Category: Hindi

  • Zee Anmol Cinema to launch on DD Freedish

    Zee Anmol Cinema to launch on DD Freedish

    MUMBAI: Free to air (FTA) is the new buzzword in television, especially considering how well the non-pay TV channels are doing. Adding another one to its channel cluster is Zee Entertainment Enterprises Ltd (ZEEL). It is to soon launch its new FTA Hindi movie channel, Zee Anmol Cinema on Doordarshan’s free direct-to-home (DTH) platform DD Direct service Free Dish. It is set to replace Zee Premiere which is currently beaming on Channel No. 70 from 1 Septmeber.

    Confirming its launch, ZEEL chief business officer Sunil Buch said, “The current increasing share of viewership in rural India gives us the scope of further expanding Zee’s presence in HSM markets. Launching Zee Anmol Cinema also makes for an interesting challenge as the FTA Hindi movie genre already has several strong players in a dynamic and ever-changing environment. We will share more details soon.”

    Watch this space…

  • New Hindi film to have world premiere at Venice International Film Festival

    New Hindi film to have world premiere at Venice International Film Festival

    NEW DELHI: The Hindi film ‘Mukti Bhavan’ (Hotel Salvation) by Shubhashish Bhutiani is to have its world premiere at the Venice International Film Festival on 2 September.

    After receiving the Orizzonti Prize for Best Short Film for his short ‘Kush’,Bhutiani is back to Venice with his feature debut ‘Mukti Bhawan’.

    The Festival is being held from 31 August to 10 September 2016 and this film will have three public and delegate screenings on 2 and 3 September 2016 apart from one web streaming.

    The 103-minute film stars Adil Hussain (Life of Pi), Lalit Behl, Geetanjali Kulkarni.Palomi Ghosh, Navnindra Behl, and Anil K Rastogi.

    Shubhashish Bhutiani will be in Venice along with producer Sanjay Bhutiani and actor Adil Hussain.

    When a 77 year old man, Daya, wakes up from a strange nightmare, he knows his time is up and he must get to Varanasi immediately in hope of dying there to attain salvation. His dutiful son, Rajiv, is left with no choice but to drop everything and make the journey with his stubborn father, leaving behind his wife and daughter. The two of them check into Mukti Bhawan/Hotel Salvation. Rajiv finds himself having to live and take care of his father for the first time in his life. But he finds himself torn, not knowing what he must do to keep his life together.

  • New Hindi film to have world premiere at Venice International Film Festival

    New Hindi film to have world premiere at Venice International Film Festival

    NEW DELHI: The Hindi film ‘Mukti Bhavan’ (Hotel Salvation) by Shubhashish Bhutiani is to have its world premiere at the Venice International Film Festival on 2 September.

    After receiving the Orizzonti Prize for Best Short Film for his short ‘Kush’,Bhutiani is back to Venice with his feature debut ‘Mukti Bhawan’.

    The Festival is being held from 31 August to 10 September 2016 and this film will have three public and delegate screenings on 2 and 3 September 2016 apart from one web streaming.

    The 103-minute film stars Adil Hussain (Life of Pi), Lalit Behl, Geetanjali Kulkarni.Palomi Ghosh, Navnindra Behl, and Anil K Rastogi.

    Shubhashish Bhutiani will be in Venice along with producer Sanjay Bhutiani and actor Adil Hussain.

    When a 77 year old man, Daya, wakes up from a strange nightmare, he knows his time is up and he must get to Varanasi immediately in hope of dying there to attain salvation. His dutiful son, Rajiv, is left with no choice but to drop everything and make the journey with his stubborn father, leaving behind his wife and daughter. The two of them check into Mukti Bhawan/Hotel Salvation. Rajiv finds himself having to live and take care of his father for the first time in his life. But he finds himself torn, not knowing what he must do to keep his life together.

