MUMBAI: Film-maker Rakesh Sharma today released his latest films for previews in Gujarat.The two new films — Khedu Mora Re and Chet‘ta Rejo — have been researched over the last couple of years and shot during the last eight months. Speaking about his new films, Rakesh Sharma said, “Ever since I started showing Final Solution around, many people urged me to do follow-up films as well. I wanted to go beyond highlighting the events of 2002 and the State and Sangh Parivar‘s complicity, which by now has been well-documented, especially after the Tehelka expose . These films are also in the nature of my response to Mr. Modi and his propaganda as a member of civil society.”
Khedu Mora Re (62 minutes)
This film specifically deals with the myth of ‘Vibrant Gujarat‘. The film graphically documents the phenomenon of farmer suicides in Gujarat. It also deals with farmers‘ opposition to SEZs as well as widespread anger against the Modi government and its lopsided policies which many farmers in the film claim are tailored to suit corporates and industries. The much-hyped ‘ Sujalam Sufalam‘ scheme is probed at the ground level, especially during the recent floods in Saurashtra -where farmers squarely blame this scheme for their misfortune. Says a farmer in the film, “Till a couple of years ago, there was never a flood in Gokharwada (district Surendranagar) but ever since this ‘ Sujalam Sufalam‘, our village and lands get submerged every year due to these new check dams, faulty planning and construction. Modi keeps announcing packages worth hundreds of crores, but the reality is that the people are yet to receive even 5 Rupees out of the post-flood package announced for 2005! And now this flood in 2007 – it has destroyed us totally.”
A strand that runs through is a specific RTI (Right to Information ) campaign designed by the film-maker. Filed through activist Bharat Jhala, the information nails government lies and exposes its attempts to suppress the truly horrifying scale of farmer suicides in Gujarat. Says Rakesh Sharma, “Modi has been trying to reinvent himself as Vikaspurush, hoping that glitzy films and investor summits will whitewash his image as the butcher of Gujarat. I felt it was critical to examine the true story behind the hype, but also realized that the film is liable to be attacked and its credibility challenged. That‘s why I chose the RTI route to use the government‘s own figures to bring out the true story.”
“Modi claimed in a TV interview to NDTV on March 14, 2007 that no farmer commits suicide in Gujarat,” continues Rakesh Sharma. “A month later, he admitted to 148 suicides on the floor of the assembly. Official data that we finally got in Oct 10, 2007, five months after we filed queries, confirms 498 suicides formally. However, even this list is partial as it does not feature several suicide stories painstakingly documented in the film! As many suicides are passed off as accidents, we also filed RTI queries seeking details of all accidental deaths. Of the 6,695 farmers who died in “accidents”, over 4000 have not been paid any ‘Kisan Vima Yojana‘ money (we‘ve informally learnt that insurance companies have denied many such “accident” claims as many of these are suicides)! Amazingly, on Oct 10 itself, the day the Gujarat government gave us RTI data confirming 498 suicides, an official ad released on ETV categorically stated that there are no suicides in Gujarat and people should not believe in false propaganda. The ad was obviously in response to the media coverage, press conferences and film excerpts that appeared in end Sept and October!”
The film features several suicide stories done as very personal, intimate portraits. Opposition to land acquisition for SEZs in Bhavnagar district are intercut with the havoc unleashed by private companies in Kathivadar. The film itself reports 10-12 suicides in Amreli, Surendranagar, Bhavnagar, Rajkot, Bharuch and Surat. The RTI data reveals shocking district-wise figures – Rajkot (63 suicides), Junagad (85), Amreali (34), Mehsana (48), Nadiad (44), Jamnagar (55), Narmada (30) and even in Gandhinagar (13), right under the Chief Minister‘s nose!
Chet‘ta Rejo (72 minutes):
The back cover of the CD itself contextualizes the film – the saffronisation of the Dalit-OBC population and its consequent plight! The film looks specifically at the patterns of arrests and litigation since 2002. A majority of those charged with rioting, arson, murder etc are either tribals or Dalits and OBCs. An analysis of those arrested from 32 police stations in Ahmedabad suggests that of the 1577 detainees, only 30-odd were upper caste! Are these foot soldiers victims too? Cynically recruited, then discarded, left to rot in jails, what do the ‘perpetrators of the violence feel today about the VHP and the BJP?
The film has several personal portraits and conversations. Some of the issues that emerge:
1. 6-8 families of the deceased passengers of the fatal S-6 speak of how they were told people were going for a picnic tour, certainly not any karseva, that the VHP-BJP exploited their tragedy for electoral gains in 2002, how ever since then no one has come to help, how monies raised in their name never reached them…and how some of them who spoke in public about it have been threatened by the VHP!
2. VHP made tall promises to help the detained and the injured Hindutva cadre, but barring some rations and monetary help in the first month or two, not much came. The VHP/ BJP combine simply vanished. A telling account is of Kanti and Deepak from Gomtipur – both shot by the police, both appealed to the BJP for help (including the CM) but got nothing. When they went to the Togadia-owned Dhanvantri hospital for operations/ treatment, they were turned away, asked to bring a deposit of Rs 50,000 first!
3. Cops don‘t arrest the upper castes. They come and take away Dalits/OBCs – any men they can find in the area. The men are normally told to come along for haziri but then booked formally. Women in such families speak of the subsequent harassment and hardships.
4. Dalits ask why violence is engineered in their areas, and not in the posh upper caste areas? They ask a series of searching, probing questions and offer their own analyses throughout the film.
5. Dalit elders speak of how the Ram Mandir at Ayodhya doesn‘t mean much to them, as they cannot even enter the mandir in their own villages – upper castes prevent them from doing so till today!
7. An OBC Hindu boy and a Muslim boy, both friends, used to play cricket together in Behrampura. During the riots, both lost their right hands to bombs during the riots! The film ends with both of them appealing to the youth not to join such parties or get involved in such violence as no one lifts a finger to help — it is them and their families who will suffer forever.
The overall message that emerges through a range of voices – violence and politics of hate destroys the Dalit-OBC-Muslim communities; it is best to stay away from parties that preach hate.
The other film, Dus Kahaaniyan is being distributed by Eros and produced by Sanjay Gupta. The story as the name suggests is 10 stories woven into one film. The last time viewers saw 6 stories rolled into one was in Ram Gopal Varma‘s Darna Zaroori Hai. White Feather films (Sanjay Gupta) too has had a great box office hit in its last release, Shootout at Lokhandwala. Audience expectation from a Sanjay Gupta is also high. Known for his fast-paced and racy subjects one expects Dus Kahaaniyan to hit the bull‘s eye. Trade analysts are looking forward for this film for its novelty factor and its impressive star cast comprising of Shabana Azmi, Naseeruddin Shah, Anupam Kher, Amrita Singh and Nana Patekar.