Category: Hindi

  • Sameer Karnik’s Curfew to be built on Rs 150 million

    MUMBAI: Sameer Karnik who last directed Nanhe Jaisalmer with Bobby Deol and is awaiting the release of his next two films, has already started work on a new project. Titled Curfew, the film will have a budget of Rs 150 million.

    Produced and directed by Karnik, the backdrop of the film will be based on a curfew. The star cast is being finalised.


    “The script is interlinked with a lot of storylines. We are working around a multi-starcast and will boast a lot of characters,” says Karnik.


    The film is slated to hit the floors by next month. Karnik plans a 50 day schedule for this plan. Locations would be Mumbai and Delhi. The shooting is intended to be wrapped by October and release will be by the year-end.



    Both Roshan (which stars Bobby Deol and Kangana Ranaut) and Heroes (with Salman Khan and Priety Zinta) will hit the screens sometime in June.


    Eros Multimedia Ltd has bought the distribution rights of Roshan. All three films including Nanhe Jaisalmer have been sent as a nominee to the Cannes Film Festival.

  • BigFlicks drops download price to promote Baisakhi

    MUMBAI: As part of its promotional campaign for Baisakhi, Bigflicks has announced a range of movies for downloads at a discounted price.

    A bouquet of 70 movies will be available for download at $1.49, down from the original price of $4.49.


    Malayalam, Tamil, Punjabi and Bengali films are available for download till 24 April on www.broadband.bigflicks.com, the video-on-demand division of Bigflicks.



    BigFlicks COO Kamal Gianchandani said, “New Year celebrations are one of the auspicious times where all Indians residing across the globe come together to celebrate these festivals with lot of zest and excitement. We at BigFlicks believe in offering the best of entertainment content at all times, especially at such occasions and festivals for all Indians and like minded cinema lovers. These occasions will help enhance and nurture our social culture with happy times together anywhere and everywhere across the world.”




    Some of the well-known movies in the collection are Kaala Pani (Malayalam), Gandhi Nagar 2nd street (Malayalam), Thalapathi (Tamil), Thenali (Tamil), Justice Vishwanathan (Tamil), Aparijito (Bengali), Abhijan (Bengali), Labardarnee (Punjabi) and Guru Manio Granth (Punjabi).

  • RGV, T-Series reach settlement; T-Series to market Sarkar Raj

    NEW DELHI: Ten days after Ram Gopal Varma sent a strong salvo to the media on his ongoing war with T-Series, both sides today reached an amicable solution to their dispute and T-Series got the rights of Varma’s latest Sarkari Raj.Refusing to go into details, spokespersons from both sides told indiantelevision.com that status quo would be observed for the earlier films given to T-Series, and there was no decision yet on projects after Sarkar Raj. They also said it had been decided not to give any more clarifications to the media.

    In his letter earlier this month, Varma had denied that he had entered into any agreement with Supercassettes in June 2006 in NOIDA as alleged. In fact, Varma had said that though the Agreement dated 13th June 2006 is said to have been signed in NOIDA, ‘I have never set foot in NOIDA’. He said that Supercassettes owner Bhushan Kumar had in fact confessed ‘somewhere’ that the agreement indeed was not signed (in full) in NOIDA. In any case, Varma has moved the court for the transfer of the suit.

    It has been alleged that he had in the agreement of June 2006 permitted Supercassettes to ‘obtain the Master from any source in case Adlabs fails to deliver the same to us for this purpose’.

    But he asked: “what kind of a man would want anyone to sign a document like this? And why would anybody, no matter how mad or stupid he is, sign such a document? I may have been a na?ve and a fool to have trusted Bhushan Kumar and signed the agreement dated 13th June 2006 with all the flaws in the contents, but surely I am not such a fool as to sign something as preposterous” as this.

    He said that Supercassettes had produced some papers in court which included an allegedly forged letter dated 29 September last through which ‘I am categorically allowing Bhushan Kumar to Pirate my film RGV Ki Aag from any unknown source.’

    The letter purportedly from Supercassettes had said: ‘This is to inform you that we have already released the Audio and the Video is yet to be released of your film Ram Gopal Varma Ki Aag starring Amitabh Bachchan, Ajay Devgan, Sushmita Sen & others and directed by Ram Gopal Varma the right of which were assigned by you in our favour as detailed under MOU/Agreement dated 13.06.2006’.

    ‘As agreed you have further confirmed that we shall be authorised to release all your films (of the above Deed) on Video after two weeks of their theatrical releases and we may obtain the Master from any source in case M/s. Adlabs fails to deliver the same to us for this purpose at your responsibility (Civil / Criminal) in respect thereof. Please sign in confirmation.’

    But Varma admitted that he had on 13 June 2006 in good faith entered into an MoU/ Assignment Deed with Bhushan Kumar of T-series for the Audio & India Home Video rights of his forthcoming films.