  • ‘A Flying Jatt’ is passable kid stuff

    ‘A Flying Jatt’ is passable kid stuff

    The producers of A Flying Jatt,  Balaji Motion Pictures, takes a total diversion with this film. From their earlier blend of films with mainly adult themes, they have moved to a film that caters to children and the preteen lot. Complately inspired by foreign superhero films, A Flying Jatt keeps Indian sensibilities as its main theme instead.

    The film follows in the footsteps of earlier films of this genre: the incognito superhero kinds like Boney Kapoor’s Mr India (1987), Rakesh Roshan’s Krrish (2006) and Krrish3 (2013), Romu Sippy’s Shiva KaInsaaf (3D- 1985), Tinnu Anand’s Shahenshah(1988) and earlier ones like Kishore Kumar-starrer Mr X In Bombay (1964), which dealt with the villains of the mortal kind.

    A Flying Jatt is about a superhero who propagates Swachh Bharat or Clean India and sings paeans to the valour and glory of the Sikh community and fights a super villain.

    Tiger Shroff is a martial arts instructor at a local school in Punjab. Thanks to his blundering ways and shy nature, he is never taken seriously and even his mastery over the art is passable. His young students make fun of him. While he nurses a silent love for Jacqueline Fernandez, he can’t gather the courage to express it.

    Tiger is the son of Amrita Singh who always pushes him to take inspiration from his dead father who was considered a hero by the locals. Amrita’s troubles start when a drug mafia run by KK Menon decides to grab her land, which would help his drug factory save millions in money as well as time, due to easy access to the drug markets. But the piece of land holds deep memories for Amrita and it also has a 200 year old tree that is worshipped by the people.

    Menon fails to convince Amrita with money and tries the only other way he knows: by sending out his goons. While the average goons are dealt with by Amrita herself, the tougher ones are for Tiger to handle. To match the strength of Tiger, he sends out his ultimate weapon, the gigantic-looking Nathan Jones (an Australian actor, power-lifting champion and an ex-professional wrestler). Jones takes on Tiger who, in the process of their duel, gets blessed by the sacred tree with super powers and also gets the imprints of the religious symbol of Sikh faith on his back.

    Tiger can now do things a normal human can’t like flying and also packing a powerful punch. Jones, who was buried in the mud, returns to the scene more powerful now as his blood has turned black and he survives by whiffing on polluted air and other waste strewn around by the society. Thanks to the people’s apathy towards environment, Jones is unbeatable, at least on Planet Earth.

    Amrita wants Tiger to don the pagree his father wore, which he refuses because other kids made fun of him with Sikh jokes. While the film goes on to teach people the virtue of keeping the environs clean as well as planting more trees, Amrita, for her part, initiates Tiger into the virtues of Sikh way of life and tells him stories of their exploits.

    Meanwhile, Menon has mended his ways after he almost lost his daughter to pollution-related ailment. But, by this time, Jones is out of control. He has a personal grudge against Tiger now.

    A Flying Jatt does not have much of a story. It is about a simpleton who gains super powers and a lot of footage goes into showing his prowess as he saves people in distress, from calamities as well as goons.

    The length at 151 minutes makes things repetitive while trying for a film aimed mainly at children. In the first half, some comic scenes entertain its target audience. The direction is good in general with impressive use of special effects; the effects in the song ,which also has a nice melodious feel to it, are good. Beat pe booty… is already popular and both songs are appealing. Cinematography is competent. Tiger Shroff excels in dances and action, both being his forte. Jacqueline is okay. Amrita Singh makes her presence felt, while KK Menon has little to do. Nathan Jones can’t act and his drawls are incomprehensible. The film needed to be edited extensively.

    A Flying Jatt is a passable fare with appeal for kids besides audiences in Delhi and Punjab generally. Released on Thursday to cash in on the festive mood of Janmashtami, it gets three more days to rake in the moolah over the weekend at the box office. Sustenance thereafter will be tough.

    Producers: Shobha Kapoor, Ekta Kapoor.

