Category: Hollywood

  • Francis Ford Coppola cites late Bengali cinematic great Satyajit Ray as an influence

    Francis Ford Coppola cites late Bengali cinematic great Satyajit Ray as an influence

     NEW DELHI: Eminent filmmaker Francis Ford Coppola who made the iconic The Godfather has said cine craftsman Satyajit Ray was a major influence in life.

     
    “I love Bollywood films because I come from a family involved in musicals.” he told Riz Khan during the twelfth edition of Hindustan Times Leadership Summit.

     
    Addressing the enthusiastic audience, Coppola said that all businesses he has been involved in are about story-telling.

     
    He talked about his path breaking films and creative journey. The acclaimed director emphasised on the value of changing techniques and what could be the future of cinema. He said, “Cinema is a marriage of writing and acting. Ultimately it is in the choice of the story and how that reaches people.”

     
    “Cinema is about to change dramatically. The audience will be the master of the situation and there won’t be Paramount, MGM any more. It will be Netflix and Facebook in the future,” he said.

     
    Talking about The Godfather he said, “Godfather was the metaphor for America. It was an accident. I never intended to be an important Hollywood director. I wanted to make small, personal cinema. I also never wanted to make the sequel of The Godfather, but I did so because of financial distress.”

     
    He also spoke about the challenges of adapting a book to film. He said, “A novel is tricky because it wasn’t intended to be seen in two hours. The challenge is trying to find ways to collapse it and shorten it without destroying the original book. There has to be a balance in cinema. It’s like literature.”

     

    Talking on whether he felt that The Godfather was dealt with the mafia, glorified violence, he said, “That’s always a problem with a war film. It’s very difficult to make a good anti-war film because it has so much violence in it. Italians are associated with great people – great artists, writers, designers – and to have it reduced to these bloodthirsty gangsters is problematic. Avoid films that are unduly violent, the responsibility lies with you.”

     
    “I want to see films that make me more human,” he further added.

     

  • Martin Scorsese’s ‘Tomorrow’ working with Spanish Production company Rodaje a la Carta

    Martin Scorsese’s ‘Tomorrow’ working with Spanish Production company Rodaje a la Carta

    NEW DELHI: Landmark British feature film Tomorrow being presented by the legendary Martin Scorsese as executive producer has teamed up with Spanish production company Rodaje a la Carta headed by Ismael Issa.

     

    The most anticipated film which began production in London in September has moved location to a town called Cox in Alicante which is located at the foot of the Sierra de Callosa mountain range in Spain.  Photography will focus on war scenes featuring Sebastian Street’s character.

     

    Produced by London based production companies Roaring Mouse Productions & Studio 82, Tomorrow marks Scorsese’s first ever voyage into British feature film. It also heralds the feature film directional debut of Martha Pinson, Scorsese’s long­time script supervisor who has directed an award winning short film and off Broadway plays as well as collaborating with Oliver Stone and Sidney Lumet.

     

    She has also worked on Scorsese’s four most recent narrative films: The Aviator, The Departed, Shutter Island, and Hugo. The script is being penned by Stuart Brennan and Sebastian Street who are producing alongside Dean M Woodford, while Emma Tillinger Koskoff and Scorsese come on as executive producers.

     

    Tomorrow is a moving and inspirational feature film which candidly explores the difficulty and loneliness soldiers encounter as they try to reintegrate back into society having served for their country; moving on from losses and injuries to forge a life, find sustaining work and experience love. The film is a very personal journey for both writers and boldly explores several hard­hitting yet underexposed issues such as post traumatic stress disorder as well as HIV and AIDS. 

     

    The film stars Stephen Fry (The Hobbit), Stephanie Leonidas (Defiance), Sebastian Street (Age of Heroes), Stuart Brennan (Risen), James Cosmo, (Braveheart, Games of Thrones),Paul Kaye (Blackball, Game of Thrones) Joss Stone (The Tudors) Ricki Hall and Will Tudor (Game of Thrones) and Sophie Kennedy-Clark (Nymphomaniac 1 & 2) who has recently been nominated for a BAFTA for her role in Philomena.  

