Category: Hindi

  • MPAA wins case against Torrentspy

    MUMBAI: In a victory for the major Hollywood studios, a federal judge in Los Angeles terminated an ongoing lawsuit against the operators of TorrentSpy.com in favour of all six of the Motion Picture Association of America’s (MPAA) member companies.

    The MPAA maintained that the site TorrentSpy blatantly contributes to, profits from and induces massive infringement of copyrighted content including movies, music and games. The court imposed the harshest sanction against the TorrentSpy defendants because of their destruction of evidence and subversion of the judicial process. The ruling means that TorrentSpy operators are liable for copyright infringement.


    MPAA executive VP and director worldwide anti-piracy operations John Malcolm says, “The court’s decision is a significant victory for MPAA member companies and sends a potent message to future defendants that this egregious behavior will not be tolerated by the judicial system.”


    “TorrentSpy is a one-stop shop for copyright infringement and we will continue to aggressively enforce our members’ rights to stop such infringement,” Malcolm adds.


    In its decision, the court ruled that “although termination of a case is a harsh sanction appropriate only in extraordinary circumstance, the circumstances of this case are sufficiently extraordinary to merit such a sanction.” The court found that the evidence was “not deleted or modified negligently, but intentionally in direct response to the institution of this lawsuit.”


    Observing that the defendants “already had been subjected to lesser sanctions in this case,” including a fine of $30,000 for violation of a court order, the court concluded that the “harsh sanction” of terminating the defendants’ case was the only appropriate remedy.


    The evidence defendants destroyed included forum postings with references to copyright infringement and other incriminating statements; site directories referencing copyrighted works and subcategories clearly referring to pirated content; and user IP addresses.


    The worldwide motion picture industry, including foreign and domestic producers, distributors, theatres, video stores and pay-per-view operators lose more than $18 billion annually as a result of movie theft. More than $7 billion in losses are attributed to illegal Internet distributions, while $11 billion is the result of illegal copying and bootlegging.

  • WGA strike tops AFI’s list of significant moments

    WGA strike tops AFI’s list of significant moments

    MUMBAI: The American Film Institute (AFI) has announced the year’s AFI Moments of Significance.These seven noteworthy events were determined to have had an impact on the world of the moving image during the year.

    The first moment is the Writers Guild of America (WGA) strike. The ongoing digital revolution has upended conventional economic models, and uncertainty abounds when attempting to project how an audience will receive its storytelling in the years to come and how creators will be paid for their work.

    On 5 November 2007, the 12,000-plus members of the WGA went on strike against the Alliance of Motion Picture and Television Producers. Though the strike is itself traumatic, it is but a part of a larger paradigm shift. At best, it may be a defining event in shaping the future.

    AFI says that it looks forward to the day when a new business model will form, and an artist‘s work will rise above the numbers and continue to inform and inspire.

    The second moment was the fact that Ingmar Bergman and Michelangelo Antonioni, two of the world‘s most influential filmmakers, passed away on 30 July.

    Bergman directed more than 50 films in a career that spanned 40 years. Classics like The Seventh Seal, Wild Strawberries explore religion, death and existentialism with honesty and eloquence.

    Antonioni’s career also spanned more than 40 years, with landmark films like La Notte and The Passenger, each marked by the director‘s innovative approach to narrative storytelling.

    The third event was Apple‘s iPhone. Apple‘s unveiling of the iPhone sparked a cultural frenzy. In addition to operating as a phone, camera and computer, the user-friendly iPhone allows consumers to stream and download television programs and movies. Overnight, the iPhone became a symbol of a public that demands its content where they want it and when they want it.

    The fourth event was a cultural spasm created by the war on terror. 2007 marked a year when American film artists responded to the war in an attempt to create order out of chaos. Though it was largely difficult to find an audience for their stories, filmmakers marched forward in a struggle to understand — to ask questions — to demand answers.

    Films like In The Valley Of Elah, Lions For Lambs, Charlie Wilson‘s War and A Mighty Heart wrestled with the war directly. And this emotional quandary carried into the core of other films as well — the dark brutality of two of the best films of the year There Will Be Blood and No Country For Old Men, and the moral questions raised by Michael Clayton also reflect America‘s bruised and brooding times.

