Category: Hindi

  • Mrinal Sen to get lifetime award at Kerala film fest

    MUMBAI: Filmmaker Mrinal Sen will receive the lifetime achievement award at the International Film Festival of Kerala (IFFK) that is to open on 11 December.


    “Sen was selected for the award by a jury chaired by Malayalam actor Madhu. The award carries a cash prize of Rs 300000,” State Culture Minister MA Baby declared. 


    The 14th edition of the IFFK would be held over eight days and 164 films from various countries would be exhibited in 11 categories.


    “There would be 14 films in competition, including two Malayalam films. The best film award will have a prize of Rs 1 million,” Baby added.


    The IFFK is being organised by the Kerala State Chalachitra Academy.
     

  • Cinematography Bill to be tabled in Parliament in 2010: Censor Chief

    MUMBAI: Censor Board chairperson Sharmila Tagore has said that a draft cinematography bill has been given to the Ministry for Information and Broadcasting for approval.
    The bill has the provision that there should be explanation if the film contains explicit language, violence or sex, besides mentioning the certification on the posters.


    However, Tagore said that the bill was not likely to be placed in Parliament before next year.


    Speaking on the sidelines of the International Film Festival in Goa, Tagore clarified,”Yes, our draft is with the Ministry, we have given the amended draft and it has been with the Ministry for some time.


    “They said that it will go to the Parliament in the Winter Session, but hopefully in the next session the draft will be placed in the Parliament.”


    A six-member committee was formed seven years ago to suggest changes to the Cinematography Act, 1952.


    Meanwhile, I&B officials are reportedly meeting in New Delhi on 5 December to discuss matters of piracy, certification and other issues.

  • UTV to release Harishchandrachi Factory on 22 January

    MUMBAI: After winning hearts of audiences abroad at various film festivals, Harishchandrachi Factory is set for its all-India release on 22 January.


    UTV Motion Pictures has taken the distribution rights for the movie that is co-produced by Paprika Media and Mayasabha Production.


    Harishchandrachi Factory is India‘s official entry at the 82nd Academy Awards and has been co-produced.


    Says UTV Motion Pictures CEO Siddharth Roy Kapur, “Harishchandrachi Factory is a film which has received incredible appreciation from around the world. We are promoting the film aggressively at the Academy Awards, the Golden Globes and the BAFTAs, and we hope to give it the best chance possible to receive the global acclaim it richly deserves. Indian audiences will get to watch the film on 22 January and we are confident its appeal will reach across all audiences irrespective of language.”


    Harishchandrachi Factory is Paresh Mokashi‘s directorial debut and stars extremely talented actors such as Nandu Madhav, Vibhawari Deshpande, Mohit Gokhale, Atharve Karve, Dilip Joglekar, Ketan Karande, Dhiresh Joshi, Sandip Pathak, Vaibhav Mangle, Ganesh Mayekar, Ambarish Deshpande, Pravin Tarde, Mayur Khandge, Gary Richardson and Gary Tanton.


    UTV has mounted an aggressive awards campaign for the film. In addition to the Academy Awards, Harishchandrachi Factory is also competing at the Golden Globes and the British Academy (BAFTA) awards.

  • Madholal Keep Walking to show at Asian Film Festival

    MUMBAI: Madholal Keep Walking (A song of a common man), a Hindi feature film, written and directed by Jai Tank, has been nominated for the 8th Third Eye Asian Film Festival (AFF) to be held in Mumbai from 4 December.


    Over 100 feature and short films from 24 countries like Turkey and Japan to name a few are participating in this week- long fest.


    Madholal is not like the other films which are only based on the train blast. The focus is on the resilience of the human spirit and the manner in which Madholal comes to terms with his fate. 


    The film features Subrat Dutta as Madholal Dubey, a Kolkata-based theatre actor who won the Best Actor award in the 8th Osian Cinefan Festival 2006 for the Bengali film Bibar (Calcutta unabashed).


    His last Bengali movie Chaturanga (four chapters) was shown in more than 50 film festivals.


    The aim of the Asian Film Festival is to bridge the gap between the Asian Film fraternities and promote Asian cinema

  • Aamir Khan’s ‘3 Idiot’ to get Zapak’s marketing push

    MUMBAI: Zapak.com, the online gaming portal, has joined forces with Vinod Chopra Films to digitally market its upcoming flick 3 Idiots. Zapak will be handling and executing the film‘s digital marketing strategy.


    Zapak has created an online destination for the movie, www.idiotsacademy.com, which offers content in line with the theme of the movie targeting the youth. The website will take the user to different rooms of Idiots Academy like Director‘s Office, Lab, Hostel, Canteen, Class Room and also the Toilets.


