Category: Hindi

  • Gunday continues its strong run at the box-office

    Gunday continues its strong run at the box-office

    MUMBAI: Last week saw two films of different genres release. Darr @ The Mall a direct lift of a Hollywood flick from 1989 and Highway, a road movie. While, Darr @ The Mall is a total reject, Highway, also not creating a fad, is a little better. In which case, last week’s solo release, Gunday has reaped the benefit.

     

    Darr @ The Mall has fared poorly with its day to day collections barely touching a crore mark. The film collected Rs 3.2 crore for its opening weekend.

     

    Highway, banking on Sajid Nadiadwala’s banner and director Imtiaz Ali’s past record, fared a shade better. The film collected Rs 12.7 crore over its opening weekend with the Sunday collections showing a decent growth.  The film’s 75 per cent business came from Delhi-NCR-Punjab and Mumbai. But, that is not enough to slot the film as an earner with as much as Rs 30 crore incurred for the release of the film.

     

    Gunday proves once again that films on male bonding, friendships don’t usually fail. With an excellent weekend of Rs 43.93 crore, the film ended its first week run with a healthy Rs 63.1 crore adding another Rs 8.15 crore for the second weekend taking its ten day total to Rs 71.24 crore. Both, Ranveer Singh and Arjun Kapoor have consolidated their positions in the industry.

     

    Hasee Toh Phasee has had a decent second week, its average merits notwithstanding. The credit goes to Parineeti Chopra whose performance is being appreciated by all. The film has added Rs 7.7 crore in its second week, taking its two week total to Rs 33.05 crore.

     

    Jai Ho has not managed to do much business at the end of it fourth week with collections of Rs 45 lakh and a four week total of Rs 105.35 crore. It has not lived up to its expectations as other Salman Khan blockbusters in recent history.

     

    Note: An Rs 100 crore grosser is not necessarily a hit because the take home amount is less than 50 per cent of that amount with over half going towards the theatre’s share and a part of it to the distribution expenses.

  • Stories of super traits of superstars

    Stories of super traits of superstars

    MUMBAI: As a journalist for eighteen years and now the editor of an entertainment weekly – Screen from the Indian Express Group, Priyanka Sinha Jha has met and interviewed many stars from the Bollywood industry, but it was a blog by the Bollywood stalwart Amitabh Bachchan that compelled her to think what goes behind the making of a star. Her book – Supertraits of Superstars published by Rupa Publications – that hit the book stores recently features 11 stars from the Bollywood industry, their journeys, their struggles and a lot more.

     

    The germ of this idea, Priyanka says, was sown while reading one of Amitabh Bachchan’s blogs wherein he had quoted his father, poet Harivanshrai Bachchan saying, “Man ka ho to achcha, man ka naa ho to aur achcha”. “The thought led me to wonder how an iconic superstar like him, tided over the rough and tumble of life, and eventually it took shape in the book Supertraits of Superstars,” says Priyanka who is inspired by authors like Amitav Ghosh, Vikram Seth, Shobhaa De, Gerald Durell, Emma Bombeck among others.

     

    While she started working on the book in 2012, the principal writing was done over a period of three months. “It took a while to arrive at the format of the book,” informs Priyanka. The book features the stories of Amitabh Bachchan, Shah Rukh Khan, Hrithik Roshan, Ranbir Kapoor, Katrina Kaif, Vidya Balan, Karan Johar, John Abraham, Aamir Khan, Salman Khan and Aishwarya Rai Bachchan.

     

    Priyanka has explored that one idea which differentiates these actors from the rest of the B-Town brigade and one of those defining traits that makes them stand out. It is not just the story, the book also suggests how a reader can benefit from knowing about the stars.

     

    Talking about how she shortlisted the stars for the book, she says, “I selected 11 superstars who have displayed a certain defining supertrait in their lives so for instance,  Mr Amitabh Bachchan for his impeccable discipline, Mr Shah Rukh Khan for the passion and enthusiasm which he brings to everything he does…and so on.”

     

    Call it the advantages of being a journalist or sheer luck, Priyanka didn’t have to struggle much in finding a publisher. “Fortunately for me, Mr Kapish Mehra (owner, Rupa Publishers) and I were on the same page and he approved the idea almost immediately,” she says.

     

    In fact, she got huge support from the publishers. “They gave me ample freedom and were open to most of my suggestions about the book,” she adds.

     

    Priyanka’s husband, filmmaker-writer Piyush Jha also had a successful stint when he turned to writing from filmmaking with two back-to-back bestsellers – Mumbaistaan and Compassbox Killer. However, with utmost humility, in all his interviews, he has given the credit to his wife for turning him to writing. He has often mentioned that it was his wife who realised his potential to write and got him into it.