    ‘Just one of the many recurring unpleasant experiences that I experienced in dealing with him was when Bhushan Kumar released the Video of RGV Ki Aag on VCD/DVDs illegally and pirated the film from a theatre (Proof of this act is visible in all the VCD/DVDs available in the open market). Since I never authorised lowering my dues payable by Bhushan Kumar the alleged confirmations shown in my name vide letter dated 7 September and 29 September last year are only based on false and forged letters on which the Economic Offences Wing (EOW) in Mumbai is investigating.’

    ‘I had legally terminated my MoU with Bhushan Kumar with a notice dated 14 November last on the basis of Non-payment of the dues T-series owed to me, non-Adherence to the Assignment Deed, and for pirating my film against the authorised party’s confirmation (i.e. Adlabs Films). I could not carry my business relations with him any further.’

    ‘Next, he brandished threats, again through media that if I do not go to Noida pursuant to the notice issued by the Inspector of Police there, I will be arrested. The Police officer of Noida Police station echoed Bhushan Kumar as per media reports. In fact all concerned should have known the law that under the provision of section 160 of Cr.P.C. (under which the notice is sent to me by the Noida Police), they cannot summon or arrest an accused (that is me) against whom they (the Police) have registered an FIR.’

    Bhushan Kumar had – prior to Varma receiving the notice under section 160 – already filed a Civil case against Varma in the Noida Court claiming the video and audio rights of his forthcoming films and to support his case he had filed certain documents which contained the letter dated 29 September which Varma was shocked to find was forged.

    Varma goes on: ‘The reason behind Bhushan Kumar resorting to fraud and forgery is very simple, it is to cause me loss and have wrongful gain to himself. I would also like to ask Mr. Bhushan Kumar why he had to resort to get a private agency to certify the genuine-ness of his signature when the Mumbai Police was already investigating.

    ‘Without commenting on media reports on the disputes which are pending in the court, Varma says, he wishes to set out more of the facts in correct perspective.

    According to him, he discovered forgery of documents. The Police are investigating the same and after intensive enquiry found prima facie evidence and only then have registered FIR against Bhushan Kumar. Here Bhushan Kumar goes to the press claiming that he has the report of a private handwriting expert which exonerates him. It is for the Police to get the investigation done and not for the accused to exonerate himself on the basis of a privately hired expert paid by him. Bhushan Kumar also used cohesive measures like filing an FIR in Noida Police station. The crux of his complaint is that Varma has cancelled the agreement and is refusing to make payments, and hence this amounts to cheating.

    Against this FIR, Varma moved the High Court of Allahabad which said: “We have heard Learned Counsel for the Petitioner at a great length and Learned AGA and have perused the impugned FIR. Learned Counsel for the Petitioner contended that parties are already litigating in Original Suit No. 91 of 2008 and the impugned FIR has been lodged maliciously only as an arm twisting device. He further contended that contents of FIR clearly indicated that it is a breach of contract without criminal intent. List this Petition in the week commencing 1 July 2008 for admission / final disposal before the appropriate Bench. However, on the facts of the present case the petitioner shall not be arrested in the aforesaid crime number for the aforesaid offences till the next date of listing.”

    Varma says that if cancellation of agreement can be registered as ground for FIR, then almost all litigants in property disputes should be facing prosecution. ‘Having moved the court of Noida, Bhushan Kumar should have the decency to await its decision, rather then trying to intimidate me through an obliging Police officer. I have issued a notice to the Police officer quoting law laid down by the Supreme Court that he has no powers to arrest in breach of his summons under Section 160 of Cr.P.C.’

    He says he was prepared to appear before the NOIDA Court when summoned and not make a run to the Economic Offences Wing of Mumbai Police with a false and baseless case. ‘The fact that they initiated action against Bhushan Kumar only after undergoing immense Preliminary Investigation before filing my FIR and till seizing the documents from Bhushan Kumar from his office allegedly producing forensic reports from a Private Agency from Delhi alleging my signatures to be true and genuine. No private agency report on such matters will be entertained in the court.’

    It was later that Bhushan Kumar filed a counter complaint with the Noida Police of Sector 20 at Noida under more or less the same sections on which he is being investigated upon in Mumbai by the EOW.

  • Adlabs partners ImaginAsian Ent for overseas movie theatre chain

    MUMBAI: Reliance ADAG‘s Adlabs Films Ltd, through its US subsidiary Adlabs Films USA, has signed a partnership deal with ImaginAsian Entertainment, Inc, a player in promoting Asian Pacific American culture to mainstream America.


