Category: Hindi

  • The clash of the titans

    MUMBAI: It’s not very often that you get to see three of the best talent of Bollywood in one film. Naseerudin Shah, Om Puri, Paresh Rawal will share screen space in Priyadarshan’s soon to be released Mere Baap Pehle Aap, a rib tickling comedy. Cine buffs will be treated to a veritable fare in the film as the three of our all time greats will display their talent in the Malyali remake. Another interesting aspect of the film is danseuse Shobhana who stars in her first ever commercial film.

    Akshaye Khanna and Genelia play the lead couple in the film which was shot in three locations, Goa, Chennai, Mumbai. The music is by Vidyasagar and the film is slated for an April release. Like all Priyadarshan’s films, this one too has been completed in a short span of 60 days.


    In the days of mediocre talent it is heartening to hear that good talent is still recognized. Though, of course, it remains to be seen if the film gives them the opportunity to display their craft.

  • Animation films best for transcending barriers, prejudices

    MUMBAI: The technique of animation is one of the best mediums of films for social communication in that it is non-confrontational, transcends cultural, borders or language barriers, and appeals to audiences of all ages.

    While one cannot avoid showing violence in animation or other films since this is a part of society today, it should be done without glorifying it to the extent that people – particularly children – become insensitive to streaks of violence.


    This was the general consensus of an open forum organised by the Indian Documentary Producers Association (IDPA) on “Animation and Social Communication” presided over by renowned animation filmmaker Ram Mohan.


    Noting that the animation industry in India has grown into a multi-million dollar enterprise, Mohan said that animation had first become institutionalised in the country when the Films Division set up an animation studio in the 1950s with the clear aim of using it as a vehicle for social messages as the medium has an inherent quality that makes it ideal of this purpose. He also rued that there was a dearth of talented people in animation though there was no shortage of ideas.


    Answering a question, he said it is not fair to use animation films as a baby-sitter if the parent or adult is busy with other work, since the child watching such films may not be able to get the right kind of message. It is necessary for an adult to be present to interpret the film when young children are watching it.


    Referring to the violence in animation serials, he said one cannot avoid violence which is a part of society, but it can be ensured that there is no glorification. Furthermore, while every story has to have a hero and a villain, it is necessary to see what they are fighting for. He said that the private television channels clearly go in for what is the cheapest available programme without being choosy.


    He referred to series like Sesame Street which are devoid of violence and have proved popular in the west, but failed in the Indian version Gali Gali Sim Sim.


    Reeves Lehmann, Chief of Films at the School of Visual Arts in the United States, agreed and added that The Simpsons proved very popular and full of important social messages though it does not have any violence. Even Disney is now into making films that do not have unnecessary violence. But he agreed that the TV animation series and the animation games are full of violence.


    He admitted that the animation series had originally commenced in the US only as publicity for various toys like He-Man, Superman, Spiderman, Batman and so on.


    Though there had been some problem two decades earlier to get people interested in animation, this is not the case at present. He stressed that animation is a universal format which got resurgence in the late eighties when some studios in the US decided to make full-length feature films beginning with a film called Mermaid. More people had then entered this field to learn the art.


    Though it is often thought that with the coming of computers, traditional animation has become outdated, this is not so since that kind of animation is still more popular than computerised filming. In fact, many filmmakers prefer to combine different forms of animation in the same film, he added.


    He agreed with Mohan that there is a shortage of good story writers for animation films.


    Several persons including filmmakers and mediapersons who spoke complained about the violence in TV series and also lamented the fact that institutions like the Films Division had reduced the number of animation films made every year. Many also said that the channels including Doordarshan are driven by commercial considerations, and therefore, only show what they feel would prove popular.

  • Indian Film Company plans to pump in Rs 1.5 billion in six months

    MUMBAI: The Indian Film Company (IFC), a specialist film investment firm where TV18 Group has substantial interest, is planning to invest Rs 1.5 billion on various film projects over six months.

    “The pipeline for deployment in the last quarter of fiscal 2008 and first quarter of FY 2009 is expected to be around Rs 1.5 billion,” a source in the company tells Indiantelevision.com.


