Category: Movies

  • UFO defends in reply to IMPPA’s notice

    MUMBAI: : In its reply to the showcause notice sent by IMPPA, UFO Moviez India Ltd has said that it has designed fool-proof systems which obviate any possibility or attempt to commit offences such as piracy.


    The IMPPA had sent a showcause notice to UFO soon after it came to light that a UFO employee had been apprehended by the anti-piracy cell of the Mumbai Police. Soon after, the company terminated the services of Rajesh Chawdhary.


    It further states that piracy generally takes place when the raw data of the film is made available on hard-disks and ferried from one production house to another at the time of release. 


    The company has, thus, suggested that the producers should create digital master of their films only at the laboratory where the digital intermediate work is undertaken and a direct input of the digital master be given into their system and an encrypted file of the same be created.


    By this, two major things could be achieved. First, the unencrypted content will continue to remain in the final post-production house instead of being carried around all over India and secondly, the producer could control the entire process.

  • Amar Singh is actor-cum-script advisor in Jayaprada’s Bengali film

    MUMBAI: Samajwadi Party leader Amar Singh will double up as a script-advisor cum actor for a Bengali film Sesh Sanghat (The Last Conflict) being produced by Jayaprada who is also playing the lead role.


    Singh plays the role of an ex-minister in Bengal who sympathises with the tribal movement and guides an honest cop, played by Jackie Shroff, in dealing with the land agitation issue.


    Says Singh, “This is a film of struggle between the landless and the land grabbers, the haves and the have-nots. The entire story of the film is very topical considering today‘s situation in West Bengal.” 


    “But I certainly don‘t want to stick to acting. I am an avid movie buff so I cannot say no to actors whom I have grown up watching. Moreover, Since Jaya is very closely associated to me and my party, how could I have said no to her,” he adds.


    The 53-year-old politician, known for his proximity to the film industry, has earlier acted in two films – Hamara Dil Aapke Paas Hai and Apne.

  • Jacques Audiard’s A Prophet wins Star Of London award

    MUMBAI: The London Film Festival‘s inaugural Star Of London award for best film went to Jacques Audiard‘s A Prophet at the awards ceremony last night.


    Said Jury chairperson, Anjelica Huston of France‘s foreign-language Academy Award submisison, “A masterpiece, Un Prophete has the ambition, purity of vision and clarity of purpose to make it an instant classic. With seamless and imaginative story-telling, superb performances and universal themes, Jacques Audiard has made a perfect film.”


    The jury gave a special mention to John Hillcoat‘s The Road.


    In another first-time presentation, the Best British Newcomer award celebrating a film-maker who had demonstrated ‘real creative flair and imagination with their first feature‘ went to The Scouting Book For Boys screenwriter Jack Thorne.


    The jury also gave a special mention to J Blakeson, the writer and director of The Disappearance Of Alice Creed that premiered in Toronto recently.


    The longstanding Sutherland Award presented to the maker of the most original and imaginative first feature went to Scandar Copti and Yaron Shani‘s Ajami, Israel‘s foreign-language Oscar submission.


    The London Film Festival Grierson Award for best documentary was presented to Yoav Shamir for Defamation.

  • Korean director Kwak to direct 3D live-action film

    MUMBAI: Korean director Kwak Kyung-Taek will direct a 3D live-action film, tentatively titled The Battle Of Yellow Sea.


    The film is about the explosive naval engagement between North and South Korea on the second-to-last day of the 2002 World Cup.


    IM Pictures, the main investor and producer of the film, has earlier been associated with films like My Sassy Girl, Tazza: The High Rollers and The Big Swindle. Kwak previously directed Korean blockbusters Typhoon and Friend.


    IM Pictures, in a statement, stated, “The global film industry is moving towards 3D films. Domestic multiplexes have also been introducing 3D projection quickly, and we will go from the more than 60 screens now to more than 100 screens by next year.


    The film made on a budget of approximately $16.65m is currently in the casting stage and will go into the production stage in March next year.

