Category: Hindi

  • Sajid Nadiadwala named president of AMPTPP

    Sajid Nadiadwala named president of AMPTPP

    MUMBAI: Producer, director Sajid Nadiadwala has been named the new president of the Association of Motion Pictures and Television Program Producers (AMPTPP). AMPTPP is a prominent trade body representing film and television producers, at both national and international levels.

    Nadiadwala will now preside over the association as chairperson and ex-officio member of all committees framed and working on different agendas. “This is a big responsibility that has been bestowed upon me by my seniors in the industry, so I will try my best to deliver on it,” Nadiadwala said in a statement.

    The filmmaker, the youngest president of the body, says his first mission is to stop piracy. “There are many issues that we have to look into – the most significant among them is piracy. It`s something that I will look into very seriously in my new role as president of AMPTPP,‘ he pointed out.

    The 46-year-old Nadiadwala, who has produced films like Judwaa, Heyy Babyy and Housefull 2, is now gearing up to don the director`s cap for his upcoming Salman Khan starrer Kick.

  • MAMI fest to screen films by renowned directors of the world

    MAMI fest to screen films by renowned directors of the world

    MUMBAI: The 14th edition of the Mumbai Film Festival, an initiative by MAMI, that will run from 18 to 25 October will include films by some of the most rewarded directors from all over the world which will only enhance the cinematic experience this year. There has been considerable buzz about the films that will be showcased at the Fest.

    Of the many films that will be screened, some of the noted movies that will be shown are: On the Road, Walter Salles, the provocative story of Sal Paradise, a young writer whose life is shaken and ultimately redefined by the arrival of Dean Moriarty, a free-spirited, fearless, fast talking Westerner and his girl Marylou.

    Rust and Bone, by Jacques Audiard, a story about Ali who finds himself with a five year-old child on his hands. Sam is his son, but he hardly knows him. Homeless, penniless and friendless, Ali takes refuge with his sister in Antibes where things improve immediately.

    Blancanieves (Snow White), by Pablo Berger a stunning gothic melodrama by the popular take by the Grimm Brothers.

  • For a first PVR to release documentaries under Director’s Rare banner

    For a first PVR to release documentaries under Director’s Rare banner

    MUMBAI: PVR cinemas is slated to release three documentaries under the banner of Director‘s Rare. The documentaries are – Fire In Babylon on 21 September, Bom / One Day Ahead Of Democracy to on 9 November and Celluloid Man sometime in December.

    All along PVR Cinemas has been releasing independent feature films under Director‘s Rare brand but this is the first time that documentary features are being released under the banner.

    Observes, Head of PVR Director‘s Rare Shiladitya Bora, “We at PVR Cinemas believe that there is a space for all kinds of cinema. We have already pushed the envelope by giving mainstream exhibition to indie content. Now we want to take a step forward and treat our audiences with some exceptional documentaries which deserve to be seen.

    In the coming weeks we will be releasing some award winning Indian as well as international documentaries under PVR Director‘s Rare banner,” he adds.

    Fire In Babylon, by Steven Riley charts the ascendancy of the West Indies cricket team throughout the late ‘70s and ‘80s. The film strikes a defiant blow at the forces of the apartheid world, through a game previously reserved for the privileged elite. The film was nominated for a British Independent Film Award for Best Documentary and was a joint-winner of the UNESCO Award at the Jamaica Reggae Film Festival 2011.

    Set in a remote village of Malana in the Himalayas Bom / One Day Ahead Of Democracy by Amlan Datta depicts the invasion of modern democracy in this land of harmony, peace and unity, resulting in the destruction of the latter.

    Celluloid Man: A Film On P.K. Nair by Shivendra Singh Dungarpur honours the contribution of P K Nair to disseminate film culture in India. Nair was the founder-director of the National Film Archive of India (NFAI), Pune. His efforts have resulted in a coveted collection of 12,000 films at the NFAI from the start up of 124 films.

  • PVR launches nine-screen multiplex in Pune

    PVR launches nine-screen multiplex in Pune

    MUMBAI: PVR Ltd has launched a nine screen multiplex at Viman Nagar, near Baker Company, Pune.

    The multiplex, spread across an area of 79,345 sq. ft. has a capacity of 2081 seats, promises to provide an exceptional digital movie experience to cinegoers of the city at a pricing ranging from Rs 70 to Rs 300.

    With the launch of the multiplex in Pune, PVR today stands at 197 screens in 44 cinemas in 13 states and 27 cities across India.

    The multiplex chain now has 48 screens and nine multiplexes in six key cities of Maharashtra including four in Mumbai, one in Latur, one in Aurangabad, one in Nagpur and Nanded respectively.

  • FFI decides to boycott the IFFI 2012 for being ignored at every stage

    FFI decides to boycott the IFFI 2012 for being ignored at every stage

    New Delhi: The Film Federation of India, the apex body of the film industry, has decided to boycott all activities of the International Film Festival of India in Goa in November to protest it being by-passed and not being called to any Steering and other committee meetings.

