Category: Hindi

  • Indian Film & TV Producers Council re-elects Sajid Nadiadwala as its president

    Indian Film & TV Producers Council re-elects Sajid Nadiadwala as its president

    Mumbai: Indian Film & TV Producers Council (IFTPC) has once again re-elected Sajid Nadiadwala as president at the 31st annual general meeting (AGM). This is the 11th year in a row that Nadiadwala has been president. Jamnadas Majethia was also elected again as chairman of the TV and web wing of the IFTPC.

    The AGM saw the induction of two new directors and the new board composition as follows: Ratan Jain, NR Pachisia, Madhu Matena, Shyam Bajaj, Kumar Mangat Pathak, Rajat Rawail, Shyamashis Bhattacharya, Dinesh Vijan, Nitin Vaidya, Abhimanyu Singh, and Ramesh Taurani.

    Nadiadwala expressed satisfaction that the pandemic has ebbed and that box office business is once again flourishing. He added that he would soon lead a delegation to the Maharashtra chief minister Eknath Shinde to discuss concerns pertaining to the sector.

    Jamnadas agreed with Nadiadwala and stated that while the TV business is developing well, there are some difficulties related to the film city that need to be addressed. He expressed hope that the meeting with the CM will help to address these concerns.

    He lamented the need to lower the extremely high electricity prices. He added that the contractual agreement with art directors is cause for serious concern because some art directors fail to pay their employees’ salaries on time, which causes unease and tension among the employees.

    The meeting paid tribute to all the departed souls during the year including Lata Mangeshkar and IFTPC former director Vijay Galani.

  • Inox brings Asia Cup 2022 matches live on cinema screens

    Inox brings Asia Cup 2022 matches live on cinema screens

    Mumbai: Inox Leisure is geared up to give Indian cricket fans an exceptional stadium-like experience by broadcasting Asia Cup 2022 matches live on cinema screens.

    The 15th edition of the Asia Cup 2022, which will be played in the UAE, will begin on 27 August with the finals scheduled on 11 September. Inox will broadcast all Team India matches live at multiplexes in over 30 cities across India.

    Inox’s initiative to screen live matches will be a boon for fans who want to experience stadium energy in a carnival-like setting in a safe and hygienic environment.

    The air-conditioned comfort of the cinema hall will enhance their overall cricket viewing experience. While watching the matches, fans will be able to enjoy INOX’s extravagant food combinations and delectable gourmet options served at the multiplexes.

    Inox Leisure chief operating officer Anand Vishal said, “This Asia Cup 2022, Inox is all set to welcome the cricket fans to this unparalleled and stadium-like experience across the country. With this unique initiative, our aim is to provide our patrons with the feeling of pulsating energy as if they were in the stadium itself.”

    He added, “We are waiting to welcome cricket fans to our cinemas to come and watch the Asia Cup matches together on our giant screens, with fantastic surround sound, which will create an atmosphere like no other. Cricket is a religion in India, and the Asia Cup is one big festival, and we are delighted to bring the cricket action to the big screens at the Inox cinemas.”

  • PVR Cinemas to premiere ‘Ekans-Hero Ek Villain Anek’ on 19 August

    PVR Cinemas to premiere ‘Ekans-Hero Ek Villain Anek’ on 19 August

    Mumbai: Ekan, the hero of Pogo’s original animated series Ekans-Snakes Awake!, is set to make his big screen debut. The children’s animated film “Ekans-Hero Ek Villain Anek” will be released exclusively in theatres at PVR cinemas.

    This new film will be shown in Hindi, Tamil, and Telugu at 72 PVR locations across 40 cities in India beginning 19 August.

    In addition to the movie screening, PVR has planned a variety of fun activities for kids, such as mascot visits and contests with Ekans merchandise as prizes.

    At the flagship PVR theatres in Mumbai, New Delhi, and Bengaluru, an experiential zone will be created where young fans can meet Ekans.

    Additionally, weekend activities such as face painting, drawing, origami, and interactive games are planned to keep the kids entertained.