    IFC has invested Rs 1.05 billion on film projects and for signing of key directors, actors and writers in the third quarter of this fiscal. The total fund deployment of the company has been Rs 2.5 billion in cash and cash equivalents till December-end 2007, the source adds.


    The future projects include Striker, a co-production with Chandan Arora’s Make Films which is expected to release by May 2008; Panduranga, the first regional language (Telugu) film that IFC has signed and is co-producting with K Raghavendra Rao; Bubblegum, a co-production with Paramhans and expected release date is October 2008; and “Production No 3” (tentatively titled) to be produced by Priti Sinha’s Reel Life Entertainment and released by first quarter of FY 2010.


    IFC has released recent movies like Jab We Met and Welcome. IFC has also acquired the worldwide distribution rights of Singh is Kinng ( a comedy directed by Anees Bazmee and stars Akshay Kumar and Katrina Kaif) from Vipul Shah Productions and Golmaal Returns from Shree Ashtivinayak.


    Network18 Fincap Ltd has 18.18 per cent stake in IFC and BK Media Mauritius Pvt Ltd 3.45 per cent. Raghav Bahl is a director of IFC and substantial shareholder of both Network 18 Fincap and BK Media Mauritius. Viacom Brand Solutions holds 4.55 per cent in the film company.

  • Asian Film Festival to begin with Chak De India

    MUMBAI: The 12-day long Asian Film Festival in Jeddah will kickstart with Yash Raj‘s film Chak De India on 9 February.


    The Asian Consuls General Club is organizing the film festival.
    The festival, which begins with India‘s “Chak de India” and a Saudi Arabian documentary, will also feature documentaries from Pakistan and China.


    Japanese film Nitaboh, Malaysian film Mukhsin, Sri Lankan Udu Gan Yamaya, Indonesia‘s Nagabonar, Bangladesh‘s Aha, Pakistan‘s Jinnah, China‘s Beautiful Homeland, Thailand‘s Hom Rong and Korea‘s Family Tie are some of the other attractions of the film festival, apart from daily documentaries from Saudi Arabia, Philippines and Singapore.

  • Movie rental service Seventymm celebrates Valentine’s Day

    MUMBAI: On Valentine’s Day 14 February 2008, Indian online movie rental service Seventymm has a slew of romantic movies on offer to celebrate the theme of love.

    Members can take a pick from Jab We Met , Ahista Ahista, Parineeta, Dil Toh Pagal Hai, My Best Friend’s Wedding, While you were sleeping, etc. Apart from celebrated Hindi and English movies, romantic classics across other languages like Kannada, Tamil, Telugu, Oriya, Bengali, Punjabi, and Gujarati are also available for members.


    Seventymm claims to have 55,000 subscribers in Delhi, Mumbai, Chandigarh, Bangalore, Chennai and Hyderabad. Seventymm offers more than 15,000 titles covering Hindi, English, Tamil, Bengali, Marathi, Kannada, Gujarati, Malayalam, Telugu, Bhojpuri, Ori ya, Assamese, Punjabi and Rajasthani movies to its members. World cinema and award winning documentaries are also a part of the offering.

  • Virgin Atlantic is back for new Bond film ‘Quantum of Solace’

    MUMBAI: Following its successful partnership on the last Bond film Casino Royale, Virgin Atlantic has announced that it will once again be a global partner for the 22nd Bond movie Quantum of Solace, due out later this year.

    Produced by Michael G Wilson and Barbara Broccoli for Eon Productions and directed by Marc Forster, Quantum of Solace is scheduled to be released on 7 November 2008. Virgin Atlantic will be supporting the release with a series of promotional and marketing initiatives connected with the movie.


    Virgin Atlantic president Sir Richard Branson says, “Virgin Atlantic and James Bond make a great partnership – slick, smooth and renowned the world over. Casino Royale propelled Bond to greater success and we’re certain that Quantum of Solace will set an even higher standard.”


    Branson appeared in a cameo role in Casino Royale and Virgin Atlantic aircrafts were featured in the Miami airport scene.


    Daniel Craig reprises his role as 007 in Quantum of Solace. Betrayed by Vesper, the woman he loved, 007 fights the urge to make his latest mission personal. Pursuing his determination to uncover the truth, Bond and M (Judi Dench) interrogate Mr White (Jesper Christensen) who reveals that the organisation that blackmailed Vesper is far more complex and dangerous than anyone had imagined.


