Category: Hindi

  • Gangs of Wasseypur bags four nominations at Asia-Pacific Film Fest

    Gangs of Wasseypur bags four nominations at Asia-Pacific Film Fest

    MUMBAI: Anurag Kashyap`s Gangs of Wasseypur has bagged four nominations, including best film and best director, at the 55th Asia-Pacific Film Festival.

    It has also been nominated in the best supporting actress category (Huma Qureshi) and best art direction (Suikal Bose).

    Two other films – Kahaani and Barfi‘ have also been nominated. While Vidya Balan has been shortlisted in the best actress category for Kahaani, Barfi has been nominated for its music by Pritam Chakraborty.

    The other films in contention for the best movie along with Gangs of Wasseypur 1 & 2 are I Wish, Life Without Principle, Lore, Masquerade and Bunohan Apparat.

    Thirty films will contend for the final awards in this year`s festival with the theme The New Starting Line.

    Nominated for best actor are Lee Byung-hun (Masquerade), Lau Ching Wan (Life Without Principle), Eddie Garcia (Bwakaw), Joseph Chang (GF*BF), Masato Sakai (Key of Life) and Tony Leung Kar Fai (Cold War) while the nominees for best actress besides Vidya are Song Jia (Falling Flowers), Gwei Lun Mei (GF*BF), Im Soo-jung (All about My Wife), Prisia Nasution (The Dancer) and Nora Aunor (Thy Womb).

    The list will be assessed by the juries through two rounds of voting.

    Winners will be announced on 15 December.

  • Dehradun to host Australian film festival

    Dehradun to host Australian film festival

    MUMBAI: For the first time in the history of the capital city of Uttarakhand, Dehradun play host to the Australian Film Festival of India (AFFI) that kicked off today.

    A total number of 17 films including a retrospective on filmmaker Baz Luhrman and a documentary on anti-corruption activist Kiran Bedi will be screened.

    "Federation of Film Societies of India taking our Australian films to various cities across India is exactly the exposure Aussie cinema needs in India, a film market Australia has yet to tap, we are humbled by the huge response," said the festival‘s founding director Peter Castaldi in a statement.

    The festival which is the result of a tie-up between Zee News and An Australian Film Initiative (AAFI) will be screened in three cities followed by a 17 city tour through the Federation of Film Societies of India (FFSI).

    "Federation of Film Societies of India taking our Australian films to various cities across India is exactly the exposure Aussie cinema needs in India, a film market Australia has yet to tap, we are humbled by the huge response," continued Castaldi.

    AFFI is also using online registration, as well as social media platforms like Facebook and Twitter to increase awareness and generate interest in the festival.

  • Mira Nair gets Indian Cinema Centenary Award at 43rd International Film Festival of India

    Mira Nair gets Indian Cinema Centenary Award at 43rd International Film Festival of India

    PANAJI: The Golden Peacock award and a cash prize of approximately Rs five million for the Best film went to the Gurvinder Singh-directed film Anhey Ghorey Da Daan (Alms for a Blind Horse), at the 43rd International Film Festival of India which concluded over the weekend.

    The film is produced by for the National Film Development Corporation and the prize money will be shared equally among the producer and director.

    The Silver Peacock and Rs one million for the best director went to Kyu-hwan Jeong for the Korean film The Weight.

    Marcin Dorocinski in the Polish film ‘Rose‘ by Wojtek Smarzowski and Anjali Patil in the Srilankan film ‘With You, Without You‘ by Prasanna Vithanage received the Silver Peacock and a cash prize of Rs one million each for best actor and best actress.

    The Special Jury Prize the Silver Peacock and a cash prize of Rs one million went to director Lucy Muloy for her Cuban film ‘Una Noche‘.

    The awards were announced by jury chairman Goutam Ghose in the presence of jury members Malani Fonseka, Lech Majewski and Annamaria Marinca who read out the citations. The fifth member of the jury, Derek Malcolm was not present. Ghose wished there were more categories considering the standard of the films. The awards were given away by His Excellency the Governor, the Chief Minister, the chief guest, the Guest of Honour, Mr Wagh, and Mr P Krishnamurthy.

    There also was a special award, instituted this year to mark the centenary of Indian cinema. This award went to the film The Reluctant Fundamentalist by the renowned filmmaker Mira Nair, which was also the closing film of the festival which was screened at Kala Academy after the closing ceremony. The jury for this award comprised Goutam Ghose and Kishwar Desai who were present and Buddhadeb Dasgupta who could not be present.