    “It‘s been a great experience working with Zapak on this film. Our website is not a portal for information but a zone where consumers can keep coming back and enjoy. The ideas that are being worked on for 3 Idiots on the digital platform are a step in that direction,” said Vidhu Vinod Chopra.


    Added Zapak Digital Entertainment COO Rohit Sharma, “We have created the first of its kind digital strategy for any Bollywood (film), which we believe fits very well with the theme of the movie and will connect with the youth of India.”


    3 Idiots is Rajkumar Hirani‘s third film after the Munna Bhai series and also stars R Madhavan, Sharman Joshi and Kareena Kapoor. It is set to hit screens worldwide on 25 December.


    Khan added, “With over 50 per cent of India below the age of 25 years, I believe that it is imperative for movies to have a strong and concerted digital strategy. In this association with Zapak we have jointly created the most clutter-breaking and innovative movie website. Zapak is managing the whole digital strategy for us and together we have created some really disruptive stuff, be it on gaming, social networking, mobile and other applications.”

  • ‘We are considering an IPO’ : Venus Records & Tapes director Ratan Jain

    ‘We are considering an IPO’ : Venus Records & Tapes director Ratan Jain

    Venus Records & Tapes director Ratan Jain is a busy man, collecting box-office feedback from his new release De Dana Dan.

     

    Built on Rs 670 million with Eros as an equal partner, the movie is crucial to Jain‘s expansion plans. He is readying a movie with Priyadarshan and another with Abbas-Mastan after having stayed away from film production for a brief while due to an unrealistic rise in prices.

     

    Venus has one-third of its revenues coming from music. With a correction in prices, the company plans to swing back into acquisition of titles.

     

    Venus is also considering an initial public offering (IPO) to fund its expansion plans.

     

    The company expects to clock a revenue of Rs 1.20 billion this fiscal on the back of a big movie release and the music business.

     

    Cutting across his busy schedule, Jain speaks to indiantelevision.com‘s Sibabrata Das and Ashish Mitra about the need to be cautious in an overheated movie market.

     

    Excerpts:
     

     
    Why has Venus been slowing down on movie production and acquisition of music rights for the last couple of years?

    The prices skyrocketed and we decided to stay outside the ring. Some companies wanted to scale up and actors and technicians jacked up their rates to an unrealistic level. The movie industry went haywire. The same thing happened to the music industry. For the films that we released, we, however, kept the music rights. But it did not make business sense for us to acquire music rights at such inflated prices.
     

     
    Do you see the prices having fully corrected?

    They have definitely corrected to a large extent and things have come to some state of reality. But some actors and technicians are still looking at extremely high rates. Despite a fall in the cost structure, there is a scale down in the number of movies being produced this year.
     
     

    Venus has swung back into action with a big budget movie De Dana Dan. Has the co-production with Eros come at the right time for you?

    The movie is made on a budget of Rs 670 million and it is a 50:50 joint venture project with Eros. While Eros has kept the home video and international distribution rights, we have the India distribution and satellite TV rights. Baba Arts is handling the distribution for us. Early indications from the box office show that the movie is going to be a hit.

     

    Priyadarshan makes out-and-out comedy films. De Dana Dan also marks the return of all three protagonists of Hera Pheri – Akshay Kumar, Suniel Shetty and Paresh Rawal.
     

     
    Will this movie spur you to scale up particularly as it comes after a gap of more than a year since your last film Maan Gaye Mughal E Azam?

    Yes, Maan Gaye… released on 22 August 2008. And I rolled the shooting of De Dana Dan on 26 November last year, the day the terrorists struck in Mumbai. I remember when we were in a middle of a shoot, we got a call from a friend of mine that terrorists were firing at CST.

     

    As far as my film goes, we do a research of at least six months and then go in for shooting. This film has taken exactly a year.

     

    I don‘t see Venus doing more than two movies a year. We could also be doing smaller movies but it is difficult to market and release them. We have two projects in the pipeline – one with Priyadarshan in August and the other with Abbas Mastan.

     
     
    Will you go for a syndication model or sell outright the satellite TV rights for De Dana Dan?

    We are in advanced negotiations to sell the rights. Syndicating the movie to multiple broadcasters is good for channels but not for us. It takes time to recover money. And it has worked when you have big hits like Jab We Met and Singh is Kinng which can have many runs across channels. Syndication also works when you have a basket of films.
     
