Category: Hindi

  • Exploring stresses through film a major challenge for filmmakers

    NEW DELHI: The cinematic medium provides a means to filmmakers to explore multifarious problems facing mankind in the modern day world of tensions and stresses.

    Filmmakers who addressed today’s sessions of the Osian’s Learning Experience referred directly or indirectly to the tensions and anxieties facing today’s world.


    OLE is the new concept introduced at the ongoing Eleventh Osian’s Cinefan Film Festival which commenced on 24 October and will continue till 30 October at the Sirifort Auditorium.


    OLE is aimed at taking the study of filmmaking to an aesthetic level. The Festival has been organised in the previous years by the Osian’s Connoisseurs of Art in association with the Delhi Government.


    Director Amit Dutta said he uses stories of men and women – and the way they see each other – to explore his fascination of dealing with the emotion of anxiety.


    He summarized his film, Man’s women and other stories as a tryst of “transparent images, a graph of brutality where women takes over at the end,” to which the audience added “movement in spaces with brutal violence”.


    He said “it is easier to make pure cinema, the experimental cinema, with less money” without the hindrance of “ethnographic detailing”, and where just an “idea of beauty and grace suffices”.


    Anxiety was an eternal emotion, he said, adding that this was the reason he had still not been able to understand the complexities in life.


    In the session on ‘The Long Night’ about the political dissidence in Syria, director Hatem Mohamad Ali said “the present turbulent times and obscure present and future of Syria has lent an escapist tendency to TV serial makers, making them take refuge in the past.


    The film has not been released yet in Syria though it has travelled to several countries in festivals, he added.


    Hatem said the film deals with a range of emotions. Though ‘joy’ is not one among them, it “offers a ray of hope towards the end” because he believes “that even if life is too hard and pessimistic, cinema should have hope even while ensuring it must not lie”.


    In another session which was on the film ‘Supermen of Malegaon’, a documentary on the making of the film ‘Malegaon ka Superman’ which has proved to be very popular at the Festival, the director Faiza Ahmad Khan said she had attempted to show “the contrasting background of gory communal violence that the region of Malegaon witnesses and the ease and enthusiasm with which the local people delve in filmmaking” as that inspired her towards making this documentary. Nasir who made the original feature film and a crew member Shafiq were also present.

  • ‘Consolidation in the multiplex sector will happen when the real value of the business is captured’ : Cinemax India senior vice president business strategy Devang Sampat

    ‘Consolidation in the multiplex sector will happen when the real value of the business is captured’ : Cinemax India senior vice president business strategy Devang Sampat

    Cinemax India Ltd entered into the multiplex business with a cluster approach, concentrating on Mumbai and the Maharashtra market. Running a cinema chain with 76 screens, it has a load of 40 screens in Mumbai and 18 across rest of Maharashtra.

     

    The thrust now is to build a national footprint with focus on locations that would give it an advantage. The expansion plan is to have 300 screens over a period of three years.

     

    Facing a slowdown, the immediate task is to add 60 screens in FY‘11 with an investment of Rs 1 billion. Cinemax will also push digital technology and expand its gaming zones.

     

    Cinemax has plans to raise funds but is not in a hurry. Promoted by real estate developers, it has an asset bank and can leverage it to raise debt. The company has a debt of Rs 750 million and the debt to equity ratio is 1:2.

     

    Cinemax is not keen on film distribution as it is a risky business. But it is readying to enter into film production and is waiting for the right script.

     

    In an interview with Indiantelevision.com‘s Sibabrata Das and Ashish Mitra, Cinemax India senior vice president business strategy Devang Sampat says consolidation will take time as average occupancy needs to rise from 24 per cent to 32 per cent and profit margins improve.

     

    Excerpts:

     
     
    Cinemax had indicated earlier that it would expand its screens to 300 over a period of three years. Has the economic downturn affected the growth plans?
    There is a slowdown for all multiplex operators as the mall developers are not pacing up. We will be taking our total number of screens to 100, from 74 in the year-ago period (earlier guidance was addition of 40 screens during the fiscal). We have closed down three screens in Faridabad as the mall wasn‘t taking off. But we are not revising our three-year target of 300 screens.
     