    Warner Bros. Discovery head of kids cluster – South Asia Uttam Pal Singh said, “Since the launch of our India original animation series ‘Ekans – Snakes Awake!’, it has consistently been a fan favourite. We are all set to take Ekans’ adventures and bravery from the small screen to the big screen with ‘Ekans-Hero Ek Villain Anek’. PVR Cinemas and the experience it provides make it an ideal partner to premiere the movie and reach an even wider audience. We are sure the movie will appeal to kids across the country, propelling Ekans to even greater popularity.”

    PVR CEO Gautam Dutta said, “PVR is excited to host POGO’s much-awaited kids’ animated movie, ‘Ekans-Hero Ek Villain Anek.’ The movie is being released as part of the PVR Kids’ Day Out initiative, which offers the perfect opportunity for families with children to have a fun outing at our cinemas. It has always been our endeavour to offer exclusive content and differentiated experiences appealing to every customer demographic. We strive to create opportunities for our youngest audience to experience our unique offerings. We are certain that kids will enjoy watching Ekans on the big screen.”

  • UFO Moviez Q1 FY23 revenues up to Rs 90.6 crore; loss down to Rs 2.5 crore

    UFO Moviez Q1 FY23 revenues up to Rs 90.6 crore; loss down to Rs 2.5 crore

    Mumbai: In-cinema advertising platform UFO Moviez reported its first quarter results for the financial year 2023. The company reported revenue of Rs 90.6 crore versus Rs 28.2 crore in the corresponding quarter last year. It saw a loss of Rs 2.5 crore versus Rs 26.7 crore in Q1 FY22.

    The company reported earnings before interest, tax, depreciation and amortisation (Ebitda) of Rs 9.8 crore compared to Rs 18.1 crore year-on-year.

    While theatrical revenues are increasing due to the consistent and uninterrupted release of films by both the Hindi and regional film industries, advertisement revenues are slowly recovering due to lower government advertising spending. The corporate advertising segment has, however, shown a significant recovery.

    “The steady release of movies has resulted in a fuller resumption of operations and a revival in revenues,” said UFO Moviez executive director and group CEO Rajesh Mishra. “The success of big budget movies in April’22 and May’22, provided an impetus to all revenue streams, especially the corporate advertisement revenue that has seen a substantial recovery. Whereas, the lag in government advertising spending continued to put pressure on the overall advertisement revenue. We have already turned Ebitda positive and we expect this upward trend to continue. Meanwhile, the increasing appetite of audiences to consume movies in different languages and genres will continue to benefit our theatrical revenues.

  • Filmmaker duo Raj Nidimoru & Krishna DK collaborate with Netflix for creative partnership

    Filmmaker duo Raj Nidimoru & Krishna DK collaborate with Netflix for creative partnership

    Mumbai: Filmmaker duo Raj Nidimoru & Krishna DK on Thursday announced their collaboration with Netflix, in a multi-year creative partnership. Under their D2R Films banner, they will develop and produce their upcoming projects for Netflix.

    The filmmakers will also be the show-runners and directors of Netflix’s upcoming comedy crime thriller series, “Guns & Gulaabs,” a story of love and innocence in a world of crime, a nostalgic tale of all kinds of firsts, from first love to first kill.

    With an impressive slate of cult films, blockbusters, and premium shows, Raj & DK are undoubtedly one of India’s finest and most successful creators. The dynamic duo have mastered distinct genre mash-ups with their quirky style, creating extraordinary stories that have won both critical acclaim and commercial success.

    The duo also produced one of the most critically acclaimed and loved films of last year, the Telugu film “Cinema Bandi,” currently streaming on Netflix.

    Sharing details about the partnership, Netflix India VP-content Monika Shergill said, “Raj & DK are one of the most original creative voices in the country. Along with their unique and ingenious storytelling style, they are also a powerhouse studio. We are excited to continue our relationship with them for a multi-year creative partnership that will bring superlative entertainment to Netflix members around the world.”

    Raj & DK added, “Netflix is a pioneer in the streaming space backed by its unstinting, passionate support for filmmaking and filmmakers. We are looking forward to creating big, unique stories and challenging ourselves to push the storytelling into exciting and fresh spaces.”

