Category: Hindi

  • Ashok Kheny to develop entertainment city near Bangalore

    BANGALORE: Newly turned producer and infrastructure czar Ashok Kheny today announced that he plans to develop an entertainment city with 20 studios with an investment of Rs 10 billion on a 300 acre land in Sompura near Bangalore.


    “There are plans to set up eight studios dedicated for cinema, eight for producing television content, two blue-screens or special effects studios, and two for producing advertisements. The entertainment city will have modern processing labs, animation studio, sound studio, computerized lighting and special effects studio,” said Kheny.


    Kheny was speaking during the launch of Prem Kaa Game, a debut Bollywood film by his entertainment company AKK Entertainment. The film stars Arbaaz Khan in the lead male role and introduces Bangalore girl Madhuri Bhattacharya as his co-star. Others among the cast of include Malaika Arora Khan, Tara Sharma, Johny Lever and Rubi Chakravarty.


    Kheny who has plans to feature the film across 500-plus screens in India starting this Friday, revealed, “Prem Kaa Game is the second venture of AKK Entertainment, after the successful launch of Sonu Nigaam’s first Kannada solo album last year.”


    Bangalore already has a film city project, the first phase of which was launched by The Innovative Group (Innovative), Innovative Film City (IFC), about 2 years ago. The IFC complex is spread over 54 acres of land. The first phase has cost Innovative a shade less than Rs 1 billion. The overall project would entail investments of about Rs 5 billion.

  • Well Done Abba to release on 26 April

    MUMBAI: Well Done Abba, produced by Reliance Big Pictures and directed by Shyam Benegal, will release on 26 March in 370 screens across 13 countries including India, UAE, US, Canada, South Africa, Hong Kong, Singapore, Indonesia, Mauritius, Sri Lanka, Uganda, Kenya and Ghana.


    The stars of the film – Boman Irani, Minissha Lamba and Sammir Dattani – are visiting various cities including Bangalore, Hyderabad, Delhi, Ahmedabad, Pune and Nagpur to promote the film from 22 March onwards. 


    A lighthearted comedy, Well Done Abba tells the story of a Mumbai-based driver Armaan Ali, who goes on leave to find a match for his teenage daughter Muskan. When he returns to work after 3 months, his employer wants to sack him. However Armaan Ali has a story to tell about a government scheme he avails to dig a well in his agricultural patch. Things spiral out of control so much so that the Government is about to collapse!


    Well Done Abba also stars Ila Arun, Sonali Kulkarni, Ravi Kissen, Rajit Kapur, Ravi Jhankal and Yashpal Sharma.

  • Multivision to release The Hurt Locker on 9 April

    MUMBAI: Multivision Multimedia (India) Pvt. Ltd. will release The Hurt Locker on 9 April.


    The film, the winner of six Oscars and an equal amount of BAFTA awards, stars Jeremy Renner (Dahmer, The Assassination of Jesse James), Anthony Mackie (Half Nelson, We Are Marshall) and Brian Geraghty (We Are Marshall, Jarhead) with cameo appearances by Ralph Fiennes (The Reader), David Morse (John Adams), Evangeline Lilly (Lost) and Guy Pearce (Memento).


    Produced by Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro and directed by Kathryn Bigelow, The Hurt Locker is an intense interpretation of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat.


    The film is based on first-hand observation by journalist and screenwriter Mark Boal who was stationed on assignment with a special bomb unit in Iraq. The film couples grippingly realistic action with intimate human drama to portray soldier psychology in a high-risk profession where men volunteer to face deadly odds.


    Avers Oscar director Kathryn Bigelow, “I hope I‘m the first of many, and of course, I‘d love to just think of myself as a filmmaker. And I long for the day when that modifier can be a moot point. Fear has a bad reputation, but I think that‘s ill-deserved. Fear is clarifying. It forces you to put important things first and discount the trivial.