     

    The first footage of Tomorrow was recently screened at The American Film Market (AFM) by Carnaby Sales & Distribution. Capitalising on the strength of Scorsese fans around the globe, Carnaby’s focus will be on securing distribution in the key major territories whilst working alongside WME on domestic. Pre-sales interest has already been particularly strong, with buyers recognising the film’s appeal for both domestic and international audiences.

  • Irrfan Khan to be chief guest in Florence in Italy, ‘Qissa’ to be screened

    Irrfan Khan to be chief guest in Florence in Italy, ‘Qissa’ to be screened

    NEW DELHI: Actor Irrfan Khan, who has created waves on the international scene with ‘Lunch Box’ and ‘Qissa’, will be the special guest at the 14th River to River Indian Film Festival in Florence in Italy.

     
    The festival will screen Qissa by Anup Singh, The Namesake by Mira Nair and Paan Singh Tomar by Tigmanshu Dhulia as part of a special tribute to the versatile actor. Seven episodes of the third season of the American HBO series In Treatment starring Khan will also be screened.

     
    The 14th River to River Florence Indian Film Festival will take place at Cinema Odeon in Florence (Piazza Strozzi 2) from 6 to 12 December and screen more than 40 films.

     
    A special selection of films from the festival will also be screened in Rome (13 and 14 December) and Milan (February 2015).

     
    Directed by Selvaggia Velo, the Festival is supported by the Indian Embassy and FIND – India/Europe Foundation for New Dialogues, with the contribution of the Italian Ministry of Cultural Heritage – Cinema Department, the Tuscan Region and Fondazione Sistema Toscana, Ente Cassa di Risparmio di Firenze and OAC, and the India Tourism Office of Milan.

     

  • Lucas Films move from Star Wars to animation feature

    Lucas Films move from Star Wars to animation feature

    NEW DELHI: ‘Strange Magic’, a new animated feature film, is being released by Disney on 23 January with an original story by George Lucas. 

     

    Strange Magic is a madcap fairy tale musical inspired by William Shakespeare’s “A Midsummer Night’s Dream.”

     

    Popular songs from the past six decades help tell the tale of a colourful cast of goblins, elves, fairies and imps, and their hilarious misadventures sparked by the battle over a powerful potion. 

     

    Lucasfilm Animation Singapore and Industrial Light & Magic, which created the CGI animation for 2011’s Academy Award-winning film Rango, bring to life the fanciful forest turned upside down with world-class animation and visual effects.

     

    With a story by George Lucas, Strange Magic is directed by Gary Rydstrom (Toy Story Toons: Hawaiian Vacation, Lifted), produced by Mark S. Miller (associate producer Mars Attacks!) and executive produced by George Lucas, with a screenplay by David Berenbaum (Elf), Irene Mecchi (Brave, The Lion King) and Rydstrom.

     

    The aim is also to prove that Lucas Film is not just about the ‘Star Wars’ Universe.

  • American Film Market sets new records in 35th edition with footfall of over 7,900

    American Film Market sets new records in 35th edition with footfall of over 7,900

    NEW DELHI: The 2014 American Film Market (AFM) saw a footfall of 7,946 in its eight-day 35th edition that concluded at the Loews Hotel in Santa Monica.

    The AFM saw 1,670 buyers coming from over 70 different countries. Of the 794 registered buyer companies, 90 were new to the AFM. The market saw a 3 per cent increase and an uptick in overall buyers from last year, with a notable growth in buyers from Latin America (up 34 per cent) and Asia (up 8 per cent).

    Overall exhibitor attendance was up 1 per cent from last year with 2,825 executives from exhibiting companies from over 40 countries, with the largest number of exhibitors coming from the United Kingdom, France and Japan, after the United States.

