Category: Hindi

  • Yamla Pagla Deewana 2: Just an excuse for a sequel

    Yamla Pagla Deewana 2: Just an excuse for a sequel

    MUMBAI: Yamla Pagla Deewana 2 (YPD 2) looks like one of those attempts at comedy where the cast and crew claim to have thoroughly enjoyed the making of the film, thus promising lots of fun to the prospective viewers. The viewers on the other hand finally discover that whatever the reason the cast has had a gala time, the film has little to offer to the audience. The film is a sequel to the Deol clan‘s earlier film, Yamla Pagla Deewanawhich, besides the legendary bonding of the family, had a lighter, entertaining theme. The sequel falters at the very basic stage – the script.

    Producer: Sunny Sounds P Ltd, YPD Films.
    Director: Sangeeth Sivan.
    Cast: Dharmendra, Sunny Deol, Bobby Deol, Neha Sharma, Kristina Akheeva, Annu Kapoor, Anupam Kher, Johnny Lever, Sucheta Khanna.

    Except for the three leading men, Dharmendra, Sunny Deol and Bobby Deol, the film has left the previous ties behind. Dharmendra and Bobby continue to be conmen operating in Banaras while the other brother, Sunny, earns an honest living in England as a recovery officer for a local bank. He has been convinced by the other two that they are also earning by honest means. Sunny has been asked by the bank to find out why Annu Kapoor, a local big shot who has borrowed a few billions from the bank, won‘t return it. His visit to Kapoor‘s posh club coincides with Anupam Kher‘s goons, led by Johnny Lever and Sucheta Khanna, who have come to wreck the club. Kher wants to take over the club property to build a virtual mall there. However, the super Sikh – Sunny spoils their plan. Impressed, Kapoor offers Sunny the job of manager at the club.

    Dharmendra and Bobby soon arrive at London with a plan to deprive Kapoor of all his wealth. Bobby plays the oldest con, developing proximity with Kapoor‘s daughter, Neha Sharma. In a comic twist in the proceedings, Sharma is not really Kapoor‘s daughter and hence not entitled to his property. His daughter and the heiress to his estate is Kristina Akheeva; under Dharmendra‘s guidance, Bobby now shifts his attention to Akheeva. He has to shift focus from Sharma to Akheeva. But Sunny has fallen for Akheeva hook, line and sinker. His heart pounds at high decibel levels when he sees her. Straightforward Sunny is pitted against crooked father and son.

    Being Sunny Deol, he must give his fans ample doses of action. Kher is a big help on this count. Not only Kapoor‘s club, he also wants whatever the other people have. To impress Akheeva, Bobby has become an artist. He can‘t paint but there is an orang-utan at their disposal which, on a full moon night, with ample alcohol in its tummy paints classy paintings that are passed off as Bobby‘s work. Kher now wants these paintings; he is a resourceful man; he has all kinds of fighters to stop Sunny. First the white toughies followed by ninjas and, ultimately sumo wrestlers. Thankfully, with the sumos, the film ends.

    YPD 2 looks like just the idea, that of making a sequel to a fairly successful film. The development of this idea and intent is not evident in the 155 minutes of forced comedy. The gags are half-baked at most times and childish at others. The orang-utan is fun for a while but soon gets repetitive. Action sequences are stretched. Music is a letdown. Sangeeth Sivan‘s handling of the film is disappointing. The film rests mostly on the Deols; while Sunny is sincere, Dharmendra and Bobby overact. Sharma and Akheeva are okay but look too young with their respective heroes. Kher and Lever are too loud while Lever‘s sidekick, Khanna, needs subtitles to her dialogue. Kapoor is good in parts.

    All in all Yamla Pagla Deewana 2 is a disappointment.

  • Indian short on Tarapur power plant gets Yellow Oscar

    Indian short on Tarapur power plant gets Yellow Oscar

    NEW DELHI: The documentary ‘High Power’ by Pradeep Indulkar on the Tarapur power plant in Maharashtra received the Best Short Documentary award at the 3rd International Uranium Film Festival of Rio Janeiro 2013 in the cinema of the Modern Art Museum (MAM) recently.