    The AFI notes that no other American war has inspired this deep a cinematic expression while the conflict is still taking place. Films released during World War II were supportive of the war effort, but movies dealing with the emotional, psychological and societal impact of that war, and also Korea and Vietnam, weren‘t produced until years after they had ended.

    Part of this new immediacy is due to the accessibility of information from the front line. Whether from an embedded journalist or an Iraqi citizen posting photos on the Internet, news about the war is plentiful, direct and personal, arriving virtually the same day it happens. Given these images and information, filmmakers are driven to make sense of it all here and now and project their stories across America and around the world.

    On the TV side a major event was Discovery’s show Planet Earth which has been hailed as being a landmark show in high definition. The AFI says that this show illuminated the power of television as a unifying force in the global community.

    Over five years in the making the show captured images from more than 60 countries and over 200 locations. From the forests of Eastern Russia to the Gomantong Caves in Borneo to a volcanic mountain chain at the bottom of the Atlantic Ocean, this epic visual document captured some of the world‘s most remote and awe-inspiring locations and brought them into the living room.

    That the series came to life in high definition crystallised a moment in the public appreciation for this welcome and wondrous technology.

    Another event was news getting more tabloid in nature. 2007 marked a year when traditional news became subsumed by coverage of material normally relegated to tabloid magazines.

    Coverage of Paris, Nicole, Lindsay, Britney, O.J. and Anna Nicole often eclipsed news on the war, an economy in turmoil or topics of international scope or scale.

    Websites like TMZ.com and PerezHilton.com attracted devoted audiences, with TMZ even spawning a half-hour television version of its Internet activity. These types of sites are fueled by the ubiquity of cell phone cameras and other recording devices that empower a “citizen paparazzi” who are aggressive and eager partners in helping to tear down pop idols.

    America‘s cultural obsession with scandal is not a new trend, but in 2007 the tide turned, and the nation began to drown in a sea of celebrity.

  • Percept to invest Rs 350 million in Hanuman 3

    MUMBAI: Percept Picture Company (PPC), a part of Percept Holdings, is pumping in Rs 300-350 million for Hanuman 3, a 3-dimensional movie.

    Hanuman 3 is slated for release in 2010. Kerala-based Toonz Animation will be doing the post production work for the movie.


    PPC will shortly start on the pre-production of Hanuman 3. The name of the sequel movie is yet to be decided.


    Released in 2005, Hanuman Jai Bajarangbali was a block buster. The Return of Hanuman has released this Friday.


    “We are investing Rs 300-350 million for Hanuman 3. The story, director and title of the film is yet to be decided. Our aim is to make Hanuman a universal animation entertainment property in terms of value and appeal,” PPC CEO Preet Bedi tells Indiantelevision.com.


    Hanuman offers merchandising opportunities for multiple products like key-chains, sharpners, face masks and maze. For Return of Hanuman‘s branded merchandise, Percept has already tied up with Future Group, Jump Games, Baskin Robbins, D‘damas and Camlin.


    Regarding expanding the footprint of Return of Hanuman, PPC and Toonz Animation have decided to release it in four Indian regional languages. It will also be made available in foreign languages.


    “We will dub Return of Hanuman in at least four Indian languages including Tamil and Telugu. We will also release it in English, German, Italian and Spanish languages, probably with sub-titles,” says Bedi.


    Besides Hanuman and Return of Hanuman, PPC has also produced or distributed Mera Pahla Pahla Pyar (MP3), Traffic Signal, Deadline, Jai Santoshi Maa, Malamaal Weekly, Corporate, Pyaar mein twist, Makdee, Dor Home Delivery and Phir milenge.


    Toonz Animation India is part of the international business conglomerate, Comcraft Group, which is based in Geneva and a major provider of animation to the top US and European producers.

  • Welcome grosses Rs 572 million in opening week

    MUMBAI: Welcome, which is being distributed worldwide by The Indian Film Company (IFC), has grossed Rs 571.8 million in its opening week.


    In India, Welcome has grossed Rs 500 million on 900 prints. “This represents the highest opening week of all time for a comedy film in India and the highest opening week for its lead star Akshay Kumar,” IFC said in a release.


