Category: Hindi

  • Ra.One, Zindagi Na Milegi Dobara sweep Central European Bollywood Awards

    Ra.One, Zindagi Na Milegi Dobara sweep Central European Bollywood Awards

    NEW DELHI: The Shah Rukh Khan starrer ‘Ra.One’ and Zoya Akhtar’s ‘Zindagi na milegi dobara’ has swept the Ninth Annual Central European Bollywood awards, bagging as many as five and four honours respectively.

    Announced during the Indian Film Festival in Berlin at the ACEBA Award Show, the awards were given on the basis of votes by viewers who are mostly German speaking.

    The awards are hosted by molodezhnaja.ch, the biggest German language Bollywood website with one of the most extensive review sections for Bollywood films found in Europe, as well as bollywoodforum.ch, the busiest Bollywood discussion panel in central Europe with many hundred users online throughout the day.

    The BNA Germany and the Indian Film Festival in Berlin are partners in international promotion, press and hosting.

    For the first time this year, an international jury with film critics and film journalists from India, Austria, UK, Italy, France, Germany and Turkey was responsible for the nominations.

    Fans from all over Europe voted. The results were announced on 18 August at the ACEBA Award Show during the Indian Film Festival Berlin 2012.

    Because molodezhnaja is a Swiss website hosted in German only, the award is also a German language event. The results are communicated in English at the Swiss Indian Film Bridge in Geneva, Switzerland, and later on the website in German and English.

    ‘Zindagi na milegi dobara’ received the best film award (51.99%), Best Director (44,03%), Best Screenplay – Zoya Akthar and Reema Kagti (46,31%), and Best Supporting Actor – Farhan Akthar (44,03%).

    Ra.One received awards for Best Singer Male Shafqat Amanat Ali – ‘Dildaara’ (39.49%); Best Cinematography – V Manikandan and Nicolai Pecorini (36.65%); Best Soundtrack – Vishal-Shekhar (47.16%); Action/Special FX/Stunts (49.43%); and Best Choreography – Ganesh Hedge (59.66%).

    The Salman Khan starrer ‘Bodyguard’ got two awards: Best Actress Kareena Kapoor (39.49%) and best Singer Female Shreya Ghoshal for ‘Teri Meri’ (49.43%).

    Shah Rukh Khan got the Best Actor award for ‘Don 2’ (62.78%), while the Best Supporting Actress was Rani Mukerji in ‘No One Killed Jessica’ (68.75%).

    The Breakthrough Role awards were given for Male to Prateik Babbar in ‘Dhobi Ghat; (31.53%), and Female to Parineeti Chopra for ‘Ladies vs Ricky Bahl’ (32.39%).

    ‘The Dirty Picture’, which has swept the private sector awards in India, received just one award: Best Costumes for Niharika Khan (31.82%).

    The Indian Film Festival in Berlin commenced earlier this month with stage performances of Suzanne Bernert and Lamira Faro, an exclusive first look of “Heroine” presented by director Madhur Bhandarkar, and the opening film “Bodyguard”.

    Those who attended the festival included Prem Chopra, Madhur Bhandarkar, Omi Vaidya, Avtar Bhogal, Sarfaraz Alam, Rohit Khaitan, D.K. Desai, Sunny Singh and Suresh Singh and dancers, Lamira Faro and dancers, Bhangra Brothers, Prashant Jaiswal, Amrita Cheema, Marianne Borgo and Babita Sharda.

  • Sachin, Basu Chatterjee mourn A K Hangal’s death

    Sachin, Basu Chatterjee mourn A K Hangal’s death

    MUMBAI: The month of August has been really very bad for the film industry with several film stalwarts like Dara Singh, Rajesh Khanna and now A K Hangal passing away to eternity.

    Having started in films with the Hindi adaptation of Nobel laurette Rabindranath Tagore‘s story ‘Post Office‘ titled Dakghar was back in the 60s, he went on to do more than 100 films, notable among them being his role as Ram Shastri in Aaina (1977), Inder Sen in Shaukeen, as Bipinlal Pandey in Namak Haraam, as Imaam Sa‘ab in Sholay and as Anokhelal in Manzil among others. Incidentally, he was the only character actor who did 17 films with the late Rajesh Khanna.

