Category: Hindi

  • Terror strike hits entertainment industry

    MUMBAI: The terror attacks in Mumbai have hit the entertainment industry.The single screen movie halls and multiplexes were closed on Thursday after Mumbai police commissioner asked the management to keep their properties shut amid security concerns.

    Even TV shoots were largely off in Mumbai.








    On Friday, however, TV shoots were on and major cinemas and multiplexes have reopened. Among those who stayed shut include Regal, Eros, Metro Big Cinema, Liberty, New Excelsior, New Empire and Inox situated in South Mumbai.



    Out of the three films that were scheduled for release today, Rohan Sippy’s English flick The President Is Coming is set for a new deadline.


    UTV Motion Pictures and Sanjay Suri, however, have gone ahead with their release of Oye Lucky! Lucky Oye and Sorry Bhai.



    UTV‘s Oye Lucky! Lucky Oye and Sorry Bhai released all over India, including Mumbai. The film will also be available in the closed theatres once they open up for screenings. “We have released the film all over India and Mumbai, wherever the cinemas are open,” says UTV Motion Pictures CEO Siddharth Roy Kapur.

  • Husain’s film to be screened at IFFI

    PANAJI: Through the Eyes of a Painter, the film made for the Films Division by controversial artist M F Hussain, is back in the 39th International Film Festival of India (IFFI) despite protests from Hindu groups.


    After firm protests from filmmakers about intrusions on their freedom of speech, the Films Division has got the necessary clearance and the film is being screened as part of the ‘Framing Time’ event of the Films Division at 3 pm tomorrow.


    Earlier the Goa government had requested the film to be withdrawn from the festival following complaints from Hindu groups.


    Through the Eyes… is an award-winning 18-minute film directed by Husain around four decades earlier. It won the Golden Bear at the Berlin Film festival in 1967. The film is a depiction of Rajasthan through Husain‘s eyes.









    Meanwhile, the National Film Development Corporation Film Bazaar at Marriott Resort in Goa opened today and will continue till 29 November.


    The Film Bazaar aims at creating opportunities for networking and business for producers, filmmakers and distributors from across the world.


    This year, the Bazaar provides an interactive platform to promote co-production market by facilitating collaboration among potential domestic and international partners in the realms of production and distribution.



    Fifteen pre-selected film projects and ten documentary projects, a new feature to be introduced this year will be presented at Bazaar.


    The attraction of the Bazaar will be presence of international sales agencies and producers whose work has won critics‘ acclaim and commercial success. There will be a business lounge open throughout the day for the meeting and video screening, in order to enhance collaboration in the field of co-production and distribution.

  • Golmaal Returns rakes in Rs 920 million in three weeks

    MUMBAI: Golmaal Returns has managed to collect Rs 920 million, according to an official release.

    The total collections are after three weeks of theatrical release.








    Produced by Shree Ashtavinayak Cine Vision, the movie was released at 1,050 locations worldwide.


    The film, directed by Rohit Shetty, starrs Ajay Devgan, Tusshar Kapoor, Arshad Warsi and Shreyas Talpade reprising the role originally played by Sharman Joshi. Also, Kareena Kapoor


    , Anjana Sukhani, Amrita Arora and Celina Jaitley are new additions to the cast.

  • IFFI Goa pays centenary tributes to Bimal Roy, Devika Rani and LV Prasad



    MUMBAI: The ongoing International Film Festival of India (IFFI) is paying tributes to Bimal Roy, Devika Rani and LV Prasad in a special section of ‘Centenary Tributes’.



    In total, eight movies are being screened in the Centenary Tributes section.


    Retrospective of Bimal Roy opened with his classic Do Bigha Zamin on the first day of the festival preceded by Remembering Bimal Roy, a non-feature film and Indian Panorama entry by his son Joy Bimal Roy. 11 July, 2009 will mark the birth centenary of the legendary film maker Bimal Roy.



    Roy had ushered a new chapter in Indian cinema in terms of both, a deeply human content and a realistic style of film-making, with films like Udayer Pathey and Do Bigha Zamin, says festival brochure of Indian Panorama.








    Also, the Retrospective includes Bandini, Devdas and Gautama the Buddha.


    Among the others are Devika Rani and LV Prasad. Rani had been a dominant presence on the Indian film scenario in the early years of Indian cinema. She, along with her husband Himansu Rai, contributed significantly through collaboration on international projects and professionally run Bombay Talkies. In the festival, Karma, a 1933 classic produced by Himansu Rai and directed by JL Freerhunt (casting both Himansu and Devika), is being screened as a tribute.


    Akkineni Lakshmi Varaprasada Rao, popularly known as LV Prasad, was a Dada Saheb Phalke Award winner with a huge repertoire in Hindi, Telugu, Tamil and Kannada. His Dadi Maa and Ek Duje Ke Liye are being featured as tribute to the doyen.


  • Hollywood filmmaker Paul Schrader to move to Bollywood

    MUMBAI: The noted Hollywood filmmaker Paul Schrader, writer of classics Taxi Driver and Raging Bull, is shifting to Mumbai and has agreed to write and direct the Bollywood action movie Extreme City.



