Category: Movies

  • ‘Allama’ nominated as Indian entry to ICFT UNESCO Gandhi medal

    ‘Allama’ nominated as Indian entry to ICFT UNESCO Gandhi medal

    NEW DELHI: ‘Allama’, a film by the national award-winning director T.S. Nagabharana about the journey of a 12th century metaphysician, will compete for the International Council for Film, Television and Audio-visual Communication (ICFT) UNESCO Gandhi Medal at the 47th International Film Festival of India in Goa..

    ICFT Paris in collaboration with UNESCO will award the film that best reflects the Gandhi ideals of peace, tolerance and non-violence, a prestigious Gandhi Medal and Certificate.

    This competition section has eight films including ‘Allama’. The other films that will compete in this section are ‘A Real Vermeer’, ‘Beluga’, ‘Cold of Kalandar’, ‘Exiled’, ‘Harmonia’, ‘The Apology’ and ‘The Family: Dementia’.

    ‘Allama’ is a film about the metaphysician, a son of a temple dancer who embarks on a quest for knowledge and answers to his four core sentiments, yearning, and obsession – Maddales, failures and self-realisation. When he evolves and becomes ‘Prabhu’, a master of monotheistic and non-dualistic philosopher, he begins to question many core values in his ideal world where he can foresee violence and advises people to find solace and departs on his final journey to become one with nature and a true spirit.

  • ‘The Jungle Book’ to premiere on three Star channels on 27 November

    ‘The Jungle Book’ to premiere on three Star channels on 27 November

    MUMBAI: Star Movies has been home to the biggest blockbusters that have enthralled audiences over the years. Star Movies and Star Movies Select HD are all set to bring the beloved childhood classic – Disney’s The Jungle Book to audiences in India.

    Some stories leave a lasting impression on our minds while some fade away. Jungle Book is the former; a story that has kept us spellbound with every adaptation, be it TV or film. Academy Award winning director Jon Favreau brings to life Disney’s The Jungle Book as a benchmark of how CGI films have developed over the years. Disney’s The Jungle Book will premiere on Star Movies, Star Movies HD and Star Movies Select HD on 27 November (Sunday,) at 1pm and 9pm.

    The film’s cast includes three Oscar winners: Ben Kingsley, Lupita Nyong’o and Christopher Walken; and an Oscar nominee: Bill Murray. Featuring Neel Sethi as Mowgli with voices from Ben Kingsley, Bill Murray, Scarlet Johansson, Idris Elba, Lupita Nyong’o and many more, the film rings true to Rudyard Kipling’s timeless tale. All the characters in the movie played an instrumental role in helping Mowgli make the jungle his home. Whether it was Raksha who took care of him as her own; Bagheera who protected him from the sinister Shere Khan or the free spirited Baloo- they formed a family like no other. Disney’s The Jungle Book is about values as much as it is about the grandeur of film-making.

    With a worldwide gross of over US$ 963.7 million, the film is the year’s highest grossing Hollywood film in India and second biggest grossing film of 2016 (Hindi and English including).

    Visually stunning, Jon Favreau’s re-telling of a classic pays tribute to the original adventure of one of your most beloved childhood stories.

  • ‘The Jungle Book’ to premiere on three Star channels on 27 November

    ‘The Jungle Book’ to premiere on three Star channels on 27 November

    MUMBAI: Star Movies has been home to the biggest blockbusters that have enthralled audiences over the years. Star Movies and Star Movies Select HD are all set to bring the beloved childhood classic – Disney’s The Jungle Book to audiences in India.

    Some stories leave a lasting impression on our minds while some fade away. Jungle Book is the former; a story that has kept us spellbound with every adaptation, be it TV or film. Academy Award winning director Jon Favreau brings to life Disney’s The Jungle Book as a benchmark of how CGI films have developed over the years. Disney’s The Jungle Book will premiere on Star Movies, Star Movies HD and Star Movies Select HD on 27 November (Sunday,) at 1pm and 9pm.

    The film’s cast includes three Oscar winners: Ben Kingsley, Lupita Nyong’o and Christopher Walken; and an Oscar nominee: Bill Murray. Featuring Neel Sethi as Mowgli with voices from Ben Kingsley, Bill Murray, Scarlet Johansson, Idris Elba, Lupita Nyong’o and many more, the film rings true to Rudyard Kipling’s timeless tale. All the characters in the movie played an instrumental role in helping Mowgli make the jungle his home. Whether it was Raksha who took care of him as her own; Bagheera who protected him from the sinister Shere Khan or the free spirited Baloo- they formed a family like no other. Disney’s The Jungle Book is about values as much as it is about the grandeur of film-making.

