Category: Hindi

  • Big Home Video launches home video of Wake Up Sid

    MUMBAI: Big Home Video has launched the home video of Dharma Production‘s Ranbir Kapoor-starrer Wake Up Sid.


    Says Big Music and Home Entertainment CEO Kulmeet Makkar, “Wake Up Sid is one of the rare movies that is a combination of commercial success and critical acclaim and we are proud to be associated with it.


    The film‘s concept, direction, screenplay, music and indeed all other technical aspects are among the finest. With our pan-India distribution network we ensure that our products reach the right audience. We are sure that the Wake Up Sid home video, with its exclusive and special features will make it a true collector‘s copy.”


    Apart from the film, the disc is full of exclusive, never-before-seen content. It contains specials like ‘making of the movie‘, ‘making of iktara‘, ‘making of life is crazy‘, ‘making of Wake Up Sid, ‘making of Kya Karoon‘, ‘Wake Up Sid (remix) music video‘, ‘making of Wake Up Sid remix video‘, ‘Bloopers‘, ‘deleted scenes‘ and ‘Date with Sid‘.


    While the 2-DVD pack is priced at Rs. 399, the 2-VCD pack costs Rs. 149.


    Commented UTV Motion Pictures CEO Siddharth Roy Kapur, ” Wake Up Sid has been a huge commercial and critical success for us and we are confident that movie fans will enjoy and appreciate this movie at home as they have in the theatres. Universal admiration and appeal for Wake Up Sid makes this DVD the perfect gift for the 2009 holiday season.”


    The home video launch will be supported by an all-encompassing marketing campaign across TV, Radio, OOH and internet along with a strong focus on retail activation and on-ground promotion.

  • Roy Disney dies of stomach cancer

    MUMBAI: Roy E Disney, nephew of Walt Disney who helped rejuvenate the animation division of the company, died of stomach cancer at the age of 79 in Newport Beach, California.


    Roy Disney’s survivors include his wife, Leslie DeMeuse Disney. He is also survived by his former wife of 52 years, Patricia Dailey Disney, and four of their children Tim, Roy Patrick, Abigail and Susan Disney Lord.


    Roy Disney was the last member of the Disney family to work at the entertainment conglomerate built jointly by his uncle and his father Roy O Disney.


    In 1984, when Disney weathered two takeover attempts, Roy Disney helped force the resignation of Ronald W Miller, the husband of Walt Disney’s daughter, Diane, as chief executive.


    In 2004, when Pixar was giving Disney a run at the box-office, Roy helped lead an investor uprising that ended with the departure of Michael D Eisner as chief executive and chairman.


    Along the way, Roy organised Shamrock Holdings, a family investment enterprise that became known for instigating hostile takeovers, including an ultimately failed one of Polaroid in the late 1980s.


    Roy was born in Los Angeles on 10 January, 1930, and had a childhood that most people can only dream about. While playing at the studio, his uncle would occasionally take a break to read storybooks to him.
     


    Roy began his entertainment career in 1952 as an assistant film editor on Dragnet, the landmark television show. He joined Disney in 1953 and worked on nature documentaries like The Living Desert and The Vanishing Prairie, both of which won Oscars. He also wrote for Zorro.


    Although he continued to be a board member, Roy left the company in 1977 after a disagreement within the company and turned an independent producer.


    Coming back to the company in 1984, Roy set about revitalising the floundering animation division. He obtained financing, for instance, for a computerised post production facility, helping to make possible the revolving ballroom scene in Beauty and the Beast.


    Citing “serious differences of opinion about the direction and style of management,” Roy resigned for the second time in 2003 and started agitating for Eisner’s ouster. But in 2005, after Eisner announced his departure, Roy became director emeritus and a consultant, that he held until his death.

  • Karan Johar’s My name is Khan in Berlin filmfest

    MUMBAI: My Name is Khan, starring Shah Rukh Khan with Kajol, is to be screened at the 60th Berlinale being held from 11 to 21 February.


    Though this film along with Martin Scorsese’s film Shutter Island USA was initially selected for competition, it is learnt that the film is being screened out of competition as it is expected to be released in India before that date.


    The first seven titles of the 60th Berlin International Film Festival have been confirmed. The films selected so far are from Austria, Bosnia and Herzegovina, Croatia, France, Germany, India, Iran, Turkey, the UK and the USA. Another important entry is Roman Polanski’s The Ghost Writer which is a France- Germany-British co-production and will have its world premiere at this festival.


    A total of 26 films will be selected for the Competition section of the 60th Berlin International Film Festival. Further Competition title confirmations will be announced in January 2010.

  • My Name is Khan first movie to roadblock ads on network channels

    MUMBAI: Shah Rukh Khan-Kajol starrer My Name is Khan has become the first movie to use the roadblock strategy.


    The Dharma Productions’ film will have an exclusive three-minute trailer run across the Star India channels at 10 pm today.


    Says a Star India spokesperson, “11 Star India channels including Star Plus, Star One, Star Gold, Channel [V] and Star Pravah, will air the exclusive trailer of the movie 10 pm on 16 December.”


