pritish Nandy wielded both strongly. As a poet. As an editor. As a painter. As the script doctor or writer of the shows or flms that he gave his creative inputs for. With his passing away following a cardiac arrest, all that has been silenced.  He breathed his last on 8 January 2025 at the age of 73 at his south Mumbai residence, leaving behind his  two daughters who he doted on – Ishita and Rangita – his son Kushan, his pets and many a stray on the streets of Mumbai. 

    (Even as this piece is being written another Bennett, Coleman & Co legend Bhaskar Das continues to be critical in a Mumbai hospital. His family is counting down the days as the doctors have given up, surrendered to the cancer that has spread and ravaged his body)

  • Karan Johar’s Dharma Productions hires senior distribution executive?

    Karan Johar’s Dharma Productions hires senior distribution executive?

    MUMBAI: First came Adar Poonawalla who handed out  Rs 1000 crore to Karan Johar for a 50 per cent stake in his Dharma Productions. Now Dharma Productions  CEO Apoorva Mehta and Karan are clearly indicating  the direction the company is taking – becoming  a complete studio a la YRF. That is it wants to produce and distribute its own releases as well as possibly do it for others.

    Hence, the alleged hiring of former Zee Studios  senior acquisitions and distribution executive Bhumika Tewari, if reports are to be believed. (Actually, Bhumika’s  linkedin profile has her as recently as  one week ago reposting  a post from Roy Kapur Films about  Zee Studios’ release of the Shahid Kapoor-Pooja Hegde starrer Deva on 31 January)

    Bhumika has a rock solid film distribution background. She has spent almost 12 years at Zee Studios heading worldwide theatrical distribution and then content acquisition. She also has more than 16 years on the exhibition side working with Fun Multiplex (thirteen and a half years) and Cinepolis (two years eight months)

    She has been behind some big blockbusters like Good Newz and Kesari while at Zee Studios.

    Confirmations about Bhumika joining Dharma were not available from anyone at the time of writing.  Keep watching this space. 
     

  • Women-focused Marathi film Stahl to get theatrical release on 7 March

    Women-focused Marathi film Stahl to get theatrical release on 7 March

    MUMBAI: A Marathi film about a young girl who is dark complexioned, is short, lives in Dongargaon  village in the Chandrapur District of Maharashtra,, whose parents want to marry her off, but who wants to study  is a sure shot to get audiences in to cinema halls, right?

    The premise is going to be tested come 7 March 2025 when Sthal (A Match) is to be released. The film’s poster was revealed  on 3 March by veteran actor Sachin Pilgaonkar to mark the birth anniversary of Krantijyoti Savitribai Phule. Sachin is also presenting the film. 

    Written and directed by by Jayant Digambar Somalkar and produced by Dhun Productions (Karan Grover, Shefali Bhushan, Jayant Digambar Somalkar & Riga Malhotra), the film’s ensemble cast consists of first time actors from Dongargaon : Nandini Chikte as the protagonist Savita along with Taranath Khiratkar, Sangita Sonekar, Suyog Dhawas, Sandip Somalkar, Sandip Parkhi, Swati Ulmale, Gauri Badki and Mansi Pawar. 

    So far it has won a lot of accolades in the festival circuit: it premiered at the prestigious Toronto International Film Festival, where it won the Netpac  award for the Best Asia Pacific film.. This was followed by screenings at 29 major film festivals and it has picked up 16 awards, creating a buzz in the film industry.  

    “This film rooted in the rural culture of Maharashtra got such an overwhelming response even from the Marathi diaspora in America, that I immediately offered my support in every way to  director Jayant,” said Pilgaonkar.

    “Through this film, my goal as a director is to bring out the realities faced by young women like Savita, who are almost sacrificed in the urgency for getting them ‘married off.’ The film delves into themes of patriarchy, colorism, and societal pressures,” says Jayant. “The visual aesthetic of the film reflects the stark reality of rural India, capturing the beauty of the landscape as also the harshness of everyday life. The use of the traditional folk music makes the viewer connect to the events in a more experiential way while the western, brings the characters’ dreams alive surrealistically.  Through this film, I hope to spark conversations around the tradition of arranged marriage, gender inequality, and the pressing need for change.”

    “I feel it is so appropriate that we are releasing Sthal on the eve of International Women’s  Day,”  shares producer Shefali Bhusan.” because in big and small ways the film questions patriarchy and celebrates womanhood.”