  • UFO Moviez expects the company will return to pre-pandemic level: Sanjay Gaikwad

    UFO Moviez expects the company will return to pre-pandemic level: Sanjay Gaikwad

    Mumbai: As long as there are no new pandemic-induced restrictions that would affect business operations, UFO Moviez founder and managing director Sanjau Gaikwad is optimistic that the company will soon return to the pre-pandemic level.

    Addressing shareholders in the annual report, he said that during the year, as a proactive measure amidst the second wave, the company raised equity funds to the tune of Rs 96.82 crore. It was primarily done to address any unforeseen events due to any further Covid-induced restrictions and to help the core business meet its immediate capital requirements as soon as the movies begin to release following the pandemic. The fundraising, he explains, has given the company a strong financial foothold. “We will prudently utilise these funds for business expansion and any short-term capital requirements until our core business regains normalcy.”

    He noted that the severity of the Covid-19 pandemic and ensuing restrictions continued to affect the business in FY22 as well. This, he explains, was due to the absence of big-budget releases during the first seven months of FY22, which was led by the closure of cinemas in most of the States due to the second wave of Covid.

    “The release of big-budget movies began only in November ’21 and continued thereafter. However, the widespread of the third wave of Covid-19 at the very beginning of January ’22 and subsequent restrictions led to another two months’ impact on the business operations as movies only started to be released again towards the end of February’22. As a result of the two lockdowns due to the second and third waves of Covid-19, the overall recovery in the business has remained subdued in FY22. However, as a result of a steady flow of releases in recent months and the strong support of movie-goers, theatrical revenues have rebounded swiftly while advertising revenue is gradually improving. This is expected to continue in FY23 subject to no further pandemic-induced restrictions.”

    The company’s AGM will take place on 23 August 2022.

  • SPE appoints Shony Panjikaran & Lada Guruden Singh to lead distribution and production biz in India

    SPE appoints Shony Panjikaran & Lada Guruden Singh to lead distribution and production biz in India

    Mumbai: Sony Pictures Entertainment (SPE) appoints Shony Panjikaran and Lada Guruden Singh to take over the reins of its distribution and production business in India.

    Lada Guruden Singh has been named general manager and head of Sony Pictures International Productions (SPIP), India. He will be overseeing SPIP India’s local film development and production slate as well as its expansion in regional cinema. Lada will report to SPIP co-heads Michael Rifkin and Shebnem Askin.

    Shony Panjikaran has been named general manager and head of Sony Pictures Releasing International, India. He will manage Sony Pictures’ theatrical releasing business across the Hollywood and local cinematic slate in India, including all distribution, sales, and marketing efforts. Shony will report to Sony Pictures Entertainment senior vice president distribution Asia Adam Herr.

    In addition to its impressive Hollywood line-up of upcoming feature films, Sony Pictures is further committing to investment in Indian theatrical projects, and it has expanded its footprint in regional cinema including Telugu, Tamil, and Malayalam projects.

    Shony Panjikaran said, “Sony Pictures is a global force that creates imaginative and engaging content for audiences across the world. It is an absolute privilege to oversee SPE’s theatrical business in India and bring an incredible slate of Hollywood and Indian cinema to Indian audiences. For both Lada and I, it will be hugely rewarding to lead Sony Pictures Entertainment, India into a new era. Today, the film market in India is virtually borderless, and I am looking forward to pioneering new initiatives and partnerships in this dynamic distribution space and to satisfy the demand for brilliant global and local stories in India.”

    Lada Guruden Singh said, “As India leads the world in entertainment, creating content in volume and quality that ranks right at the top, we are excited to give it our all to become one of the top players in the country. From tentpole hits to clutter break-through content, from stories unfolding at the margins to the celebration of Indian mythology; we want to push the boundaries and synergies with leading talent as well as with fresh new voices. Shony and I are committed to making this dream come true, breaking all language barriers, and turning Sony Pictures Entertainment, India into the most sought-after creative studio in India!”