     

    ‘We expect to clock Rs 1.20 billion in FY‘10. Venus is not just surviving on movie releases. We have a strong music business. We also trade in satellite TV and video rights‘
     
     

    Have prices for satellite rights slumped this year?

    Prices have fallen compared to last year. Internal competition and entrants have spoilt the market. We had fictitious prices ruling the market.
     

     
    Has the downturn affected your revenues?

    There is no recession in the entertainment business. We clocked over Rs 1 billion last fiscal and are expecting to have a turnover of Rs 1.20 billion in FY‘10. Venus is not just surviving on movie releases. We have a strong music business. We also trade in satellite TV and video rights.
     

     
    What steps are you taking to boost your revenues from the music segment?

    Music accounts for 30-40 per cent of our total turnover. Besides mainstream Bollywood, we bring out music CDs of all kinds including ghazals, regional languages and bhajans. We are exploiting the digital and mobile platforms. A major chunk of our revenue comes from downloading.
     

     
    But you haven‘t been acquiring music rights aggressively in recent years?

    With the prices going berserk, we largely stayed out of it. But we have a vast library, holding over 3000 music titles. While 600 are film music titles, the remaining are non-film music titles.

     

    On the movie front, we have negative rights of 50 movies.
     

     
    Zee had shown interest in acquiring 60 per cent stake in Venus in 2006. What went against the deal?

    There were commitment issues. While at that time we thought of that as an expansion route for us, now we are not looking at such alliances.
     
     

    Are you looking at other ways of raising capital to fund your expansion plans?

    We are considering an initial public offering (IPO). We were not ready for a public listing then. Now we have taken the necessary steps. We could also be looking at a pre-IPO placement. But we haven‘t frozen our plans yet.
     

  • UTV in syndication deal with broadcasters for 18 movies

    MUMBAI: UTV Motion Pictures said Tuesday it has stitched movie syndication deals with four channels – Colors, NDTV Imagine, B4U (international) and Channel 4 (UK) for TV rights of 18 movies on a non-exclusive basis.


    UTV claims that the combined size of the deal, which covers its slate of 2008 and 2009 productions, is around Rs 950 million.


    The deal consists of movies like Oye Lucky! Lucky Oye!, Dev D, Kaminey, Wake Up Sid and Kurbaan.


    Colors and NDTV Imagine have got the multiple airing rights of the movies. Colors will have the first airing rights, followed by NDTV Imagine.


    While B4U has acquired the non-exclusive rights to air movies across its international beams, Channel 4 will air these films in the UK market.


    Meanwhile, UTV also has the right to further syndicate the television rights of these films to any other channel in the same period.


    UTV Motion Pictures CEO Siddharth Roy Kapur said, “We are pleased to announce these television syndication deals that are non exclusive in nature and hence allow us to exploit the same content across multiple additional broadcasters in India and worldwide. The faith that Colors, NDTV Imagine, B4U and Channel 4 have reposed in our entire slate of productions is heartening and encouraging.”


     

  • Big Cinemas plans to add 100 screens in one year

    MUMBAI: Big Cinemas, a division of Reliance MediaWorks and a member of Reliance ADA Group, plans to add 100 screens over the next one year.


    With the opening of its newest multiplex at Kedah, Malaysia, Big Cinemas has reached its 500-screen milestone.


    Reliance MediaWorks CEO Anil Arjun said, “Hitting the historic milestone of 500 BIG Cinemas screens worldwide is hugely significant. This expansion underscores our attempts to build scale, quality, innovation and pioneering formats which improve the movie going experience for audiences the world over. There is a great opportunity in exhibition infrastructure worldwide and while domestic expansion continues to be an area of thrust for us, we are also fully committed to expanding our global footprint.”


    In a little over three years, Big Cinemas has grown to establish a strong presence in the Indian domestic market by opening 240 screens across 75 Indian cities. 


    The cinema chain has also expanded internationally, with more than half of its screens located in 40 cities covering the USA, Malaysia and the Netherlands.


    Big Cinemas has developed brand new premium cinemas across the globe including Big Cinemas-Golf Glen that is a five-screen multiplex in Chicago with a premium bar and lounge.


    Additionally, Big Cinemas has become the third-largest cinema chain in Malaysia playing Hollywood features as well as Chinese, Malay and Tamil films which cater to the 1.5 million people of Indian origin.


    Following the Reliance ADA Group acquiring the controlling stake in Reliance MediaWorks in 2005, Big Cinemas has witnessed a CAGR (Compound Annual Growth Rate) of 100 per cent in the scale of its operations.
     