    Director: Remo D’Souza.

    Cast: Tiger Shroff, Jacqueline Fernandez, Amrita Singh, KK Menon, Nathan Jones and Shraddha Kapoor in a cameo.

  • ‘A Flying Jatt’ is passable kid stuff

    ‘A Flying Jatt’ is passable kid stuff

    The producers of A Flying Jatt,  Balaji Motion Pictures, takes a total diversion with this film. From their earlier blend of films with mainly adult themes, they have moved to a film that caters to children and the preteen lot. Complately inspired by foreign superhero films, A Flying Jatt keeps Indian sensibilities as its main theme instead.

    The film follows in the footsteps of earlier films of this genre: the incognito superhero kinds like Boney Kapoor’s Mr India (1987), Rakesh Roshan’s Krrish (2006) and Krrish3 (2013), Romu Sippy’s Shiva KaInsaaf (3D- 1985), Tinnu Anand’s Shahenshah(1988) and earlier ones like Kishore Kumar-starrer Mr X In Bombay (1964), which dealt with the villains of the mortal kind.

    A Flying Jatt is about a superhero who propagates Swachh Bharat or Clean India and sings paeans to the valour and glory of the Sikh community and fights a super villain.

    Tiger Shroff is a martial arts instructor at a local school in Punjab. Thanks to his blundering ways and shy nature, he is never taken seriously and even his mastery over the art is passable. His young students make fun of him. While he nurses a silent love for Jacqueline Fernandez, he can’t gather the courage to express it.

    Tiger is the son of Amrita Singh who always pushes him to take inspiration from his dead father who was considered a hero by the locals. Amrita’s troubles start when a drug mafia run by KK Menon decides to grab her land, which would help his drug factory save millions in money as well as time, due to easy access to the drug markets. But the piece of land holds deep memories for Amrita and it also has a 200 year old tree that is worshipped by the people.

    Menon fails to convince Amrita with money and tries the only other way he knows: by sending out his goons. While the average goons are dealt with by Amrita herself, the tougher ones are for Tiger to handle. To match the strength of Tiger, he sends out his ultimate weapon, the gigantic-looking Nathan Jones (an Australian actor, power-lifting champion and an ex-professional wrestler). Jones takes on Tiger who, in the process of their duel, gets blessed by the sacred tree with super powers and also gets the imprints of the religious symbol of Sikh faith on his back.

    Tiger can now do things a normal human can’t like flying and also packing a powerful punch. Jones, who was buried in the mud, returns to the scene more powerful now as his blood has turned black and he survives by whiffing on polluted air and other waste strewn around by the society. Thanks to the people’s apathy towards environment, Jones is unbeatable, at least on Planet Earth.

    Amrita wants Tiger to don the pagree his father wore, which he refuses because other kids made fun of him with Sikh jokes. While the film goes on to teach people the virtue of keeping the environs clean as well as planting more trees, Amrita, for her part, initiates Tiger into the virtues of Sikh way of life and tells him stories of their exploits.

    Meanwhile, Menon has mended his ways after he almost lost his daughter to pollution-related ailment. But, by this time, Jones is out of control. He has a personal grudge against Tiger now.

    A Flying Jatt does not have much of a story. It is about a simpleton who gains super powers and a lot of footage goes into showing his prowess as he saves people in distress, from calamities as well as goons.

    The length at 151 minutes makes things repetitive while trying for a film aimed mainly at children. In the first half, some comic scenes entertain its target audience. The direction is good in general with impressive use of special effects; the effects in the song ,which also has a nice melodious feel to it, are good. Beat pe booty… is already popular and both songs are appealing. Cinematography is competent. Tiger Shroff excels in dances and action, both being his forte. Jacqueline is okay. Amrita Singh makes her presence felt, while KK Menon has little to do. Nathan Jones can’t act and his drawls are incomprehensible. The film needed to be edited extensively.