    Lada has been with Sony Pictures group since 2014 in multiple capacities across public relations, marketing, and creative development. He has worked on titles like “Piku”, “PadMan”, “102 Not Out”, “Looop Lapeta” and has led the studio’s expansion in Malayalam and Telugu with “9” and the recent blockbuster “Major”. India’s youngest biographer at the age of 22, Lada is a published author and a poet with three books to his credit. He is a former journalist and has worked with India Today as an anchor. He has also worked at Fox Star Studios and Disney India previously. Most recently, Lada has been instrumental in snagging the rights to “Shaktimaan”, a superhero trilogy currently in the works at SPIP.

    Shony Panjikaran has spearheaded Sony Pictures Entertainment India’s marketing initiatives over the past four years helping to launch enormously successful releases including “Spider-Man: No Way Home”, “Spiderman: Far From Home”, “Jumanji-The Next Level”, “Venom” and “Major”. Prior to this tenure at Sony Pictures, Panjikaran spent ten years at Fox Star Studios where he led their marketing efforts in a variety of roles; his work included films such as “Avatar”, “Life of Pi”, “Deadpool”, “Sanju”, “Baaghi 2”, Atlee’s “Raja Rani” amongst others.

    “Lada and Shony’s elevations underscore the film studio’s commitment to continue creating theatre-worthy tentpole films in India with a slew of big-ticket announcements set to come out in the coming weeks, as well as building on the track record of success with beloved Hollywood movies,” said the company statement.

  • PVR launches an in-cinema ad innovation

    PVR launches an in-cinema ad innovation

    Mumbai: Cinema exhibition company PVR Cinemas has announced its latest innovation in the in-cinema advertising space since its come-back after the pandemic. It has introduced 270-degree on-screen experiential in-cinema advertising for the first time in India to drive higher excitement for brands. Maruti Suzuki has become the first advertiser to use this platform to launch its all-new 2022 Maruti Suzuki Brezza in cinemas. The experiential view of the product is being showcased in select PVR locations in Delhi, Gurugram, Mumbai, and Bangalore for a week.

    This differentiated offering from PVR in collaboration with Xperia Group, an OOH media company, uses 3D Projection Mapping on the side walls, powered by hybrid technological integration. The company explains that projection mapping can actually convert ordinary commercials into highly attention-grabbing commercials and give the content a new life.

    PVR CEO Gautam Dutta said, “We are thrilled to partner with one of the finest carmakers in the country and have the chance to showcase their newly launched product in an immersive manner to visiting patrons inside the theatres. Innovation is at the core of PVR, and we are optimistic about offering our customers and advertisers something that is beyond their expectations. We are happy to expand the in-cinema advertising space. We are confident that this innovative method of advertising, which is ideal for product debuts, will help brands make a lasting impression on theatregoers’ emotions. PVR is really looking forward to collaborating with more brands and advertisers to revolutionise in-cinema advertising.”

    PVR added that after the pandemic, it has been distinctly unique to break the inertia of inaction in advertising and film promotions. Strong partnerships with movies and brands were forged in the process. After it’s reopening, PVR tied up with leading personal care brand Dettol as a hygiene partner for its customer care programme (PVR Cares). For the first time in the history of world cinema, PVR & SS Rajamouli came together with PVR reimagining its brand identity and logo as ‘PVRRR’ and launch “PVRRR NFT,” iconic digital collectibles of the movie. A shift in the aspirations of customers from value-buying to seeking experience led to the launch of the Kotak PVR Movie Debit Card, India’s first co-branded movie debit card.

    PVR has high affinity among young audiences, including a sizeable section of its loyal customers, and PVR chose this differentiated approach to create a youthful and exciting appeal for Brezza customers. Families bond over the shared experience of watching movies, and a utility vehicle purchase is mostly a family decision, hence the experiential advertising works well for the launch of the brand.