    Quantum of Solace also stars Olga Kurylenko as Camille, Mathieu Amalric as Dominic Greene, Gemma Arterton as Agent Fields and Jeffrey Wright who returns to the role of Felix Leiter.

  • K Sera Sera MD Rajesh Pavithran quits

    MUMBAI: K Sera Sera Productions MD Rajesh Pavithran has put in his papers.He is currently serving his notice period till 28 February.

    Confirming his resignation, Pavithran says he will be joining a media company in March. “I have served K Sera Sera for more than three years. I have resigned and will soon be announcing my new assignment,” he adds.


    Prior to being promoted to the post of MD in March last year, Pavithran was the COO of Twenty Twenty Television, K Sera Sera‘s subsidiary company which is into television content business. Earlier, he held the post of COO in Balaji Telefilms.

  • New distribution avenues obviate docu filmmakers’ dependence on state: IDPA

    NEW DELHI: The scene appears to be changing for makers of meaningful short, documentary and animation films.Though the multiplex culture has shrunk distribution possibilities in the cinema hall, those associated with this genre of cinema are no longer despondent, with many more channels including television channels and portals accepting their films and paying for them, albeit in small sums. In addition, there are the new entrepreneurs who are taking packages of small films to rural or semi-urban areas or schools and colleges, and showing these films and then indulging in discussions.

    This was the general outcome at the open forum organised by the Indian Documentary Producers‘ Association (IDPA) in collaboration with the Films Division. Those who attended the forum agreed that there was no need for filmmakers to depend on state support either for financing or exhibition outlets as technology had opened newer avenues.

    Nautanki.tv COO Vikram Prabhu said that he launched the portal after he had collected a large sum of money to make a feature film, a project he was forced to give up for various reasons. He then started the portal which is now showing features and non-features on mutually agreed business models. The online TV channel is now viewed by people all over the country and abroad, and is encouraging filmmakers to approach him to put their film online. He said he was surprised to learn that the number of people interested in seeing short films was very large.

    Rakesh Sharma, whose film The Final Solution had won several awards a couple of years ago, said there exist a variety of avenues for short films. He said that it was perhaps ironical that his film had done well because it was banned, but there were demands from different parts of the country for the film. He has now allowed all portals to “pirate and circulate” his film on condition that they buy at least one print. Very often those who pirate the films come back to him as they are not satisfied until they have the original. He sells his prints at subsidised rates as that helps him show it all over the country and overseas. He has, so far, managed to sell 18,000 DVDs of The Final Solution and 8,000 copies of Aftershocks, both based on events in Gujarat.

    Sharma asked why a portion of the huge entertainment tax collected by the governments was not being ploughed back into the industry. He also questioned why there was no subsidy for distribution, and why multiplexes were not showing short films despite the fact that they had been given a five-year tax holiday. A condition could have been laid before giving the tax holiday that at least one screen be devoted to short films. He also said filmmaking was no longer capital intensive since one could make a film and edit it on a PC. He suggested that short filmmakers put promotionals of other filmmakers in their films.

    Saratchandran and P Babu Raj related their experiences of how they had taken their own films and those of others to different parts of Kerala where audiences and students took part in discussions. Saratchandran said that some television channels in Kerala like the terrestrial channel Kerala Vision were devoted to documentary films.

    Babu said dependence on Doordarshan had become futile and therefore filmmakers had to find their own outlets. Entrepreneur Subhash Chheda also agreed and said good money could be made with wise screenings in semi-urban and rural areas.

    Gargi Sen, a distributor of short films, said this was done on a 65-35 basis. However, she also added that she only had 130 films with her.

    Vidyarthi Chatterjee who conducted the discussion said it was futile depending on the state or on Doordarshan, while NDTV producer Gunjan Jain said her channel was now acquiring documentary films.

  • FTII, SRFTII to receive Rs 300 mn for status uplift

    MUMBAI: The Film and Television Institute of India (FTII), Pune, and the Satyajit Ray Film and Television Institute (SRFTI), Kolkata are to receive a Rs 300 million aid to convert them into world standard institutes.