     

    Are you scaling down your investments in the short run?
    For the current fiscal, we are investing Rs 600 million. We will be adding 60 screens in FY‘10 and our investment requirement is Rs 1 billion.
     
     

    Will you be raising funds for this?
    We will take a call in December. We are not in a hurry and will raise money when we need it. With the promoters being real estate developers, we also have an asset bank which we can leverage.
     
     

    Wouldn‘t you like to retire some of the high-cost debt?
    We have a debt of Rs 750 million. The debt to equity ratio is 1:2. There is room to leverage and we are not facing any fund constraints.
     

     
    Cinemax has concentrated its multiplexes in Mumbai and Maharashtra. Will the spread out now be more national?
    Initially when we ventured into the business, we took a cluster approach in Mumbai. Now during the course of our expansion, the focus will be on going to good locations. In the multiplex business, location is king.
     
     

    ‘We will definitely get into film production. We are ready and are waiting for the right script. We feel this will complement our exhibition business‘
     

     
    Will you look at acquisitions or you feel the industry is not ready yet for consolidation?
    The industry has an average occupancy rate of 24 per cent. Unless this goes up to 32 per cent, the real numbers don‘t come up. The profit margins stay low. Consolidation will happen when the real value of the business is captured. Being real estate developers, the promoters decided to foray into multiplex as part of their retail business. The capital cost for Cinemax will, thus, be comparatively lower and the promoters have a better understanding of locations.
     
     

    How could Cinemax achieve operational break-even during the quarter when film producers froze fresh Bollywood content to multiplexes?
    This was primarily due to three reasons. Our presence is predominantly in Mumbai and Maharashtra. Secondly, there were some Marathi films that released during this period and they fared well at the box office. Thirdly, we own some properties, reducing the impact of the expenditure on lease rentals.

     

    We expect to clock Rs 2 billion this fiscal, up from Rs 1.54 billion a year ago.
     
     

    But the first quarter turnover was weak?
    We expect contributions to come from the new properties in the third and fourth quarters. The existing properties should give us a revenue of Rs 500 million in each quarter. Don‘t forget that the Khans (Salman, Shah Rukh and Aamir) will make their appearance from the third quarter onwards. As for profitability, we will maintain the same percentage as the last fiscal.
     
     

    Do you see a change in the revenue mix in the near future?
    We expect the Food & Beverage (F&B) segment to contribute 20-22 per cent in FY‘11, up from 18 per cent. Advertising income should go up from 8 per cent to 10 per cent. Currently, box-office collections account for 69 per cent of our total revenues and gaming zone and others six per cent.
     
     

    Having entered into film distribution, is Cinemax also looking at venturing into production?
    We will definitely get into film production. We are ready and are waiting for the right script. We feel this will complement our exhibition business.

     

    We distributed two films – Kismat Konnection and Singh Is Kinng. We managed to break even. But this is a risky business and we are not keen on it.
     

     
    What are the digital steps Cinemax is taking?
    Digital technology helps reduce piracy and enables 3D viewing. This will lead to an increase in the share of Hollywood movies released in India and, in turn, to higher ticket prices. We have introduced digital technology in 24 screens.

     

    We are also looking at augmenting our revenues from gaming. We have introduced gaming zones in six places and are planning to expand it to our other theatres.
     

     

    Does Cinemax have plans to set up cinema theatres overseas?
    We have no such plans.
     

  • Eros appoints Ram Mirchandani as CCO

    MUMBAI: Eros International Media has appointed Ram Mirchandani as chief creative officer(CCO) of Eros India. He will be joining the company on 1 November.

    Mirchandani recently stepped down from UTV Motion Pictures where he held the position of chief creative officer.

    Said Eros International Media group CEO A.P.Parigi, “We are in the process of strengthening our leadership team; in line with our corporate growth plans and are happy to welcome Ram Mirchandani into our wings. I believe that Mirchandani‘s expertise in the area of entertainment, particularly filmed entertainment, will be an asset to the Eros brand. ”

    Speaking about his decision Mirchandani averred, “I am very happy and proud to be associated with Eros that has such a rich heritage and I believe my job would be very exciting.”

    Ram Mirchandani has held number of key positions in the Media and Entertainment sector. He is acknowledged as one of the key members of the startup team of the Motion Pictures Production venture of UTV working for approximately seven years.