    In the UK, the film grossed Rs 42.8 million from 40 theatres and Rs 29 million from 60 theatres in North America. “In the UK, the film has made it into the UK top ten charts,” the release said.

    Welcome released in select territories across the world on 21 December. Said IFC CEO Sandeep Bhargava, “We are very pleased that Welcome has done so well in its first week, and look forward to it continuing to break further records. It is one of several films we have invested in and which we believe has the potential to deliver significant returns to our shareholders.”


    IFC, which is listed at the Alternative Investment Market (AIM) on the London Stock Exchange, acquired the worldwide distribution rights for Welcome in November 2007.

    Welcome is directed by Anees Bazmee and produced by Feroz Nadiadwala.

  • Warner Bros tops box office with $2.2 billion in 2007

    MUMBAI: Hollywood major Warner Bros tops international box office in 2007, with a revenue of $2.15 billion.

    The $2-billion figure this year represents the company‘s second-highest gross, trailing only the $2.2 billion achieved in 2004, the highest in the industry.


    Internationally, this year Warner Bros‘ bouquet of films includes Harry Potter and the Order of the Phoenix, 300, Ocean‘s Thirteen, Blood Diamond and Beowulf. The five films alone grossed $1.3 billion, while Beowulf is still running in the theaters.


    Disney has raked in about $1.66 billion, followed by 20th Century Fox at $1.64 billion, Paramount Pictures at $1.60 billion, Sony Pictures at $1.27 billion and Universal Pictures at a touch above $1 billion.


    While Warner Bros won the international box office numbers, Paramount won the battle domestically, with $1.47 billion. Warner Bros was second with $1.34 billion of its worldwide $2.15 billion coming in the US.


    Disney‘s 2007 release Pirates of the Caribbean: At World‘s End emerged as the biggest-grossing film in 2007 with $653 million internationally. Disney and Pixar‘s Ratatouille grossed $411 million as well.


    Paramount‘s recent purchase of DreamWorks proved to be very profitable as Shrek the Third registered $475 million, while Transformers tallied $387 million. Both movies were under DreamWorks.


    Spider Man 3 chalked up $555 million for Sony Pictures, making it the highest-grossing installment of the Spider Man franchise and kicking off the highest-grossing international summer blockbuster in movie history.


    Sony also got a boost from The Pursuit of Happyness ($121 million) and Ghost Rider ($104 million).


    Universal Pictures had just two films that grossed over $100 million – The Bourne Ultimatum ($215 million) and Mr Bean‘s Holiday ($192 million). However, it had a bevy of films that grossed between $50-75 million, such as Evan Almighty ($73 million), The Holiday ($73 million), Knocked Up ($70 million), I Now Pronounce You Chuck & Larry ($65 million), Hot Fuzz ($57 million) and American Gangster ($53 million).

  • Shemaroo releases home videos of two Hollywood flicks

    MUMBAI: Shemaroo Entertainment releases two Hollywood films Crime & Punishment and The Effects of Magic in home video format.


    This follows Shemaroo‘s foray into distribution of International movies this year. The company had told Indiantelevision.com earlier that it had acquired about 300 titles, across all genres.


    The DVD and VCD of these two Hollywood titles are priced at Rs 199 and Rs 49, respectively.


    Crime & Punishment, based on Fyodor Dostoyevsky‘s novel, depicts the recovery of a man‘s diseased spirit. It exposes the soul of a man possessed by both good and evil, a man who cannot escape his own conscience.


    Menahem Golan‘s Crime & Punishment stars Crispin Glover, John Hurt, Vanessa Redgrave, Margot Kidder and John Neville. The movie has won the ‘Platinum Award‘ at ‘WorldFest Houston‘.


    The Effects of Magic is an adventurous family drama directed by Charlie Martinez and Chuck Martinez. The film stars Kathy Bates, Melinda Dillon, Robert Carradine and Jacobo Morales.


    The Effects of Magic revolves around the son of a great and absentee magician, who runs a costume company with his slightly eccentric mother. The protagonist starts to ponder how magic can affect everyone.

  • Tare Zameen Par goes tax-free in Delhi

    MUMBAI: Aamir Khan‘s directorial debut film Tare Zameen Par (TZP) is declared tax-free in Delhi in view of the message it conveys.