    A Flying Jatt is a passable fare with appeal for kids besides audiences in Delhi and Punjab generally. Released on Thursday to cash in on the festive mood of Janmashtami, it gets three more days to rake in the moolah over the weekend at the box office. Sustenance thereafter will be tough.

    Producers: Shobha Kapoor, Ekta Kapoor.

    Director: Remo D’Souza.

    Cast: Tiger Shroff, Jacqueline Fernandez, Amrita Singh, KK Menon, Nathan Jones and Shraddha Kapoor in a cameo.

  • First official competitive BRICS film festival next month to have twenty films

    First official competitive BRICS film festival next month to have twenty films

    NEW DELHI: Twenty films – four each from Brazil, Russia, India, China and South Africa – are to feature in the first government level BRICS Film Festival toi be held in here early next month.

    Malayalam movie Veeram will be the opening film for the festival being held from 2 to 6 September at Siri Fort Auditorium.

    They jury is headed by eminent Kannada filmmaker T S Nagabharana. Other members are producer and curator Francis Vogner do Reis from Brazil; Kirill Razlogov of Russia who has served as a special adviser for 11 years on film history and international affairs to the President of Goskino of the USS;  Hou Keming of China who is a professor of the direction department of Beijing Film Academy and chairperson of the China Children’s Film Association and the president of China International Children’s Film Festival; and Ms. Xoliswa Sithole of South Africa who is founder and director, of Nayanaya Pictures and  the founding member of Filmmakers against Racism.

    Information and Broadcasting Minister M Venkaiah Naidu, releasing a poster of the festival, said the idea of organizing BRICS film festival originated at the last BRICS Summit and was proposed by Prime Minister Narendra Modi. Minister of State for I&B Rajyavardhan Rathore was also present on the occasion

    The Film Festival would act as a platform for people of the film industry of member countries to explore areas of cooperation in the domain of “cinema, culture and cuisine”. The festival would also celebrate the excellence of cinema by rewarding filmmakers, actors, producers and directors.

    The BRICS Film Festival would be a bioscope that would showcase distinct cultures, cuisines and arts from the participating countries. A step taken to build bridges and bring harmony amongst the BRICS countries, the festival would ensure more people-to-people contact between member countries especially youth.

    In this context, the minister said that India has planned activities like U-17 Football Tournament, Youth Summit, Young Diplomats’ Forum and also a special screening of student films from some BRICS nations during the course of the festival.

    The Opening film for the festival would be the world premiere of the Malayalam movie, Veeram directed by Jayaraj Rajasekharan Nair and starring Kunal Kapoor. The movie is a trans-creation of Shakespeare’s Macbeth and flawlessly portrays the greed for power and the extent a person goes to attain them. Jayaraj is a multiple National Awards Winner who has marked his presence in mainstream as well as art house films. His last film Ottal, won the Silver Bear at the Berlin Film Festival.

    The Closing film would be the Chinese movie Skiptrace starring Jackie Chan directed by Renny Harlin. The movie is an action-comedy, which revolves around a Chinese detective who teams up with an American Gambler to catch a Chinese Criminal.

    The film festival will showcase an amalgamation of culture, films, song & dance and food of the 5 member countries, Brazil, Russia, India, China and South Africa. Exclusive cuisines from all the BRICS nations would also be available at the Food Court, arranged in the festival venue. A Crafts Fair is also being organized at the Sir Fort auditorium complex with all member countries putting up stalls with souvenirs and other properties for sale.

    Beyond films, the Festival will also bring to stage spectacular performances by the Chengdu Performing Arts Theatre (China), Theatre Leningrad Centre Dreams of Russia and MBZ Music Production (South Africa).