    Overall industry attendees, the non-buyers and sellers that include Attorneys, Bankers, Festivals, Film Commissions, Filmmakers, Financiers, Post Production Facilities, Producers, Studio Facilities, and Writers finished at 2,624, up 1 per cent from last year’s numbers.

    The repetition of strong attendance reflects the AFM’s expanded programs for production community including the Conference Series, Roundtables, Conversations, and Producers Forums. The AFM screened 432 films with 352 Market Premieres, 85 World Premieres and a total of 654 screenings across the AFM Campus in Santa Monica.

    The five-day AFM Conference Series showcasing sessions on Financing, Pitching, Production, Marketing and Distribution featured global industry leaders including: Brett Ratner (producer), Cassian Elwes (Independent Producer), Tobin Ambrust (Exclusive), Mark Damon (Foresight Unlimited), Mark Gill (Millennium), Rena Ronson (UTA), Emanuel Nunez (Paradigm), Russell Schwartz (Relativity), John Sloss (Cinetic), and Nicolas Gonda (Tugg). The AFM Conference Series, which launched four years ago, hosted international audiences of more than 700 daily.

     

  • Taiwanese director Liang to release movies at art museums

    Taiwanese director Liang to release movies at art museums

    KOLKATA:  Taiwanese director, Tsai Ming Liang, who participated in the 20th Kolkata International Film Festival that kicked off last Monday, declared that his movies going forward will be screened in art museums where it would not compete with commercial and Hollywood movies.

     

    Also, the director talking about the freedom of film makers said that a movie is majorly controlled by financers, distributors and the demands of the viewers, leaving the director with no independence.

     

    “Henceforth I shall release my movies at art museums where they won’t have to compete with commercial and Hollywood movies,” said Liang, talking about his films and cinema in general in front of a heavily packed auditorium.

     

    He nostalgically also shared experiences of his childhood and mentioned how the political situation in Malaysia did not allow him to watch European films. It was only possible once he migrated to Taiwan which became a democratic nation at around the same time.

     

    With such a change in political climate, several international film festivals were arranged which introduced him to directors like Jean-Luc Godard and Francois Truffaut.

     

    To him, the final frozen frame of ‘The 400 Blows’ raised more questions than it answered and was a major cinematic moment in his life, he added.

     

    While talking about filmmaking as a practice, he said that the foremost question a filmmaker should ask is, “why am I making films?” When asked about the long duration of his shots, he defended them by saying that they are a representation of his own time. In most films objectification of the subject obliterates time.

     

    However, he wants to remove the object so the viewer is aware of the flow of time.

     

    When speaking about the casting of his films, he mentioned that he always casts an individual and not an actor. He discovers his actors in their moments of solitude. He found Lee Kang Sheng when he was riding his bike, he concluded.

  • Carnaby finalises global ‘Heidi and the Magic Pool’ deal at AFM

    Carnaby finalises global ‘Heidi and the Magic Pool’ deal at AFM

    NEW DELHI: Carnaby International has cleared much of the world’s film sales territories for its new entry into the durable global Heidi franchise with the family adventure Heidi And The Magic Pool.

    In a deal with a major Hollywood Studio, the territories included in the one single deal are: the UK; Australia and New Zealand; France; Benelux; the Czech Republic; Bulgaria, Hungary, Poland; Greece; Portugal; Slovakia; Scandinavia; India, Israel, South Africa, Turkey; Hong Kong; Malaysia; Philippines; Singapore; Taiwan; Thailand; Vietnam; and all of Latin America. Sarra has also concluded deals with the Middle East (Gulf Film), Indonesia (PT Prima Cinema), Spain (Flins y Piniculas) and the countries of the former Yugoslavia (Discovery).

    Carnaby head of international sales Tania Sarra said at the American Film Market, “The robust response shows just how wide Heidi’s appeal is worldwide.”

