Category: Movies

  • Rs 350 cr in 17-day indomitable filmy ‘Dangal’

    Rs 350 cr in 17-day indomitable filmy ‘Dangal’

    MUMBAI: There is not much in the offing except, December 23 carry forward, Dangal. There was no release on 30th since it is a norm not to fall in the shadow of a major release like Dangal as well as to avoid the year end Friday where the New Year eve celebrations affect box office collections negatively.

    The film enjoys the benefit of exemption from paying Entertainment Tax in states of Delhi, Uttar Pradesh, Uttarakhand, Haryana and Chhattisgarh,

    The first Friday also went blank as the one scheduled release, Coffee With D, could not hit the screens for whatever reasons. As it were, the first Friday is considered to be unfruitful for the box office since films released on this day usually go unnoticed.

    *In such an event, Dangal kept making the most of its overwhelming popularity and positive word of mouth. The film went on shattering record after records.

    -Dangal registered the highest first Sunday by collecting Rs 42.35 crore and crossed Rs 100 crore mark in three days to finish its opening weekend with an impressive Rs 106.95 crore.

    -The film’s first week figures stopped just short of Rs 200 crore mark at Rs 197.55 crore.

    -Again, the film had a terrific second Sunday (day 10) of Rs 31.27 crore to mark second weekend of Rs 72.93 crore to take its 10 day total to Rs 271.24 crore.

    -The collections held on well as the film finished its second week with 115.96 crore and taking its two week total past 300 milestone crore at Rs 313.51 crore.

    – With a healthy third weekend of Rs 31.89 crore, the film’s collections stand at Rs 345.4 crore in 17 days.

    *Befikre has collected about Rs 10 lakh in fourth week to take its four week tally to Rs 59.6 crore.

    *Kahaani 2 has added Rs 10 lakh in its fifth week taking its five week tally to Rs 30.8 crore.

  • Veteran film and TV actor Om Puri passes away

    Veteran film and TV actor Om Puri passes away

    NEW DELHI: Veteran actor Om Puri, who gave countless memorable performances in movies of diverse genres and also on television shows, died at his residence in Mumbai this morning after a massive heart attack. He was 66.

    ‘Puri passed away this morning due to a heart attack at his residence in suburban Andheri. It’s shocking,’ a family source was quoted by PTI as saying.

    From Bollywood to Hollywood, from independent to art films to television, the noted actor, known for his versatility, gave several acclaimed performances. Puri featured in several Indian, Pakistani, British and Hollywood mainstream commercial films. However, as many of his fans said Puri would be remembered more for his stellar roles in TV serial ‘Tamas’ and film ‘Ardh Satya’. He was awarded the Padma Shri, the country’s fourth highest civilian award, in 1990.

    Prime Minister Narendra Modi condoled Puri’s demise and recalled his long career in theatre and films. Minister for information and broadcasting M. Venkaiah Naidu too condoled Puri’s death and remembered his contribution to the Indian film and TV industry. Bollywood celebrities, including Akshay Kumar, Karan Johar, Anupam Kher, Javed Akhtar and Mahesh Bhatt, expressed grief over Puri’s demise, calling it a huge loss to Indian cinema.

    Born in Ambala, Haryana, in a Punjabi family, Puri graduated from the Film and Television Institute of India, Pune. He was also an alumnus of the 1973 class of National School of Drama, where Naseeruddin Shah was a batch mate. He made his film debut in the 1976 Marathi film ‘Ghashiram Kotwal’.

    Some of his notable films include ‘Bhavni Bhavai’, ‘Sadgati, ‘Ardh Satya’, ‘Mirch Masala’, ‘Dharavi’, ‘Aakrosh’, ‘Maachis’, ‘Gupt’, ‘Dhoop’ and ‘Yuva’. He earned international fame in many British films, such as ‘My Son the Fanatic’, ‘East Is East’ and ‘The Parole Officer’. He also appeared in Hollywood films like ‘City of Joy’, ‘Wolf’, ‘The Ghost and the Darkness’, among others.