    The films in the competition section from all the 5 participating countries are listed below:

    Brazil

    Russia

    India

    China

    South Africa

    Between Valleys

    Director: Philippe Barcinski

    14+

    Director: Andrei Zaitsev

    Baahubali- the Beginning

    Director: S.S. Rajamouli

    Book of Love

    Director: Xiaolu Xue

    Free State

    Director: Sallas De Jager

    Road 47

    Director: Vincente Ferraz

    About Love

    Director: Anna Melikyan

    Bajirao Mastani

    Director: Sanjay Leela Bhansali

    Go Away Mr. Tumor

    Director: Han Yan

    Kalushi

    Director: Mandla Dube

    The History of Eternity

    Director: Camilo Cavalcante

    The Battle of Sevastopol

    Director: Sergey Mokritsky

    Cinemawala

    Director: Kaushik Ganguly

    Songs of the Phoenix

    Director: Tian-Ming Wu

    Mrs. Right Guy

    Director: Adze Ugah

    They’ll Come Back

    Director: Marcello Lordello

    Very Best Day

    Director: Zhora Krizovnicka

    Thithi

    Director: Raam Reddy

    Xuan Zang

    Director: Jianqi Huo

    Tess

    Director: Meg Rickards

  • First official competitive BRICS film festival next month to have twenty films

    First official competitive BRICS film festival next month to have twenty films

    NEW DELHI: Twenty films – four each from Brazil, Russia, India, China and South Africa – are to feature in the first government level BRICS Film Festival toi be held in here early next month.

    Malayalam movie Veeram will be the opening film for the festival being held from 2 to 6 September at Siri Fort Auditorium.

    They jury is headed by eminent Kannada filmmaker T S Nagabharana. Other members are producer and curator Francis Vogner do Reis from Brazil; Kirill Razlogov of Russia who has served as a special adviser for 11 years on film history and international affairs to the President of Goskino of the USS;  Hou Keming of China who is a professor of the direction department of Beijing Film Academy and chairperson of the China Children’s Film Association and the president of China International Children’s Film Festival; and Ms. Xoliswa Sithole of South Africa who is founder and director, of Nayanaya Pictures and  the founding member of Filmmakers against Racism.

    Information and Broadcasting Minister M Venkaiah Naidu, releasing a poster of the festival, said the idea of organizing BRICS film festival originated at the last BRICS Summit and was proposed by Prime Minister Narendra Modi. Minister of State for I&B Rajyavardhan Rathore was also present on the occasion

    The Film Festival would act as a platform for people of the film industry of member countries to explore areas of cooperation in the domain of “cinema, culture and cuisine”. The festival would also celebrate the excellence of cinema by rewarding filmmakers, actors, producers and directors.

    The BRICS Film Festival would be a bioscope that would showcase distinct cultures, cuisines and arts from the participating countries. A step taken to build bridges and bring harmony amongst the BRICS countries, the festival would ensure more people-to-people contact between member countries especially youth.

    In this context, the minister said that India has planned activities like U-17 Football Tournament, Youth Summit, Young Diplomats’ Forum and also a special screening of student films from some BRICS nations during the course of the festival.

    The Opening film for the festival would be the world premiere of the Malayalam movie, Veeram directed by Jayaraj Rajasekharan Nair and starring Kunal Kapoor. The movie is a trans-creation of Shakespeare’s Macbeth and flawlessly portrays the greed for power and the extent a person goes to attain them. Jayaraj is a multiple National Awards Winner who has marked his presence in mainstream as well as art house films. His last film Ottal, won the Silver Bear at the Berlin Film Festival.

    The Closing film would be the Chinese movie Skiptrace starring Jackie Chan directed by Renny Harlin. The movie is an action-comedy, which revolves around a Chinese detective who teams up with an American Gambler to catch a Chinese Criminal.

    The film festival will showcase an amalgamation of culture, films, song & dance and food of the 5 member countries, Brazil, Russia, India, China and South Africa. Exclusive cuisines from all the BRICS nations would also be available at the Food Court, arranged in the festival venue. A Crafts Fair is also being organized at the Sir Fort auditorium complex with all member countries putting up stalls with souvenirs and other properties for sale.