    Written by Paul Watson, (IVCA Gold Award Winner, Assaulted Nuts, Puss In Boots), Heidi And The Magic Pool will be directed by BAFTA winner John Henderson (The Borrowers, Tales of the Riverbank, Loch Ness); and produced by Simon Wright (The Last of the Blonde Bombshells, Lucky Jim).  Executive producers are Sean O’Kelly, Kirsty Bell and Andrew Loveday.

    Carnaby has also announced an April 2015 start for the film, a UK-Hungarian co-production filming in both those countries.  Heidi stars Bill Nighy (Pirates of the Caribbean, Underworld, Love Actually) Golden Globe nominee Anna Friel (Good People, Limitless, You Will Meet A Dark Stranger) and Greg Wise (Effie Gray, Walking on Sunshine, Sense and Sensibility).  Carnaby are in discussions with Oscar winner Jim Broadbent (Iris, Moulin Rouge, Gangs of New York).

    In this family-friendly tale, 12 year-old Heidi lives an idyllic life with her Grandpa in his remote mountain cabin. When the townsmen declare Grandpa an unsuitable guardian, Heidi must go to live as a companion to Clara – the daughter of a wealthy professor in the city. Heidi and Clara become instant friends, but the cruel Governess, who Heidi discovers is slowly poisoning Clara in order to marry the professor, spoils their fun. The girls manage to escape and seek refuge in a remote, ancient and mysterious grotto called the Magic Pool. With the Governess hunting the girls down, Heidi promises Clara they are safe, but fate has other plans.

    With two world premieres, eight films in production, as well as its first-ever major television series, Carnaby International is attending its second American Film Market this November with a high profile, varied line-up of exciting titles—and a growing reputation for pulling in A-list talent.

    Joint Carnaby co-CEOs Andrew Loveday and Sean O’Kelly, along with director of international sales Tania Sarra and head of acquisitions Alex Tate, are in Santa Monica for AFM this November.

     

  • International guests address narrative interactivity and international business at RioContenMarket 2015

    International guests address narrative interactivity and international business at RioContenMarket 2015

    MUMBAI: Esmeralda Producoes, content curator for RioContentMarket has just confirmed two big names for the 2015 edition of the event. Writer and games designer Steve Ince will attend the event as a keynote speaker and his presentation will address interactivity related aspects, as well as how this tool relates to narrative in games and other media. With over 20 years’ experience in the development of electronic games, Steve has games that were a hit and received positive criticism in his CV, like Beneath a Steel Sky, Broken Sword and In Cold Blood. Working as a freelancer for several studios since 2004, he has worked for EA, CD Projekt Red and Wizarbox. In addition, he has been nominated for the BAFTA several times and has won awards like the Game of the Year from the Independent newspaper. He is also the author of the book Writing for Video Games.

    Kristin Jones is the executive in charge of international acquisitions, co-productions and format for the AMC channel. She will make an exclusive presentation about the channel for those attending the event. Among other things, she is in charge of developing and maintaining relationships with networks, subscription TV services and producers outside of the USA. Previously, she held the position of senior vice-president at Miramax and Buena Vista International.

    The fifth edition of RioContentMarket, the biggest audiovisual content production event in Latin America, open to the television and digital media industry, will take place from 25 to 27 February 2015 at the Hotel Windsor Barra, in Rio de Janeiro.  

     

  • Saban acquires North American distribution rights to the Nicolas Cage starrer ‘The Trust’

    Saban acquires North American distribution rights to the Nicolas Cage starrer ‘The Trust’

    NEW DELHI: The crime thriller starring Nicolas Cage, The Trust, is to be distributed in North America by Saban Capital Group, as per a deal finalised at the American Film Market.

    SCG chairman and CEO Haim Saban said the film is co-written by Ben Brewer and Adam Hirsch and will be directed by Ben and Alex Brewer. The Trust is currently in pre-production with lensing in Las Vegas, NV.

    The Trust centers on two crooked cops who discover a hidden safe, the contents of which will lead them down a deadly road of corruption.  With each shocking twist, and every deadly turn, the pair are left to fight for their lives, with no one left to trust.