    Adlabs will operate a 240-screen movie theatre chain in the US from the second quarter of 2008. As part of its US strategy, Adlabs will show Hollywood films as well as cinema from South Asia and East Asia. ImaginAsian, with its marketing and distributing of Asian Pacific content, will supplement, support and provide content related to South Asia and East Asia.


    The deal was jointly announced in New York by ImaginAsian Entertainment COO and president J Edward Lee and Adlabs Films USA business head (North America) Uday Kumar.


    Kumar said that the partnership could allow Adlabs and ImaginAsian to build significant scale in the market, and provide the opportunity to leverage and grow their collective assets, including the theatres and cable TV network.


    “Adlabs‘ entry in the US market marks yet another major Asian industry leader demonstrating their commitment to growing the Asian American media space,” said Lee.

  • Indian film gets six nominations in Houston Filmfest

    NEW DELHI: Children’s film Mahek, directed by K Kanade, has been nominated in six categories including the best feature film at the ongoing 41st annual International Film Festival in Houston in the US.


    The other categories in which it has been nominated are best direction, best screenplay, best feature, best foreign film and best family film.


    Produced by the Children‘s Film Society of India, Mahek had its world premiere at the 51st London Film Festival 2007 and later was screened at several International Film Festivals including the 32nd Cleveland Film Festival, and at St Louis, Chicago, Frankfurt and Sydney.


    The cast of the film include Shreya Sharma, Anuya Bhagwat, Madan Deodhar, Anuja Borkar, Dheeresh Joshi, Madhavi Gadgil and Lalan Sarang.


    The international crew was made up of music composer Mathieu Lamboley based in Paris, associate director Matthias Schwelm based in Berlin, and second associate director Sania Jhankar studying at Tisch, New York.


    The Indian crew had DOP Mrinal Desai, co-Writer Kedar Dharwadkar, editor Suchitra Sathe, sound recordist Anmol Bhave, re-recording artists Anup Dev-Subir Das, costume designer Dinaaz Gabrani and Makeup director Kavita Koparkar.

    Legendary artist Mario Miranda did the sketches for this film.


    Also, it is the only Indian film at the festival which will have 52 feature film premieres with emphasis on the American and International Independent Feature films.


    Director Kanade told indiantelevision.com, “My first feature film Mahek looks at the world through the imaginative eyes of children and examines their rights. What children miss most is respect. Respect for them and respect for their imagination. For a child, a flower is as important as food, shelter and clothing. The education system in India could put more emphasis on aesthetics and philosophy.”


    Kanade is an alumnus in film direction from the Film and Television Institute of India(FTII) in Pune. He also completed the Producers Program from UCLA.


    His thesis film Chaitra won three National Film Awards and two National Awards at MIFF.

  • Eros enters four-film co-production deal with Nadiadwala


    MUMBAI: Eros International has entered into an agreement with Nadiadwala Grandson Entertainment to co-produce four films this year.


    While two out of these four are being directed by Siddharth Anand, Kambakht Ishq starring Akshay Kumar and Kareena Kapoor is being directed by Saabir Khan.


    The fourth film stars actor Salman Khan in the lead. However, the rest of the actors for the film are still to be finalized.


    Eros International India president Sunil Lulla said, “We are glad to join hands with Sajid Nadiadwala with whom Eros has enjoyed a long association. With Sajid‘s experience and track record, we are confident this association will lead to further blockbusters like Heyy Babyy and other hits like Judwa and Mujhse Shaadi Karogi”.


    Eros produces, acquires and distributes films globally across platforms that include cinemas, home entertainment, television and new media.


    While two out of these four are being directed by Siddharth Anand, Kambakht Ishq starring Akshay Kumar and Kareena Kapoor is being directed by Saabir Khan.


    The fourth film stars actor Salman Khan in the lead. However, the rest of the actors for the film are still to be finalized.


    Eros International India president Sunil Lulla said, “We are glad to join hands with Sajid Nadiadwala with whom Eros has enjoyed a long association. With Sajid‘s experience and track record, we are confident this association will lead to further blockbusters like Heyy Babyy and other hits like Judwa and Mujhse Shaadi Karogi”.


    Eros produces, acquires and distributes films globally across platforms that include cinemas, home entertainment, television and new media.

  • Vishesh Films postpones ‘Jannat’ release to 16 May

    MUMBAI: The release date of Vishesh Films‘ Jannat has been postponed. The film, which was ready for a 2 May release, will now be opening up at the theatres on 16 May.

    While Percept Picture Company (PPC) has acquired the global distribution and commercial rights of this film, the music and home video rights are with Sony BMG.


    Kunal Deshmukh will be debuting as a director with Jannat starring Emran Hashmi and debutant Sonal Chauhan in lead roles.


    While Pritam has scored the music for the film, the lyrics have been penned by Sayeed Quadri. KK, Kamran Ahmed, Rana Mazumder, Rupam Islam and Richa Sharma are the playback singers.