    “When Mark Boal came back from a reporting trip to Iraq, he told me stories about men in the Army who disarm bombs in the heat of combat – obviously, an elite job with a high mortality rate. When he mentioned that they are extremely vulnerable and use little more than a pair of pliers to disarm a bomb that can kill for 300 meters, I was shocked. When I learned that these men volunteer for this dangerous work, and often grow so fond of it that they can imagine doing nothing else, I knew I had found my next film.”


    With a visual and emotional intensity that makes audiences feel like they have been transported to Iraq‘s dizzying, 24-hour turmoil, The Hurt Locker is both a gripping portrayal of real-life sacrifice and heroism and a layered probing study of the soul-numbing rigors and potent allure of the modern battlefield.
     

  • Reliance Big Pictures to co-produce Break Ke Baad

    MUMBAI: Reliance Big Pictures and Kunal Kohli Productions are co-producing Break ke Baad, starring Imran Khan and Deepika Padukone.


    The film is the maiden directorial venture of Danish Aslam who was first assistant director to Kunal Kohli in films like Thoda Pyar Thoda Magic, Faana and Yashraj Films‘ Ta Ra Rum Pum and Salaam Namaste. 


    Break Ke Baad is a modern day love story that tracks a couple after their break up. Sharmila Tagore plays a pivotal role as retired actress in the film. The film also stars Shahana Goswami and Yudi of Channel V fame.


    Says Reliance Big Pictures CEO Sanjeev Lamba, “We have wonderful films lined up this year, Break Ke Baad being one of them. Kunal has always been a great storyteller and we are hoping that this association will result in a great cinema watching experience for all moviegoers across boundaries.”


    Comments Kunal Kohli, “For some time now Reliance Big Pictures has been partnering with only the best in the business both in India and the US. As partners, each of us brings our strengths to the table. Reliance Big Pictures has ended last year with a bang after Rock On, Paa and 3 Idiots. This year too they have most awaited films like Kites and Ravana to be followed by Break ke Baad. So here‘s to continuing the good cinema and some very interesting films ahead.”

  • Time Warner offers $1.5 billion to own MGM

    MUMBAI: Time Warner has bid $1.5 billion to purchase the debt-laden Metro-Goldwyn-Mayer (MGM), making it one of the frontrunners in the chase.


    The owner of CNN and controller of Hollywood‘s largest film library feels it can generate strong returns from MGM‘s assets through its distribution network and relationships with pay-TV channels. Time Warner has close to $5 billion in cash and equivalents.


    MGM, saddled with $3.7billion in debt from a 2005 buy-out from a consortium of buyers led by Sony, initially attracted attention all across Hollywood with companies including News Corp, Liberty Media and AT&T showing their keenness to join the race. But by last Friday‘s deadline, only three remained.


    MGM confirmed that it had received a number of bids and that it would review them over the next few weeks, though it has not ruled out operating as an independent company.


    The studio had hoped to attract bids topping $2 billion but has drawn offers of between $1.2 to $1.5 billion, raising the possibility of MGM lenders pushing for a pre-packaged bankruptcy rather than facing a distress sale.


    MGM has struggled to keep afloat as it suffered an industry wide slump in DVD sales. In spite of that, the studio‘s Bond catalogue, rights to make future Bond films and its development of a film version of The Hobbit attracted interest from potential buyers.


    The bidding for MGM coincides with the auction of the Miramax library, owned by Walt Disney, and Overture, the film arm of the Liberty Media Group, in the latest round of consolidation.

  • Mumbai-based docu Rat Killers among six selected for Cannes award

    MUMBAI: The Rat Race, produced by Filament Pictures, is among the six selected for the Cannes award.


    The documentary is based on rat killers in Mumbai. Says founding director Miriam Chandy, “It is an unbelievable opportunity to showcase the work we have been doing over the last eight months to the biggest broadcasters worldwide. The Rat Race is truly a film that captures the `never say die‘ work culture of Mumbai, India‘s commercial capital, and I am truly honoured that I can make this pitch.” 