    TZP is about children who are slow learners and has a protagonist who himself is dyslexic.


    Produced by Aamir Khan and PVR Pictures, TZP follows Anurag Kashyap‘s Return of Hanuman which was also declared tax-free nation-wide before its release. The Rs 200 million budgeted film Return of Hanuman is releasing on 28 December.


    “The expectation is that the tax-free status of TZP will extend to other states,” an industry observer said.


    TZP which opened with 425 prints pan-India, has reportedly raked in Rs 150 million at the domestic box office in the first three days.


    In recent past movies like Koi Mil Gaya, Rang De Basanti and Lage Raho Munnabhai have been declared tax-free in some states.

  • HSBC ups stake in Indian Film Company to 9%

    MUMBAI: HSBC Investments (Singapore) Ltd. has increased its stake to 9.10 per cent in The Indian Film Company (IFC), a specialist film investment firm where TV18 Group has substantial interest.

    HSBC holds 5.01 million equity shares in IFC, following its recent purchase in the market. IFC is listed on the Alternative Investment Market (AIM) of the London Stock Exchange.


    “HSBC has recently bought in the market and increased its stake in our company,” confirms IFC CEO Sandeep Bhargava to Indiantelevision.com.


    HSBC made a purchase of 1.08 million equity shares of IFC in the market for a consideration of ? 817,000 (Rs 65.36 million) in mid-December.


    Network18 Fincap Ltd has 18.18 per cent stake in IFC and BK Media Mauritius Pvt Ltd 3.45 per cent. Raghav Bahl is a director of IFC and substantial shareholder of both Network 18 Fincap and BK Media Mauritius.


    Viacom Brand Solutions holds 4.55 per cent while Halbis Capital Management has 11.05 per cent, Elara Capital 10.90 per cent and Dundee Leeds Management 9.09 per cent (as of 31 July, 2007).


    The Indian Film Company raised ?55 million (Rs 4.4 billion) through an initial public offering (IPO) this year. The company seeks to invest in films where it retains full ownership of all Intellectual Property Rights (IPR), although ownership may be shared with co-producers, directors and actors if necessary.


    IFC has taken worldwide distribution of Welcome and Jab We Met. The co-productions include Bhootnath, Little Zizou, Halla Bol, Golmaal Returns and Loot.

  • Shyam Benegal to direct film on the Buddha

    MUMBAI: Shyam Benegal is directing a film based on the life of Gautama Buddha. Mumbai-based Beyond Dreams Entertainment Ltd and Colombo-based Light of Asia Foundation are co-producing the film.

    The film is expected to go on floors around mid-2008 and slated for a mid-2009 release.


    Screenplay writer Atul Tiwari will pen the story, screenplay and dialogue of the film. It is also reported that talks are on to rope in Hrtithik Roshan.


    Professor Nimal D‘Silva, Buddhist scholar in the South Asia region, has been appointed to head the research, along with scholars from China, Japan and Korea.


    “This is a historic moment for South Asian Cinema. We are about to tell the story of a man who was born in the Indian subcontinent and redefined the way the world thinks. Gautama Buddha‘s philosophy is more contemporary today than ever before,” said Beyond Dreams Entertainment Limited CEO Yash Patnaik.

  • Shree Ashtavinayak raises $33 million via FCCBs

    MUMBAI: Shree Ashtavinayak Cine Vision has raised $33 million (approximately Rs 1.32 billion) via foreign currency convertible bonds (FCCBs), with an option to raise an additional $5 million.

    “The proceeds of the issue shall be utilised for production of movies and purchase of Intellectual Property Rights (IPR) of movies outside India,” says a company statement.


    The bonds have a maturity of five years due in 2012. The underlying equity shares on conversion will be listed on BSE and NSE. The FCCBs will be listed on the Singapore Stock Exchange.


    In July, the company had decided to raise funds for expansion by issuing FCCBs to the extent of $50 million. The board had also decided to issue warrants on preferential basis to the extent of $20 million.


    Shree Ashtavinayak has nearly 12 films already on the floors for release next year including Golmaal Returns, Superstar, Chala Murari Murder Karne and Mr Fraud.