  • Veteran film and TV actor Om Puri passes away

    Veteran film and TV actor Om Puri passes away

    NEW DELHI: Veteran actor Om Puri, who gave countless memorable performances in movies of diverse genres and also on television shows, died at his residence in Mumbai this morning after a massive heart attack. He was 66.

    ‘Puri passed away this morning due to a heart attack at his residence in suburban Andheri. It’s shocking,’ a family source was quoted by PTI as saying.

    From Bollywood to Hollywood, from independent to art films to television, the noted actor, known for his versatility, gave several acclaimed performances. Puri featured in several Indian, Pakistani, British and Hollywood mainstream commercial films. However, as many of his fans said Puri would be remembered more for his stellar roles in TV serial ‘Tamas’ and film ‘Ardh Satya’. He was awarded the Padma Shri, the country’s fourth highest civilian award, in 1990.

    Prime Minister Narendra Modi condoled Puri’s demise and recalled his long career in theatre and films. Minister for information and broadcasting M. Venkaiah Naidu too condoled Puri’s death and remembered his contribution to the Indian film and TV industry. Bollywood celebrities, including Akshay Kumar, Karan Johar, Anupam Kher, Javed Akhtar and Mahesh Bhatt, expressed grief over Puri’s demise, calling it a huge loss to Indian cinema.

    Born in Ambala, Haryana, in a Punjabi family, Puri graduated from the Film and Television Institute of India, Pune. He was also an alumnus of the 1973 class of National School of Drama, where Naseeruddin Shah was a batch mate. He made his film debut in the 1976 Marathi film ‘Ghashiram Kotwal’.

    Some of his notable films include ‘Bhavni Bhavai’, ‘Sadgati, ‘Ardh Satya’, ‘Mirch Masala’, ‘Dharavi’, ‘Aakrosh’, ‘Maachis’, ‘Gupt’, ‘Dhoop’ and ‘Yuva’. He earned international fame in many British films, such as ‘My Son the Fanatic’, ‘East Is East’ and ‘The Parole Officer’. He also appeared in Hollywood films like ‘City of Joy’, ‘Wolf’, ‘The Ghost and the Darkness’, among others.

  • One-horse race Dangal sweeps box office

    One-horse race Dangal sweeps box office

    MUMBAI: It has been a one-horse race at the box office as Dangal sweeps the box office setting new records. The film crossed the Rs 100-crore mark in its first weekend and continued to enjoy a healthy run through rest of the week to almost make it to the Rs 200 crore mark in its first week as it collected Rs 197.55 crore.

    As is the norm, no major film released a week after another big film, the film also had an open run during its second weekend which was expected to add another huge chunk to the film’s kitty and that is how it has been. The film has had an outstanding second weekend as it set a new peak for the second Sunday with figures of Rs 31.27 crore.

    The film added Rs 72.93 crore for its second weekend taking its 10-day total to Rs 271.24 crore.

    The film showed all indications of crossing the Rs 300 crore mark from day one following its reports. Now, despite the Christmas festival season and holidays coming to end, the film should manage the Rs 300-crore milestone with ease because it will go on to enjoy a near solo run till 13 January when the flow of regular releases starts.

    *Wajah Tum Ho failed badly. After a poor first week, the film adds a meager seven lakh in its second week to take its two week total to Rs 10.8 crore.

    *Befikre collects about a crore in its third week to take its three week tally to Rs 59.5 crore.

    *Kahaani 2 has collected Rs 20 lakh in its fourth week to take its four week total to Rs 30.7 crore.

    *Dear Zindagi has added Rs 15 lakh in its fifth week to take its five week total to Rs 63.95 lakh.

  • One-horse race Dangal sweeps box office

    One-horse race Dangal sweeps box office

    MUMBAI: It has been a one-horse race at the box office as Dangal sweeps the box office setting new records. The film crossed the Rs 100-crore mark in its first weekend and continued to enjoy a healthy run through rest of the week to almost make it to the Rs 200 crore mark in its first week as it collected Rs 197.55 crore.