    Cinema advertising has proven to be an effective medium of advertisement, as it attracts undivided attention from the audience. However, with the impact of the lockdown, the share of in-cinema advertising has declined against traditional forms of media. Introducing what it says is the industry’s first experiential advertising in cinemas, PVR reinforces the fact that it is an uber-effective medium for active advertising and brand engagement. With experiential advertising, PVR is set to offer exposure to in-cinema advertisers and it aims to push the boundaries of on-screen cinema advertising for an immersive experience of the brand.

    On and off-screen media at the cinema offer advertisers a unique opportunity that no other medium can match, with cinemagoers spending an average of 15 minutes in and around the theatre. Cinema design and navigation, PVR explains, ensure that audiences enjoy a great experience at every touch point across their cinema journey, starting from the box office till the exit.

  • Cosmo First elevates Kulbhushan Malik as global business head of its films business

    Cosmo First elevates Kulbhushan Malik as global business head of its films business

    Mumbai: The global business conglomerate Cosmo First on Tuesday announced the elevation of Kulbhushan Malik as the business head for their films business globally. Earlier, he was working as head of operations for international businesses.  

    He will be responsible for devising strategy on operations and business growth.

    Malik brings over 24 years of experience with diverse experience in general management roles with P&L responsibilities, business development and finance roles with a demonstrated record of working in the manufacturing industry.

    Also read: Geo-targeted campaigns ramp up as brands go hyperlocal

    Speaking on the announcement, Cosmo First group CEO Pankaj Poddar said, “Kulbhushan has not only been an integral part of Cosmo Films growth but has helped navigate it via his leadership, strategy, and business acumen. I am confident that with Kulbhushan in-charge, Cosmo First will continue to achieve its strategic business goals.”

    Commenting on joining his new role, Malik said, “Cosmo has been at the forefront of innovation and manufacturing capabilities in the packaging industry. I look forward to working with the team and leveraging their capabilities to seek challenges and continue to deliver upon our commitment to quality, trust, and innovation with our consumer-centric approach.”

  • PVR expecting full recovery over the next couple of quarters: Chairman & MD Ajay Bijli

    PVR expecting full recovery over the next couple of quarters: Chairman & MD Ajay Bijli

    Mumbai: At the investor conference call post the announcement of its first quarter results, multiplex chain PVR’s chairman and managing director Ajay Bijli, said that the company is expecting a full recovery over the next couple of quarters.

    “Given the excellent performance of the movies in the last few months and a very promising lineup of content that is up for release during the rest of the year, we are expecting a full recovery in admissions and advertising income over the next couple of quarters. I believe that this year will be a great year for the company,” he added.

    PVR CFO Nitin Sood noted that there is still a large segment of people who have not shown up at the cinemas. “Our sense is that it will take a few months for the full recovery to play out as more films get released across theatres, as more genres of films get released across theatres, whether it is Hindi films or big tent poles like Avatar, which will draw consumers back to cinemas. So, the full recovery will take another six months to play out. Our sense is that by December 2022, when we have had a big run of films, effectively, recovery should take shape fully, because you must also understand that in a country like India, there is a very large segment of people who show up at the theatres only once or twice a year. So, for that to play out, you have to give it time and see a full recovery. So, our sense is by the end of December 2022, we should hopefully be able to see some of that.”

    Offering a quick update on the progress on the proposed merger of Inox Leisure with the company, Bijli said, “Both the companies got no objection certificates from the two stock exchanges, i.e., Bombay Stock Exchange (BSE) and National Stock Exchange (NSE), on the proposed scheme of the merger, and we are in the process of filing our application for the approval of the scheme of merger with the National Company Law Tribunal (NCLT) in the next couple of weeks. I am told that the NCLT process typically takes anywhere between five and seven months, so we seem to be on track.”

    Bijli is bullish on the content pipeline moving forward, he added, “The content pipeline in the months ahead looks promising. Over the next few months, we have several big-budget Bollywood movies lined up for release, like “Shamshera,” “Lal Singh Chaddha,” “Brahmastra,” and “Vikram Vedha.” From Hollywood, we have “Bullet Train,” “Paws of Fury,” “DC League of Super-Pets,” amongst others. From the regional genre, we have “Vikrant Rona,” “Liger,” “Godfather,” and “Ponniyin Selvan.””