    Reminisces actor-director Sachin, who played Ahmed to Hangal‘s Imaam Saheb, “The industry is indeed grieved at the passing away of Hangal saab as we dearly called him. His memory becomes all the more important to me because he started his career with me and Balraj Sahni in the Zul Vellani-directed children‘s film Dakghar in 1965.

    Besides his association with IPTA then, he was actively involved in patriotism-related activities. It was for this, that the government of India conferred the Padma Bhushan to him in 2006. Known for his subtle performances, Hangal saab was loved by one and all.

    After a long time, we both had the occasion of working together again in the Rajesh Khanna-Shabana Azmi film Avatar in which we both had important roles. Then we did Sholay together but after that I had no chance to work with him.

    Once, I remember when he was reminiscing about his past, I asked him, “Hanagl saab, people know you as A K Hangal, but please tell what does A and K mean. That is when he said, “My name is Avtar Kishan Hangal.” With his demise, we have not only lost a great actor but also a good human being. May his soul rest in peace.”

    If one may remember, Hangal played one of the three elderly gentlemen who decide to go away to Goa for a while to have some enjoyment in their late lifetime in Basu Chatterjee‘s 1982 film Shaukeen. While in Goa, the three men get in hilarious situations with Rati (Agnihotri) as they try to impress her and try to get lucky with her.

    It was a kind of an offbeat role for Hangal saab and that too with seasoned artistes like Ashok Kumar and Utpal Dutt. Remembers Basu Chatterjee, “Never did he feel out of place acting with the two veterans and never did the two allowed him to feel out of place. All the three gelled as a unit and acting wise, all the three performed equally well.

    Hangal saab was a versatile actor who did a variety of roles. He did many films with me. Hangal saab was very dear to me because it was me along with Basu Bhattacharya who picked him up from his tailoring shop in Crawford Market somewhere in 1862-63.

    But it was a pity that the funeral of Hagal saab was barely attended by industry bigwigs. Hangal saab must have moaned from his pyre, “Itna sannata kyon hain bhai.”

    Character actor AK Hangal, who had the rare ability to imbue the smallest and the most ordinary of roles with quality and dignity, passed away at a private hospital in Santa Cruz, Mumbai following health complications caused by a recent hip fracture. “He was not keeping well for quite some time,” his son Vijay told a news agency. He was 98.

    Even in a crowded multi-starrer like ‘Sholay‘ (1975), Hangal‘s cameo of the blind Rahim chacha stood out. Many still remember his dialogue, Yeh itna sannata kyun hai bhai. His emotional speech, on learning that his son has been killed by the dacoits, is among the most moving moments in the film.

    “He was a brilliant and versatile actor who could modulate his voice very effectively,” says director Basu Chatterjee, who gave the Sialkot-born actor his most shaded roles in films such as ‘Manzil‘ (1979) and ‘Shaukeen‘ (1982). In Manzil, Hangal played a suave crook and in Shaukeen, he was one of the three lecherous old men out to have adult fun. With his death, all the three protagonists- Ashok Kumar and Utpal Dutt being the other two – in the film are gone.

    Recalls director Rahul Rawail, for whom Hangal acted in ‘Arjun‘ (1985) and ‘Dacait‘ (1987),” “He had a complex role in Arjun, where he played Sunny Deol‘s father. But he was brilliant in the role of a man in conflict amidst a rebellious son and a domineering wife.”

    Hangal was 50 plus when he made his Hindi film debut playing the brief role of Raj Kapoor‘s elder brother in ‘Teesri Kasam‘ (1966). Another early role was that of a ruthless businessman who wants to build multi-storeys over jhuggi-jhopris and tries to lure a journalist to join his fold in KA Abbas‘ ‘Bambai Raat Ki Bahon Mein‘ (1967).