    Mumbai-based Filament Pictures is a small production house that does one or two films a year. “We will be pitching against very big productions with deep pockets”, says Chandy who has been self funding this documentary. “But I believe that there is a new wave in documentary filmmaking in India that is able to make a mark internationally and I hope my film will be one of them. “


    Chandy has previously directed documentaries for the National Geographic Channel and BBC World. Her last documentary, Robot Jockey, won the Asian Television Award for `best social awareness programme‘.
     

  • Love Sex Aur Dhoka survives IPL raj to make an impact

    MUMBAI: This Friday‘s releases Love Sex Aur Dhokha, Shaapit and Lahore fared better than last week‘s releases.


    Love Sex Aur Dhokha opened well at multiplexes. Though the film opened poorly at between 15 to 20 per cent, the collections turned to more than 40 per cent by the weekend on the basis of good reviews and word-of-mouth publicity. Deft handling of script with hidden cameras makes Love Sex Aur Dhokha a first-of-its-kind viewing experience.


    The film is voyeuristic but it‘s not sleazy; neither has the film any similarities to Scorsese‘s Sex ,Lies and Videotape. The film is a leap in the evolution of Hindi cinema, by being inventive and highly laudable.


    The same was the case with Lahore. People got curious after the news that the film was banned in Pakistan for exhibition. Because of its title, the film was considered to be another film on Indo-Pak indifference. But it‘s a film on kick-boxing, a sport rarely showcased on the relations of two brothers and also two countries. 


    Later, on its release, the film was raved by viewers for being the best-as-yet sports action film. Though the film didn‘t open well, its collection registered a sharp rise and by the weekend, it registered attendance of between 35 to 40 per cent.


    Though the Aditya Narayan-starrer Shaapit didn‘t open well at multiplexes, the Vikram Bhatt directed film did better at single screens. The film makes for a very good viewing and is a great treat for all lovers of horror films.


    The coming week will be a kind of an acid test for all the three films. If they are able to sustain, their run at the box-office will naturally grow.


    Meanwhile, after a dull first-week opening, IPL registered an attendance of 70 per cent in among the 700 screens all over the country.


    Comments trade analyst Taran Adarsh, “There are as many as five releases per week and some from the likes of Subhash Ghai and Shyam Benegal. If IPL screening works and matches get interesting, the film industry will be doomed because theatres will start screening all big matches.”


    Next week will see the release of Well Done Abba, Hum Tum Aur Ghost, Prem Ka Game, Mittle vs Mittle and The Great Indian Butterfly.

  • Eros appoints Rajesh Bahl as chief digital officer

    MUMBAI: Eros International Media has appointed Rajesh Bahl as chief digital officer.


    Bahl will spearhead Eros‘ digital initiatives across all the new media platforms including mobile, online, DTH, IPTV, cable and other emerging platforms.


    Bahl moves in from Star India where he headed the mobile business as part of Star Digital group.


    Said Eros International Plc Group CEO & MD Jyoti Deshpande, “The Indian market is at an inflection point as far as the digital revolution is concerned, be it mobile, DTH, IPTV or broadband. We hope to monetise our large content library through these new media platforms and also make strategic inroads in the space. Rajesh‘s experience in music, home entertainment and television made him an ideal candidate to spearhead our digital strategy in India.”


    Avers Bahl, “Eros is an established global player with the advantage of a large content library. With the advent of new digital opportunities in India, I am extremely keen to put my experience into motion. The width and depth of the opportunity both internally for Eros and externally for the sector is exciting and I am confident that the next 2-3 years will be ground-breaking.”


    Bahl brings with him over 12 years of experience in the media and entertainment space. Besides spending more than three years at Star, Bahl has also worked with international music labels like Universal Music and Sony Music handling various assignments including A&R and marketing, content acquisition and licensing, sales and business development for around 9 years.

  • Reliance ADAG steps out of bidding ring for MGM

    MUMBAI: Anil Ambani‘s Reliance ADAG seems to have stepped out of the ring for buying out the debt-laden Metro-Goldwyn-Mayer (MGM).


    There are reportedly just three likely bidders – Access Industries, Lionsgate and Time Warner. MGM, however, declined to comment on the development.


