Category: Movies

  • Aamir Khan’s ‘3 Idiot’ to get Zapak’s marketing push

    MUMBAI: Zapak.com, the online gaming portal, has joined forces with Vinod Chopra Films to digitally market its upcoming flick 3 Idiots. Zapak will be handling and executing the film‘s digital marketing strategy.


    Zapak has created an online destination for the movie, www.idiotsacademy.com, which offers content in line with the theme of the movie targeting the youth. The website will take the user to different rooms of Idiots Academy like Director‘s Office, Lab, Hostel, Canteen, Class Room and also the Toilets.


    “It‘s been a great experience working with Zapak on this film. Our website is not a portal for information but a zone where consumers can keep coming back and enjoy. The ideas that are being worked on for 3 Idiots on the digital platform are a step in that direction,” said Vidhu Vinod Chopra.


    Added Zapak Digital Entertainment COO Rohit Sharma, “We have created the first of its kind digital strategy for any Bollywood (film), which we believe fits very well with the theme of the movie and will connect with the youth of India.”


    3 Idiots is Rajkumar Hirani‘s third film after the Munna Bhai series and also stars R Madhavan, Sharman Joshi and Kareena Kapoor. It is set to hit screens worldwide on 25 December.


    Khan added, “With over 50 per cent of India below the age of 25 years, I believe that it is imperative for movies to have a strong and concerted digital strategy. In this association with Zapak we have jointly created the most clutter-breaking and innovative movie website. Zapak is managing the whole digital strategy for us and together we have created some really disruptive stuff, be it on gaming, social networking, mobile and other applications.”

  • ‘We are considering an IPO’ : Venus Records & Tapes director Ratan Jain

    ‘We are considering an IPO’ : Venus Records & Tapes director Ratan Jain

    Venus Records & Tapes director Ratan Jain is a busy man, collecting box-office feedback from his new release De Dana Dan.

     

    Built on Rs 670 million with Eros as an equal partner, the movie is crucial to Jain‘s expansion plans. He is readying a movie with Priyadarshan and another with Abbas-Mastan after having stayed away from film production for a brief while due to an unrealistic rise in prices.

     

    Venus has one-third of its revenues coming from music. With a correction in prices, the company plans to swing back into acquisition of titles.

     

    Venus is also considering an initial public offering (IPO) to fund its expansion plans.

     

    The company expects to clock a revenue of Rs 1.20 billion this fiscal on the back of a big movie release and the music business.

     

    Cutting across his busy schedule, Jain speaks to indiantelevision.com‘s Sibabrata Das and Ashish Mitra about the need to be cautious in an overheated movie market.

     

    Excerpts:
     

     
    Why has Venus been slowing down on movie production and acquisition of music rights for the last couple of years?

    The prices skyrocketed and we decided to stay outside the ring. Some companies wanted to scale up and actors and technicians jacked up their rates to an unrealistic level. The movie industry went haywire. The same thing happened to the music industry. For the films that we released, we, however, kept the music rights. But it did not make business sense for us to acquire music rights at such inflated prices.
     

     
    Do you see the prices having fully corrected?

    They have definitely corrected to a large extent and things have come to some state of reality. But some actors and technicians are still looking at extremely high rates. Despite a fall in the cost structure, there is a scale down in the number of movies being produced this year.
     
     

    Venus has swung back into action with a big budget movie De Dana Dan. Has the co-production with Eros come at the right time for you?

    The movie is made on a budget of Rs 670 million and it is a 50:50 joint venture project with Eros. While Eros has kept the home video and international distribution rights, we have the India distribution and satellite TV rights. Baba Arts is handling the distribution for us. Early indications from the box office show that the movie is going to be a hit.

     

    Priyadarshan makes out-and-out comedy films. De Dana Dan also marks the return of all three protagonists of Hera Pheri – Akshay Kumar, Suniel Shetty and Paresh Rawal.
     

     
    Will this movie spur you to scale up particularly as it comes after a gap of more than a year since your last film Maan Gaye Mughal E Azam?

    Yes, Maan Gaye… released on 22 August 2008. And I rolled the shooting of De Dana Dan on 26 November last year, the day the terrorists struck in Mumbai. I remember when we were in a middle of a shoot, we got a call from a friend of mine that terrorists were firing at CST.

     

    As far as my film goes, we do a research of at least six months and then go in for shooting. This film has taken exactly a year.