    “The script for The Trust was incredibly captivating and tells such a riveting story,” said Saban president Bill Bromiley. “Audiences everywhere will love Nicolas Cage in this role and it’s a great addition to the Saban Films portfolio.”

    Bromiley and Ness Saban negotiated on behalf of Saban Films and Highland Film Group (HFG) on behalf of the producers. Molly Hassell and Braxton Pope are producing. The Trust is a Hassell Free Production in association with Electric Shadow Fund who is providing finance. Mike Nilon will be the executive producer along with HFG’s Arianne Fraser and Delphine Perrier. Highland Film Group is handling the worldwide sales for the film.

    Saban Films’ first acquisition, The Homesman, starring Academy Award winners Tommy Lee Jones and Hilary Swank was screened at the upcoming Festival which is part of AFM. The film will be released stateside with Roadside Attractions on 14 November.

    Saban Films recently acquired the US rights to John Travolta’s The Forger, the action thriller Tracers starring Taylor Lautner and Marie Avgeropoulos from Temple Hill Entertainment and American Heist starring Hayden Christensen, Academy Award Winner Adrien Brody, Jordana Brewster, Tory Kittles and Aliaune “AKON” Thiam.

    Saban Films, an affiliate of Saban Capital Group is a film acquisition and distribution company which acquires high-quality, feature films to distribute in North America. Based in Los Angeles, Saban Films was established by Haim Saban, SCG chairman and chief executive officer, and is led by Bill Bromiley who serves as president, Shanan Becker, chief financial officer and Ness Saban, director of business development.

     

  • Kitano Takeshi hits out at Japanese cinema at Tokyo filmfest

    Kitano Takeshi hits out at Japanese cinema at Tokyo filmfest

    NEW DELHI: Eminent Japanese filmmaker Kitano Takeshi used the occasion of receiving the ‘Lifetime Achievement Samurai Award’ at the Tokyo International Film Festival to speak about the current state of Japanese film industry.

     

    He was one of the two filmmakers who received the award, the other being American filmmaker Tim Burton known for his dark, gothic, macabre and quirky horror and fantasy films such as BeetlejuiceEdward ScissorhandsThe Nightmare Before ChristmasEd WoodSleepy HollowCorpse BrideSweeney Todd: The Demon Barber of Fleet StreetDark Shadows and Frankenweenie, and for blockbusters such as Pee-wee’s Big Adventure,Batman, its first sequel Batman ReturnsPlanet of the ApesCharlie and the Chocolate Factory and Alice in Wonderland.

     

    Speaking on the occasion, Kitano said: “The bad thing about the Japanese film industry is that production companies have relationships with cinemas. Look at the Academy Awards. The Japanese representative needs to be recommended by the film industry, and that is the only one that can be nominated… it irritates me, but if you look at all the Japanese representatives at the Academy Awards, I do not think there is hardly any case in which the film selected is not from the same three or four companies. This year, it would be Shochiku, then it would be Toho, and then it would be Toei. It’s ridiculous!”

     

    Kitano went on to criticise Japanese media for turning a blind eye to industry problems and exaggerating the reception of Japanese films at international film festivals in order to sell ads.

    In a mentoring session of sorts between Kitano and eight award-winning young filmmakers, he said: “I know you are up-and-coming, so make sure that you do not get entangled with the major studios.”

     

    The second half of the event mostly consisted of curator and critic Tony Rayns and Cannes Film Festival selector Christian Jeune discussing Kitano’s films and their cultural impact. But Kitano offered little but polite responses to the two foreign guests’ praise, and had to be reminded of the moderator’s questions multiple times after Rayns and Jeune made their respective comments.

     

    Although Kitano himself also insisted that his works are left to the audience to interpret it in their own way, he did explain the way he creates his films.

     

    “I do not have any themes in my mind. I start with a final scene. With that final image in mind, I decide how much story I can put in,” Kitano said, “I create a shot list, and I shoot a film in order to realise that. As for the theme, it is up to the critics to decide what that might be.”