  • Danish director Susanne Bier set to direct English film

    MUMBAI: Danish filmmaker Susanne Bier is in talking to producers Anonymous Content to direct an English-language romantic comedy Which Brings Me To You.


    The film based on a novel written by Julianna Baggott and Steve Almond centres on a single man and a woman who meet at a wedding and begin a relationship in which they write letters describing past romances and mis-steps. Published in 2006, the book earned strong reviews as a clever look at modern romance. 


    Incidentally, Bier made a name for herself with the Danish-language melodrama After The Wedding that was nominated for a foreign-language Oscar in 2007 and went on to helm the Benicio del Toro-starring recovery tale Things We Lost In The Fire for Paramount.


    She also co-wrote and directed the Danish language film Brothers, a war-themed drama that is being remade for Lionsgate with Jim Sheridan directing and starring Natalie Portman.

  • Mary and Max annexes best animation film prize in Ottawa fest

    MUMBAI: A claymation film Mary and Max made by Oscar-winning Australian animator Adam Elliot won the grand prize for best animated feature at the Ottawa International Animation Festival, that ended last Sunday night.


    The film has been voiced by Toni Collette, Phillip Seymour Hoffman and Barry Humphries.


    The Ottawa jury also made a special mention to My Dog Tulip, an animated feature voiced by Christopher Plummer, Isabella Rosseillini and Lynn Redgrave.
     


    Estonian film Kaasundinud Kohustused, (Inherent Obligations) by Rao Heidmets picked up the grand prize for best independent short animation.


    The 33rd Ottawa animation festival also awarded Madagascar, A Journal Diary from French director Bastien Dubois, the best adult TV animation trophy and the NFB Public Prize.

  • 16th Children’s Film Festival in Hyderabad from 14 November

    MUMBAI: The Children‘s Film Society (CFSI) has announced that the 16th Golden Elephant International Children‘s Film Festival will be held in Hyderabad from 14 to 20 November in association with the Andhra Pradesh Government.

    The bi-annual festival, one of the leading children‘s film festivals in Asia, will showcase some of the best children‘s films from across the globe and provide the opportunity to participate, learn and appreciate the nuances of filmmaking.

    Said CFSI chairperson Nandita Das, “This year we have an interesting range of films from around the world. And to broaden the festival experience, we have a series of workshops conducted by experts that are going to enthrall the children.”Filmmakers, writers, educators, parents and children themselves will participate in various forums. We are also proud to introduce The Golden Elephant for the well-deserved Asian section along with the International section. Another first in this year‘s awards is to have a Children‘s Jury for both the sections.”

    Said CFSI CEO Sushovan Banerjee, “We look at the Golden Elephant as an important milestone in our constant endeavour to create awareness for The Right to Entertainment

    for Children.

    “We believe that this year‘s festival will take our efforts to a different level by bringing the audiences closer to our goals. We are also very happy and excited with the entries that have been received and are hopeful that the audiences will love them all.”

    The festival will also have prominent celebrities, national and international jury members, stalwarts from the business of entertainment sharing the dais during open forums discussing various entertainment issues related to children.

  • Hindi film industry has just a handful of stars who click with audiences

    NEW DELHI: Zoya Akhtar, writer and director of ‘Luck By Chance’, says the new stream cinema reinforces the concept of innovative stories, available technologies, and changing audience preferences.

    Taking part in the second NewStream Panel discussion at the ongoing 11th Osian’s Cinefan Film Festival, she said stars could only do a certain number of films every year, and therefore, other producers with innovative stories and treatment often had to pick on other actors in the industry for their films, and this helped the growth of this other cinema. Thus, the prevalent star system indirectly helps the cause of the new wave cinema in India.


    The NewStream panel discussion is a new introduction in the festival, where crew members of some off-beat films made in the mainstream genre share their insights with the audience.

    Besides Zoya, the others who addressed the session included Farhan Akhtar and Rishi Kapoor, apart from production designer Anuradha Parikh.


    All the panelists were unanimous that new stream cinema or not, the entertainment quotient in the film needs to be assured if the movie has to do well commercially. The audience is today discerning enough to respect entertainment, irrespective of the star cast of the movie.