    With a worldwide gross of over US$ 963.7 million, the film is the year’s highest grossing Hollywood film in India and second biggest grossing film of 2016 (Hindi and English including).

    Visually stunning, Jon Favreau’s re-telling of a classic pays tribute to the original adventure of one of your most beloved childhood stories.

  • IFFI 2016: India, S. Korea keen on co-productions

    IFFI 2016: India, S. Korea keen on co-productions

    NEW DELHI: Minister for Information and Broadcasting (MIB) M Venkaiah Naidu has said the government is keen to work and cooperate with South Korea in the domain of film production in a way that could benefit both countries.

    Speaking at a meeting with the Korean delegation yesterday in Panaji, the Minister said the government gave great importance to the 2014 agreement between the two countries on co-production and exchange of ideas and expressed satisfaction at Korea being the main partner in the cultural sphere and the focus country at the International Film Festival of India (IFFI).

    MIB Secretary Ajay Mittal said the Film Facilitation Office was set up by the National Film Development Corporation (NFDC) to address issues on film production and facilitating mutual cooperation.

    Korean ambassador to India Cho Hyun shared his ideas and themes for future film making. The delegation also expressed its happiness of the remake of the South Korean movie `Montage’. Hyun also remembered the role India played on the peace keeping operations in the Korean War.

    A large Korean delegation is attending the IFFI this year and veteran Korean filmmaker Im Kwon Taek had been awarded the Lifetime Achievement Award at the inauguration of the festival.

    A total number of 18 films are being screened from South Korea and the opening film was `Tunnel’ whose director Kim Seong-hun said later at a press meet that it was his first visit to India and he was thrilled to meet a new audience at this venue. The other directors and producers present at the event talked about their films’ genres and storylines.

    The Korean Film Council (KOFIC) representative, also present at the conference, talked about the screening of 18 films at the fest and further strengthening the foundation of Indo-Korean relationship through this step. He added that Korea produces three films per year under co-production and has a budget of $ 300,000.

    Director Lee Joon-ik of ‘Dongju: The Portrait of a Poet’ spoke about the removal of censorship in South Korea and its impact on the Korean film industry. He said that in the 70s, Hollywood had 80 per cent share in the Korean market. But with the complete removal of censorship, now the Korean cinema has gained 30 per cent of the market share, reducing Hollywood share by up to 50 per cent.

    Korean Film has come of age in terms of technology and production said Korean filmmakers. The directors believe that if the Indian audience enjoy Hollywood cinema, they will surely like Korean cinema as well, because just like Hollywood, Korean cinema is also technology-driven and, at times, is way ahead of Hollywood.

    The film ‘Tunnel’ tears down the conventional disaster movie genre. Through a disaster, which seems lifted from ordinary reality, the film reminds us all of the forgotten dignity of human life. The director shifts smoothly between emotional extremes to create a distinctive and realistic disaster movie that brings something new to the genre.

  • IFFI 2016: India, S. Korea keen on co-productions

    IFFI 2016: India, S. Korea keen on co-productions

    NEW DELHI: Minister for Information and Broadcasting (MIB) M Venkaiah Naidu has said the government is keen to work and cooperate with South Korea in the domain of film production in a way that could benefit both countries.

    Speaking at a meeting with the Korean delegation yesterday in Panaji, the Minister said the government gave great importance to the 2014 agreement between the two countries on co-production and exchange of ideas and expressed satisfaction at Korea being the main partner in the cultural sphere and the focus country at the International Film Festival of India (IFFI).

    MIB Secretary Ajay Mittal said the Film Facilitation Office was set up by the National Film Development Corporation (NFDC) to address issues on film production and facilitating mutual cooperation.

    Korean ambassador to India Cho Hyun shared his ideas and themes for future film making. The delegation also expressed its happiness of the remake of the South Korean movie `Montage’. Hyun also remembered the role India played on the peace keeping operations in the Korean War.