    His best roles happened in the 1970s and 1980s when the actor was a regular fixture in dozens of movies. He played some of his more distinctly-etched characters in Hrishikesh Mukherjee movies such as ‘Bawarchi‘ (1972) where he played a clerk with a weakness for the evening tipple and ‘Namak Haraam‘ (1974) where he was an honest trade unionist. The actor is survived by his only son, Vijay.

  • Ek Tha Tiger continues to rule box office, nets Rs 1.75 bn in 12 days

    Ek Tha Tiger continues to rule box office, nets Rs 1.75 bn in 12 days

    MUMBAI: Ek Tha Tiger went on to become a new legend on the Hindi film box office, a fairytale for its makers as it scaled new heights.

    The film showed more action at the box office than the screen itself in its rollercoaster ride which began with Rs 329.3 million on Wednesday, 15 August. Its box office collections dropped over 60 per cent on the following days before it made the most of the weekend and the Eid and Basi Eid festive days.

    The film, which had registered the fastest Rs 1 billion after its extended weekend, closed its first week (nine days) with a whopping Rs 1.54 billion, all from multiple shows at 3,300 screens thereby exhausting most of its audience.

    The film added just Rs 207.4 million more in its second weekend, taking its 12 day tally to Rs 1.75 billion.

    The concept of overflow, which was a routine thing till before multiplexes and the concept of film release in hundreds of screens happened, occurred this time around. The houseful shows of Ek Tha Tiger disappointed many and some of them decided to take in Gangs Of Wasseypur instead rather than return watching nothing. Thus, the overflow audience helped Gangs Of Wasseypur get better collection than it would have in its second week as it netted Rs 27.5 million and took its total to Rs 214.5 million.

    Shirin Farhad Ki Toh Nikal Padi failed to get a decent opening due to its face value and then to improve over the weekend with poor word of mouth. The film ended its opening weekend with around Rs 63 million.

    Jism2 is almost through at the box office adding a symbolic Rs 6.5 million in its third week to gross a total of Rs 357 million.

    Kya Super Kool Hai Hum collected Rs two million in its fourth week taking its total collection to Rs 460.6 million.

  • A festival of South Asian documentaries will feature 4 Indian films

    A festival of South Asian documentaries will feature 4 Indian films

    NEW DELHI: A festival of 12 non-fiction films from South Asia covering a wide range of subjects from piracy and copyright issues to India’s agrarian crises, labour migrants and natural disasters will be screened in a four-day ‘Travelling Films South Asia 2010” festival here this week.

    The festival encapsulates a flavour of the subcontinent with films from Afghanistan, Bangladesh, Myanmar, India, Nepal, Pakistan, Sri Lanka and the Tibet Autonomous Region.

    Organised by India International Centre here in collaboration with Himal Southasian (a magazine published from Nepal) of Kathmandu, the Festival will be held from 29 August to 1 September. All the films are subtitled in English.

    The Festival will open with an introduction by FSA Director NayanTara Gurung Kakshapati. The opening film is Kerosene (Sri Lanka; 16 min; 2011; English & with subtitles) by Kannan Arunasalam on how taxi drivers and newspapermen had to deal with shortage of kerosene following embargoes during the war with Tamil Tigers.

    The festival includes three award winners at Film South Asia Festival 2011, Kathmandu, as well as other films selected to showcase the variety, treatment and intensity that marks the world of South Asian documentaries.

    The winners of the Film South Asia Festival 2011 include Nargis: When Time Stopped Breathing (Myanmar; 90 min; 2010; English subtitles) by Kyaw Kyaw Oo and Muang Myint Aung is about Cyclone Nargis which raged for hours in May 2008 in Myanmar’s Ayeyarwaddy Delta, killing 140,000 people. The filmmakers recorded scenes that touched them such as rain-drenched survivors searching for wood and nails in the mud to build a roof over their heads.

    According to the directors, “Our images reflect our own feelings as much as those of the people we met; we have carefully woven these emotions into an intimate and poetic film.” The film won the Special Jury mention.

    The Truth That Wasn’t There (Sri Lanka/UK; 84 min; 2011; English with subtitles) by Guy Gunaratne won the Second Best Film Award. It is about three student journalists who crossed the frontlines in the wake of Sri Lanka’s civil war in 2009, becoming the only independent journalists to have done so. They witnessed the trail of destruction and documented everything they saw on 30 hours of tape and over 4000 photographs.