    Six Films from six countries – Russia, India, USA, Estonia, Jordan and Germany – were honored with the Uranium Film Festival‘s trophy, the Yellow Oscar.

    The festival screened 52 documentaries and fiction movies from 19 countries.

    The 2013 finalised documentary "High Power" gives worthwhile impulses to current "nuclear question" in India.

    Pradeep Indulkar, director of "High Power", is an Indian engineer who has been working during 12 years for India‘s nuclear programme.

    High Power tells the disturbing story of the local population of Tarapur in the state of Maharashtra, where India‘s first nuclear power plant was constructed in the 1960s. Local fishermen families lost their land, their fishing grounds and health.

    "It is an important, nuclear discussion stimulating documentary, that comes at the right time, when thousands of people in South-India struggle against a new nuclear power plant at Kudankulam is the state of Tamil Nadu", says Festival director Norbert G Suchanek. "High Power is Pradeep Indulkar‘s first documentary, and we hope to see more documentaries by him in future."

    "Apart from all the sorrows and distress my film brought to you, this is a golden moment of my life as a filmmaker", said Indulkar during the Award Ceremony in the Museum of Modern Art cinema. "At this moment I remember and thank all my friends and well-wisher who helped in making of High Power. I also thank to all those Indian people who contributed even a smallest amount to make our trip happened. I thank you all who supported this film with as a great audience. I thank Rio, I thank Brazil and I accept this award on behalf of all the nuclear affected people of Tarapur and I dedicate this award to all those farmers and fishermen who lost their land, home and life for nuclear power plant."

  • Jolly LLB and Murder 3 to be screened at Shanghai Filmfest

    Jolly LLB and Murder 3 to be screened at Shanghai Filmfest

    NEW DELHI: Two Hindi films released in 2013 and made by Fox Star Studios – Subhash Kapoor‘s Jolly LLB and debutant filmmaker Vishesh Bhatt‘s Murder 3 will be featured at the 16th Shanghai International Film Festival (SIFF) in its international panorama section.

     The Festival is being held from 16 to 23 June, and will open with Monsters University, the upcoming Pixar animated feature – the first time that the Shanghai festival will open with an animation film. The film will be shown in an English-language version, although it will be introduced on stage with its Chinese voice cast, headed by Xu Zheng and He Jiong. The animation, directed by Dan Scanlon (Cars), is a prequel to the original Monsters, Inc (2001). It will screen in Shanghai ahead of its global commercial release. The animation is set to open in the US mid-festival on 21 June.

    The Indian films will be part of the spectrum section of the international panorama section which also includes- Official Selection, Tribute to Masters, View China and Global Village.
     
    China‘s largest and one of Asia‘s biggest film festivals on the international circuit, the current edition of SIFF is expected to cater to more than 200,000 Chinese movie lovers apart from international visitors from across the globe.

    Fox Star CEO Vijay Singh said: "We are mighty pleased to get an invitation from the Shanghai International Film Festival. Jolly LLB and Murder 3 are films that we are proud of and they are also representative of our commitment towards creating diverse and high content cinema- which while being massy and entertaining also pushes the envelope. For us, it‘s an honour that in the 100th year of Indian cinema, we have got a chance to showcase different strands of our cinema at a global platform.

    The Shanghai event will also show a series of sixteen animated Pixar shorts and the 3-D re-release of Finding Nemo (2003).

  • Q teams up with PocketFilms to distribute quirky films online

    Q teams up with PocketFilms to distribute quirky films online

    NEW DELHI: Independent filmmaker Q (Qaushiq Mukherjee) and online portal PocketFilms have teamed up to distribute offbeat and quirky independent films online.

     The slate of films including shorts, documentaries and music videos will be selected by Q.

