Category: Movies

  • Sherry Horman’s The No Game has Harfen and Aghdashloo in cast

    MUMBAI: Marcia Gay Harden and Shohreh Aghdashloo will star in the contemporary romance The No Game that is scheduled to commence shooting shortly in New York and Israel.


    Incidentally, The Match Factory is handling worldwide sales on the project, which Sherry Horman will direct from a screenplay by Elisabeth Fein and David Abramowitz.
    Doris Kirch is the producer of The No Game that is described as a 21st century romance set against the backdrop of Middle East politics.


    The Match Factory has previously handled sales on Horman‘s Desert Flower starring Sally Hawkins and Liya Kebede, which premiered in this year‘s Venice Days sidebar and has already passed 900,000 submissions in Germany after five weeks.

  • 15 documentaries in Academy nominee list

    MUMBAI: Fifteen documentaries have found place in the Oscar shortlist and will now go through the voting process for the upcoming Academy Awards.


    The 15 films in alphabetical order by title, with production company, are:The Beaches Of Agnes – Agnes Varda (Cine-Tamaris), Burma VJ – Anders Ostergaard (Magic Hour Films); The Cove (pictured) – Louie Psihoyos (Oceanic Preservation Society); Every Little Step – Jim Stern and Adam Del Deo (Endgame Entertainment); Facing Ali – Pete McCormack (Network Films); Food, Inc. – Robert Kenner (Robert Kenner Films).


    Garbage Dreams – Mai Iskander (Iskander Films); Living In Emergency: Stories Of Doctors Without Borders – Mark Hopkins (Red Floor Pictures); The Most Dangerous Man In America: Daniel Ellsberg And The Pentagon Papers – Judith Ehrlich and Rick Goldsmith (Kovno Communications); Mugabe And The White African – Andrew Thompson and Lucy Bailey (Arturi Films Limited); Sergio – Greg Barker (Passion Pictures and Silverbridge Productions); Soundtrack For A Revolution – Bill Guttentag and Dan Sturman (Freedom Song Productions); Under Our Skin – Andy Abrahams Wilson (Open Eye Pictures); Valentino The Last Emperor – Matt Tyrnauer (Acolyte Films); and Which Way Home – Rebecca Cammisa (Mr Mudd).


    The documentary screening committee viewed all the eligible documentaries for the preliminary round of voting and will now select the five nominees.


    The 82nd Academy Awards nominations will be announced on 2 February before the awards ceremony on March 7 in Hollywood.

  • Marisa McGrath is svp of Sony’s national theatrical publicity

    MUMBAI: Sony has promoted Marisa McGrath as senior vice-president of national theatrical publicity.


    McGrath will report to Sony Worldwide Marketing & Distribution‘s executive vice-president of motion picture publicity Andre Caraco. However, she will continue to play a key role in orchestrating and overseeing the national launch of several films each year.


    McGrath oversaw publicity campaigns for 2012, Zombieland, Julie &Julia and Cloudy With A Chance of Meatballs and will take charge of one of two PR teams guiding releases from Columbia Pictures, Sony Pictures Animation and select acquisitions.


    She started her career in 1994 at Jonas Public Relations before moving to BWR in 1997 and then on to Fox before joining Sony in 2001.

  • Samson & Delilah among Australia’s IF Awards

    MUMBAI: Samson & Delilah annexed six of the ten Inside Film Awards given out last night to features.


    Made by writer/director Warwick Thornton, and produced by Kath Shelper, the film won the best film, best director, best script and best music awards. The film‘s two teenage leads, Rowan McNamara and Marissa Gibson, won best actor and best actress awards respectively.


    The ceremony, held at Luna Park overlooked by the Sydney Harbour Bridge, definitely belonged to Samson & Delilah, which grossed twice its $1.5m (A$1.6m) budget at the Australian box office. But it was another film with an indigenous story at its heart, Baz Lurhmann‘s Australia, that earned the box-office achievement award for producers Luhrmann, G Mac Brown and Catherine Knapman. Told on a much bigger scale, its final Australian gross was $34.8m (A$37.5m).