    The Festival will also screen Journey to Yarsa (Nepal; 65 min; 2011; English subtitles) by Dipendra Bhandari which is winner of the Tareque Masud Best Debut Film Award. It is the story of a man in search of yarsagumba, a fungus that grows out of caterpillars in the high Himalaya, and is much prized for its medicinal properties

    The Indian films include Nero’s Guests (56 min; 2009; English) by Deepa Bhatia which won the top award of the Indian Documentary Producers Association. It is a very dark picture of the government’s failure in the face suicides by nearly 200, 000 farmers over the last 10 years and the daunting task undertaken by one journalist, the rural-affairs editor of The Hindu newspaper P Sainath, to awaken the government to this.

    Another Indian film is Dharavi, Slum for Sale (79 min; 2010; English) by Lutz Konermann about arguably the world’s largest slum, Dharavi, in Mumbai, where thousands are facing eviction.

    Cowboys in India (India; 76 min; 2009; English) by Simon Chambers is about the evils perpetrated by the London-based mining company Vedanta Resources in rural India through a story.

    Partners in Crime (India; 94 min; 2011; English) by Paromita Vohra is about video and music piracy and violation of copyright. When more than three fourths of those with an Internet connection download all sorts of material for free, are they living out a brand new cultural freedom, but are they criminals?

    The Pakistani film is The Search for Justice (28 min; 2011) by Tehmina Ahmed and investigates the state of labour laws and courts in Pakistan, exposing flaws in the system and recommending possible solutions.

    Tres Triste Tigres (Three Sad Tigers) from Bangladesh (15 min; 2010) by David Munoz is the story of middlemen exploiting those who seek to travel abroad to escape poverty.

    The Afghan film I Was Worth 50 Sheep (72 min; 2010) by Nima Sarvestani is the story of a girl who had been sold to a man 40 years her senior but escaped.

    The Nepalese film is Saving Dolma (62 min; 2010) by Kesang Tseten which, through the story of a Nepali maid Dolma convicted for murder, provides a rare glimpse into the fractured lives of ill-prepared women migrant workers in the Gulf States.

  • Filmmakers resent CBFC decision to stop re-certifying adult films for TV

    Filmmakers resent CBFC decision to stop re-certifying adult films for TV

    MUMBAI: In a move that threatens to derail several top-of-the-line production houses which make a chunk of their profits from the advance sale of satellite rights, the Central Board of Film Certification has decided to stop re-certifying A-rated films for television.

    According to sources, the decision has been taken in accordance with the provisions of the 1952 Cinematograph Act.

    The move is likely to severely affect advance sale of satellite rights on part of the producers or production houses.

    A number of big-ticket films, including Aamir Khan‘s home production Delhi Belly, Anurag Kashyap‘s Gangs of Wasseypur (parts 1 and 2) and Vikram Bhatt‘s Hate Story, are waiting for CBFC clearance. The satellite rights of many of these films have already been sold to broadcasters amounting to multiple crores.

    For the last several years, the CBFC has been modifying A-rated films, both from India and abroad, through a ‘Form of Conversion‘ that was introduced at the board-level to facilitate the TV telecast of certain movies.

    All this began last month when objections were raised with the manner in which The Dirty Picture had been modified for TV. The CBFC then told the film producers that they should specify to TV channels that all modified ‘A’ rated films should only be shown only after 11 pm.

    Though this suggestion was accepted for The Dirty Picture, Vishesh Film, the producer of Jannat 2, challenged the The Dirty Picture‘s guideline in the Film Certification Appellate Tribunal (FCAT) fearing a loss of revenue in satellite rights.

    The Dirty Picture aired on 26 August on Sony Entertainment Television.

    The Film Certification Appellate Tribunal, while ruling in favour of the production house‘s favour, had told CBFC that it could not decide the slotting of films on TV. It was then that matters came to a head.