    He is credited with having played an influential role in the making of Rang De Basanti, Metro and Fashion.

  • Big Home Video launches ‘Gladiator‘ on blu-ray, plans media campaign

    MUMBAI: Big Home Video has partnered with Universal Pictures International BV to release Gladiator on blu-ray disc.

    The limited two disc-edition is priced at Rs 1999.


    Director by Ridley Scott, the blu-ray disc features 16 hours of content. Bonus content includes commentary by Scott and actor Russell Crowe along with deleted scenes, 200 minutes of production pods with interviews and behind-the-scenes material.


    The blu-ray format also has features like topic marker that allows consumers to select topics of interest on disc one and then find out more about them on disc two.

    The home entertainment company also has plans to promote the launch at retail stores supported with online marketing and an out-of-home media campaign on Digital Signage Network across 107 screens on pan India level.

  • 24 FPS Award goes global with entries from Canada and China

    MUMBAI: The 6th annual 24 FPS Awards, organized by Maya Academy of Advanced Cinematics (MAAC) will be held at the SRPF Grounds in Mumbai on 6 November.

    Notably, the awards has gone global this year, with as many as 14 entries from animation students of Canada and China.


    This year, the 24 FPS Awards will have a record participation of over 800 delegates with more than 200 film entries from across India for 21 different award categories.


    Like every year, this year too the award has attracted a good response from Bollywood and industry professionals. Some of the entries from Bollywood include Quick Gun Murugan, What‘s your Rashee, Chandni Chowk To China, Ghajini, Raaz The Mystery Continues, Delhi 6 and 8×10 Tasveer which will compete for the Best Studio category award.


    In the advertisements section, entries have come from TVCs like Happy Dent Wave, Coke, Chloromint, Videocon LCD and Whirlpool Water Purifier that will compete for the Best TVC of the year.


    Jury members of this year‘s awards include Kireet Khurana of 2NZ, Merzin Tavaria from Prime Focus, Shelley Page from DreamWorks Animation, Nilesh Sardesai from Prana and Krishnakant Mishra of Sony Imageworks
    .
    Said Sanjiv Waeerkar, chief creative officer of MAAC, “As 24 FPS has entered its 6th annual edition, we wanted to take it to a different level as compared to its previous editions and what better way to give audiences the power to judge an entry of their choice.


    “Introducing the viewer‘s choice awards in 24 FPS is aimed to take the awards beyond the animators and professional fraternity. The new award will engage the youth in the target age group that we cater to. So, this year people from anywhere can cast their votes on social networking sites like Facebook, Twitter, Orkut, that have all the 73 entries uploaded on the sites.”

  • Ranga Shankara Theater Fest to commence on 5 Nov

    BANGALORE: Karnataka’s Ranga Shankara’s creative director Arundhati Nag today unveiled the Ranga Shankara Theatre Festival, 2009. Fest 2009, the sixth such for Ranga Shankara will be held between 5 November and 15 November, and “Laugh all the way home…” will be the theme.


    Eight top-notch comedies from all over India have been invited to take part in this festival. Two of Kannada’s well-known directors, Prakash Belawadi and Mandya Ramesh, are directing a play each especially for the occasion.



    “Comedy is an evergreen theme for theatre. For time immemorial, theatre has banked on comedy to create masterpieces and pull audiences in droves. At Ranga Shankara too, comedies have had a very special place. I am sure that the carefully chosen plays from across the country give Bangaloreans a flavour of the best of contemporary theatre,” said Nag.


    S Surendranath (Suri), an alumnus of National School of Drama and a well-known playwright and director, is the festival’s curator.


    Explains Suri, “Comedy is clearly the most misunderstood genre in theatre and it is certainly no laughing matter. We have taken very special care in choosing the plays that will perform in our festival. Many comedy genres will be showcased – commercial (“Olakh na Palakh” in Marathi), political (“Aatankavaadiya Akasmika Saavu” in Kannada), musical (“Aao Saathi Sapne Dekhen” in Hindi and a modern regional comedy in Tulu (“Madime”). Two rare “Kavi Sammelanas” and a serious session on non-sense poetry are also woven into the festival. On 9 November, Ajith Saldanha will do a special comedy piece too.”