     

    I don‘t see Venus doing more than two movies a year. We could also be doing smaller movies but it is difficult to market and release them. We have two projects in the pipeline – one with Priyadarshan in August and the other with Abbas Mastan.

     
     
    Will you go for a syndication model or sell outright the satellite TV rights for De Dana Dan?

    We are in advanced negotiations to sell the rights. Syndicating the movie to multiple broadcasters is good for channels but not for us. It takes time to recover money. And it has worked when you have big hits like Jab We Met and Singh is Kinng which can have many runs across channels. Syndication also works when you have a basket of films.
     
     

    ‘We expect to clock Rs 1.20 billion in FY‘10. Venus is not just surviving on movie releases. We have a strong music business. We also trade in satellite TV and video rights‘
     
     

    Have prices for satellite rights slumped this year?

    Prices have fallen compared to last year. Internal competition and entrants have spoilt the market. We had fictitious prices ruling the market.
     

     
    Has the downturn affected your revenues?

    There is no recession in the entertainment business. We clocked over Rs 1 billion last fiscal and are expecting to have a turnover of Rs 1.20 billion in FY‘10. Venus is not just surviving on movie releases. We have a strong music business. We also trade in satellite TV and video rights.
     

     
    What steps are you taking to boost your revenues from the music segment?

    Music accounts for 30-40 per cent of our total turnover. Besides mainstream Bollywood, we bring out music CDs of all kinds including ghazals, regional languages and bhajans. We are exploiting the digital and mobile platforms. A major chunk of our revenue comes from downloading.
     

     
    But you haven‘t been acquiring music rights aggressively in recent years?

    With the prices going berserk, we largely stayed out of it. But we have a vast library, holding over 3000 music titles. While 600 are film music titles, the remaining are non-film music titles.

     

    On the movie front, we have negative rights of 50 movies.
     

     
    Zee had shown interest in acquiring 60 per cent stake in Venus in 2006. What went against the deal?

    There were commitment issues. While at that time we thought of that as an expansion route for us, now we are not looking at such alliances.
     
     

    Are you looking at other ways of raising capital to fund your expansion plans?

    We are considering an initial public offering (IPO). We were not ready for a public listing then. Now we have taken the necessary steps. We could also be looking at a pre-IPO placement. But we haven‘t frozen our plans yet.
     

  • New Moon rises to great heights in first wave of overseas debuts

    MUMBAI: The Twilight Saga: New Moon got off to a flying start overseas, opening at the number one position in France grossing $4.4m from 751 screens and drawing 488,000 on its first day.


    Reports from Australia say that the film was the highest grossing midnight screening since Star Wars: Episode 3‘s $1.2m in May 2005, fetching $1.6m from 466 by the end of its first day.


    In Italy the film grossed $2.7m from 625 last Wednesday, making the film the third highest Wednesday launch ever behind Harry Potter And The Half-Blood Prince and Harry Potter And The Order Of The Phoenix.


    Spain generated $2.2m from 652 screens in what was also the third highest Wednesday launch, trailing only Harry Potter And The Order Of The Phoenix and Harry Potter And The Half-Blood Prince.
     

  • Peter Ramsey to direct DreamWorks Animation‘s The Guardians

    MUMBAI: Director of Monsters vs. Aliens Peter Ramsey is set to direct The Guardians, (working title) for DreamWorks Animation SKG.


    The Guardians is based on The Guardians of Childhood, a series of children‘s books by William Joyce. Pulitzer Prize winning writer David Lindsay-Abaire has signed on to write the script.


    In addition to directing Monsters vs. Aliens: Mutant Pumpkins from Outer Space, Ramsey served as Head of Story on DreamWorks Animation‘s Monsters vs. Aliens and has served as a storyboard artist on a number of live action feature films. Lindsay-Abaire was most recently nominated for a Tony Award for his book and lyrics for Shrek The Musical.


    The Guardians will be produced by Christina Steinberg and Nancy Bernstein and executive produced by Michael Siegel, Joyce‘s manager. DreamWorks Animation acquired the property from Reel FX where the characters and the world of The Guardians of Childhood were developed in a partnership with William Joyce. Joyce will also serve as co-director.

  • Venice to premiere Ray‘s We Can‘t Go Home Again

    MUMBAI: Nicholas Ray‘s restored version of the experimental film We Can‘t Go Home Again will be premiered at the 68th Venice film festival in 2011.


    The film, which for the past 30 years has remained on the shelf of a film depository, has been specially restored for the festival.
     