    Lurhmann‘s body of work, which also includes Strictly Ballroom and Moulin Rouge!, earned him the living legend award and the team behind Australia‘s first co-production with Iran My Tehran For Sale, produced by director Granaz Moussavi, Julie Ryan and Kate Croser, won the award for independent spirit.


    The IF Awards came at the end of the first day of the annual conference of the Screen Producers Association of Australia (SPAA) which began with a stinging attack on the negative impact of direct government subsidy on Australian film.

  • SPWAG inks international distribution deal with CBS Films

    MUMBAI: Sony Pictures Worldwide Acquisitions Group (SPWAG) has entered into a three-year marketing and distribution deal with CBS Films under which the former will handle international theatrical distribution of the inaugural CBS Films releases and service DVD releases.


    The deal builds on CBS Films and Sony‘s partnership on the upcoming action-thriller Faster, which will star Dwayne Johnson and Billy Bob Thornton and is set to begin production in early 2010.


    he alliance will start with CBS Films‘ first release, the inspirational drama Extraordinary Measures that will open on 22 January next year and stars Harrison Ford, Brendan Fraser and Keri Russell. CBS Films will handle domestic theatrical distribution of all its titles and retains rights in limited territories.


    Next in line will be romantic comedy The Back-up Plan starring Jennifer Lopez and Alex O‘Loughlin, followed by the July 30 release of the teen romance Beastly based on the story of Beauty And The Beast and starring Vanessa Hudgens and Alex Pettyfer.


    In addition to Faster, CBS Films is currently in development on action thriller Consent To Kill; thriller The Station; adventure story Gunsmoke; a remake of My Fair Lady to be co-developed with Columbia Pictures; romance I‘ll Be There, a remake of the South Korean film A Moment To Remember; and the comedy Permission.

  • Reliance Big Pictures readying international version of Kites

    CHENNAI: Reliance Big Pictures and partner Rakesh Roshan are readying the international version of Kites.


    Brett Ratner, known for the Rush Hour series, Family Man and X-Men The Last Stand, is working on the English version of Kites and tailoring it to appeal it to an international audience.


    The Hindi version of Kites is already complete. Directed by Anurag Basu, starring Hrithik Roshan and the Mexican stunner Barbara Mori, the film has both Hindi and English versions.


    In the international markets, Kites will release with the English and Hindi version simultaneously where as in India, the film will release with the Hindi version.


    “The film will see the widest possible release, both at national and international level. The release dates will be announced soon,” Reliance Big Pictures said.


    Kites is a love story with precious moments and unexpected betrayal crossing barriers, boundaries and cultures. Shot in Las Vegas, Mumbai, New Mexico and Los Angeles Kites also stars Kangana Ranaut, Nick Brown and Kabir Bedi in pivotal roles with music composed by Rajesh Roshan.

  • E&Y pegs South Indian film industry at Rs 17.3 billion

    CHENNAI: The South Indian cinema industry, which is heavily dependent on domestic theatrical revenues, is pegged at Rs 17.3 billion.


    Telugu and Tamil movies contribute around Rs 7.7 billion each (45 per cent each), according to an Ernst & Young-Ficci report.


    Malayalam movies make Rs 1.4 billion, or eight per cent share of the South Indian film market, while Kannada films earn Rs 0.5 billion (two per cent).


    Almost 65 per cent of the revenues in the South Indian Film industry come from films exceeding budgets of Rs 70 million, the report, which looked at the fiscal ended 31 March 2009, said.


    Forty per cent of the films made during FY‘09 didn’t get released. There is a need for better marketing of films which could start right from the inception of the film, especially in the international territories.


    The domestic theatrical revenue stream is the most dominant, accounting for nearly three-fourth (around Rs 12.6 billion) of the total kitty. Efforts must be made to increase non-theatrical revenues, the report suggested.