    On the screen expansion plans, he said that the company opened 14 screens across three properties in the last quarter and is fast ramping up its capex plan to open a total of 125 screens by the end of the current fiscal. “About a third of our new screen additions will be in the tier two and tier three cities, and we will be entering 9 new cities during the year. The entire capex will be funded through internal accruals and liquidity available to the company. Our screen portfolio currently stands at 854 screens across 173 cinemas in more than 75 cities in India and Sri Lanka,” he explained.

    When asked about Hindi movies not doing well, he said, “No, there is no issue. I think it’s too early; it’s only been three-four months since movies have started coming out, and basically, I am not going to write-off Hindi movies so soon. There are some big movies lined up.” He added that one quarter is too short a timeframe to draw any conclusions that only regional terms will dominate and Hindi will not do well anymore.  

    He said that people just want to watch whatever appeals to them and it just so happens that two big regional language films did exceedingly well and they overshadowed other releases.

    PVR Pictures’ chief of business planning and strategy & CEO Kamal Giachandani noted that Hindi films have done well. ““Gangubai,” “Kashmir Files,” “Bhool Bhulaiyaa,” even “Jug Jug Jiyo,” which came out recently, have all done well. And also, we have to keep in mind that “K.G.F” and “RRR” actually performed a lot better in the Hindi version. Whether you would categorise them as a Hindi film, or would you consider them as a Kannada or a Telugu film, is a matter of debate. It depends on which angle you are looking at it from. But we think of them as Hindi films and the way we look at it is that if “RRR” and “K.G.F,” which are films essentially dubbed into Hindi, can do so well, imagine a Hindi film in the original version with a popular actor or with multiple popular actors, will connect to the audience. Imagine the upper limit for those films. Imagine the potential for those films. So, we see it as a big positive, and those were the three elements that made us think content is done well; these four months have done so well for us,” he mentioned.

    On the admissions front he said that when the company looks at the lineup that will come in the third and the fourth quarter of the fiscal it feels fairly confident that this could turn out to be a year which will end up with aggregate admissions which are a lot better than what was achieved in 2019- 20. “We feel extremely buoyant looking at the lineup and the response that we have got from the audiences. That said, our business is of hit and miss. I think it’s best to look at it on an annual basis rather than on a quarter-to-quarter basis in terms of admissions. There are segments like Hollywood films which have a depressed number in terms of quantity. Quality is fantastic, “Dr. Strange,” “Spiderman,” “Top Gun,” all of these films have exceeded the expectations, “Jurassic World.” But as far as the quantity goes, studios are still ramping up their production. Same is the case with Hindi films, producers are still ramping up their production. There has been a lot of disruption in terms of shooting over the last two years. We could have some surprises as we move forward but I think at an annual level, the entire financial year we are looking at a very strong set of numbers in terms of admissions.”

    Talking about the ad scene, PVR CEO Gautam Dutta said that in the second quarter the company should be getting its averages a lot better than the pre-Covid numbers of Q1 as compared to Q1 of last year. “So, currently we are in a gap of about 38 per cent, which should be reduced to about 20 per cent or so in Q2. By Q3, which is really a festive period and a lot of advertisers begin to advertise, we believe that we will be within the pre-Covid levels or maybe five or seven per cent lower. I am very certain that by Q4 we will end up sort of exceeding the pre-Covid numbers. So, that is going to be the trajectory, and having said that, yes, there has also been a big churn in the advertisers who used to come earlier to now.

    “We are seeing a lot of traction with new age advertisers who have come in, some of the FMCG and the multinational brands are taking a little more time. We hope that by quarter three they would possibly be back at the cinemas, so that’s largely what it is. Retail clients are showing a quicker turnaround, and we are seeing that while the RO size is small, they are kind of coming back to cinemas much faster. So, overall, I think quarter two is going to be a little under pressure but the average will get better than what we have achieved in Q1, but Q3 is really where I believe that we will be largely in the hitting range of pre-Covid numbers,” Dutta added.