  • Precious’ to close Bahamas International Film Festival

    MUMBAI: Lee Daniel‘s Precious will close the 2009 Bahamas International Film Festival (BIFF) that will be on from 10 to 17 December.


    Winner of three awards at the 2009 Sundance Film Festival, including the Grand Jury Prize and Audience Award in the U.S. Dramatic Competition, Lee Daniels‘s Precious based on the novel Push by Sapphire is a vibrant, honest and resoundingly hopeful film about the human capacity to grow and overcome.


    Set in Harlem in 1987, the film tells the story of Claireece “Precious” Jones (Gabourey Sidibe), a sixteen-year-old African-American girl born into a life no one would want. She‘s pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother (Mo‘Nique), a poisonously angry woman who abuses her emotionally and physically. School is a place of chaos, and Precious has reached the ninth grade with good marks and an awful secret: she can neither read nor write. 


    The girl may sometimes be down, but she is never out. Beneath her impassive expression is a watchful, curious young woman with an inchoate but unshakeable sense that other possibilities exist for her.


    Threatened with expulsion, Precious is offered the chance to transfer to an alternative school, Each One/Teach One. Precious doesn‘t know the meaning of “alternative,” but her instincts tell her this is the chance she has been waiting for. In the literacy workshop taught by the patient yet firm Ms. Rain (Paula Patton), Precious begins a journey that will lead her from darkness, pain and powerlessness to light, love and self determination.

  • UTV in syndication deal with broadcasters for 18 movies

    MUMBAI: UTV Motion Pictures said Tuesday it has stitched movie syndication deals with four channels – Colors, NDTV Imagine, B4U (international) and Channel 4 (UK) for TV rights of 18 movies on a non-exclusive basis.


    UTV claims that the combined size of the deal, which covers its slate of 2008 and 2009 productions, is around Rs 950 million.


    The deal consists of movies like Oye Lucky! Lucky Oye!, Dev D, Kaminey, Wake Up Sid and Kurbaan.


    Colors and NDTV Imagine have got the multiple airing rights of the movies. Colors will have the first airing rights, followed by NDTV Imagine.


    While B4U has acquired the non-exclusive rights to air movies across its international beams, Channel 4 will air these films in the UK market.


    Meanwhile, UTV also has the right to further syndicate the television rights of these films to any other channel in the same period.


    UTV Motion Pictures CEO Siddharth Roy Kapur said, “We are pleased to announce these television syndication deals that are non exclusive in nature and hence allow us to exploit the same content across multiple additional broadcasters in India and worldwide. The faith that Colors, NDTV Imagine, B4U and Channel 4 have reposed in our entire slate of productions is heartening and encouraging.”


     

  • Big Cinemas plans to add 100 screens in one year

    MUMBAI: Big Cinemas, a division of Reliance MediaWorks and a member of Reliance ADA Group, plans to add 100 screens over the next one year.


    With the opening of its newest multiplex at Kedah, Malaysia, Big Cinemas has reached its 500-screen milestone.


    Reliance MediaWorks CEO Anil Arjun said, “Hitting the historic milestone of 500 BIG Cinemas screens worldwide is hugely significant. This expansion underscores our attempts to build scale, quality, innovation and pioneering formats which improve the movie going experience for audiences the world over. There is a great opportunity in exhibition infrastructure worldwide and while domestic expansion continues to be an area of thrust for us, we are also fully committed to expanding our global footprint.”


    In a little over three years, Big Cinemas has grown to establish a strong presence in the Indian domestic market by opening 240 screens across 75 Indian cities. 


    The cinema chain has also expanded internationally, with more than half of its screens located in 40 cities covering the USA, Malaysia and the Netherlands.


    Big Cinemas has developed brand new premium cinemas across the globe including Big Cinemas-Golf Glen that is a five-screen multiplex in Chicago with a premium bar and lounge.


    Additionally, Big Cinemas has become the third-largest cinema chain in Malaysia playing Hollywood features as well as Chinese, Malay and Tamil films which cater to the 1.5 million people of Indian origin.


    Following the Reliance ADA Group acquiring the controlling stake in Reliance MediaWorks in 2005, Big Cinemas has witnessed a CAGR (Compound Annual Growth Rate) of 100 per cent in the scale of its operations.
     

  • Ritwik Ghatak’s Meghe Dhaka Tara scores over Satyajit Ray’s Charulata

    PANAJI: The T20 of Indian Cinema – the top 20 films made in India since the first film ‘Raja Harichandra’ by D G Phalke in 1913 – has thrown up Ritwik Ghatak’s Bengali film ‘Meghe Dhaka Tara’ as the best film of the last 96 years.