  • Ritwik Ghatak’s Meghe Dhaka Tara scores over Satyajit Ray’s Charulata

    PANAJI: The T20 of Indian Cinema – the top 20 films made in India since the first film ‘Raja Harichandra’ by D G Phalke in 1913 – has thrown up Ritwik Ghatak’s Bengali film ‘Meghe Dhaka Tara’ as the best film of the last 96 years.


    After a nation-wide poll conducted by the Entertainment Society of Goa to which 1.9 million people responded, the names were announced at a gala event held here to coincide with the ongoing 40th International Film Festival of India. The ballot closed at 5 pm on 29 November. It was launched at the hands of Dev Anand in Mumbai, and Suniel Shetty and Sameera Reddy in New Delhi, early last month.


    According to the selections, cine master craftsman Satyajit Ray finds mention thrice in the list, while Guru Dutt and Bimal Roy figure twice each.


    In all, 12 Hindi films feature in the list, with Bengali coming second. Interestingly, the voters have selected Satyajit Ray’s film as the second most popular, but also voted for the Apu Trilogy which includes ‘Aparjito’ and ‘Apur Sansar’.


    The event was presided over by Goa Chief Minister Digambar Kamat at the Open Air Theatre of Kala Academy, where a fashion show was staged with Pooja Shukla as the designer, in the presence of celebrities like Goa Assembly Speaker Pratap Singh Rane, Film Festivals Director S M Khan, and film personalities Aftab Shivdasani, Sayali Bhagat, Madhur Bhandarkar, Vishal Bhardwaj, and Riya Sen, and captured the changing fashions in cinema over the decades.



    The top 20 films selected are:


    Meghe Dhaka Tara – Ritwik Ghatak (Bengali, 1960)
    Charulata – Satyajit Ray (Bengali, 1964)
    Pather Panchali – Satyajit Ray (Bengali, 1955)
    Sholay – Ramesh Sippy (Hindi, 1975)
    Do Bigha Zameen – Bimal Roy (Hindi, 1953)
    Pyaasa – Guru Dutt (Hindi, 1957)
    Bhuvan Shome – Mrinal Sen (Hindi, 1969)
    Garam Hawa – M S Sathyu (Hindi, 1973)
    Mother India – Mehboob Khan (Hindi, 1957)
    Ghattashradha – Girish Kassarvali (Kannada, 1977)
    Elippathayam – Adoor Gopalakrishnan (Malayalam, 1981)
    Mughal-e-Azam – K Asif (Hindi, 1960)
    Nayagan – Mani Ratnam (Tamil, 1987)
    Kaghaz Ke Phool – Guru Dutt (Hindi, 1959)
    Apu Triology (Pather Panchali 1955, Aparajito 1956, Apur Sansar 1959) – Satyajit Ray (Bengali)
    Sant Tukaram – Vishnupant Govind Damle, Sheikh Fattelal (Marathi, 1936)
    Jaane Bhi Do Yaro – Kundan Shah (Hindi, 1983)
    Guide – Vijay Anand (Hindi, 1965)
    Madhumati – Bimal Roy (Hindi, 1958)
    Anand – Hrishikesh Mukherjee (Hindi, 1971)
     

  • Lowe Lintas launches Lintas Productions

    MUMBAI: With the launch of Lintas Productions, Lowe Lintas has announced its foray into film production.


    Lintas Productions will offer content creation and talent management of the highest quality to feature film and television productions.


    Executive director of Lowe Lintas, Tarun Chauhan will head be Lintas Productions while Krishna Kotian will be its business head.


    Lintas Productions will be established around three main verticals that concentrate on talent management, film production and content management, through which it will aim to create meaningful and innovative concepts for the growing entertainment industry.


    Through original scripts and strategic planning tools, Lintas Productions will endeavour to establish an influential form of placement branding in its films and entertainment productions.


    Says Lintas Production Business Head Krishna Kotian, “The objective of Lintas Productions is essentially to create entertaining and memorable content for the audiovisual medium and bring enduring characters and treasured moments to our screens.


    “Over the years Lowe Lintas has introduced faces through brands like Liril, Surf etc. which have become memorable part of television history and we hope to continue doing so with Lintas Productions.”


    With access to the best talent in the industry from artistes to directors and a business alliance with UK-based production house Twin Continental Films, Lintas Productions is set to take on the world of entertainment.


    Lintas Productions also aims to nurture talent internally and provide an opportunity to budding scriptwriters working at Lowe Lintas.


    The unit has already signed up a collection of prominent international and domestic talent including U.K based super model, Masha, the former face of world brands including Pepsi, Coke, Panasonic Viera TV, Samsung Camera, Ferrari and Ford.