    This was announced by union minister for I&B, Priyaranjan Dasmunsi during his visit to this city in connection with the seven-day 10th Mumbai International Film Festival (MIFF-2008) for Documentary, Short and Animation Films.


    Dasmunsi also said he would talk to Doordarshan to start a dedicated channel for documentary films and give a one-hour slot on a DD channel on Saturdays for classical artists and singers.

  • Centre keen to promote documentary TV channel: Dasmunsi

    MUMBAI: Renowned Manipur filmmaker Aribam Syam Sharma is to receive the V Shantaram Lifetime Achievement Award for contribution to the documentary film movement in the country.This was announced here last night (Sunday) by Maharashtra chief minister Vilasrao Deshmukh at the inauguration of the Tenth Mumbai International Film Festival (MIFF) for Short, Documentary and Animation Films at a simple function presided over by the Information and Broadcasting minister Priyaranjan Dasmunsi at the National Centre for Performing Arts.

    Sharma is a film director, actor, critic, and music director. He came to limelight with his award-winning film Imagi Ningthem (My Son, My Precious) that received the grand Prix at International Film festival at Nantes in France in 1982. His other acclaimed films include Ishanou, the official selection (un Certain Regard) for Cannes Film Festival 1991, and Sangai-The Dancing Deer of Manipur declared as the “Outstanding Film of the Year 1989” by the British Film Institute. He has directed nine Manipuri feature films and 26 non-feature films. They include Sanabi (The Frey Mare) in 1996, Rajarshee Bhagyachandra of Manipur and Gurumayum Nirmal.


    Maharashtra Cultural Affairs Minister Ashok Chavan, joint secretary (films) VB Pyarelal in I&B ministry, Indian Documentary Producers‘ Association president Jahnu Barua, Aribam Syam Sharma and actress Vidya Balan were among the others present at the inauguration.

    The CM expressed satisfaction that Mumbai continued to be the permanent home for the MIFF as the city was “the motherland of movies.” “Let MIFF ignite many more movies,” he added.

    Dasmunsi announced that the Films Division had restored as many as 6,000 old prints and only 1,000 prints were left to be restored and digitized. Responding to the demand for a separate documentary TV channel, he said that he had discussed the matter with Prasar Bharati and also asked them to give time every Saturday for promoting the classical arts of the country. But he said he would clear within a week any proposal by a private entrepreneur for a channel for documentaries.

    Interestingly, however, the minister did not respond to a proposal made almost two years ago by the Films Division for launching a separate documentary channel.

    Dasmunsi regretted that television news channels appeared to have run short of serious news and were mingling news and entertainment.

    Chavan said that the government supported the documentary format as a means of purposeful communication.

    Earlier, Barua strongly reprimanded the authorities for not being able to create an exhibition outlet for documentary films and the television channels including Doordarshan failing to give adequate time for showing meaningful documentaries. He said one reason for this was the lack of unity among documentary filmmakers who were unable to put proper pressure on the government and create a proper platform.

    Kuldeep Sinha, chief producer of the Films Division that organises the festival in collaboration with the I&B ministry and the Maharashtra state government, said he hoped to work towards an annual MIFF.


    A total of 44 films from 16 countries including India have been shortlisted for the international competition while 54 films from 14 states have been selected for the national competition.

    Sinha today revealed that a total of 228 films from 37 countries had been received for the international section and 543 films had been received from within the country.

    Apart from the competition sections, a total of nine international films will be showcased in other sections and 13 Indian films will be shown in the special screening section.

    Referring to the fact that MIFF had become the third largest documentary festival in the world, Sinha said that the tenth edition this year – the festival commenced in 1990 and is held every alternate year – will have several new features.

    Being held from 3 to 9 February, MIFF will have separate sections of films from the SAARC countries, South Africa and Brazil.


    There will be a “Best of Festivals” section for selected films from some renowned documentary, short and animation film festivals and Oscar winning and nominated films, a retrospective of films by jury members, a section of classics featuring films of great masters of documentary films which will have films made by great masters like Bert Haanstra, Robert J Flaherty, Francois Truffaut, Istvan Szabo, Kristof Zanussi and Ritwik Ghatak. This package will be organised with the support of National Film Archive of India.