    “The four states have 50 per cent of the theatres in India. Almost 25 per cent (1,200 theatres) of the 5,000 theaters in the south are digital, a figure that is far higher than that of the rest of the country,” the report said.


    Revenue from cable and satellite (C&S) television rights come next in the list, accounting for 17 per cent, or around Rs 3 billion, of the total revenue pie.


    Also, there is a large untapped international market which is made up of the large global diaspora of people from South India who have to sometimes resort to viewing pirated copies because of unavailability of original copies. Thus revenues from international theatrical rights are confined to Rs 0.9 billion, or five per cent, of the total revenue pie.


    Other revenue streams, which include music rights, domestic home video rights, Internet and mobile rights account for Rs 0.8 billion (5 per cent of the total revenue).


    Among the top markets, Tamil Nadu is much dependent on the domestic theatrical releases as Rs 6.2 billion comes from this stream. The C&S TV rights in Tamil Nadu contribute just Rs 0.8 billion as the market has not seen new channel launches and is greatly dominated by Sun TV network.


    Telugu movies earn more from the sale of TV telecast rights, perhaps led by the fact that the market has seen more channel launches. About Rs 1.8 billion comes from the sale of TV rights, according to the report.


    The industry has immensely talented actors, artistes, technicians and crew members and adopts a disciplined approach, preplanning processes and adheres to schedules right from script to screen which leads to high productivity levels and overall lower costs of film making. “Spiralling production costs, however, need to be brought down,” the report said.

  • BR Films CEO Sanjay Bhutiani quits

    MUMBAI: Sanjay Bhutiani, who had joined BR Films as CEO in 2006, has quit the organisation.


    In the current financial year, BR Films is scheduled to launch five feature films and a few television soaps for leading channels this year.


    Prior to this, Bhutiani had kick-started Leo Burnett‘s Leo Entertainment and Percept‘s P9.

  • 10th Siliguri International Film Festival starts 19 November

    MUMBAI: Siliguri Cine Society, along with the West Bengal‘s information and culture department, will kick start the 10th Siliguri International Film Festival on 19 November.


    The week-long festival will screen 18 foreign films, along with an Indian film at Dinabandhu Mancha in Siliguri. The film festival ends on 25 November.


    Radio Misty 94.3FM has partnered with The 10th Siliguri International Film Festival  The film festival will be inaugurated by eminent director Tarun Majumdar.


    “Documentary films based on environment, wildlife and other burning issues of the contemporary age will be shown during the festival. Apart from the 19 films, Madhumati and Do Bigha Amen, directed by Bimal Roy, will also be screened at Ramkinkar Hall during the event,” said Siliguri Cine Society chief patron and urban development minister Asok Bhattacharya.


    Radio Misty CEO Nishant Mittal said, “This is a proud moment for us to be a partner with International Film Festival. This is the biggest event for cine lovers on this region, where people can see films from all over world. We are making a big buzz around this festival. Apart from interviews of film makers RJ will talk about films to be screened in this event.”

  • UK Film Council undergoes major overhaul

    MUMBAI: As part of a major overhaul of the organisation following its $41.9m (?25m) budget cut, the UK Film Council (UKFC) has proposed to merge its Premiere, New Cinema and Development funds in order to create a $25m (?15m) Film Production Fund.


    The UKFC has launched a three month public consultation into the plans on November 17.


    The fund will be used to support all production but will have an emphasis on first and second time film-makers, and will also support experimental, innovative and digital film-making.


    The $25.1m (?15m) budget for the new fund is $3.3m (?2m) lesser than the total allocated to the three separate funds, although any money recouped by the UKFC from their investments will now go directly back into the Production Fund.


    According to UKFC chief executive, John Woodward, the fund is expected to at least equal the current spend on the three funds, as a result of the reinvestment: “Instead of recoupment going back into the top of the Film Council, the money will go directly back into the production fund, so my expectation is that in three years time there will be slightly more money in the pot than there is now.”


    It is understood that the fund will be led by four executives, who will be appointed by April 2010.