    Now let’s hope the Marathi film watching audience resonates with twhat she is saying. 

  • Nikhil Tanwani’s appointment as CMD gets Baba Arts shareholders’ assent

    Nikhil Tanwani’s appointment as CMD gets Baba Arts shareholders’ assent

    MUMBAI: Film and TV production and distribution  company Baba Arts is moving on to the next generation to give it a new thrust. Whole time director and CMD Gordhan P Tanwani’s son Nikhil G Tanwani was appointed as the microcap company’s chairman &  managing director effective 1 November 2024, a couple of days after his father stepped down due to old age and ill health.

    The company had approached its shareholders to give their consent to the proposal through an e-voting ballot process between 3 December 2024 and 1 January 2025. With the evoting closing yesterday, the scrutiniser gave his report which showed that the proposal got 100 per cent of the shareholders assent. Film star Ajay Devgn is one of the shareholders of the company.  

    Baba Arts  informed the Bombay stock exchange on 2 January  as part of its regulatory process that the company and its shareholders had approved of Nikhil’s appointment.

    Baba Arts reported a topline of Rs 12.48 crore and a net profit of Rs 1.97 crore in the year ended March 2024.

    Baba Arts and Baba Films have together produced several films such as Ishq, Pyaar Toh Hona Hi Tha, Dhulhan Hum Le Jayenge, Tumko Nahi Bhool Paayenge, Taarzan – The Wonder Car, Life Main Kabhie Kabhiee, My Friend Ganesha franchise, Action Jackson and many more.
     

  • Why Abundantia’s Vikram Malhotra is looking to raise Rs 250 crore in 2025

    Why Abundantia’s Vikram Malhotra is looking to raise Rs 250 crore in 2025

    MUMBAI: It’s had an abundant share of hits. Now Abundantia Entertainment is gearing up to ramp up its slate further and is in the market to raise a nice little treasure chest of money to fund its future film and series projects. 

    Speaking to moneycontrol.com, its CEO Vikram Malhotra said that he was looking to raise Rs 200-250 crore in the first half of 2025, only one third of the investment of Rs 750 crore he has lined up for movies and series  for the company going forward.

    Abundantia has been behind some critically acclaimed  and commercially  successful films like Baby, Airlift, Toilet – Ek Prem Katha, Shakuntala Devi, Sherni, Chhorii, Jalsa, Ram Setu, Sukhee and Sarfira. Its series  Breathe which ran into three seasons and  Hush Hush which brought yesteryear super stars Juhi Chawla and Ayesha Jhulka onto streaming have got him hungry to do more. 

    “Out of the 23 titles in development actively at Abundantia right now, the next three years should see an output of 18 of them, starting with six releases in 2025,” he told Moneycontrol. “So far, we’ve had a tremendous five years in terms of creative and financial success and now the plan is to take it to the next level with the infusion of additional capital that allows us to exploit the opportunities that exist in the market.”

    Among the titles which are under developed or are on the production floor include: Amazon Prime Video’s Bhoomi Pednekar-starring Suresh Triveni-directed Daldal, the sequel to  the 2021 released Chhorii, and the Anil Kapoor-starring Suresh Triveni-directed Subedaar.  Many a talent have also been signed up by Abundantia, reveals Malhotra. Among them: Hansal Mehta (the director of the successful Scam series ) who is working on a multi season series, Gullak director Palash Vaswani who’s working on a film, Bhav Dhulia (the director behind Drishyam and Paan Singh Tomar)  who’s got a film project as well as Mayank Sharma (he directed Breathe’s three seasons) for a film. 

    Malhotra has been restructuring Abundantia and has built two verticals within it: psych for horror and paranormal stories and Filters for the young adult segment and is actively developing content under these.  

    A creative studio  called Opening Image has been launched with Suresh Triveni. The idea: focus on creating and developing differentiated content across mediums and aims at being an ecosystem for young writers and directors to flourish under Triveni’s guidance.

    This is not the first fund raise Malhotra’s attempting. He initially secured funding from Dalip Pathak’s Callista Capital and Ashok Wadhwa’s RW Media, who he later bought out. 

    Going by his track record (and despite the mixed response from movie goers that  the film industry has been receiving), Malhotra and his Abundantia should get the fund raise  through and  right – in the first take itself.