    Beyond films, the Festival will also bring to stage spectacular performances by the Chengdu Performing Arts Theatre (China), Theatre Leningrad Centre Dreams of Russia and MBZ Music Production (South Africa).

    The films in the competition section from all the 5 participating countries are listed below:

    Brazil

    Russia

    India

    China

    South Africa

    Between Valleys

    Director: Philippe Barcinski

    14+

    Director: Andrei Zaitsev

    Baahubali- the Beginning

    Director: S.S. Rajamouli

    Book of Love

    Director: Xiaolu Xue

    Free State

    Director: Sallas De Jager

    Road 47

    Director: Vincente Ferraz

    About Love

    Director: Anna Melikyan

    Bajirao Mastani

    Director: Sanjay Leela Bhansali

    Go Away Mr. Tumor

    Director: Han Yan

    Kalushi

    Director: Mandla Dube

    The History of Eternity

    Director: Camilo Cavalcante

    The Battle of Sevastopol

    Director: Sergey Mokritsky

    Cinemawala

    Director: Kaushik Ganguly

    Songs of the Phoenix

    Director: Tian-Ming Wu

    Mrs. Right Guy

    Director: Adze Ugah

    They’ll Come Back

    Director: Marcello Lordello

    Very Best Day

    Director: Zhora Krizovnicka

    Thithi

    Director: Raam Reddy

    Xuan Zang

    Director: Jianqi Huo

    Tess

    Director: Meg Rickards

  • Centre mulls giving financial help to states to help preserve cinema culture

    Centre mulls giving financial help to states to help preserve cinema culture

    NEW DELHI: The Information and Broadcasting Ministry is exploring possibilities of extending financial and technical support to State Governments in their efforts to safeguard the country’s film heritage, as Secretary Ajay Mittal said “the objective of preserving the country’s cinematic heritage has to be achieved in collaboration with state governments.”

    Speaking on the sidelines of a High Level Committee meeting on National Film Heritage Mission held in National Film Archives of India in Pune today, Mittal said the Committee had taken some major decisions to expand the horizons of the National Film Heritage Mission.

    “The mission would ensure not only the preservation of filmic heritage but also its dissemination and access to the last mile. This would create awareness amongst youth and children about our rich cultural heritage” he observed.

    Appreciating the efforts of officers at NFAI in implementing the Mission, Mr Mittal said all necessary steps are being undertaken to involve International organizations and institutions to ensure project’s implementation as per global standards. He further added that NFAI’s facilities would be augmented by creating new state-of-the-art vaults in its premises.

    Laying thrust on the need for enhancing research on Indian cinema, Mittal said the government is exploring the possibility of extending NFAI’s research fellowship to the University level through formal institutional mechanisms.

    “NFAI would reach out to major Universities for short and long term courses in the area of film studies incorporating subjects of film archiving and preservation. This would ensure building of skilled manpower in the niche area of film preservation”, Mittal added.

    The High Level Committee meeting was attended by senior officers of the Ministry which included Additional Secretary ad Financial Adviser Subhash Sharma, Joint Secretary (Films) Sanjay Murthy, Films Division Director General Mukesh Sharma, NFAI Director Prakash Magdum, officer on special duty in NFHM Santosh Ajmera, along with filmmakers Jahnu Barua and Rajeev Mehrotra.

    National Film Heritage Mission is a prestigious project of the Government for digitization, restoration, preservation and conservation of country’s rich filmic heritage. The mission has budgetary outlay of Rs. 597.41 crore and is to be implemented till 2021. NFAI is the implementing agency for the mission. The High Level Committee chaired by Secretary I&B has been mandated to oversee project’s implementation as per envisaged objectives of the Mission.