    Farhan said writers and directors these days want their movies to be kept real and not show fantasies that their audience cannot relate to. The larger-than-life depiction shown in the past does not connect well with today’s audiences as they are unable to identify themselves with it.


    Reflecting on his long journey in cinema, Rishi Kapoor said cinema needs to strike a good balance between economics and sensibilities. He added, “I have witnessed the evolution of Indian cinema and things have grown by leaps and bounds. Cinema to me is both a reflection of society and a potential influencing agent.”

  • Exploring stresses through film a major challenge for filmmakers

    NEW DELHI: The cinematic medium provides a means to filmmakers to explore multifarious problems facing mankind in the modern day world of tensions and stresses.

    Filmmakers who addressed today’s sessions of the Osian’s Learning Experience referred directly or indirectly to the tensions and anxieties facing today’s world.


    OLE is the new concept introduced at the ongoing Eleventh Osian’s Cinefan Film Festival which commenced on 24 October and will continue till 30 October at the Sirifort Auditorium.


    OLE is aimed at taking the study of filmmaking to an aesthetic level. The Festival has been organised in the previous years by the Osian’s Connoisseurs of Art in association with the Delhi Government.


    Director Amit Dutta said he uses stories of men and women – and the way they see each other – to explore his fascination of dealing with the emotion of anxiety.


    He summarized his film, Man’s women and other stories as a tryst of “transparent images, a graph of brutality where women takes over at the end,” to which the audience added “movement in spaces with brutal violence”.


    He said “it is easier to make pure cinema, the experimental cinema, with less money” without the hindrance of “ethnographic detailing”, and where just an “idea of beauty and grace suffices”.


    Anxiety was an eternal emotion, he said, adding that this was the reason he had still not been able to understand the complexities in life.


    In the session on ‘The Long Night’ about the political dissidence in Syria, director Hatem Mohamad Ali said “the present turbulent times and obscure present and future of Syria has lent an escapist tendency to TV serial makers, making them take refuge in the past.


    The film has not been released yet in Syria though it has travelled to several countries in festivals, he added.


    Hatem said the film deals with a range of emotions. Though ‘joy’ is not one among them, it “offers a ray of hope towards the end” because he believes “that even if life is too hard and pessimistic, cinema should have hope even while ensuring it must not lie”.


    In another session which was on the film ‘Supermen of Malegaon’, a documentary on the making of the film ‘Malegaon ka Superman’ which has proved to be very popular at the Festival, the director Faiza Ahmad Khan said she had attempted to show “the contrasting background of gory communal violence that the region of Malegaon witnesses and the ease and enthusiasm with which the local people delve in filmmaking” as that inspired her towards making this documentary. Nasir who made the original feature film and a crew member Shafiq were also present.

  • ‘Consolidation in the multiplex sector will happen when the real value of the business is captured’ : Cinemax India senior vice president business strategy Devang Sampat

    ‘Consolidation in the multiplex sector will happen when the real value of the business is captured’ : Cinemax India senior vice president business strategy Devang Sampat

    Cinemax India Ltd entered into the multiplex business with a cluster approach, concentrating on Mumbai and the Maharashtra market. Running a cinema chain with 76 screens, it has a load of 40 screens in Mumbai and 18 across rest of Maharashtra.

     

    The thrust now is to build a national footprint with focus on locations that would give it an advantage. The expansion plan is to have 300 screens over a period of three years.

     

    Facing a slowdown, the immediate task is to add 60 screens in FY‘11 with an investment of Rs 1 billion. Cinemax will also push digital technology and expand its gaming zones.

     

    Cinemax has plans to raise funds but is not in a hurry. Promoted by real estate developers, it has an asset bank and can leverage it to raise debt. The company has a debt of Rs 750 million and the debt to equity ratio is 1:2.

     

    Cinemax is not keen on film distribution as it is a risky business. But it is readying to enter into film production and is waiting for the right script.