    Apart from Goa Governor V B Wanchoo and Chief Minister Manohar Parrikar, those present at the closing included the eminent Australian filmmaker Paul Cox as the Guest of Honour, P Krishnamurthy who is Secretary to the Government of Goa, and Vishnu Surya Wagh who is Vice-Chairman and Manoj Srivastava who is CEO of the Entertainment Society of Goa.

    The glitter and shine was leant to the evening by the Chief Guest Nandamuri Balakrishna who is prominent actor of Telugu cinema, and Jackie Shroff, Vishal Bharadwaj, and Shreyas Talpade who are all involved with Hindi cinema.

    The closing ceremony was held at the gaily decorated at the specially constructed hangar on the Football Grounds next to Kala Academy, and presented by actors Rahul Roy and Simone Singh who referred to the rich tapestry of cinema that had been presented. The Festival had commenced on 20 November.

    Speaking on the occasion, Parikkar promised to come up with a new Festival theatre by 2014 and also set up film studios, and film schools in the state.

    Balakrishna, son of the late N T Rama Rao, said piracy was affecting the industry and therefore there was need to create technical standards to fight this. An actor of 98 films, Balakrishna paid tributes to three actors who had made it big in political life: his father N T Rama Rao, M G Ramachandran, and Jayalalitha.

    The Guest of Honour, Paul Cox, said India had taught him the meaning of life, which should be an act of love. In a world of increasing globalization, there was need to reflect on our roots and cinema should show more kindness and humanity than the violence that it had become known for. Referring to Indian cinema, he said gems like Satyajit Ray‘sPather Panchali had affected him deeply and he referred to the beautiful fusion of the film with the music of sitar maestro Pandit Ravi Shankar. "Some films leave us humbled and speechless", he said.

    The culture and diversity of India was exhibited in the cultural programme that followed, where there was a short film clip accompanied by folk dance performances from different parts of the country, among them Maharashtra, West Bengal, Tamil Nadu, Punjab, Manipur and Goa. The choreographer of the cultural programme, Longinus Fernandes was felicitated by Mr Wagh.

    Accepting her award, Patil said the award had cast a huge responsibility on her that she owed to her director Prasanna Vithanage, and she dedicated it to artistes who thought with their heart when creating their works. Marcin was not present but in a message screened on the occasion thanked the Indian authorities for having found him worthy of the award, adding that he was busy promoting his next film ‘Manhunt‘. Jeong said he truly thankful for the award and admitted that he had fallen in love with Goa.

    Accepting his award, Gurvinder Singh said he wished the ‘Golden Peacock can fly to heaven and bring back to earth the late Mani Kaul‘, who had been the artistic director of the film. The 3,500-strong audience stood in silence for some time to pay homage to Kaul who had died of sickness about two years earlier.

    In her acceptance speech, Mira said that it was not very easy to make a political film in this age and covering four countries.

    IFFI Director Mr Shankar Mohan said the process of consolidation which had begun last year had been carried with new features. He also expressed his gratitude to the Information and Broadcasting Ministry and its media units, the Goa Government and the Entertainment Society of Goa and the people of the state for the huge support extended to the Festival.

    The inauguration on 20 November had been attended by the Information and Broadcasting Minister Mr Manish Tewari, the Ministry Secretary Uday Kumar Varma, Mr Parrikar and Chief Guest Akshay Kumar.

    The Festival had featured around 300 films, including 162 films in the international section from seventy countries, of which 84 were Indian Premieres.

  • Talaash rakes in 462mn in opening weekend; JTHJ, SOS cross Rs 1 bn

    Talaash rakes in 462mn in opening weekend; JTHJ, SOS cross Rs 1 bn

    MUMBAI: Talaash has met with a limited appreciation disappointing most Aamir Khan fans. Yet, thanks to him, the film has ended its first weekend with a moderate Rs 462 million with an opening of Rs 135 million on Friday. The film peaked on Sunday with Rs 182 million. However, the film is not expected to sustain well through the week except at elite multiplexes in metros.

    Life Of Pi has been lapped up by the discerning audience, the lovers of good cinema. The film, which had a very good opening weekend of Rs 136.5 million, has ended its first week with over Rs 200 million.

    Jab Tak Hai Jaan which ended its ten-day first week with Rs 984.1 million crossed the Rs one billion mark on the Friday of week two by collecting Rs 27.5 million. The film inched its way to Rs 1.18 billion by the end of second week (17 days).

    Son Of Sardar collected Rs 184.3 million in its second week taking its 17-day tally to Rs 996.3 million. The film crossed the Rs one billion mark on the Friday of its third weekend by collecting Rs 4.3 million, in all adding Rs 19.7 million for its third weekend and taking its 20-day tally to Rs 1.02 billion.