  • Centre mulls giving financial help to states to help preserve cinema culture

    Centre mulls giving financial help to states to help preserve cinema culture

    NEW DELHI: The Information and Broadcasting Ministry is exploring possibilities of extending financial and technical support to State Governments in their efforts to safeguard the country’s film heritage, as Secretary Ajay Mittal said “the objective of preserving the country’s cinematic heritage has to be achieved in collaboration with state governments.”

    Speaking on the sidelines of a High Level Committee meeting on National Film Heritage Mission held in National Film Archives of India in Pune today, Mittal said the Committee had taken some major decisions to expand the horizons of the National Film Heritage Mission.

    “The mission would ensure not only the preservation of filmic heritage but also its dissemination and access to the last mile. This would create awareness amongst youth and children about our rich cultural heritage” he observed.

    Appreciating the efforts of officers at NFAI in implementing the Mission, Mr Mittal said all necessary steps are being undertaken to involve International organizations and institutions to ensure project’s implementation as per global standards. He further added that NFAI’s facilities would be augmented by creating new state-of-the-art vaults in its premises.

    Laying thrust on the need for enhancing research on Indian cinema, Mittal said the government is exploring the possibility of extending NFAI’s research fellowship to the University level through formal institutional mechanisms.

    “NFAI would reach out to major Universities for short and long term courses in the area of film studies incorporating subjects of film archiving and preservation. This would ensure building of skilled manpower in the niche area of film preservation”, Mittal added.

    The High Level Committee meeting was attended by senior officers of the Ministry which included Additional Secretary ad Financial Adviser Subhash Sharma, Joint Secretary (Films) Sanjay Murthy, Films Division Director General Mukesh Sharma, NFAI Director Prakash Magdum, officer on special duty in NFHM Santosh Ajmera, along with filmmakers Jahnu Barua and Rajeev Mehrotra.

    National Film Heritage Mission is a prestigious project of the Government for digitization, restoration, preservation and conservation of country’s rich filmic heritage. The mission has budgetary outlay of Rs. 597.41 crore and is to be implemented till 2021. NFAI is the implementing agency for the mission. The High Level Committee chaired by Secretary I&B has been mandated to oversee project’s implementation as per envisaged objectives of the Mission.

  • ‘Rustom’ beats ‘Mohenjo Daro’; collects Rs 90 cr

    ‘Rustom’ beats ‘Mohenjo Daro’; collects Rs 90 cr

    MUMBAI: Happy Bhag Jayegi a comic romance with yet another story on India Pakistan integration, find favour with metro audience catering to select multiplex crowd. With a good word of mouth, the film’s addition to its opening day figures is noticeable. The film opened with Rs 2.3 crore on Friday and doubled that on Sunday to end its opening weekend with a total of Rs. 10.45 crore.

    UnIndian remains poor.

    Rustom pitted against what was expected to be a spectacular drama woven around the ancient civilization of Mohenjo Daro, not only starts off with a terrific opening response but also goes onto to win much appreciation from the audience.

    The film, which opened with Rs 14 crore on day one, went on to consolidate over the weekend also making the most of the Independence Day holiday on Monday, the 15th August and remained steady for the next three days, again getting some advantage on the Raksha Bandhan holiday on Thursday, in parts of India, to finish its first week with Rs 89.5 crore.

    Mohenjo Daro, an ambitious looking film promising much but, as it turned out, had nothing to do with its title or the period it promised to present on screen. In fact, the film turned out to be an attempt to palm off a B grade Bahubali vs a simple noble hero story that showed no sense of script or execution.

    The moviegoer rejected the film from day one as the film’s opening remained poor. The film had an opening of 8.8 crore on day one with the weekend showing little improvement. The Independence Day holiday on Monday helped little as the film ended its first week with a total of Rs 49.2 crore. The film is a major setback financially.

    Budhia Singh- Born To Run collects Rs 2.25 lakh in its second week to take its two week total to Rs 2.15 crore.

    Dishoom adds 60 lakh for its third week to take its three week total to Rs 65.2 crore.