    A large Korean delegation is attending the IFFI this year and veteran Korean filmmaker Im Kwon Taek had been awarded the Lifetime Achievement Award at the inauguration of the festival.

    A total number of 18 films are being screened from South Korea and the opening film was `Tunnel’ whose director Kim Seong-hun said later at a press meet that it was his first visit to India and he was thrilled to meet a new audience at this venue. The other directors and producers present at the event talked about their films’ genres and storylines.

    The Korean Film Council (KOFIC) representative, also present at the conference, talked about the screening of 18 films at the fest and further strengthening the foundation of Indo-Korean relationship through this step. He added that Korea produces three films per year under co-production and has a budget of $ 300,000.

    Director Lee Joon-ik of ‘Dongju: The Portrait of a Poet’ spoke about the removal of censorship in South Korea and its impact on the Korean film industry. He said that in the 70s, Hollywood had 80 per cent share in the Korean market. But with the complete removal of censorship, now the Korean cinema has gained 30 per cent of the market share, reducing Hollywood share by up to 50 per cent.

    Korean Film has come of age in terms of technology and production said Korean filmmakers. The directors believe that if the Indian audience enjoy Hollywood cinema, they will surely like Korean cinema as well, because just like Hollywood, Korean cinema is also technology-driven and, at times, is way ahead of Hollywood.

    The film ‘Tunnel’ tears down the conventional disaster movie genre. Through a disaster, which seems lifted from ordinary reality, the film reminds us all of the forgotten dignity of human life. The director shifts smoothly between emotional extremes to create a distinctive and realistic disaster movie that brings something new to the genre.

  • IFFI 2016: Abhay Deol acquires three films;explores digital release

    IFFI 2016: Abhay Deol acquires three films;explores digital release

    NEW DELHI: Actor producer Abhay Deol has acquired critically acclaimed festival favourite independent films to explore their release on digital platforms at the ongoing Film Bazaar at the International Film Festival of India in Goa.

    The films are Aditya Vikram Sengupta’s Venice Film Festival and National Award Winner – “Labor Of Love”; Payal Sethi’s critically acclaimed multi-award winning ‘UN Women’ Selection – “Leeches”; and Brahmanand’s heartbreaking documentary on Ghazal Maestro Jagjit Singh “Kaagaz Ki Kashti”, among others.

    Deol said: “I saw “Labour of Love” at Indian Film Festival of Los Angeles and was blown away with Aditya’s aesthetic sensibilities, and his ability to spin a story without any spoken dialogues! Payal’s Leeches is an important film that people need to watch. She has beautifully woven a compelling story around an issue that is anathema to our social fibre and well-being. My most recent select is “Kaagaz Ki Kashti”, which pays homage to Ghazal maestro Jagjit Singh and premiered at MAMI this year. Brahmanand is a savant behind the lens and succeeds in powerfully bringing the legend back to life. I strongly believe in these films and want to ensure that audiences across the world watch them.”

    On being asked about the strategy of exploring the release the films on digital platforms, Deol said, “The way we consume content has changed. While it is no secret that we have a limited number of screens in India, the economics to engage in a theatrical release don’t make sense for Independent films. Minimum P&A budgets required to secure a decent release add unhealthy weight on a small film. What we need now is to adopt alternate avenues of distribution that are widely available thanks to platforms like iTunes, Netflix and Amazon Prime, all of which are effectively reaching global audiences. I’ve been in touch with some filmmakers who increasingly understand this changing environment. Pulkit’s recent directorial debut “Maroon,” is a fine example of an indie release done right. Vivek Kajaria and his team strategically released the film day and date on iTunes Worldwide, straight from MAMI. The potential reach that a film can achieve adopting this route is significant and can no longer be ignored.”

    Sengupta said, “We’re very excited about this opportunity to collaborate with Abhay Deol and take the next step in this incredible journey of Labour Of Love. Abhay has been a champion for the film right from the beginning and will help in introducing the film to an even wider audience. I’m also happy about the fact that he is taking the initiative to further the movement of Indian independent cinema.”

    Payal added, “This is the start of a new movement for Indian indies, which need to look towards innovation, not just in filmmaking, but distribution as well. I applaud Abhay’s trail-blazing stance, which is a huge boost for films such as mine that have proven capable of winning accolades on the world-stage. This initiative gives our films a digital lease on life and empowers us to build audiences beyond a successful festival run.”