    Airing his discontentment, filmmaker Mukesh Bhatt groused, "This is a very serious matter. Now, there is no other way but to lock horns with the government. We might require judicial intervention failing which the entire economics of the film industry will go haywire."

    Recent films with an ‘A’ certificate include films like Sahib Bibi Aur Gangster, Shor in the City, Shaitan, Ishqiya, Desi Boys, Love Sex Dhoka, Jism 2, Murder 2, and Ragini MMS.

  • Farah Khan mulls screening Joker to the underprivileged

    Farah Khan mulls screening Joker to the underprivileged

    MUMBAI: Producer Farah Khan intends to screen her upcoming film Joker to underprivileged children.

    Directed by her husband Shirish Kunder, the film is a fantasy-adventure film starring Akshay Kumar, Sonakshi Sinha, Shreyas Talpade and Minnisha Lamba.

    “Joker is a complete family film and the kids already love our friendly aliens. We have been doing a lot of events with aliens and the reaction from kids has been out of this world,” Farah said in a statement.

    The makers of the film are planning to show the film to underprivileged kids and children from reality shows a couple of days before the movie releases. “As part of the film’s promotions, we are planning to show this movie to the kids,” Farah added.

    The film tells the story about a village called Paglapur that lacks basic facilities like water supply and electricity. Since no one comes forward to solve the problems, the character played by Akshay creates a drama involving aliens to attract people‘s attention.

    Joker, jointly produced by UTV Motion Pictures, Farah and Shirish‘s production house Three‘s Company and Akshay Kumar‘s company Hari Om Entertainment, will release on 31 August.

  • UTV to distribute No Entry Pudhe Dhoka Ahe on 7 September

    UTV to distribute No Entry Pudhe Dhoka Ahe on 7 September

    MUMBAI: UTV will distribute No Entry Pudhe Dhoka Ahe on 7 September.

    The film is a Marathi remake of Boney Kapoor’s comic caper ad is made under the banner of Underground Films.

    The film stars Bharat Jadhav (playing Anil Kapoor’s role), Aniket Vishwas Rao (playing Fardeen Khan’s role), Pandrinath Kamble (playing Paresh Ganatra’s role), Saie Tamhankar (playing Bipasha Basu’s role), Kranti Redkar (playing Lara Dutta’s role), Manava Naik (playing Celina Jaitley’s role) and Sai Lokur (playing Esha Deol’s role). Director Ankush Chaudhari essays the role of Salman Khan.

    The extravagant big budgeted film was shot at exotic and rich locations in Goa and Mumbai.

    No Entry Pudhe Dhoka Ahe, a family entertainer, attempts to lure the Marathi film audience back to the cinemas.

    Incidentally, the film was a super hit in Tamil, Telugu and Malayalam.

  • Shirin Farhad Ki Toh Nikal Padi: Another failed attempt at being ‘different’

    Shirin Farhad Ki Toh Nikal Padi: Another failed attempt at being ‘different’

    Mumbai: The quest for something different, something that can be made in a limited budget and without big stars continues. As such, Shirin Farhad Ki Toh Nikal Padi is an experiment to that end.

     

    Producers: Sanjay Leela Bhansali, Sunil Lulla.
    Direction: Bela Bhansali Sehgal.
    Cast: Boman Irani, Farha Khan, Kavin Dave, Daisy Irani, Shammi, Kurush Deboo.

    The casting of Boman Irani and Farah Khan, as well as Bela Bhansali Sehgal directing a film for her brother’s banner, gets the film ample media attention. Parsis are known for marrying late or not marrying at all and that forms the basis of this film.

    Farhad (played by Boman Irani) is a 45-year-old bachelor with a dominating mother and loving grandmother. He makes his living working as a salesman at a local lingerie shop. Shirin (Farah Khan) is a single Parsi woman of 40 years. One fine day she walks into the shop where Boman works to buy a bra. She is specific about what she wants and Boman tries to convince her on a different size putting his years of experience to use. The sparks fly and both are drawn to each other. Boman, a pure heart simpleton, and Farah, an aggressive kind, want to meet again and again.