    Fox Star Studios, a JV between Twentieth Century Fox and Star, has taken the global distribution rights for My Name is Khan, which is slated for release in February 2010.


    Earlier on 17 September and 29 October, FMCG major Hindustan Unilever (HUL) had blocked Star India netork channels consuming the entire advertising airtime.
     

  • Rocket Singh has average opening

    MUMBAI: Yash Raj Film‘s latest offering Rocket Singh – Salesman of The Year opened below expectations. In its opening weekend, the Ranbir Kapoor-starrer did a net business of around Rs 102 million in India.


    Going by the manner in which Ranbir‘s earlier two films Wake Up Sid and Ajab Prem Ki Ghazab Kahani fared at the opening, everyone was expecting the latest Yash Raj product to have a flying start, moreso, because the film was a product of Shimit Amin and Jaideep Sahni, the architects of the super hit YRF Film Chak De!India.


    Said trade analyst NP Yadav, “Rocket Singh had an dull opening on Friday, was a little better on Saturday but on Sunday, it did show better collections. On the whole, the overall weekend remained well below the mark.”


    According to industry sources, the film began with a 20 to 40 per cent start at certain plexes while single-screens reported a start between 10 to 15 per cent. The opening day saw a occupancy of around 30 to 40 per cent at multiplexes. On the overall, the film‘s opening business was much below expectations.


    Avers Fun Cinema COO Vishal Kapur, “This film will not be liked by all and sundry, but what we have gathered from the people who have seen it, Rocket Singh – Salesman of The Year is a good film. Though the film‘s opening was average with around 30 per cent occupancy, the word-of-mouth publicity going around may see the film pick up in the coming days.”


    Meanwhile, the coming Friday will see James Cameron‘s 3D film, Avatar hit the screens, which has created a hype because of its special effects.


    “Every film will perform on their own merits, but the Avatar rage will definitely have an impact on their box-office performance,” says Kapur. “The 3D spectacle is bound to create anxiety among viewers who have read a lot about the making of the film. I think the box-office turnout during the weekend would be fantastic with most of the shows booked well in advance.”


    Meanwhile, Paa grossed Rs 50 million in its second weekend, taking its 10-day total to around 210 million.


    Insiders in the industry hope that the film would be able to generate a business of around Rs 70 million this week.

  • 2012 grosses Rs 900 million in India

    MUMBAI: Sony Pictures‘ 2012 has crossed the Rs 900 million mark in India to become the highest-grossing Hollywood film ever to make it so big in the country.


    In India, the film has had its widest release ever for a Hollywood film with a total of 766 prints in English, Hindi, Tamil and Telugu. 2012 continues to run successfully in all centres in its sixth week.


    The film surpassed the previous record-holder Spider-Man 3 that grossed
    Rs 680 million, back in 2007.


    In its opening weekend, thanks to 90 per cent plus occupancy figures in all centres, gross box-office figures were second only to Spider-Man 3, despite the film not being part of a known franchise. By the end of the first week, the film registered the highest Hollywood opening ever, putting it well on its way to creating new records at the Indian box office. 


    Said Sony Pictures India managing director Kercy Daruwala, “Our approach to marketing and distributing this film was to engage all sections of the audience, multiplex as well as single screen, metros as well as small towns, much like any large scale Indian film.


    “We believe this approach paid off by bringing in audiences who may not generally watch Hollywood films. 2012 has indisputably changed the face of the movie business in India and made Hollywood films a force to reckon with, setting a benchmark in the industry. It will undoubtedly be among the top films of the year in India, in any language.”


    Sony Pictures India released 2012 across the world on 13 November. Directed by Roland Emmerich who has directed films like Godzilla, Independence Day, The Day After Tomorrow and 10000 BC, the film reveals the director‘s vision of the apocalypse that is expected to occur in 2012.

  • Rentrak to buy Nielsen film-tracking arm for $15 mn

    MUMBAI: Rentrak Corp is snapping up Nielsen Co’s EDI division for $15 million, a move that will make it a powerhouse to provide box-office information to studios and other subscribers.


    The sale, expected to close in the first quarter of 2010, will help Portland-based Rentrak expand its footprint across 15 countries for capturing theatrical box-office results.


    Having presence in markets like India and Russia, Rentrak will gain from Nielsen’s strong footprint in major markets such as Britain, France, Spain, Mexico, Argentina, Brazil and Australia.


    Rentrak’s Box Office Essentials business, an online database that provides real-time ticket sales information, will be integrated with Nielsen EDI.


    Nielsen will get to shed its non core assets while retaining its focus on the core business. Last week, Nielsen agreed to sell seven trade publications, including the Hollywood Reporter and Billboard, to a consortium of investors led by print media mogul James Finkelstein.
     

  • India ranks No 4 in online film and TV piracy: MPDA Report

    MUMBAI: The Motion Picture Distributors Association (India) (MPDA) has released two internet piracy studies that go to say that copyright infringement online is a major problem in India.


