Category: Hindi

  • Aashiqui 2: No love lost

    Aashiqui 2: No love lost

    MUMBAI: Aashiqui the original became a legend thanks to it musical score. Aashiqui 2 has nothing to do with the original except to cash in on its title, logo and poster design. While doing this needs little extra imagination, the rest, such as putting a script together and executing the film needs quite a lot. In the original Aashiqui, the hero was a go-getter who faced all the challenges to get his girl. Aashiqui 2 is about a guy who is a loser on all counts.

    Aditya Roy Kapoor is a famous singer on the wane; he is in a self destruction mode. He guzzles alcohol non-stop and generally indulges in self pity. He has a dad in the form of a telephonic voice from the US who always promises to stand by him but never comes to the scene. Actually, the writer/director doesn‘t bother to tell you why he is such a loser. He even drops a concert halfway through in Goa. So just when he has almost destroyed his career, he sees a bar singer, Shraddha Kapoor, singing one of his own compositions! Our hero takes instant fancy to her and her voice. He knows he has stumbled across the next Lata Mangeshkar. He decides to promote her career, finding love in the process.

    Producers: Mukesh Bhatt, Bhushan Kumar, Krishan Kumar. 
    Director: Mohit Suri.
    Cast: Aditya Roy Kapoor, Shraddha Kapoor.

    Having found romance, one would think that the hero would now have a reason to give up alcohol and live a decent life. In fact after making Shraddha a successful singer, he sinks deeper into alcohol. Now he is a total failure while she is on top. The hero becomes the butt of all jokes and taunts. You can‘t make out whether he is angry or happy with the people‘s behaviour. After all, his expressions never change!

    The couple is deeply in love but never happy because Aditya‘s first love-or weakness-is alcohol. Sharaddha can‘t enjoy her stardom because she spends her time keeping him away from the bottle. There comes a stage when Aditya runs out of money and has nothing left. At one point he steals Shraddha‘s purse to buy alcohol. Finally realising that he is a hurdle in Shraddha‘s career, the very career he helped build, the hero gives in and jumps into Vasai Creek! That is the end of a man who made a life out of inflicting pain on himself and those around him.

    Aashiqui 2 is a total script of convenience with no care for logic or purpose. It is a forced tragedy where one can‘t empathise with the boy or the girl because there is no real plight in their lives. As the film progresses, it meanders and the scenes get repetitive. The direction is patchy. Music, mostly background songs, has a couple of good numbers. Performance wise, Aditya lacks in expressions while Shraddha is suitably vulnerable as per her character.

    With excellent promotion by T Series, Aashiqui 2 has managed to get very good opening collections which will be enough for this low priced film, lack of appreciation not withstanding.

     

    Shree: Badly scripted sci-fi fiasco

    Producer: Vikram M Shah.
    Director: Rajesh Bachchani.
    Cast: Hussain Kuwajerwala, Anjali Patil, Paresh Ganatra, Shivani Tanksale, Rio Kapadia, K C Shankar.

    One often sees money being poured into films by people with various intents but no creative sense. Finally, such money goes down the drain. Shree is one such film. The film is bankrolled by a diamond merchant firm and deals with some sort of sci-fi.

    A call centre employee, Hussain Kuwajerwala, is in the 12th day of his new job when he is asked to meet the owner of the company, Rio Kapadia. The boss is surrounded by his secretary, Shivani Tanksale, a scientist and the local police commissioner. Kuwajerwala is presented with Rs 10 lakh to be available for 12 hours two days later with a promise of 10 lakh more at the end of those 12 hours. The offer also includes a car and a four BHK apartment at a posh Mumbai location.

    For Kuwajerwala, who has been courting Anjali Patil for eight years and faces her mother‘s taunts on daily basis for not having managed to settle down and marry her daughter, the offer seems to have come just in time. The initially sceptical and reluctant Kuwajerwala accepts it.

    On the appointed day, Kuwajerwala lands up at an abandoned bungalow at a secluded sea side. He is needed to give his boss 12 hours starting at 7 am. But, five minutes into the 12 hour period and he is scared, loses confidence and tries to run only to be stopped and drugged by boss‘ henchman, KC Shankar. When Kuwajerwala emerges from his drug-induced trance, he is a fugitive. The police are looking for him for the murder of the police commissioner. There is a chase and there are two Kuwajerwala‘s and multiple conspiracies.

    It turns out that Kuwajerwala has been born under circumstances whereby he is gifted with the power to travel in future. The police commissioner thinks this will help to solve crimes which are yet to happen. Others want to use it to wield power. But, having once travelled into the future and seen the conspiracy, the hero manages to foil the dirty designs of the villain.

    The story is not at all convincing and narrated without conviction. While Kuwajerwala acts well, Patil is hysteric most of the time. Rest support well.