    In fact, it was informed about the Industry Coordination Committee meeting as late as August-end by which time some major discussions that are normally taken at this meeting had already been taken by the Directorate of Film Festivals and IFFI Secretariat.

    FFI at its annual general meeting late last week in Mumbai where members from all over India were present unanimously decided that the federation will not participate in any of the activities of IFFI.
     
    FFI has always been an essential component of the Steering Committee and its members actively involved in various other committees and sub-committees such as theatre, technical, hospitality and others. But this has not happened in recent years and ‘FFI can only assume that either the committees have been discontinued or FFI has been kept out of them.‘

    According to FFI President Vinod Lamba, ‘it is now learnt that DFF has already taken all major decisions without calling for any joint meeting, or holding any discussions with the FFI; or even informing FFI.‘

    In fact, in 2011, the time-honoured tradition of the vote of thanks being delivered by the FFI President at the IFFI opening had been done away with at the level of the DFF ‘with no proper and timely information being conveyed formally to the Information & Broadcasting Ministry or FFI.‘

    Lamba added, ‘While this callous misadventure may appear to have been nipped in the bud and status quo restored, the deliberate mishandling of affairs at the inauguration event itself conveyed a greater affront to the persona and position of the FFI President, prompting the Minister (Mrs Ambika Soni) herself to rush on stage to take corrective action.‘

    The IFFI by its very tenets is a festival held jointly by the government and the Indian film industry, and FFI being the apex body of the industry ‘has been playing their part with total sincerity and efficiency.‘

    However, the same cannot be said of the Directorate of Film Festivals which has been persistently neglecting and slighting the FFI, in all matters that were once decided jointly.

    Talking to indiantelevision.com, Lamba added that despite an assurance of remedial action, it seems that the insensitiveness seems to have gathered strength; instead of involving the FFI and through it the industry from the early stages, it seems that the DFF/IFFI Secretariat is bent on sidelining the industry in the major decision making processes, reaching out to it only in times of dire need of correcting embarrassing foul ups. At the same time, he stressed that FFI has never shied away from providing assistance.

    Expressing surprise at the decision, IFFI Director Shankar Mohan told indiantelevision.com that he had been in constant touch with the film industry and it was erroneous to say they had been kept out. There has been constant coordination with the FFI, the Film and Television Producers Guild, and the Confederation of Cine Employees.

    He added that only two committees had been formed this year – the Steering Committee and a Technical Committee.

    He said he had been personally trying for the last month to arrange a meeting of the Industry Coordination Committee, but had failed to get a response.

  • Mukesh Bhatt elected as president of the Film & Television Producers Guild

    Mukesh Bhatt elected as president of the Film & Television Producers Guild

    MUMBAI: Mukesh Bhatt was unanimously elected as president of The Film & Television Producers Guild of India at the first meeting of the newly-elected Guild Council of Management on 15 September.

    Bhatt succeeded Ramesh Sippy who retired as the President after his tenure of two years.

    Siddharth Roy Kapur has also been unanimously elected as VP of the Guild. Dheeraj Kumar, Ashutosh Gowariker and Vipul Shah were re-elected as VP along with the re-election of Manish Goswami and Ashim Samanta as Treasurers.

    Ekta Kapoor and Shrishti Arya were also nominated as the two new members in the newly formed Guild Council of Management for the year 2012-13.

    Kulmeet Makkar will continue to manage the affairs of the Film & Television Producers Guild of India Ltd as its CEO.

    Bhatt said “I have imbibed a lot from Shri Ramesh Sippy over the last two years. In particular, Shri Sippy‘s insight in taking several crucial decisions for Guild was amazing and will act as a source of inspiration to me. It is a great privilege to lead a prestigious entertainment trade body such as the Guild and I will work to the best of my capabilities and energies and strive for the interests of the Guild and the entertainment industry. I seek the support of all the Council and Guild members in our objective to aggressively pursue and resolve the problems of the industry.”

    I also welcome the induction of Ekta Kapoor and Shrishti Arya into the Guild Council. Their knowledge and expertise will undoubtedly benefit the Council and the Guild. As President of the Guild, it will be my endeavor to work together and join forces with the other Council & fellow Guild members and other entertainment trade bodies to strive for the welfare and progress of the Indian entertainment industry in the ultimate analysis.”

    Sippy added, “During my tenure over the course of the last two years, the Guild has taken up several issues of the entertainment industry and though some of the matters have not been fully resolved, there is no doubt about the genuineness of our efforts in trying to resolve these problems and I am thankful to all my team members for their support and co-operation. I will continue to provide my wholehearted support to the Guild whenever my services are required. I am sure that the next management team will carry on with their efforts to resolve these significant industry matters. I wish them all the very best for their journey.”

    The other members of the newly elected Council of Management of Guild are Yash Chopra, Manmohan Shetty, Kamal Kumar Barjatya, Amit Khanna, Rakesh Roshan, Bobby Bedi, Sushil kumar Agrawal, Rajkumar Kohli, Karan Johar, Vishal Bharadwaj, Farhan Akhtar, Prosenjit Chatterjee, D.Suresh Babu, Kiran Shantaram and Randhir Kapoor are permanent members.