    As is the norm, no major film released a week after another big film, the film also had an open run during its second weekend which was expected to add another huge chunk to the film’s kitty and that is how it has been. The film has had an outstanding second weekend as it set a new peak for the second Sunday with figures of Rs 31.27 crore.

    The film added Rs 72.93 crore for its second weekend taking its 10-day total to Rs 271.24 crore.

    The film showed all indications of crossing the Rs 300 crore mark from day one following its reports. Now, despite the Christmas festival season and holidays coming to end, the film should manage the Rs 300-crore milestone with ease because it will go on to enjoy a near solo run till 13 January when the flow of regular releases starts.

    *Wajah Tum Ho failed badly. After a poor first week, the film adds a meager seven lakh in its second week to take its two week total to Rs 10.8 crore.

    *Befikre collects about a crore in its third week to take its three week tally to Rs 59.5 crore.

    *Kahaani 2 has collected Rs 20 lakh in its fourth week to take its four week total to Rs 30.7 crore.

    *Dear Zindagi has added Rs 15 lakh in its fifth week to take its five week total to Rs 63.95 lakh.

  • Regional films fared better in ’16 in terms of online booking

    Regional films fared better in ’16 in terms of online booking

    NEW DELHI: Regional films did exceptionally well at the box office in 2016 and Malayalam cinema particularly a major rise, if one is to go by online bookings for tickets.

    Online movie ticketing for Malayalam cinema showed over 80 per cent growth as compared to in 2015, according to tickets sold by online entertainment ticketing brand BookMyShow.

    However, the Rajinikanth starrer Kabali (Tamil) was the only regional film that made it to BookMyShow’s Top 10. The Shahrukh Khan starrer Fan was ranked 14th

    While Kabali (Telugu) was the most sold regional film, Natsamrat (Marathi) was the top rated

    Thus, regional and even Hollywood films did well during 2016 apart from Bollywood, according to the ticketing brand.

    This was directly mirrored through millions of ratings and reviews that BookMyShow received on its platform this year.

    While Sunday remains the best day of the week to watch a film and Friday to Sunday are the preferred days by cinegoers, 2016 threw up a surprise when Monday proved to be the fourth most popular film-watching day in comparison to 2015 when Thursday had reserved this honour.

    Viewers generally preferred a 7:00 pm show on any given day of the week but the most perfect day and time combination for movie watching was Saturday at 10:00 pm.

    Only four Hindi and English films rated in the top 10, while al the other spots were grabbed by regional films

    The trailer of Sultan was most rated on BookMyShow, followed by M S Dhoni- The Untold Story

    This year, BookMyShow also compiled a list of its favourites in four categories:

    Cult- Among others, a movie that left a long lasting impression on BookMyShow and the editor was Miss Peregrines’s Home for Peculiar Children; Debutants as 2016 saw some noteworthy performances by new talent such as Waluscha De Sousa in Fan opposite Shahrukh Khan and Harshvardhan Kapoor in Mirzya; Dialogue- Movie buffs came across quite a few memorable dialogues this year. One of them definitely was Aishwarya Rai’s “Main kisi ki zaroorat nahi, khwaish ban-na chahti hoon” from Ae Dil Hai Mushkil; and Movers and Shakers – Among the ones who definitely made a huge impact to the films was definitely Dwayne Johnson who made the headlines all year long in 2016 for his act in Moana.

    BookMyShow Co-founder & Director Parikshit Dar said, “As we near the end of 2016, we decided to revisit their truly incredible 2016 journey with us and summarize their year at the movies. Our objective has always been to enrich the user experience by smartly using technology, while enhancing content discovery on BookMyShow. In this regard, our comprehensive reviews and ratings platform, which has also established itself as an industry yardstick to evaluate a film’s popularity, has played an instrumental role in further assisting viewers in making informed decisions while transacting on BookMyShow. The year 2017 already looks promising with some great line content already lined up and we are excited to embark upon the New Year with our users.”