    Shree will go down as an also ran.

     

  • Iron Man 3 to get the widest ever 3D release in India

    Iron Man 3 to get the widest ever 3D release in India

    MUMBAI: UTV Motion Pictures, the distributor of ‘Iron Man 3‘ will be releasing the film in 450 digital screens which is the highest for any Hollywood release in India till date.

    Last year, Marvel‘s ‘The Avengers‘ was released in 250 while ‘Life of Pi‘ was released in 350 digital theatres respectively. UTV will also taking the film to almost 350-400 single screens which is again a record of sorts as the normal range for any blockbuster Hollywood movies is 200-250 screens.

    Disney UTV director – India theatrical distribution, studios Gaurav Verma said, "Iron Man is one of the biggest franchises and after the super success of The Avengers in India last year, there has been a huge demand for Iron Man 3. It is clearly one of the most awaited Hollywood releases of the year. We are releasing the film in more than 1000 screens across all 4 languages in Imax, 3D and 2D formats. While the response has been phenomenal across multiplexes even our single screens partners are very excited to showcase Iron Man 3."

    Hollywood has emerged an increasingly significant component of the Indian theatrical box office in the past few years. In the last year itself, key Hollywood releases have reached out to as many as 1000 screens and are also being marketed more and more aggressively. In addition to this 3D screens have also witnessed substantial increase over the last few years which can be attributed to the growing fan base for this medium in the country.

  • Star Trek: Into Darkness to hit screens in India before the World!

    Star Trek: Into Darkness to hit screens in India before the World!

    MUMBAI: One of the most awaited sci-fi movies of the summer ‘Star Trek: Into Darkness’ is all set to scorch the screens across India before the world gets a glimpse of the multi-starrer franchise.

    Keeping in mind the anticipation for the sci-fi flick, Viacom 18 Motion Pictures will be releasing the Paramount Pictures and JJ Abrams production ‘Star Trek: Into Darkness’ on 10 May. The rest of the world would only be able to catch the movie from 17 May in theatres.

    After bringing to movie buffs, the high octane action fest and highest opener of 2013, ‘G.I.Joe: Retaliation‘ earlier than its international release, Viacom 18 Motion Pictures has yet again embarked on an innovative strategy with this movie.

    JJ Abrams said, “For the story to move forward, this had to be a more ambitious movie than the first. The action and the scale are light years ahead. Bringing IMAX and 3D technology in will give audiences yet another level of excitement and fun to be had."
    In a legacy that has sparked four television series, 11 motion pictures and countless galactic dreams, this marks the first time audiences will get to experience Star Trek eight-stories high and in three dimensions.

  • Legendary singer Shamshad Begum dies at 94

    Legendary singer Shamshad Begum dies at 94

    MUMBAI: Legendary singer Shamshad Begum, one of the first playback singers in Bollywood died at her Mumbai residence at the age of 94. She was not keeping well for past few months and was admitted to the hospital.

    She started her career in 1933 at the early age of 14. Her voice caught the attention of sarangi maestro Ustad Hussain Bakshwale Saheb and composer Ghulam Haider. Later in the early 1940s, Lahore based Haider gave her a chance to sing in his movies like Khazanchi and Khandaan.

    Shamshad moved to Bombay in 1944 with her mentor Haider and started staying with her paternal uncle. She made her debut on Peshawar Radio in 1947.

    She is known for the songs like ‘Mere Piya Gaye Rangoon‘, ‘Kabhi Aar Kabhi Paar‘, ‘Kajra Mohabbat Wala‘, ‘Kahin Pe Nigahen Kahin Pe Nishana‘, ‘Boojh Mera Kya Naam Re‘, ‘Saiyan Dil Mein Aana Re‘, ‘Leke Pehla Pehla Pyar‘ and ‘Chod Babul Ka Ghar‘. She also sang four songs in Mother India.
    In 2009, she was awarded with the Padma Bhushan, India‘s third-highest civilian award.

    She was living with her daughter Usha Ratra and son in law in Powai, after her husband Ganpat Lal Batto‘s death in 1955.

  • India’s a big part at the 66th Cannes Film Festival

    India’s a big part at the 66th Cannes Film Festival

    MUMBAI: Hindi film actress Vidya Balan and ‘Life of Pi‘ director Ang Lee will be part of the prestigious 66th Cannes Film Festival‘s nine-member jury. The jury will be headed by Hollywood director Steven Spielberg.

    The other big names joining Spielberg are Oscar-winning actress Nicole Kidman, Oscar-winner Christophe Waltz, Japanese director Naomi Kawase, Scottish director Lynne Ramsay, French actor-director Daniel Auteuil and Romanian director Cristian Mungiu.

    The jury will award the coveted Palme d‘Or prize to one of the 19 films in competition at this year‘s festival, which runs from May 15 to 26.