     

    In an interview with Indiantelevision.com‘s Sibabrata Das and Ashish Mitra, Cinemax India senior vice president business strategy Devang Sampat says consolidation will take time as average occupancy needs to rise from 24 per cent to 32 per cent and profit margins improve.

     

    Excerpts:

     
     
    Cinemax had indicated earlier that it would expand its screens to 300 over a period of three years. Has the economic downturn affected the growth plans?
    There is a slowdown for all multiplex operators as the mall developers are not pacing up. We will be taking our total number of screens to 100, from 74 in the year-ago period (earlier guidance was addition of 40 screens during the fiscal). We have closed down three screens in Faridabad as the mall wasn‘t taking off. But we are not revising our three-year target of 300 screens.
     
     

    Are you scaling down your investments in the short run?
    For the current fiscal, we are investing Rs 600 million. We will be adding 60 screens in FY‘10 and our investment requirement is Rs 1 billion.
     
     

    Will you be raising funds for this?
    We will take a call in December. We are not in a hurry and will raise money when we need it. With the promoters being real estate developers, we also have an asset bank which we can leverage.
     
     

    Wouldn‘t you like to retire some of the high-cost debt?
    We have a debt of Rs 750 million. The debt to equity ratio is 1:2. There is room to leverage and we are not facing any fund constraints.
     

     
    Cinemax has concentrated its multiplexes in Mumbai and Maharashtra. Will the spread out now be more national?
    Initially when we ventured into the business, we took a cluster approach in Mumbai. Now during the course of our expansion, the focus will be on going to good locations. In the multiplex business, location is king.
     
     

    ‘We will definitely get into film production. We are ready and are waiting for the right script. We feel this will complement our exhibition business‘
     

     
    Will you look at acquisitions or you feel the industry is not ready yet for consolidation?
    The industry has an average occupancy rate of 24 per cent. Unless this goes up to 32 per cent, the real numbers don‘t come up. The profit margins stay low. Consolidation will happen when the real value of the business is captured. Being real estate developers, the promoters decided to foray into multiplex as part of their retail business. The capital cost for Cinemax will, thus, be comparatively lower and the promoters have a better understanding of locations.
     
     

    How could Cinemax achieve operational break-even during the quarter when film producers froze fresh Bollywood content to multiplexes?
    This was primarily due to three reasons. Our presence is predominantly in Mumbai and Maharashtra. Secondly, there were some Marathi films that released during this period and they fared well at the box office. Thirdly, we own some properties, reducing the impact of the expenditure on lease rentals.

     

    We expect to clock Rs 2 billion this fiscal, up from Rs 1.54 billion a year ago.
     
     

    But the first quarter turnover was weak?
    We expect contributions to come from the new properties in the third and fourth quarters. The existing properties should give us a revenue of Rs 500 million in each quarter. Don‘t forget that the Khans (Salman, Shah Rukh and Aamir) will make their appearance from the third quarter onwards. As for profitability, we will maintain the same percentage as the last fiscal.
     
     

    Do you see a change in the revenue mix in the near future?
    We expect the Food & Beverage (F&B) segment to contribute 20-22 per cent in FY‘11, up from 18 per cent. Advertising income should go up from 8 per cent to 10 per cent. Currently, box-office collections account for 69 per cent of our total revenues and gaming zone and others six per cent.
     
     

    Having entered into film distribution, is Cinemax also looking at venturing into production?
    We will definitely get into film production. We are ready and are waiting for the right script. We feel this will complement our exhibition business.

     

    We distributed two films – Kismat Konnection and Singh Is Kinng. We managed to break even. But this is a risky business and we are not keen on it.
     

     
    What are the digital steps Cinemax is taking?
    Digital technology helps reduce piracy and enables 3D viewing. This will lead to an increase in the share of Hollywood movies released in India and, in turn, to higher ticket prices. We have introduced digital technology in 24 screens.

     

    We are also looking at augmenting our revenues from gaming. We have introduced gaming zones in six places and are planning to expand it to our other theatres.
     

     

    Does Cinemax have plans to set up cinema theatres overseas?
    We have no such plans.