    On 9 November, a website on him will be launched. The website will provide his fans with special and authentic insights into his life and work.



    For the first time, Ranga Shankara will play host to an Intercollegiate Competition. 10 colleges across the city will participate to win a chance to perform at Ranga Shankara on 9 November.



    Eight young directors have been chosen to script and direct short pieces to be showcased just before the main show every day.



    Ranga Shankara Festival ‘09 will also have the third edition of the immensely popular Theatre and Arts Appreciation Course. Spearheaded by the renowned culture critic Sadanand Menon, the course will be held over six days from 6-8 November and 13-15 November. The course will examine and discuss theatre, cinema, dance, photography and music through lectures, film screenings, plays, as well as interaction with directors and actors.

  • T-Series to produce Patiala House

    MUMBAI

    : T-Series‘ latest venture Patiala House is expected to go on the floors on 21 December.

    The film, starring Akshay Kumar, will have Anushka Sharma of Rab Ne Bana Di Jodi fame playing the female lead. Rishi Kapoor has been signed on to play a key role. Other cast and credits are being finalised.

    Directed by Nikhil Advani, the film is being jointly produced by T-Series chairman & managing director Bhushan Kumar and Mukesh Talreja.

    Expressing his delight on the venture, Bhushan Kumar says, “We are proud to announce Patiala House with Nikhil. He is a promising and capable director.”

  • Major sops to encourage foreign filmmakers shoot in Israel

    MUMBAI: The legislative wing of the Government of Israel has approved a law that would encourage production of foreign films in Israel through a tax benefit of up to 20 per cent on goods and services purchased within the country.
    However, the benefits by the law accrue to an Israeli production company which is expected to pass on these benefits to the foreign production company.

    Passed by the Israeli Knesset, the law recognises two models.


    The first model deals with productions by foreign filmmakers in Israel that retain the services of an Israeli production company. In this, an Israeli film production company that purchases Israeli goods and services on behalf of a foreign production company can withhold tax payments of 17 per cent. However, this benefit pertains to films in which the local production costs exceed $2 million.


    The other model is for films with Israeli co-producers and co-financiers who own certain rights in the film. In order to qualify for the benefits, the total production cost in Israel should be at least 4 million shekels (approximately $1.0 million).


    Terming the formulation of the law as a positive move towards better international relations, Israel consul general Orna Sagiv says, “Israel offers film producers a cost-effective professional filming package along with a vast variety of beautiful locations. Availability of 5 star hotels and an advanced telecommunications network clubbed with the 20 per cent reduction in cost makes Israel one of the most sought-after places for filming.”


    The new law positions Israel in line with most advanced countries in the world. The tax benefits complement Israel‘s competitive advantages of favourable climate, varied sceneries within short driving distances, experienced crews, first-rate infrastructure and more.

  • All The Best recovers after slow start

    MUMBAI: After a weak opening on Friday and Saturday, Ajay Devgan‘s All The Best has picked up dramatically to garner a producer-share of around Rs 170 million as it starts its second-week run.

    According to trade sources, the occupancy rates at multiplexes varied between 50 and 70 per cent as the movie


    progressed after its theatrical release on 16 October.

    Avers CS Poojary of RR Films, distributor of the film in the Mumbai territory, “The revival of All The Best from the third day of its release is anything but ordinary. The relatively weak opening in the first two days could be attributed to the pre-Diwali period where family audiences stayed away from theatres.”


    Released across India with 1000 prints, All The Best is the third film in recent times after Munnabhai MBBS and No Entry to have a slow start before picking up steam on strength of a strong public response.


  • Aladin to open South Asian Film Fest

    MUMBAI: Eros Entertainment‘s Aladin will be the first ever Hindi film to kick off the South Asian International Film Festival (SAIFF) in New York.

    The film which stars Amitabh Bachchan, Sanjay Dutt, Riteish Deshmukh and debutante Jacqueline Fernandes will be screened at The Paris Theatre on 28 October.

    Said director Sujoy Ghosh, “It is a wish come true to be chosen as the opening film for SAIFF. A lot of people have worked over a long period to make Aladin and an honour like this fully makes it worthwhile. It‘s a great platform for an Indian film to be showcased to a global audience. I am grateful to SAIFF for making this happen.”