    Balan, 35, currently one of the most successful actors in India, is best known for her path-breaking roles in films like The Dirty Picture, Bhool Bhulaiya, Kahaani and Parineeta.

    Apart from Balan, actor/director Nandita Das is also a part of a separate jury for short films. Director Shekhar Kapur and actress Sharmila Tagore have previously featured in the Cannes jury.

    Cannes has invited India this year to celebrate 100 years of the country‘s cinema. The festival will open with ‘The Great Gatsby‘, which also has Bollywood superstar Amitabh Bachchan in a cameo. The actor will be attending the opening ceremony with his daughter-in-law Aishwarya Rai, a regular at Cannes‘ red carpet. This year she has been extended a special invite to the festival.

    This year, four Indian films have been selected in different non-competition categories at Cannes. Bombay Talkies, an anthology film by four directors – Kashyap, Dibakar Banerjee, Zoya Akhtar and Karan Johar – will have a gala screening at the festival.

    Kashyap will also be screening his Ugly in festival‘s Directors‘ Fortnight sidebar where he earlier showcased his two-part revenge drama Gangs of Wasseypur.

    Dabba (Lunchbox) and Monsoon Shootout, co-produced by Kashyap, have been selected for Cannes Critics Week and Midnight Screening sections respectively.

  • Prabho Shivaji Raja- The journey of great Maratha emperor releasing this year

    Prabho Shivaji Raja- The journey of great Maratha emperor releasing this year

    MUMBAI: This summer Prabho Shivaji Raja an animated epic/historical drama film based on the life of warrior Chhatrapati Shivaji Maharaja is all set for its theatrical release.

    The 100 minute film has been made after two years of research and post- production challenge, with the help of renowned senior historians like Neenad Bedekar and Baba Saheb Purandere. Using historical proof, letters, document and bakhar (scripts written on Shivaji in 16th century).

    More than 2.50 lakh sketches have been used to develop fine quality animations for the film’s characters and around 9,000 backgrounds painted; combining traditional techniques of animation with a new technology to create this film. Every frame of every character is crated on a cell (PAPER) frame by frame to get accuracy in movement.

    “Animation is ideal way of storytelling and Shivaji is the ideal character for this form and we want the viewers to forget that it is a movie, a make believe world. We want it to be universal in its appeal and transcend boundaries of race, community and language and appeal to audiences in India and globally alike,” said direct Nilesh Muley.

    Prabho Shivaji Raja is produced by infinity visual and MEFAC, the film is narrated by senior actor Sachin Khedekar. Film’s music direction is by Bharat Balwali and songs sung by leading singers like Shankar Mahadevan and Swapnil Bandodkar.

  • Mumbai gets its 1st International Multiplex – Cinépolis

    Mumbai gets its 1st International Multiplex – Cinépolis

    Mumbai: Cinepolis has announced the launch of its six screen, 100 per cent digital multiplex at Mumbai.


    The multiplex brings together RealD, the world‘s best 3D technology, Hollywood standard 4k digital screens and 7.1 Dolby digital audio.


    Cinépolis India country head and managing director Milan Saini said, “We are pleased to announce the opening of our newest multiplex, providing international movie experience, in Mumbai. Our patrons can look forward to enjoying a truly world class movie going experience with our state of the art cinema which is conveniently located in one of the best malls of the city. This is the 1st Cinema in Mumbai to have the most advanced 4K digital projection.”


    Cinepolis currently operates at Ahmedabad, Amritsar, Bengaluru, Mumbai, Patna, Surat, Ludhiana, Bhopal, Jaipur and Mangalore.

  • Ek Thi Daayan’s BO collection remains below the mark

    Ek Thi Daayan’s BO collection remains below the mark

    MUMBAI: Balaji Telefilms‘ Ek Thi Daayan met with a response that was below expectation. Despite a long weekend with Friday being Ramnavami holiday, the film‘s first day collections remained below the mark dropping further on day two. The first weekend collections stood at Rs 152.5 million.

    Rohan Sippy‘s comedy outing Nautanki Saala dropped in collections from Monday after a good weekend at the multiplexes. With limited merit and only Ayushmann Khurana to count on, the film added just another Rs 54 million over the next four days ending its first week with figures of Rs 169 million.

    The Vidyut Jamwal starrer Commando, aimed at single screen mass audience, sustained well through the week to end its first week with Rs 173.5 million. Maintaining steady collections, the film raked in Rs 19.1 million in its second weekend.

    Chashme Baddoor benefitted as Nautanki Saala dropped at the multiplexes. The film collected a healthy Rs 89 million taking its two week total to Rs 394.5 million.

    Sajid Khan‘s Himmatwala hit rock bottom collecting just about Rs five million for third week taking its three week tally to Rs 430.5 million.