    Incidentally, Bollywood director Anubhav Sinha (Dus and Cash fame) has roped in Schrader, where Sinha is donning the hat of a producer.



    The director of American Gigolo and The Walker, Schrader feels the US film market has become barren. “I take a good look around and what I see is a barren, barren place,” he said. “In terms of the financial community, in terms of audiences, in terms of distribution. It‘s cold out there.”








    Extreme City will have dialogues in Hindi and English. It tells the story of an American who travels to India to resolve a kidnapping incident for his father-in-law, only to get caught up in gangster business.



    Though the film will feature musical numbers, it will not be a Bollywood masala movie.


  • Lola Montes launches IFFI Film Heritage Section

    MUMBAI: IFFI Film Heritage Section of the 39th International Film Festival


    of India (IFFI) opened with the screening of the restored version of Max Ophuls’ Lola Montes.



    Highlighting the theme ‘Women,’ other films in the section are Cluny Brown (Ernst Lubitsch), Subarnarekha (Ritwik Ghatak), Floating Clouds (Mikio Naruse), Loulou (Maurice Pialat), My Life to Live (Jean-Luc Godard), The Women (George Cukor) and Imitation of Life (Douglas Sirk).


    Cinematheque francaise director of Programming Jean-Francois Rauger while addressing the press said that the idea of cinema as an art form and the notion of preservation of this perceived “Low Culture” took some time to develop but gradually the preservation of cinema has acquired a mainstream acceptance.



    Wemaere said that Lola Montes is our best ambassador. “There are many movies, which are not accessible but should be available and our endeavour is to sensitise and promote awareness among the audience and the people involved in cinema about the importance of restoring and preserving film heritage,” Wemaere added.








    On the theme, film director Mani Kaul said that our cultural civilisational evolution has been dominated a masculine sensibility and it will be interesting to see the changes brought about by women taking charge of the various aspects.


    Under the Section, there will be a workshop on restoration project of Lola Montes and the seminar on women in cinema.


    IFFI-Film Heritage Section is entirely dedicated to worldwide film heritage, representing significant cultural and historical documents as well as treasures of inspiration for future cinematic creations.

  • Sag seeks strike authourisation vote

    MUMBAI: Talks between the Screen Actors Guild (Sag) and the Association of Motion Picture and Television Producers (AMPTP) in the US have failed to reach any resolution.Sag has, therefore, asked for a strike authorisation vote.

    In a statement Sag says, “Our leadership was optimistic that federal mediation would help to move our negotiations forward, but despite the Guild’s extraordinary efforts to reach agreement, the mediation was adjourned.


    ” Management continues to insist on terms we cannot responsibly accept on behalf of our members. As previously authorized by the National Board of Directors, we will now launch a full-scale education campaign in support of a strike authorization referendum. We will further inform our members about the core, critical issues unique to actors that remain in dispute.


    ” We have already made difficult decisions and sacrifices in an attempt to reach agreement. Now it’s time for Sag members to stand united and empower the national negotiating committee to bargain with the strength of a possible work stoppage behind them.


    “We remain committed to avoiding a strike but now more than ever we cannot allow our employers to experiment with our careers. The WGA has already learned that the new media terms they agreed to with the AMPTP are not being honored. We cannot allow our employers to undermine the futures of our members and their families.”


    No timeline has been set for the mailing or return of the strike authorisation ballots. On its part, AMPTP expressed disappointement that the federal mediation efforts between it and Sag failed.


    The mediation, the AMPTP says, failed for one fundamental reason which is that Sag continued unrealistically to insist on a substantially better deal than all of the other major Hollywood Guilds and Unions have negotiated so far in 2008. “In the end, it was clear that Sag was not serious about using the mediation process to make a deal. Instead, Sag appears to have manipulated the mediation process in an attempt to achieve precisely the result it has wanted all along: A strike by Sag members,” notes the AMPTP statement.


    The AMPTP adds that Sag has not justified why it deserves to be treated differently than the industry’s other guilds and unions – particularly at a time of extraordinary economic distress for both the country and the entertainment business. Sag, it states, refuses to deviate from its unrealistic position, even continuing to cling to its proposal to change the DVD residual formula.


    The AMPTP goes on to note that it has already negotiated six major labor agreements in 2008 alone. “We are prepared to conclude an agreement with Sag, but we simply do not see any justification for Sag receiving more than we have offered – a deal that is every bit as good as the ones the industry’s other Guilds and Unions have negotiated in far better economic times.”


    The AMPTP maintains that its offer to the Sag members is fair and strong. “At least until now, we have kept the offer on the table despite the precipitous economic decline of the last several months. Whether we will be able to continue to do so in the face of the economic downturn remains to be seen. We are now prepared to continue explaining the merits of our offer in every way that we possibly can. The more SAG members understand about the fairness and strength of our offer, especially during a time of historic economic distress, the less likely they will be to authorize a strike.


    ” We will also continue to place the burden squarely on Sag to explain why it deserves better deals than the other entertainment Guilds received earlier this year – particularly in light of the fact that the earlier deals were negotiated during better economic times, and SAG is attempting to reach a deal now during a period of tremendous economic upheaval.”