    Brahma whose documentary has been the talk of the town said, “I feel initiatives and eyes for films like these by ambassadors like Abhay is needed for the film to reach its rightful audience in the longer run …A film is a film and the key is to keep you hooked to the narrative and legends like these needs to be remembered and perpetuated for posterity.

    Everyone from the maker to champions of them like Abhay as well as distributors and platforms like Netflix, iTunes, Amazon Prime etc need to come together to drive these initiatives to its rightful viewers.”

    On the topic of monetization via release on digital platforms and online distribution masquerading as piracy, Deol says. “Piracy is not a matter of choice, but stems primarily due to the unavailability of content on legitimate digital platforms. If your film is made available in a timely manner, then I truly believe that audiences would prefer to pay and watch it on a platform legally. Moreover, monetization through digital distribution is increasingly resulting in a positive return on investment (ROI). Licensing platforms are offering fair payouts, potentially paving a way for audiences around the world to watch and appreciate South Asian Content.”

    Abhay Deol will continue to curate films he loves and present them to audiences the world over by collaborating with Digital Platforms.

  • IFFI 2016: Abhay Deol acquires three films;explores digital release

    IFFI 2016: Abhay Deol acquires three films;explores digital release

    NEW DELHI: Actor producer Abhay Deol has acquired critically acclaimed festival favourite independent films to explore their release on digital platforms at the ongoing Film Bazaar at the International Film Festival of India in Goa.

    The films are Aditya Vikram Sengupta’s Venice Film Festival and National Award Winner – “Labor Of Love”; Payal Sethi’s critically acclaimed multi-award winning ‘UN Women’ Selection – “Leeches”; and Brahmanand’s heartbreaking documentary on Ghazal Maestro Jagjit Singh “Kaagaz Ki Kashti”, among others.

    Deol said: “I saw “Labour of Love” at Indian Film Festival of Los Angeles and was blown away with Aditya’s aesthetic sensibilities, and his ability to spin a story without any spoken dialogues! Payal’s Leeches is an important film that people need to watch. She has beautifully woven a compelling story around an issue that is anathema to our social fibre and well-being. My most recent select is “Kaagaz Ki Kashti”, which pays homage to Ghazal maestro Jagjit Singh and premiered at MAMI this year. Brahmanand is a savant behind the lens and succeeds in powerfully bringing the legend back to life. I strongly believe in these films and want to ensure that audiences across the world watch them.”

    On being asked about the strategy of exploring the release the films on digital platforms, Deol said, “The way we consume content has changed. While it is no secret that we have a limited number of screens in India, the economics to engage in a theatrical release don’t make sense for Independent films. Minimum P&A budgets required to secure a decent release add unhealthy weight on a small film. What we need now is to adopt alternate avenues of distribution that are widely available thanks to platforms like iTunes, Netflix and Amazon Prime, all of which are effectively reaching global audiences. I’ve been in touch with some filmmakers who increasingly understand this changing environment. Pulkit’s recent directorial debut “Maroon,” is a fine example of an indie release done right. Vivek Kajaria and his team strategically released the film day and date on iTunes Worldwide, straight from MAMI. The potential reach that a film can achieve adopting this route is significant and can no longer be ignored.”

    Sengupta said, “We’re very excited about this opportunity to collaborate with Abhay Deol and take the next step in this incredible journey of Labour Of Love. Abhay has been a champion for the film right from the beginning and will help in introducing the film to an even wider audience. I’m also happy about the fact that he is taking the initiative to further the movement of Indian independent cinema.”

    Payal added, “This is the start of a new movement for Indian indies, which need to look towards innovation, not just in filmmaking, but distribution as well. I applaud Abhay’s trail-blazing stance, which is a huge boost for films such as mine that have proven capable of winning accolades on the world-stage. This initiative gives our films a digital lease on life and empowers us to build audiences beyond a successful festival run.”

    Brahma whose documentary has been the talk of the town said, “I feel initiatives and eyes for films like these by ambassadors like Abhay is needed for the film to reach its rightful audience in the longer run …A film is a film and the key is to keep you hooked to the narrative and legends like these needs to be remembered and perpetuated for posterity.

    Everyone from the maker to champions of them like Abhay as well as distributors and platforms like Netflix, iTunes, Amazon Prime etc need to come together to drive these initiatives to its rightful viewers.”