    The first report by Internet company DtecNet – based on tracking of downloading IP-addresses on P2P networks – showed that from April to September 2009, India was among the top 10 countries in the world with the largest number of illegal P2P activities.


    Similar results were found by internet company Envisional. In its internet piracy landscape report, Envisional found that online piracy of film and television content in India was mainly carried out through the file-sharing network BitTorrent and cyber lockers or web-based file hosts such as RapidShare or HotFile. Video streaming sites are also popular, though their usage is lower than Bittorrent and cyber lockers.


    The major international BitTorrent portals were heavily used by Indian downloaders. In addition, the number and popularity of a range of large Indian-focused BitTorrent trackers was extremely high.


    Within a range of BitTorrent swarms for six MPA member studio films, 6.5 per cent of IP addresses located could be traced back to an Indian IP address. This placed the country as the fourth largest downloader after the US, Great Britain and Canada.


    Hindi films are the most widely available domestic Indian content with most down loaders in Delhi, Bengaluru and Mumbai. The recent film Kaminey is estimated to have been downloaded just over 350,000 times on BitTorrent with around two thirds of those downloaders located in India.


    “The numbers the surveys have come up with just underpin our constant refrain – that the economic and social impact of online piracy is enormous and will have even greater long-term implications if not addressed,” said MPA president and managing director, Asia-Pacific, Michael Ellis.


    “We are only too aware that more needs to be done to help people understand that when they take unauthorised content off the internet, or pay next to nothing from a pirate street vendor, they are indulging in online theft and therefore damage the very movie-making community that has been bringing them decades of entertainment,” Ellis added.


    Moreover, India is one of the largest users of cyber lockers in the world. On an average, 8.2 per cent of visitors to the top ten cyber lockers worldwide are located in India and the country makes up 11.8 per cent of visitors to the top ten cyber locker link sites which collate and index pirated content held on cyber lockers.


    As broadband penetration is now accelerating in India, measures for stemming internet piracy should be considered or the numbers of subscribers involved in P2P file sharing in India are likely to grow exponentially in tandem with the country’s broadband growth, and are expected to pose even more significant risks to its domestic film industry as well.


    Added MPDA (India) managing director Rajiv Dalal, “Around the world, film industries face the same problems. We need strong laws to support copyright, strong enforcement of those laws, stiff sentences for people who violate those laws, and most important, an understanding by ordinary citizens, the people who love movies, that buying pirated movies hurts the industry and makes it difficult for movie makers to make new films.”
     

  • Paramount extends license deal with Redbox

    MUMBAI: The trial selling license of DVD kiosk operator Redbox has been extended by Paramount Home Entertainment (PHE) till 30 June 2010. This move will usher new-release titles such as Up in the Air and The Lovely Bones.


    Redbox and PHE signed their initial trial license agreement in August this year. Under the deal, Redbox customers will be provided with access to new-release DVD titles from PHE on the day of release until 30 June 2010. Redbox has agreed to destroy PHE titles once the product is removed from kiosks. If Paramount exercises the option past a trial, the agreement with Redbox will run through December 2014 and contains an early termination right at PHE‘s discretion in December 2011.


    “We are enjoying our business relationship with Redbox and the data from our initial trial period has been encouraging,” said Paramount Home Entertainment worldwide president Dennis Maguire. “We are extending the time period that we have to exercise our option in order to give us more time to assess the long-term potential of this business relationship.”


    “The extension marks another positive step forward in our relationship with Paramount Home Entertainment,” added Redbox president Mitch Lowe. “This agreement provides our customers with access to Paramount titles the day of release at the more than 19,000 redbox locations nationwide and underscores our commitment to working with the industry.”

  • Big Home Video acquires rights of ‘Wake Up Sid’

    MUMBAI: In an attempt to expand its home entertainment business, Reliance Big Entertainment is up on an acquisition route not only in the domestic market but also internationally.


    The company has acquired the home video rights of the Ranbir Kapoor-starrer Wake Up Sid that is expected to launch in the Indian market in the next 10 days.


    Internationally, the company has acquired the home video rights of Inglorious Basterds, GI Joe- Rise of Cobra, Shutter Island, Sherlock Homes, Sex and the City 2, and Inception. The company plans to release these in the new year.


    Currently, the company is dominating the retail charts by having 6 out of 10 films with hits such as Harry Potter and the Half blood Prince, Hangover, Transformers – Revenge of the Fallen, Public Enemies, Star Trek, Barbie and the 3 Musketeers.


    “The company plans to acquire many more independent labels from Hollywood and UK as well as release some of the best quality films from Indian cinema. We are also in discussions with various studios to exploit their content in the fast emerging digital platforms in India such as short content on mobile phones, flash drives, etc.”


    Meanwhile, as far as strengthening its distribution network goes, a spokesperson from the company said, “Besides our standalone stores, we plan to sell our DVDs and Blu Rays in other store formats like book stores, malls, kid stores etc. This move will give a wider reach to our products across the country.”