    Detailed results:

    public://movies-top10.jpg

  • Regional films fared better in ’16 in terms of online booking

    Regional films fared better in ’16 in terms of online booking

    NEW DELHI: Regional films did exceptionally well at the box office in 2016 and Malayalam cinema particularly a major rise, if one is to go by online bookings for tickets.

    Online movie ticketing for Malayalam cinema showed over 80 per cent growth as compared to in 2015, according to tickets sold by online entertainment ticketing brand BookMyShow.

    However, the Rajinikanth starrer Kabali (Tamil) was the only regional film that made it to BookMyShow’s Top 10. The Shahrukh Khan starrer Fan was ranked 14th

    While Kabali (Telugu) was the most sold regional film, Natsamrat (Marathi) was the top rated

    Thus, regional and even Hollywood films did well during 2016 apart from Bollywood, according to the ticketing brand.

    This was directly mirrored through millions of ratings and reviews that BookMyShow received on its platform this year.

    While Sunday remains the best day of the week to watch a film and Friday to Sunday are the preferred days by cinegoers, 2016 threw up a surprise when Monday proved to be the fourth most popular film-watching day in comparison to 2015 when Thursday had reserved this honour.

    Viewers generally preferred a 7:00 pm show on any given day of the week but the most perfect day and time combination for movie watching was Saturday at 10:00 pm.

    Only four Hindi and English films rated in the top 10, while al the other spots were grabbed by regional films

    The trailer of Sultan was most rated on BookMyShow, followed by M S Dhoni- The Untold Story

    This year, BookMyShow also compiled a list of its favourites in four categories:

    Cult- Among others, a movie that left a long lasting impression on BookMyShow and the editor was Miss Peregrines’s Home for Peculiar Children; Debutants as 2016 saw some noteworthy performances by new talent such as Waluscha De Sousa in Fan opposite Shahrukh Khan and Harshvardhan Kapoor in Mirzya; Dialogue- Movie buffs came across quite a few memorable dialogues this year. One of them definitely was Aishwarya Rai’s “Main kisi ki zaroorat nahi, khwaish ban-na chahti hoon” from Ae Dil Hai Mushkil; and Movers and Shakers – Among the ones who definitely made a huge impact to the films was definitely Dwayne Johnson who made the headlines all year long in 2016 for his act in Moana.

    BookMyShow Co-founder & Director Parikshit Dar said, “As we near the end of 2016, we decided to revisit their truly incredible 2016 journey with us and summarize their year at the movies. Our objective has always been to enrich the user experience by smartly using technology, while enhancing content discovery on BookMyShow. In this regard, our comprehensive reviews and ratings platform, which has also established itself as an industry yardstick to evaluate a film’s popularity, has played an instrumental role in further assisting viewers in making informed decisions while transacting on BookMyShow. The year 2017 already looks promising with some great line content already lined up and we are excited to embark upon the New Year with our users.”

    Detailed results:

    public://movies-top10.jpg

  • Dangal ends 2016’s poor run

    Dangal ends 2016’s poor run

    Year 2016 may have had a poor run in terms of box office, in general, but Aamir Khan-starrer Dangal bucked the trend and managed to spread the Christmas cheer. Dangal set records from show one, day one. Whatever little exposure the multiplexes gave to earlier releases like Befikre, found no footfalls and the screens were later passed on to Dangal.

    Aamir Khan is the pioneer of the Rs. 300 crore Club in Hindi films and the trade expects him to continue the trend with Dangal — his third entry into the Club.

    *Dangal is set to become a winner and a blockbuster that the indiantelevision.compredicted the film to be. It would be a rare product where a film works sans romance and melody, while also connecting with the viewer via a sportsperson’s biopic. Coming as it did after a disastrous lineup of 2016, the film promised little. Salman Khan-starrer Sultan, with a similar theme of wrestling, was released earlier in the year. However, Dangal surprised the trade with an unbelievable advance booking through bookmyshow.com (the site claims record-breaking business) and the film neared the all-time top grossers as it neared Rs. 30 crore for the opening day.