  • Son of Sardaar joins Rs 1 bn club

    Son of Sardaar joins Rs 1 bn club

    MUMBAI: Ajay Devgn-Sonakshi Sinha starrer ‘Son of Sardaar‘ has joined the Rs 1 billion club, netting Rs 1.02 billion at the box office since its release on 13 November.

    Some of the other movies to have collected over Rs 1 billion are Ek Tha Tiger and Rowdy Rathod.

    ‘Son of Sardaar‘ had opened with Rs 715.3 million net in India in the first week and has now crossed the Rs 1 billion mark, according to an official release.

    Son of Sardaar is a Viacom18 Motion Pictures and Eros International presentation.

    Produced by Ajay Devgn Films and YRV Infra & Media (P) Production, it is directed by Ashwni Dhir.

  • Gurvindrer Singh’s film bags Golden Peacock at IFFI

    Gurvindrer Singh’s film bags Golden Peacock at IFFI

    MUMBAI: Debutante director Gurvinder Singh, whose film Anhey Ghorey Da Daan (Alms for the Blind Horse) has won praises and prizes in film festivals all around the world, is on cloud nine with his film bagging the coveted Golden Peacock Award at the International Film festival of India (IFFI) that concluded in Goa yesterday.

    First to congratulate Singh was Information and Broadcasting Minister Manish Tewari. In his message, Tewari said: "Your success will spur the growth of Punjabi cinema and will encourage young directors to direct films that reflect concerns of society at large. Your achievement is an important milestone for the growth of regional cinema in the country."

    Produced by the National Film Development Corporation and based on Punjabi novelist Gurdial Singh‘s novel, the film attempts to translate to screen the effect years of subordination can bring to struggling masses in the face of events spinning beyond their control.

    Incidentally, Anhey Ghorey Da Daan has already won three National awards.

  • Fox Star gearing up to release Murder 3 on 15 February

    Fox Star gearing up to release Murder 3 on 15 February

    MUMBAI: Fox Star Studios, India is gearing up to release Murder 3, their joint venture with Vishesh Films on 15 February, next year.

    Avers Fox Star Studios India CEO Vijay Singh, "We are very excited to announce that Murder 3 is up for 15 February release. Murder 1 and 2 had made a splash at the box office and with the third offering we aim to raise the bar. We are very happy to associate with Vishesh Films yet again and hope to recreate the Raaz 3 magic."

    Taking a step forward in their successful partnership forward, Fox Star Studios and Vishesh Films had joined hands once again to produce the third installment of the Murder franchise. The film also happens to mark the directorial debut of producer Mukesh Bhatt‘s son Vishesh Bhatt.

    Talking about the film‘s release, producer Mukesh Bhatt says," Murder 3 will release a day after Valentine‘s Day next year and we are very eager to see how the audiences lap up the latest film in the Murder franchise…the film is especially close to me since my son Vishesh makes his directorial debut with it."

    While their last joint venture Raaz 3 set a benchmark in the horror genre, the producers with Murder 3 this time around promise to thrill audiences with the Randeep Hooda, Aditi Rao Hydari starrer that tells the tale of the unraveling of a mysterious disappearance, all told in true Bhatt style.

  • Talaash: A futile search

    Talaash: A futile search

    MUMBAI: ‘I will come back to haunt you‘ must be the oldest phrase used in a relationship. It bears no logic but makes one wary. It is a supernatural shrap (curse). A lot of rumours have been spread about the ‘the end‘ of Talaash during its pre-release publicity; all suspected to be the makers‘ own PR gimmicks. But no gimmick is worth a cinema ticket costing 300 rupees. If gimmicks made money, why make films?

    Three young men go on a joyride, meet with an accident and dump the victim, who they presume is dead. Then the victim comes back to seek revenge! Whichever way you look at Talaash and whatever the efforts to ‘Indianise‘ it with supernatural and life-after-death angles, the ghost of ‘I Know What You Did Last Summer‘ haunts the film all through. Rest is all an exercise in convolution. The usual ‘inspirational‘ Hollywood films run for 100 minutes or less; so Talaash has a parallel story of Aamir Khan, and his spouse Rani Mukerji eternally pining for their son who died due to drowning. This helps stretch the film to 140 minutes. It is also the film‘s undoing.There is a lot of speculation about which foreign film has inspired Talaash. From the look of it, Talaash seems to have got its genes from the Hollywood film ‘I Know What You Did Last Summer‘, itself badly panned by media there but lapped up by moviegoers.