    It will include Q‘s Gandu and his national award winning documentary Love in India.
    Q and his team have acquired content for the slate from Marche du Film (Cannes Film Market) this year.

    "I am excited to curate films that I love and get inspired by. There is a growing interest in independent films in India, and we need to watch more films that really challenge the existing modes of cinema, and tell stories in a postmodern context," Q said.
     
    PocketFilms is a portal dedicated to content by independent filmmakers, and I am certain that this slate will engage viewers and build new reference points," said Q, whose films have been picked up by international sales agents and are being distributed around the world.

    "The distribution theories are being overhauled currently across the board, and I truly believe Internet is the real future for transgressive content," he added.

    The new initiative called PocketOverdoseFilms will be online in the next quarter, with a collection of Indian and International independent films.

  • Rituparno paid fine tribute as his last film is showcased in National Film Festival

    Rituparno paid fine tribute as his last film is showcased in National Film Festival

    NEW DELHI: The late Rituparno Ghosh‘s last film Chitrangada which won a national award for 2012 was the opening film at the National Film Festival that showcases the 60th National Award winning films that commence here today.

    Timbaktu by Rintu R. Thomas and Sushmit Ghosh (Best Environmental Film) was the short film screen on the occasion. Chitrangada had received the Special Jury award.

    The festival will run till 16 June at Sirifort Auditorium, New Delhi.

    All National Film Awards winning Feature and Non Feature Films for the Year 2012 will be screened during the festival.

    The Festival has been organised by the Directorate of Film Festivals of the Information and Broadcasting Ministry.

  • Madhuri Dixit and Juhi Chawla team up with Anubhav Sinha for a campaign

    Madhuri Dixit and Juhi Chawla team up with Anubhav Sinha for a campaign

    NEW DELHI: ‘Believe‘, a campaign that celebrates the triumph of women over their struggles, has been announced by renowned film personalities Madhuri Dixit, Juhi Chawla and Anubhav Sinha.

    An endeavour by Benaras Mediaworks in association with ‘Gulaab Gang‘, the campaign will bring forth stories of valor from across the country and talk about unheard stories and unsung heroines.

    With the hope to inspire the nation, and carry forward acts of courage in everyday life, ‘Believe‘ will invite entries of women across the country who have battled all odds and emerged victorious. The entries will be analysed by a panel of eminent personalities from all walks of life, who will select 20 stories of inspiration that the Nation must hear of. These inspiring stories will be adapted into short films.

    Sinha said, "We have worshipped women as goddesses in this country for time immemorial. Yet strangely enough, we have miles to go when it comes to treating them as equals. Women continue to be oppressed, marginalised, and violated every single day. However despite adverse climes that women in this nation are subject to, we see shining examples of some who have blazed the trail and against all odds have emerged victorious to show us that the term ‘weaker sex‘ is an absolute mistake. Through this campaign we hope to inspire women fighting for their freedom from social injustice or stigma."

    Dixit said, "It goes without saying that the environment and times we live in are sad and hostile. Especially for us women, and yet there are these stories of rising above the odds which the nation must know of. As a creative artiste my job has been to inspire audiences with art and films I am part of. And the ‘Believe‘ campaign allows me to present before you stories that are inspiring for us all. I look forward to saluting the unknown heroines of the country."

    Chawla said "Believe ties in beautifully with the theme of the film, in life too women managing homes, families and careers face challenges and discrimination every day. It‘s always inspiring and uplifting to know a real story of real women who have overcome hardships, extreme hardships and come out as winners"

    Benaras Mediaworks in association with ‘Gulaab Gang‘ directed by Soumik Sen are convinced about making a difference to women by giving a platform to women to narrate their stories. The team looks forward to educating and enlightens women about their rights to freedom and living life to its fullest.

  • P.K. Nair gets rare honour at Kyiv even as ‘Celluloid Man’ wins award

    P.K. Nair gets rare honour at Kyiv even as ‘Celluloid Man’ wins award

    NEW DELHI: Celluloid Man directed by Shivendra Singh Dungarpur, a film is based on the life of P.K. Nair (father of film archiving in India).