    Surprise was because of the fact that the film had Aamir Khan in an unconventional role with a few newcomers along with a not-yet- established director.

    Dangal opened with a Rs. 29.7 crore Friday; Saturday was expected by the trade at Rs. 32 crore, which the film bettered by a couple of crore of rupees and, finally, grossing over Rs. 10 core more than the opening day on Sunday. Dangal went on to register a record breaking opening weekend of Rs. 106.9 crore.

    With no new releases to challenge the film till 13 January, 2017, it is expected Dangal will put up a sterling show in the holiday season.

    *Wajah Tum Ho’s release was staggered because of demonetization of high currency notes early November, but failed to click at the box office. It barely managed put together Rs. 10.1 crore for its first week. The film has found it tough to find audience since the release of Dangal leading to ‘no audience no show status’.

    *Shor Se Shuruaat, a seven short film omnibus, fairs poorly.

    *Befikre holds well in its second week to collect Rs. 9.75 crore to take its two week total to Rs. 58.5 crore. However, a show or two spared for the film in its third week opposite Dangal has not worked for the film as the audience is missing and the screens finally got diverted to Dangal.

    *Kahaani 2 has collected Rs. 2.1 crore in its third week taking its three week total to Rs. 30.5 crore.

    *Dear Zindagi has added Rs. 1.4 crore in its fourth week taking its four week total to Rs. 63.8 crore.

  • Dangal ends 2016’s poor run

    Dangal ends 2016’s poor run

    Year 2016 may have had a poor run in terms of box office, in general, but Aamir Khan-starrer Dangal bucked the trend and managed to spread the Christmas cheer. Dangal set records from show one, day one. Whatever little exposure the multiplexes gave to earlier releases like Befikre, found no footfalls and the screens were later passed on to Dangal.

    Aamir Khan is the pioneer of the Rs. 300 crore Club in Hindi films and the trade expects him to continue the trend with Dangal — his third entry into the Club.

    *Dangal is set to become a winner and a blockbuster that the indiantelevision.compredicted the film to be. It would be a rare product where a film works sans romance and melody, while also connecting with the viewer via a sportsperson’s biopic. Coming as it did after a disastrous lineup of 2016, the film promised little. Salman Khan-starrer Sultan, with a similar theme of wrestling, was released earlier in the year. However, Dangal surprised the trade with an unbelievable advance booking through bookmyshow.com (the site claims record-breaking business) and the film neared the all-time top grossers as it neared Rs. 30 crore for the opening day.

    Surprise was because of the fact that the film had Aamir Khan in an unconventional role with a few newcomers along with a not-yet- established director.

    Dangal opened with a Rs. 29.7 crore Friday; Saturday was expected by the trade at Rs. 32 crore, which the film bettered by a couple of crore of rupees and, finally, grossing over Rs. 10 core more than the opening day on Sunday. Dangal went on to register a record breaking opening weekend of Rs. 106.9 crore.

    With no new releases to challenge the film till 13 January, 2017, it is expected Dangal will put up a sterling show in the holiday season.

    *Wajah Tum Ho’s release was staggered because of demonetization of high currency notes early November, but failed to click at the box office. It barely managed put together Rs. 10.1 crore for its first week. The film has found it tough to find audience since the release of Dangal leading to ‘no audience no show status’.

    *Shor Se Shuruaat, a seven short film omnibus, fairs poorly.

    *Befikre holds well in its second week to collect Rs. 9.75 crore to take its two week total to Rs. 58.5 crore. However, a show or two spared for the film in its third week opposite Dangal has not worked for the film as the audience is missing and the screens finally got diverted to Dangal.

    *Kahaani 2 has collected Rs. 2.1 crore in its third week taking its three week total to Rs. 30.5 crore.

    *Dear Zindagi has added Rs. 1.4 crore in its fourth week taking its four week total to Rs. 63.8 crore.