    Jannat emphasises on the tale of a man who is a street-side gambler and turns into a bookie operating on an international platform.

  • TZP, Honeymoon Travels to be screened at two US film fests

    NEW DELHI: America is ready to showcase films like Taare Zameen Par and Honeymoon Travels Private Ltd at its two major events featuring Indian films held separately in New York and Los Angeles.


    The first event, which is being held in New York, is called Engendered – Sex, Sexuality, Ritual and Religion. Organised by the Indo-American Arts Council, the event will begin on 18 April and continue till 20 April.


    It will have films in two sections namely, “Dahleez: Beyond the Threshold” and “Pehchaan: I am not me.”


    While Dahleez has screenings documenting sex workers‘ lives including Mira Nair‘s Indian Cabaret and Tales of the Night Fairies by Shohini Ghosh, Pehchaan has queer film screenings exploring “otherness,” like Honeymoon Travels Private Ltd by Reema Kagti, About Elsewhere by Priya Sen and Milind Soman Made Me Gay by Harjant Gill.


    The second event is the sixth Indian Film Festival of Los Angeles. The festival, which will take place from 22 to 27 April, will have a combination of features, documentaries and shorts. Jury and audience choice prizes will be awarded to the best feature, documentary and short film.


    The event will open with Richie Mehta‘s Amal while Mumbai Cutting…A City Unfolds by the ten Indian directors Sudhir Mishra, Anurag Kashyap, Rahul Dholakia, Ruchi Narain, Kundan Shah, Revathy, Shashank Ghosh, Jahnu Barua, Manish Jha and Rituparno Ghosh will close the event.


    Aamir Khan‘s award-winning Taare Zameen Par will also be screened during the festival.

    Aditionally, there will also be a tribute to Bollywood star Madhuri Dixit on 25 April. It will include a moderated discussion with the star followed by the screening of Mrityudand (The Death Sentence) by Prakash Jha. The second film of the tribute will be Dil To Pagal Hai (My heart is crazy) on 26 April.


    Other films to be screened include Santosh Sivan‘s Before the Rains, A home in the Sky by Bipin Nadkarni, Adoor Gopalakrishnan‘s Naalu Pennungal (Four Women) and Kissing Cousins by Amyn Kaderali.

    Other sections include “Youth Vision” which is a section of the programme that showcases feature-length and short family films for young and adult audiences in English and several Indian languages.

  • Krazzy4 case settled out of court; to release with all songs

    MUMBAI: The plagiarism case which music composer Ram Sampath had filed against Rakesh Roshan and Rajesh Roshan for “directly lifting” his music for Krazzy4, has been settled “out of court”. Thus, the case seeking damages of Rs 20 million has been vacated.

    Earlier today, the Bombay High Court had in its verdict instructed the Roshans to delete two songs if they wanted to release the film on Friday. The Court had also granted interim relief of Rs 2.5 million to Sampath.


    Sampath had filed the suit a fortnight ago for copyright infringement in the court. He alleged that four tracks from Krazzy4 were “direct lifts” from the music he had composed for an advertisement titled ‘The Thump‘ for Sony Ericsson phones in March 2007.


    Now the case has been dismissed after the Roshans agreed to pay Sampath the full amount he was seeking in damages. According to a report in The Times of India, what Sampath finally received was a cheque of Rs 17,434,600 (amount left over from the Rs 20 million after tax deductions).

  • Zee to invest Rs 600 mn for Marathi, Bengali films

    MUMBAI: Zee Entertainment Enterprises Ltd (Zeel) plans to invest Rs 600 million in producing and marketing a slate of Marathi and Bengali movies over two years.

    The company aims to roll out 15 Marathi films during this period. The first to roll out has been Sade Made Teen which has grossed Rs 45 million at the box office.


    “We will be putting in Rs 300 million for producing, promoting and distributing these Marathi films. The next film, De Dhakka, is set for May release,” a source in the company says.


    Mahesh Manjrekar‘s Ashwani Films is doing De Dhakka. Zeel has also tied up with Smita Talwalkar‘s Ashmita Films and Bulbule‘s Indian Magic Eye.


    Zeel will also be investing Rs 300 million for a production pipeline of around 15 films in Bengali. Two are already on the floors and will be released this year, the source says.


    Earlier Zeel director regional channels Nitin Vaidya had told Indiantelevision.com that the company would be spending close to Rs 10 million for each Marathi film while in Bengali the costs would be marginally higher.


    “The production costs, meanwhile, have gone up. Besides, we will be investing substantially on promotion and distribution of these movies,” the source says.


    After theatrical release, the Marathi movies will be aired on Zee Talkies. Zee launched the Marathi movie channel on 25 August 2007.


    Zee is also planning to launch a Bengali movie channel.