  • Barfi! collects Rs 346 mn in opening weekend

    Barfi! collects Rs 346 mn in opening weekend

    Mumbai: The cautious limited screen release strategy with concentration on multiplexes for Barfi! has helped get good dividends for UTV. Despite mixed reports from viewers, the film has collected as much as Rs 346 million in its opening weekend.

    However, the limited confidence in the film has created a dilemma for the company, which has another film, Heroine, lined up for release next Friday, 21 September. If Barfi! continues to do well at the multiplexes, as the exhibitors think it will, it would not be wise to discontinue the film for the sake of Heroine.

    The exhibitors are advocating one or two shows per screen to Heroine and let the already proven Barfi! enjoy prime time shows. UTV could have planned the release of Heroine for 28th September which would have allowed a two week gap between the films and also helped skip the Ganeshostav week which does affect collections in parts of India.

    The other two releases of the week, Jeena Hai Toh Thok Daal and Qayamat Hi Qayamat, failed to make any mark at the box office.

    Raaz3, which took an excellent opening, ended its first week with a rewarding Rs 552.5 million. The second weekend is reasonably good as the film added another Rs 90.5 million taking its 10-day tally to Rs 643 million.

    Joker collected Rs 16 million in its second week to take its total collection to Rs 207 million. Shirin Farhad Ki Toh Nikal Padi collected Rs 6 million in its third week taking its total collection to Rs 120 million.

    Ek Tha Tiger continued to brave all fresh releases and managed to sustain at the box office. It added Rs 35.5 million for the fourth week. With this, the film‘s 30-day collection totalled Rs 1.98 billion.

    Gangs Of Wasseypur II collected Rs 1.1 million in its fifth week to take its total collection to Rs 231.1 million.

  • Maharashtra single-screen theatres to go on indefinite strike from 12 Oct

    Maharashtra single-screen theatres to go on indefinite strike from 12 Oct

    MUMBAI: In support of their various demands, around 540 single-screen cinema theatres in Maharashtra will go on an indefinite bandh from 12 October.

    Said Cinema Owners and Exhibitors‘ Association of India (COEA) president R B Vidhani that many demands of cinema owners were not fulfilled by the state government and there seems to be no any remedy to solve this problem. “To draw the attention of government to their problem, all cinema theatres will observe an indefinite bandh from 12 October.”

    Single-screen theatres‘ demands include abolition of entertainment tax as like in many other states and incentive package for survival of single-screen cinemas without any conditions, among others.

  • Indian Short films making news in festivals overseas

    Indian Short films making news in festivals overseas

    New Delhi: Even as feature films from India continue to make waves overseas, short films from the country are also getting major recognition internationally.

    Six short films from the Satyajit Ray Foundation‘s annual short film competition 2012 including some by Indians overseas are to be screened at the 18th annual Encounters Short Film and Animation Festival in Bristol from 18 to 23 September.

    The films are: Ayesh by Farzana Tipurita, UK; Raju by Max Zarhle, Germany; Khaleel Khan ke Faakhtey (Dirty Doves) by Rizwan Siddiqui, India; Maya by Naina Panemanglor, UK; Shor (Noise) by Neeraj Ghaywan, India; and Unravel by Meghna Gupta, UK.

    Meanwhile, India will be the guest of honour with a special focus at the 35th Clermont-Ferrand Short Film Festival to be held from 1 to 9 February next year.

    Jacques Curtil from the festival team is presently touring Kolkata, Chennai and Pune to view films and establish further contacts for the preparation of the Indian retrospective programs at the festival.

    The winning short films from Clermont-Ferrand are being screened in the three cities in September.

    The Clermont-Ferrand Short Film Festival – one of the most important short film festivals in the world – is the second largest film festival in France.

  • Wave Acquires Oh My God India Rights

    Wave Acquires Oh My God India Rights

    MUMBAI: The all India theatrical distribution rights of the film Oh My God have been acquired by the film distribution arm of Wave Inc, Delhi. The deal was concluded on September 14 in Mumbai, according to Shabnam Kapoor.

    Oh My God was earlier made as a Gujarati play, Kanji Viruddh Kanji and later adapted into Hindi as Krishna vs Kanhaiya, both directed by Umesh Shukla who has also directed the film version.

    Both stage versions were acclaimed and were commercial success after which the protagonist of the Hindi play, Paresh Rawal, felt that the theme had potential to be made into a film.

    The film, slated for release on September 28, stars Akshay Kumar with Paresh Rawal, both of who also hold stakes in the production. The film has an item number by Sonakshi Sinha and Prabhudheva. Paresh Rawal plays an atheist trader who decides to sue God after suffering loss in his business following a natural calamity while Akshay Kumar portrays God who descends on earth. Mithun Chakraborty also features in a supporting role.