  • Dangal: This is a winner!

    Dangal: This is a winner!

    Sports-based films had few takers till late, especially the concocted stories kind. However, the biographical sports-oriented films seem to work better, albeit, if they are inspiring enough and based on the lives of self-made successes.

    Bhaag Milkha Bhaag, Paan Singh Tomar, M S Dhoni: The Untold Story, Mary Kom are a few examples. Whose story the film is based on and the faces behind such a film also matters.

    Dangal is a biopic based on one such story that has a lot working for it. The story defies taboos and traditions of the native Haryana where a father pining for boys in the family but siring, instead, four daughters, decides to train his daughters to step into an arena of wrestling, a sport dominated by men, and excel.

    Dangal is based on the life of Mahavir Singh Phogat, a wrestler from Bilali village in Haryana who served as a coach for India’s Olympic wrestlers. Phogat, played by Aamir Khan, always dreamt of making wrestling champions out of his sons and win a Gold Medal for India. However, his dreams are far from being realised when his wife, Daya Shobha Kaur (Sakshi Tanwar) delivers four daughters.

    Phogat is disillusioned when one day while he hears of his two daughters beating up a village bully. Seeing their aggression and fighting spirit, he decides to do something nobody in his state would dream of. Train his daughters into world class wrestlers and bring the country its first gold medal.

    As the training begins, much to the girls’ reluctance and resistance, any and everything that hinders their training and concentration is done away with. The salwar kameez are replaced by shorts and T shirts, their long hair are shorn off and chicken becomes the staple food. A wrestling arena is built in the family farm and the girls’ cousin, Aparshakti Khurrana’s character, is the guinea pig with whom the girls practice their wrestling strategies.

    As the older of the two daughters, Geeta (Fatima Sana Shaikh) qualifies to train at the National Sports Academy, the grounds rules change, something Fatima is not used to. Life here is easier than the one she lived at home training under her father. Her first lesson from the coach (Girish Kulkarni) is that she unlearns all that her father taught her and begin anew. There is enough indulgence in watching TV, outings in the town and also freedom to eat gol gappas. This only works to corrupt the qualities and expertise that the girl possessed in wrestling.

    The result is, Geeta goes on losing all her international bouts and gets into verbal conflicts with her disappointed father. By now, even the younger Phogat girl, Babita (Sanya Malhotra) has qualified for a place at the Academy. Through her, she sees the value of her father’s coaching. Then starts a dual of coaches unawares of each other as Geeta listens to all that her coach has to say while follows what her father teaches her.

    Aamir Khan has become the master of playing unconventional roles in a totally deglamorised avatar and yet promise a hit! He gets into the skin of the veteran coach, Mahavir Singh Phogat so much that even the later would be proud of.

    The girls, Zaira Wasim and Suhani Bhatnagar as young Geeta and Babita are excellent as most of the earlier and challenging part rests on their shoulders. Fatima Sana Shaikh and Sanya Malhotra, the grown-up Phogat sisters, carry on the solid base created convincingly by the young ones and not letting a continuity jerk show. SakshiTanwar and Aparshakti are natural all the way.

    Dangal wins half its bout at the writing stage itself as the narration is smooth and witty dialogue make the initial training parts enjoyable which, in other such training phases in a film are tougher on viewers than on the aspiring sportsperson! Direction by Nitesh Tiwari is accomplished; he never lets the film sag at any stage despite its genre and length (161 minutes).

    The climax strays for the better and sends a viewer back with a serving of patriotism. Cinematography is very good. The songs have a purely utility value.

    The Haryanvi language used extensively in the film is no deterrent. Dangal is a winner all the way with all the makings of a first blockbuster biopic in Hindi film industry.

    Producers: Aamir Khan, Kiran Rao, Sidharth Roy Kapur.

    Direction: Nitesh Tiwari.

    Cast: Aamir Khan, Fatima Sana Shaikh, Sanya Malhotra, Zaira Washim, Suhani Bhatnagar, Sakshi Tanwar.