    Court room comedy/drama Jolly LLB collected Rs four million in its fifth week taking its five week total to Rs 314 million.

    Mere Dad Ki Maruti added Rs two million for its fifth week to move its five week total to Rs 119 million.

  • Anurag Basu’s Barfi! gets 13 nominations at IIFA 2013

    Anurag Basu’s Barfi! gets 13 nominations at IIFA 2013

    MUMBAI: The votes for the 14th International Indian Film Academy (IIFA) Awards are in, after the IIFA voting weekend ended in March.

    The nominations reflect the diverse and thriving landscape of the Indian Film Industry today, showcasing 2012 as an eventful year for Bollywood with more than 155 new releases receiving global acclaim.

    Taking the lead with an impressive total of 13 nominations is Anurag Basu’s Barfi, followed by Shoojit Sircar’s comedy Vicky Donor that has garnered nine nominations. Following closely is Gangs of Wasseypur 1 and Dharma Productions‘ remake of Agneepath. Films like Cocktail, Kahaani, Paan Singh Tomar and the Yash Chopra‘s last film as a director Jab Tak Hai Jaan have also secured themselves a place in the 14th IIFA nominations.

    This year’s award will have directors, Anurag Basu (Barfi), Anurag Kashyap (Gangs of Wasseypur-1), Sujoy Ghosh (Kahaani), Tigmanshu Dhulia (Paan Singh Tomar) and Shoojit Sircar (Vicky Donor) compete for the accolade of being the best director.

    Hrithik Roshan (Agneepath), Ranbir Kapoor (Barfi!), Manoj Bajpayee (Gangs of Wasseypur-1), Shahrukh Khan (Jab Tak Hai Jaan), Irrfan Khan (Paan Singh Tomar) and Ayushmaan Khurrana (Vicky Donor) are all contenders for the prized IIFA Award for Best Performance in a Leading Role (Male) while among leading ladies Priyanka Chopra (Barfi!), Deepika Padukone (Cocktail), Sridevi (English Vinglish), Huma Qureshi (Gangs of Wasseypur-1), Kareena Kapoor (Heroine) and Vidya Balan (Kahaani) will battle it out for the Best Performance in a Leading Role (Female).

    Pritam has got two nominations in the category of Best Music Direction for his scores in the films Barfi! and Cocktail. Other nominees in the category include A.R. Rahman (Jab Tak Hai Jaan), Ajay-Atul (Agneepath) and Sneha Khanwalkar (Gangs of Wasseypur-1).

    Mika Singh for ‘Pungi’ (Agent Vinod), Sonu Nigam for ‘Abhi Mujh Mein Kahin’ (Agneepath), Ajay Gogavale for ‘Deva Shree Ganesha’ (Agneepath), Mohit Chauhan for ‘Main Kya Karoon’ and ‘Aashiyan’ (Barfi!) and Ayushmann Khurrana for ‘Paani Da Rang’ (Vicky Donor) are in contention for the Best Playback Singer Male award.

    In the female category, those battling for the Best Playback Singer Female are Shreya Ghoshal for the songs ‘Chikni Chameli’ (Agneepath) and ‘Ashiyan’ (Barfi!) along with Rekha Bhardwaj for ‘Phir Le Aya Dil’ (Barfi!), Kavita Seth for ‘Tumhi Ho Bandhu’ (Cocktail) and Shalmali Kholgade for ‘Pareshan’ (Ishqzaade).

    Wizcraft International Entertainment and IIFA director Sabbas Joseph said, “It’s been a phenomenal year for the Indian Film Industry and the nominations for this year will definitely reflect this. The growth has been remarkable. 2013 will witness the 14th year of the IIFA celebrations, honouring the best of the year gone by.”

  • Amit Kumar’s Monsoon Shootout to have world premiere at Cannes Film festival

    Amit Kumar’s Monsoon Shootout to have world premiere at Cannes Film festival

    MUMBAI: Amidst the buzz surrounding the upcoming edition of the prestigious Cannes Film Festival, Guneet Monga and Anurag Kashyap’s latest offering Monsoon Shootout has been shortlisted to be screened at the midnight screening of the Festival.


    Starring Nawazuddin Siddiqui, Neeraj Kabi, Geetanjali Thapa and Vijay Verma, the film will have its world premiere at the film festival.


    Produced by Sikhya Entertainment along with UK based Yaffle Films and Pardesi Films, Monsoon Shootout marks Amit Kumar‘s directorial debut.


    Monsoon Shootout revolves around a rookie cop’s moment of reckoning, to shoot or not to shoot.
    Kumar with his cast and the producers are expected to be present at the festival.


    The film has additionally been sold for numerous territories including television rights to a noted French company and is being represented by Fortissimo Films internationally.