    The AMPTP warns Sag that a strike would be economically devastating to the entire industry, including its own members, as well as to the overall economy. “The unreal timing of the call by Sag for a strike in the midst of one of the worst economic crisis the global system has ever faced, demonstrates once and for all that SAG is completely out of touch with reality. A SAG strike in this financial meltdown would be like pouring gasoline on a fire, and it is astonishing that Sag would call for a strike vote when the rest of the country is reeling from an unprecedented financial crisis.”

  • UTV to release Oye Lucky! Lucky Oye! on 28 Nov with 200 prints

    MUMBAI: UTV Motion Pictures is set to release its upcoming film Oye Lucky! Lucky Oye! (OLLO) on 26 November in the US, two days prior to its India release.



    Directed by Dibakar Banerjee (Khosla Ka Ghosla fame), the movie will be released in the US with 45 prints. “We are releasing OLLO in US before India because there will be ‘Thanksgiving’ holidays at that time,” UTV Motion Pictures director Siddhartha Roy Kapur told Indiantelevision.com.



    In India, the movie will be released with 200 prints while UK will have 15 prints and other territories 10.


    The film casts Abhay Deol, Neetu Chandra, Archana Puran Singh and Paresh Rawal in a triple role. OLLO is inspired by true events and is a buddy movie as well as a satire.








    OLLO is the story of a media savvy thief – the one who steals at nights, and wants to be famous for it by day. Lucky is a 15-year-old lower middle class kid from West Delhi who rises to become one of the most wanted master thieves of India.

  • Conglomerates not paying writers for new media: WGA

    MUMBAI: The Writers Guild of America, West (WGAW) has announced that the media conglomerates of the Association of Motion Picture and Television Producers (AMPTP) have failed to comply with the contract negotiated to end the Guild’s 100-day strike and are not paying residuals for writers’ work that is reused on new media.

    The payment of residuals for new media reuse was a core issue of the WGA strike. The Guild is embarking on an aggressive contract enforcement program – including legal action – to ensure that the AMPTP companies make good on their obligations.

    The WGAW filed for arbitration against the AMPTP over residuals – payments made for the reuse of writers’ works – for programmes sold as electronic downloads, referred to as Electronic Sell-Through (EST).


    EST involves the sale of video content via the Internet and allows the purchaser to keep a copy of a program permanently on a computer hard drive or other device.


    WGAW board member John F. Bowman says, “Our agreement with the companies on material released to EST covers feature films produced after July 1, 1971, and television programs produced after 1977.


    “The companies have reneged on this agreement and are taking the position that only programmes produced after February 13, 2008 are covered by the new provision. This may be their deal with the DGA, but that was never our agreement. Every proposal we made during negotiations made clear our position that library product was covered, and the AMPTP never objected to that position. The Guild will not allow this to stand.”


    The Guild is also preparing to file for arbitration against the AMPTP companies for failing to pay residuals due for the streaming of television shows on the Internet.








    WGAW executive director David Young says, “Our tracking has shown that episodes are staying on websites longer than the 17-day initial window called for in the contract. This triggers the payment of a residual, but so far we’ve seen nothing.


    “Given the reports by the conglomerates of the growth of the number of shows being streamed and increases in new media revenues, this is an unacceptable situation.”


    WGAW president Patric M. Verrone says,, “In light of the fact that writers are not being paid for new media reuse, it’s unconscionable that the AMPTP proclaims on its website, ‘By working under an expired contract, SAG members are not receiving the new media residuals that other Guild members are already collecting,’.


    “The companies know what is being reamed, and they regularly announce how successful they are in generating online advertising revenue, so there’s no reason for them not to honour the agreement they made with us.”

  • Disney signs five-film deal with Imax

    MUMBAI: The Walt Disney Co has forged a five-movie deal with Imax Corp.The first project to hit the Imax “ultra-big screen theaters” will be A Christmas Carol, adaption of the Charles Dickens‘ story, in 3D format.

    Starring Jim Carrey and directed by Robert Zemeckis, the movie is slated to release on 6 November 2009.








    The announcement was made by Walt Disney Studios Motion Pictures Group president Mark Zoradi. The upcoming films from the Studio will see a roster of filmmakers that may include director Tim Burton as well as producer Jerry Bruckheimer, the company said in a release. Disney has not announced what the other four titles will be.


    Zoradi said, “We can‘t think of a better way to launch than with Robert Zemeckis‘ new approach to the Dickens‘ classic, A Christmas Carol. Following that, we have a slate of new Disney Digital 3D motion pictures from some of the industry‘s most accomplished and innovative filmmakers. Audiences are going to love being immersed in these great fantasies and adventures in IMAX‘s format.”


    “Entering into a five-picture agreement with Walt Disney Studios helps us ensure that our network has an outstanding slate of movies going forward,” said Imax co-chairmen and co-CEOs Richard L Gelfond and Bradley J Wechsler.


    As of September, Imax had 320 theatres worldwide and aims to have up to 50 converted to digital technology by the end of the year.