    Nair has won the "Nestor The Chronicler" (A man who keeps history of world cinema) award at the Kyiv International Documentary Film Festival in Ukraine which concluded recently.

    The film, which has earlier won a National Award, was in competition at the festival.

    Nair, the founder-director of the National Film Archive of India (NFAI) was conferred the Order of ‘Maestro‘ at Kyiv.

    The Order is given for personal contribution to the development and promotion of world cinema.

    Celluloid Man has been selected for the Panorama section of the upcoming Shanghai International Film Festival, which is also screening The Bright Day and Barfi!).

    The documentary film on Nair has been released in Cochin at PVR, Lulu Mall, for one week from 31 May in a rare tribute to the archivist.

  • Bollywood actor Jiah Khan commits suicide, reason still unknown

    Bollywood actor Jiah Khan commits suicide, reason still unknown

    MUMBAI: Bollywood actor Jiah Khan has allegedly committed suicide by hanging herself at her residence, police said.

    The 25-year-old actor reportedly hanged herself at her Juhu residence. Jiah was brought up in England and had shifted to Mumbai with her mother Rabiya recently.

    She started her career in Bollywood with an unconventional debut in Nishabd (2007) alongside the legend himself Amitabh Bachchan, went on to star in a small but pivotal role in Aamir Khan‘s blockbuster Ghajini (2008) and a friendly cameo in Sajid Khan‘s hit-comedy Housefull 2 (2012).

    She recently signed a couple of new films and had changed her name to Nafisa Khan, the name her parents gave her.

    Although only six years into the Hindi film industry, Jiah with her Nishabad had gained an undisputable place in the industry.

    People did believe that the damsel with a perfect dusky complexion, luscious hair and perfect pout, was here for a long haul.

    All such notions and myths came to an end with her heartbreaking death. The film industry is in shock and has expressed a deep grief over her demise.

    According to the police, her maid, watchman and neighbours are being interrogated to find out details about her last visitors. Police sources said that the incident happened at about 11.00 pm and no suicide note was found. The body has been sent to Cooper Hospital for postmortem.

  • American film bags best film award, Pakistani film is best documentary at Indian Queer Filmfest

    American film bags best film award, Pakistani film is best documentary at Indian Queer Filmfest

    NEW DELHI: Morgan directed by Michael Akers from the US has won the Best Narrative Feature Film at the 4th Kashish Mumbai International Queer Film Festival.

    The award, which has a cash prize of Rs 30,000 sponsored by actor Anupam Kher, was handed out at the closing ceremony of the festival over the weekend.

    "We thank the festival for its amazing work in helping to bring film’s such as ours to the audiences who desperately need it," said Akers.

    Urmi directed by Jehangir Jani got the Best Indian Short Narrative film award given away by filmmaker Kalpana Lajmi.

    Actor Crystal Arnette won the first Kashish Best Actor award, instituted by Kher and his acting school Actor Prepares.

    Hide and Seek (Chuppan Chupai) from Pakistan won the Best Documentary Feature award. The film directed by Sadat Munir and Saad Khan is one of the first films that focus on the lives of the gay and transgender community in Pakistan. "Due to the subject matter I knew I will not be able to get much public screening of this film in Pakistan, but I am happy that it screened in India, especially Mumbai, where picture of LGBTIQ acceptance is not the same as elsewhere in South Asia," said Saadat Munir.

    The Best Documentary Short Film award went to the Cambodian film Two Girls against the Rain directed by Sopheak Sao. The Best International Short Narrative Film Award was given to Polaroid Girl directed by April Maxey from the USA.

    The international jury panel comprising filmmaker Aruna Raje Patil, Bollywood actor and model Simone Singh, theatre director Quasar Thakore Padamsee, author and poet Jerry Pinto and Iris Prize director Berwyn Rowlands judged the films.