    On the topic of monetization via release on digital platforms and online distribution masquerading as piracy, Deol says. “Piracy is not a matter of choice, but stems primarily due to the unavailability of content on legitimate digital platforms. If your film is made available in a timely manner, then I truly believe that audiences would prefer to pay and watch it on a platform legally. Moreover, monetization through digital distribution is increasingly resulting in a positive return on investment (ROI). Licensing platforms are offering fair payouts, potentially paving a way for audiences around the world to watch and appreciate South Asian Content.”

    Abhay Deol will continue to curate films he loves and present them to audiences the world over by collaborating with Digital Platforms.

  • IFFI 2016: 32 films for pitching in Film Bazaar

    IFFI 2016: 32 films for pitching in Film Bazaar

    NEW DELHI: A total of 32 films are being screened in the Film Bazaar Recommends section of the International Film Festival of India (IFFI) at Panaji, which are all aimed at pitching for distribution or selection for international film festivals.

    The films including five feature documentaries and 27 fiction features in 14 languages will pitch their trailers in the ‘Investor’s Pitch’ at 10th NFDC Film Bazaar 2016. Film Bazaar Recommends are feature length films recommended specially by the Film Bazaar team from among the film submissions to the Viewing Room.

    Other sections in the market include Open Pitch, which is in its second edition, and where filmmakers present their ideas and requirements to an audience of film industry members.

    Producer Miriam Joseph, OLFFI Managing Director Ilann Girard and Pallas Films producer Thanassis Karathanos discussed the importance and challenges of public funding and a clear emphasis emerged on developing the project thoroughly before looking for funding. “For independent films, it is always challenging to find funding,” Ilann Girard said, adding, “It is a multi-path relationship, and you have to look at the whole picture and understand the organic needs of your project, so there is a balance creatively and financially. It is very important to remain true to yourself.”

    The section on Film Festivals And Markets – Building Audiences And Business Opportunities was moderated by Deepti D’Cunha and the panelists at this session included Festival Programmers Paolo Bertolin and Uma D’Cunha, Sales Agent Chris Paton, and filmmakers Raam Reddy (Thithi) and Kanu Behl (Titli), whose debuts have received much critical acclaim. There was an engrossing and riveting conversation on the intricacies of the business side of the film industry. The importance of promoting films was emphasised.

    “It is difficult for independent films in India to get selected at a festival like Venice Film Festival, and whenever a filmmaker does get the rare opportunity to promote their film, they should grab it. After years, there were two Indian films, `Court’ and `Visaranai’, that were screened there,” Paolo Bertolinsaid. “Although this piece of advice is getting more and more controversial, you should get a sales agent, because they are the ones who know how to maximise your positioning within the festival and who already know how to work with and within the festival. You are faced with many challenges, and you don’t need to do this alone. If you don’t manage to get a sales agent, you should at least get a press agent, so that the film gets the widest exposure and reaches your target audience.”

    “NFDC Film Bazaar really changed my life, and it gave me a wealth of knowledge. I was completely clueless when I came here,” Raam Reddy said candidly, highlighting, “I owe my entire career to NFDC Film Bazaar because I received so much constructive criticism and feedback from the Work-In-Progress Lab. Dreams can be built here.”

    The Virtual Reality Lounge, powered by Samsung Gear VR Premiere and introduced for the first time, had A R Rahman’s ‘Live-In-VR Experience’ Vande Mataram as the premiere, which also allowed participants to curate their viewing experience uniquely with a range of Virtual Reality (VR) film experiences to choose from.

    The Industry Screenings segment opened with Suhas Bhosale’s ‘Koti’, an acclaimed Marathi film about a young transgender in a rural village and went on to screen titles like ‘Trap’ by B Madhusudhan Reddy and `Aloko Udapadi’ (Sinhala) by Chathra Weeraman amongst others.

    The Bazaar will conclude on 24 November 2016.

  • IFFI 2016: 32 films for pitching in Film Bazaar

    IFFI 2016: 32 films for pitching in Film Bazaar

    NEW DELHI: A total of 32 films are being screened in the Film Bazaar Recommends section of the International Film Festival of India (IFFI) at Panaji, which are all aimed at pitching for distribution or selection for international film festivals.