    Unknown to both of them, Farah is already enemy of the state as far as Boman’s mother, Daisy Irani, is concerned. As the secretary of the Parsi Trust, she has been responsible for destroying an illegal water storage tank which Daisy Irani’s late husband had lovingly built! Her late husband had done only two worthy things in his life: build that water tank and gave her a son like Boman. So there is no way Farah Khan can be her daughter-in-law. This apart, Boman and Farah keep having their own lovers’ tiffs and misunderstandings too.

    As the film makes it to its post interval part, it shreds any notion of being the love story of a middle-aged couple; it tries to incorporate everything that a regular teenage love story would have. The film’s backdrop is the famous Khushrow Baug in South Mumbai and almost all Parsis are made out to be nutty characters and their trust meetings are usually a free for all. What is more, the film concentrates only on the Parsi community with no non-Parsi character around.

    There are few characters in the film except when there is a meeting that turns into a free for all, which is made to look inevitable at each gathering. The film rests on the shoulders of Boman, Farha, Daisy Irani and Shammi. Shammi and Daisy Irani still make their presence felt. Boman Irani is his usual self, very natural. Farah carries a smirk all the time as if she was enjoying the experience.

    Directorially, Bela Bhansali Sehgal makes her debut but looks like she has a long way to go; the script is patchy and there is little she can do to rise above it. Dialogue is routine. Music wise, songs are well tuned but are out of place in most cases.

    Shirin Farhad Ki Toh Nikal Padi promises no box office prospects.

  • Docu on coin collectors released

    Docu on coin collectors released

    Mumbai: Did you know that a section of homeless people eke out their daily living from the modest coins dropped as offerings into the Yamuna river?

    A 22 minute-long documentary titled In Search of Destiny (Coin Divers) by Aakash Arun, that attempts to throw light into the lives of coin divers numbering around 400 and 500 and living near the much-polluted but equally revered Yamuna, has been in circulation.

    The film begins with a train chugging on a bridge and people ‘offering‘ coins to the Yamuna and subsequently praying for their wishes.

    It is followed by a shot, where a child is seen hurling a dumbbell-shaped greasy object into the river and tugging the rope. The camera zooms into the dumbbell-shaped object and you see one shining coin stuck to it. Later on, the scene focuses on two men who narrate how they receive sustenance from the Yamuna in the form of coins.

    "The men are part of the marginalised section which is not only homeless and helpless but also are susceptible to the ills of addiction, says Arun.

    Nearly 60 per cent of these coin drivers in the national capital are in the grip of some form of addiction. These people are not too difficult to find out. Most of them are present in a radius of 4-6 km of the bridge over Yamuna that can be reached from Kashmere Gate, according to the film‘s narration.

    "Coin divers on an average find coins worth Rs 100 daily," says Arun adding that earning goes up on few occasions when luck smiles upon them in the form of trinkets, heavy metallic objects that fetch decent prices.

    The documentary was shot entirely using a DSLR camera which, he said, could be brought out in the open only after he could gain confidence of the coin divers.

    The fact that Yamuna plays a pivotal role in these people‘s lives can be easily grasped by viewers.

  • Jeena Hai Toh Thok Daal to release on 14 September

    Jeena Hai Toh Thok Daal to release on 14 September

    MUMBAI: Aparna Hoshing‘s Ravi Kissen-starrer Jeena Hai Toh Thok Dal has been set for release on 14 September.

    A project of Rash Productions, the film is based on the lives of four criminals in Bihar who form a tight knit group of gangsters. Born and brought up in the heart of crime, the four come up with a master plan and come to Mumbai. All goes as per their scheme until one of them has a change of heart after which their lives take an unexpected turn.

    The daring nature and serious subject of the film is grabbing a lot of eyeballs in B-Town.

    The film stars Ravi Kissen, Manish Vatsalya, Yashpal Sharma, Rahul Kumar, Pooja Welling, Hazel Crowney, Sharat Saxena, Govind Naamdev, Murli Sharma and Ashwini Kalsekar amongst others. Interestingly, Manish Vatslya, who plays a lead role in the movie, is also making his directorial debut with it!