    Like any metro-oriented film, Talaash establishes its base city, Mumbai, in its title song. This is mainly the seedy side, the underbelly of the city, which includes the whores, the pimps, the nightlife and the violence. Then it goes on to establish its protagonists. This affirms that it is going to be a long-winded film.

    Three years after the joyride accident, a top film star dies in a freaky car accident on the same spot when his car swerves suddenly on an open road late one night and lands in the sea. Khan is a reputed encounter specialist but he is called in to investigate the accident since it involves a high-profile star. There are no evident clues and he is told that this is not the first time such an accident has happened at this spot. When not investigating the case, Khan, in tandem with his wife, Mukerji get into bouts of depression and brooding over their dead son. Khan thinks it was his fault but keeps punishing Mukerji by keeping away from her or avoiding communicating. He does not even want another child. Mukerji on her part is under psychiatric treatment until a neighbour, Shernaz Patel, acquaints her with a message from her dead son. "He wants to talk to his dada," she says.

    Being a mother, Mukerji tags along to communicate with her son through Patel. This leads to another flashpoint between the couple, Khan and Mukerji. Khan would rather have nothing to do with such mumbo jumbo.

    In the process of his investigations, Khan meets a prostitute, Kareena Kapoor, whose pimp was the last person to communicate with the dead film star. The pimp, who is suspected of blackmailing the star and who collected rupees 20 lakh from him just before the accident, is missing. Khan expects Kapoor to lead to him. Instead, she is only interested in leading him to a seedy hotel room with an invitation to make out!

    As some more bodies fall and some more red herrings are dropped, the film meanders on and on till it springs what the makers think is a surprise element. The mystery is solved the way it was created.

    Talaash is such a dry and insipid film that it becomes a drain on the viewer. It lags in almost all aspects. As the script is weak, the director never gets a grip on the film. Music is no help in the absence of romance. Farhan Akhtar‘s dialogue is generally mundane. His forte being wit, the film offers him no scope. Preferring to project the dark side of the metro, visually too the film provides no relief except, ironically, the accident site. The seafront location is pleasing to eye. And why choose red light area whores? Kapoor could very well have been a high class one and the film could have had some glamour and finesse! Khan has no historic moments and does nothing to satisfy his fans. Kapoor looks too glamorous for the kind of joint she works at. Mukerji, as a totally deglamourised housewife, does well. Among others, Nawazuddin Siddiqui shines. Patel, Raj Kumar Yadav, Suhasi Goradia and Subra Dutta lend fair support.

    Talaash is disappointing fare, for Khan fans as well as for box office prospects.

  • YRF to produce Shekhar Kapur’s Paani

    YRF to produce Shekhar Kapur’s Paani

    MUMBAI: Yash Raj Films (YRF) has joined hands with Shekhar Kapur to produce his ambitious project Paani.

    Talking about his association with YRF, Kapur said, "I have been preparing for this film for a long time, but always wanted an Indian partner that has the same passion for the film as I do. I have finally found one in Adi. It‘s a huge production that demands futuristic sets and large action pieces. In Yash Raj Films, I have found a perfect home for Paani."

    The film is based in a future world where wars over water have broken out. Water is now owned by International Corporations that use thirst as a weapon of control. In one such futuristic city, a young love story breaks all the rules and in the ensuing war, water flows back to its people.

    The film will have a strong Indian and Western star cast, headed by a young actor from India and a young actress from the West.

    The film, produced by Aditya Chopra and directed by Shekhar Kapur, will be shot in India and overseas.

    Paani goes on floor mid-2013.

  • Morocco’s Marrakesh Film Festival will honour Hrithik Roshan by screening four of his films

    Morocco’s Marrakesh Film Festival will honour Hrithik Roshan by screening four of his films

    MUMBAI: The nine-day Marrakesh Film Festival that starts Friday, will play host to quite a number of Bollywood film personalities, all of whom are special invitees to the international film festival.

    Bagging top honours is actor Hrithik Roshan. "He has the maximum number of films being screened at the festival," commented a source. Four of his films namely Kabhi Khushi Kabhie Gham, Jodhaa Akbar, Zindagi Na Milegi Dobara and Agneepath will be screened at the festival.

    "More importantly, the four films will be screened at the main square to all the dignitaries and invitees at the festival," the source declared.

    Shah Rukh Khan will also share the stage with him on one of the days, as he also played the lead role in Kabhi Khushi Kabhie Gham. Shah Rukh‘s recent release, Jab Tak Hain Jaan, which also happens to be Yash Chopra‘s last directorial venture, will also be screened.

    Amitabh Bachchan and director Karan Johar are also among the special invitees to the Marrakesh fest.