    The deadline for submitting bidding offers was on Friday. But it now seems that the deadline has been pushed back – at least till Monday.


    In January, Reliance Entertainment had signed MGM‘s confidentiality agreements to make bid offers.


    MGM has run into financial stress, skipping an interest payment last year on its $3.7bn in debt when it failed to raise the capital required to support an ambitious production schedule. Its lenders have granted it forbearance from interest payments for some time.


    MGM boasts of a library of 4,000 titles, including classics such as the Pink Panther and James Bond movies.


    First-round offers are expected to come in between $1.5 to $2 billion, well below the $3.7 billion debt that the studio owes. If the bids come too low, MGM‘s creditors could decide to keep the company and restructure it, possibly filing for a pre-packaged Chapter 11 bankruptcy protection.

  • Filmmakers should draw on Indian heritage and culture: Patil

    NEW DELHI: President Pratibha Devisingh Patil has said the film industry today faces the challenge of balancing and catering to a new generation of viewers and a growing middle class which is more able to and more capable of spending on entertainment.


    “Our heritage and culture is a great source of knowledge, which can be drawn upon to develop storylines that can appeal to our younger audiences, by making them more appealing and presenting them in the contemporary context,” said Patil.


    Presenting the Dadasaheb Phalke Award for 2008 to veteran cinematographer V K Murthy and the 56th National Film Awards, she said “it is true that the audience in India, which is the market for films, is undergoing transformation” and this is leading to an increasing demand for better cinematography and overall quality of films. “Other media of entertainment such as television and the internet are also factors that are influencing the film industry, its approach and its outreach,” she said.


    She said great care must be taken in the manner in which creativity finds expression and quoted a famous film director having observed that “what is really important for a creator, is not what it is we want to say, recall, regret, or rebel against, but what is important is the way we say it, as art is all about craftsmanship.”


    Cinema has an immense influence on thinking and on lifestyles of the young generation and “there is much positive energy that can be generated by using films, for conveying the message of good values to society and also eradicating harmful social evils,” she added.


    Noting that there was a time when Indian films were said to be influenced by films from the west, she said this had given way to a two-way interaction. “Our diverse and growing film sector is being noticed and indeed, wooed around the world. Our film industry is beginning to influence the foreign film industry, both financially and creatively. This has resulted in increased collaborations between the Indian film industry and Hollywood.”


    She said during her trips overseas, references are made to the popularity of Indian films and their role in promoting cultural understanding. “Our film industry can play a part in bringing a progressive and fast developing India, anchored in thousands of years of a rich civilization, to the minds of viewers”, she added.


    At the outset, she said Indian cinema was a vast ocean with a variety that was enviable. Therefore, she said cinema needed to be continuously nurtured “as a part of our efforts to not only excel in making films, but also to use it as a medium to tell our stories, as well as give expression to the importance of a humane approach in life.”


    Speaking on the occasion, Information and Broadcasting Minister Ambika Soni said the Expert Committee constituted to suggest changes in the National Film Awards had completed its deliberations. The Committee had been set up recognizing the sweeping changes that have come about in the film industry across all aspects of production, distribution, exhibition and marketing, with the advent of new ideas, new business models and new technologies. The Ministry also proposed to spearhead the participation and promotion of Indian cinema in key markets and festivals abroad in a much bigger way, she said.


    Soni noted that the robust growth and development of the film industry in India was high on the agenda of the Government and the Ministry was ready to facilitate this process in every possible way.


    For the first time the ceremony was hosted by film personalities – Divya Dutta and Ashutosh Rana. Hariharan gave a live rendition of his award winning song in the Marathi film “Jogva’, “Jeev Dangla Gungla Rangla”, and Bonnie Chakravorty performed the Best choreographed award winning song of “Jodhaa Akbar’, ”Azeem-o– shaan Shahenshah”.


    Murthy received a standing ovation as he received his award, the first ever to be given to a cinematographer. One hundred thirty awardees in 69 categories received their Swaran and Rajat Kamal medals along with cash rewards.