    The films including five feature documentaries and 27 fiction features in 14 languages will pitch their trailers in the ‘Investor’s Pitch’ at 10th NFDC Film Bazaar 2016. Film Bazaar Recommends are feature length films recommended specially by the Film Bazaar team from among the film submissions to the Viewing Room.

    Other sections in the market include Open Pitch, which is in its second edition, and where filmmakers present their ideas and requirements to an audience of film industry members.

    Producer Miriam Joseph, OLFFI Managing Director Ilann Girard and Pallas Films producer Thanassis Karathanos discussed the importance and challenges of public funding and a clear emphasis emerged on developing the project thoroughly before looking for funding. “For independent films, it is always challenging to find funding,” Ilann Girard said, adding, “It is a multi-path relationship, and you have to look at the whole picture and understand the organic needs of your project, so there is a balance creatively and financially. It is very important to remain true to yourself.”

    The section on Film Festivals And Markets – Building Audiences And Business Opportunities was moderated by Deepti D’Cunha and the panelists at this session included Festival Programmers Paolo Bertolin and Uma D’Cunha, Sales Agent Chris Paton, and filmmakers Raam Reddy (Thithi) and Kanu Behl (Titli), whose debuts have received much critical acclaim. There was an engrossing and riveting conversation on the intricacies of the business side of the film industry. The importance of promoting films was emphasised.

    “It is difficult for independent films in India to get selected at a festival like Venice Film Festival, and whenever a filmmaker does get the rare opportunity to promote their film, they should grab it. After years, there were two Indian films, `Court’ and `Visaranai’, that were screened there,” Paolo Bertolinsaid. “Although this piece of advice is getting more and more controversial, you should get a sales agent, because they are the ones who know how to maximise your positioning within the festival and who already know how to work with and within the festival. You are faced with many challenges, and you don’t need to do this alone. If you don’t manage to get a sales agent, you should at least get a press agent, so that the film gets the widest exposure and reaches your target audience.”

    “NFDC Film Bazaar really changed my life, and it gave me a wealth of knowledge. I was completely clueless when I came here,” Raam Reddy said candidly, highlighting, “I owe my entire career to NFDC Film Bazaar because I received so much constructive criticism and feedback from the Work-In-Progress Lab. Dreams can be built here.”

    The Virtual Reality Lounge, powered by Samsung Gear VR Premiere and introduced for the first time, had A R Rahman’s ‘Live-In-VR Experience’ Vande Mataram as the premiere, which also allowed participants to curate their viewing experience uniquely with a range of Virtual Reality (VR) film experiences to choose from.

    The Industry Screenings segment opened with Suhas Bhosale’s ‘Koti’, an acclaimed Marathi film about a young transgender in a rural village and went on to screen titles like ‘Trap’ by B Madhusudhan Reddy and `Aloko Udapadi’ (Sinhala) by Chathra Weeraman amongst others.

    The Bazaar will conclude on 24 November 2016.

  • Viacom18 blocks Force 2 across 1250 websites; gets interim order from Madras HC

    Viacom18 blocks Force 2 across 1250 websites; gets interim order from Madras HC

    MUMBAI: Viacom18 has secured a John Doe interim order from Madras High Court restricting more than 1250 identified and all other unidentified websites from making the infringing copies of Viacom18’s latest release i.e ‘Force2’ available for public viewing over internet.

    In the said order, the Court has further directed 40 major Internet Service Providers (ISPs) and also other unidentified ISPs to block all such pirate websites which are illegally making the said film available over internet.

    Viacom18 group general counsel Sujeet Jain said, “I welcome this order from the Hon’ble Madras High Court. It is estimated that India loses $2.5 billion to online movie piracy every year. With increased penetration of technology and internet in India, piracy through online distribution is expected to continue to be a major source of revenue leakage for the movie industry. This order is a significant development for the film industry in its fight against online piracy. As immediate next steps, we’ve also launched an investigation into identifying the source of piracy at the threshold level and we will be soon taking strict action on that front. “

    Viacom18 had earlier successfully secured John Doe orders against infringement of its films Drishyam and ‘Manjhi – The Mountain Man’ as well. In the current scenario the High Court in certain states are directing injunction against URLs only which according to many filmmakers is ineffective as URLs are easily mirrored and new URLs pop up in no time. The John Doe Order for Force 2 blocking access to the entire pirate websites should therefore be a relief and aid to filmmakers across country in their war against piracy.