    The Riyad Wadia Award for Best Emerging Indian Filmmaker was shared by two young directors Manva Naik for her film Dopehri and Rohan Kanawade for The Lonely Walls (EktyaBhinti).

    More than 130 films from forty countries were screened at the fourth edition of the Festival which commenced from 22 May in Mumbai.

    While China was the Country in focus with more than 12 films, there were LGBT (lesbian, gay, bisexual and transgender) films from Iran, Serbia, Slovakia, Pakistan and Morocco. The Filmmaker in focus was American filmmaker and activist Jim Hubbard.

    The Parade from Serbia opened the festival while the late Rituparno Ghosh’s Chitrangada: The Crowning Wish was the closing film.

    The festival was held at Cinemax Versova in Andheri and at Alliance Française de Bombay.
    KASHISH Mumbai International Queer Film Festival is the first and only gay and lesbian film festival in India to be held in a mainstream theatre and one of the first queer festivals to receive clearance from the Ministry of Information and Broadcasting.

    Saagar Gupta, festival programmer said: "This year KASHISH programmed the biggest collection of films and from countries that were very diverse, including countries where making films on LGBT themes is challenging. Also keeping in tune with this year‘s themes of ‘Towards Change‘ there were several outstanding documentaries including Vito, United in Anger, Call Me Kuchu, Hide & Seek, Invisible Men, Not A man in Sight and …And The Unclaimed. These films showcased stories of struggle, trauma and happiness of LGBT persons across the world."

  • YJHD set to break records at the BO, opens with Rs 61.25 crore

    YJHD set to break records at the BO, opens with Rs 61.25 crore

    MUMBAI: Yeh Jawaani Hai Deewani (YJHD) has set the cash registers ringing at the box office with a record-breaking opening day as well as the opening weekend collections. The Ranbir Kapoor and Deepika Padukone starrer is on its way to join the illustrious Rs 100 crore club.

    The youthful entertainer is certainly the biggest opener for 2013 thus far by a mile. The film released in over 3,000 screens in the country with an earth-shattering response and its occupancy ranging between 95 per cent and 100 per cent in both single screens and multiplexes on Friday. With its positive reviews and good word of mouth, the movie showed a very good jump in its business on Saturday and Sunday and has been received well by the critics and audiences alike.

    The mammoth sized promotional events, guest appearances and performances on TV shows, brand associations and the works have done exceedingly well for it.

    Kapoor has created a solid fan following among the youth and second time writer-director, Ayan Mukerji, helped keep his fans happy.

    An extensive solo release backed by enhanced admission rates, has certainly accelerated the film‘s collection to rake in a handsome Rs 61.25 crore. The practice of reducing admission rates from Monday has been applied only at a select few outlets; this coupled with steady Monday, the film looks set to touch the 100 crore mark in real quick time.

    Ishkq In Paris, Preity Zinta‘s debut production venture has passed generally unnoticed, collecting about Rs 2 crore in its first week.

    Hum Hai Rahi Car Ke and Zindagi 50 50 found no takers and performed poorly.

    The Arjun Kapoor starrer Aurangzeb has collected a total of Rs 23.85 crore at the end of its second week.

    Go Goa Gone, the ‘zomcom‘ starring Saif Ali Khan, Kunal Khemu and Vir Das has collected Rs 1.8 crore in its third week to take its three week tally to Rs 24.95 crore.

    Shootout At Wadala, the sequel to the 2007 hit Shootout At Lokhandwala has added Rs 1.1 crore for the fourth week to take its four week tally to Rs 49.1 crore.

    Chhota Bheem And The Throne Of Bali in its fourth week has added Rs 40 lakh to take its four week total to Rs 4.65 crore.

    Aashiqui 2 is going rock steady. The film collected Rs 5.5 crore in its fifth week thus taking its five week total to Rs 76.65 crore, certainly proving to be the sleeper hit of the year.