    After a nation-wide poll conducted by the Entertainment Society of Goa to which 1.9 million people responded, the names were announced at a gala event held here to coincide with the ongoing 40th International Film Festival of India. The ballot closed at 5 pm on 29 November. It was launched at the hands of Dev Anand in Mumbai, and Suniel Shetty and Sameera Reddy in New Delhi, early last month.


    According to the selections, cine master craftsman Satyajit Ray finds mention thrice in the list, while Guru Dutt and Bimal Roy figure twice each.


    In all, 12 Hindi films feature in the list, with Bengali coming second. Interestingly, the voters have selected Satyajit Ray’s film as the second most popular, but also voted for the Apu Trilogy which includes ‘Aparjito’ and ‘Apur Sansar’.


    The event was presided over by Goa Chief Minister Digambar Kamat at the Open Air Theatre of Kala Academy, where a fashion show was staged with Pooja Shukla as the designer, in the presence of celebrities like Goa Assembly Speaker Pratap Singh Rane, Film Festivals Director S M Khan, and film personalities Aftab Shivdasani, Sayali Bhagat, Madhur Bhandarkar, Vishal Bhardwaj, and Riya Sen, and captured the changing fashions in cinema over the decades.



    The top 20 films selected are:


    Meghe Dhaka Tara – Ritwik Ghatak (Bengali, 1960)
    Charulata – Satyajit Ray (Bengali, 1964)
    Pather Panchali – Satyajit Ray (Bengali, 1955)
    Sholay – Ramesh Sippy (Hindi, 1975)
    Do Bigha Zameen – Bimal Roy (Hindi, 1953)
    Pyaasa – Guru Dutt (Hindi, 1957)
    Bhuvan Shome – Mrinal Sen (Hindi, 1969)
    Garam Hawa – M S Sathyu (Hindi, 1973)
    Mother India – Mehboob Khan (Hindi, 1957)
    Ghattashradha – Girish Kassarvali (Kannada, 1977)
    Elippathayam – Adoor Gopalakrishnan (Malayalam, 1981)
    Mughal-e-Azam – K Asif (Hindi, 1960)
    Nayagan – Mani Ratnam (Tamil, 1987)
    Kaghaz Ke Phool – Guru Dutt (Hindi, 1959)
    Apu Triology (Pather Panchali 1955, Aparajito 1956, Apur Sansar 1959) – Satyajit Ray (Bengali)
    Sant Tukaram – Vishnupant Govind Damle, Sheikh Fattelal (Marathi, 1936)
    Jaane Bhi Do Yaro – Kundan Shah (Hindi, 1983)
    Guide – Vijay Anand (Hindi, 1965)
    Madhumati – Bimal Roy (Hindi, 1958)
    Anand – Hrishikesh Mukherjee (Hindi, 1971)
     

  • Lowe Lintas launches Lintas Productions

    MUMBAI: With the launch of Lintas Productions, Lowe Lintas has announced its foray into film production.


    Lintas Productions will offer content creation and talent management of the highest quality to feature film and television productions.


    Executive director of Lowe Lintas, Tarun Chauhan will head be Lintas Productions while Krishna Kotian will be its business head.


    Lintas Productions will be established around three main verticals that concentrate on talent management, film production and content management, through which it will aim to create meaningful and innovative concepts for the growing entertainment industry.


    Through original scripts and strategic planning tools, Lintas Productions will endeavour to establish an influential form of placement branding in its films and entertainment productions.


    Says Lintas Production Business Head Krishna Kotian, “The objective of Lintas Productions is essentially to create entertaining and memorable content for the audiovisual medium and bring enduring characters and treasured moments to our screens.


    “Over the years Lowe Lintas has introduced faces through brands like Liril, Surf etc. which have become memorable part of television history and we hope to continue doing so with Lintas Productions.”


    With access to the best talent in the industry from artistes to directors and a business alliance with UK-based production house Twin Continental Films, Lintas Productions is set to take on the world of entertainment.


    Lintas Productions also aims to nurture talent internally and provide an opportunity to budding scriptwriters working at Lowe Lintas.


    The unit has already signed up a collection of prominent international and domestic talent including U.K based super model, Masha, the former face of world brands including Pepsi, Coke, Panasonic Viera TV, Samsung Camera, Ferrari and Ford.