     

    Quiz Priyanka about the support that she got while she was writing the book and she says, “Well, if it wasn’t for Piyush’s support and guidance at every step, I probably would have never got down to writing it. He was instrumental in getting me out of my comfort zone and send a proposal to the publishers. I can never thank him enough for making this dream – of writing a book – come true!”

     

    Interestingly, Piyush, who mastered the art of distribution of books during the release of his books, has even suggested interesting strategies for this one. “Distribution is actually an area that I know very little of, but Piyush, who acquired a detailed knowledge of it when his books often comes up with innovative suggestions on that front,” says Priyanka.

     

    The book has already got a lot of prominence and a good start at various literature festivals like the World Book Fair in Delhi and the Patna Lit Fest. However, Priyanka thinks it is too early to comment on the response the book is getting. But those who have read the book have felt quite inspired. “With that being said, I would think the purpose of Supertraits of Superstars, has been well served,” she remarks.

     

    An online edition of the book will soon follow. Though Priyanka confesses to still prefer reading books in the old-fashioned manner, she thinks that during travels e-books are a boon since they all fit in within your Ipad! And thus an e-book of her books isn’t a bad idea!

     

    However, the book is available on all possible online sites. In fact the publishers have tied up with Flipkart and Infibeam in the online space and Crossword bookstores in the retail space, informs Ritu Vajpeyi Mohan from Rupa Publications. “The response has been fantastic. People have loved the book and the concept. We have received encouraging responses from a variety of readers,” she adds, also informing that 7000 copies have been published in the first edition and it is being distrbuted all across from tier I to III towns.

     

    The book is priced Rs 195. 

  • ‘Highway’…road to nowhere

    ‘Highway’…road to nowhere

    MUMBAI: A road movie is a genre with its roots in the United States (US) where it became more popular with the post World War II auto boom and peaked in the 60s when a lot of things changed in how the youth looked at life. America had the road, the spirit of adventure and the type of cars and bikes coupled with social movements which did not tie one down. In India, road movies are rare and far in-between and gained some momentum only thanks to inspiration through easy accessibility to DVDs. Despite a few attempts in the last decade or so, the only memorable Indian road movie I can think of is the 1972 Mahmood film, Bombay To Goa. (I would even call Mahmood’s Sadhu Aur Shaitaan a road movie; so what if it was shot only within Bombay limits!) Probably because it was not a DVD inspired film and if it was inspired from external forces, it was very well adapted to suit the Indian taste. A road movie formula is one where the lead characters come of age, grow or improve in the process of the journey.

    Highway, going by the definition of a road movie, is a copybook road movie as far as its characters go. The tough as tungsten male protagonist melts like a candle while the female matures enough to break all shackles of social norms and bindings. The problem with Highway is that, while the rules of road movies are already laid down for it, sadly, the content for the length of the film acceptable to Indian audience, where you can’t remain indifferent to romance and fitting in songs, does not come with the formula. Probably, that is why the percentage of Hindi road movies working at the box office is so small. (Some films I can recall: Bombay To Goa, Ginny Aur Johny, Chalo Dilli, Zindagi Na MIlegi Dobara, Dil Hai Ke Manta Nahi and Daud)

    Producers: Sajid Nadiadwala, Imtiaz Ali.

    Director: Imtiaz Ali.

    Cast: Randeep Hooda, Alia Bhatt.

    Randeep Hooda works for a gang which is for hire; they commit crimes on contract basis. On a mission to loot a petrol pump, Hooda comes across Alia Bhatt who is out to get some fresh air with her boyfriend. To make good his escape, Hooda dumps Alia’s boyfriend but takes her as a hostage till he reaches his partners and own vehicle. Kidnapping Alia was not on his agenda and why he does not dump her is a question. Alia comes from the house of a very influential man in Delhi and the gang members expect trouble. On account of this, Hooda decides to go on his own and demand ransom for Alia. This is a road movie so instead of cooling his heels in one place, he just takes his truck around the country (except Southern parts). In the era of electronic surveillance, he manages to hide from the authorities merely by changing the number plates of his truck; description of the vehicle does not matter.

    While Hooda may give Alia a slap or two, he never tries any sort of mischief with her. As expected, Alia is drawn towards him and won’t let him go. She does not want to go home where she is being molested by an uncle since she was nine. She wants to hang around with Hooda and keep travelling. They end up somewhere in the mountains, borrow a house and set up a kitchen with Maggi noodles! By now you have had enough and decide that if the police won’t find them, you yourself will call them when there is a bang. The police who did not manage to nab him while he roamed about the highways of India, passing state check posts, finally find him in this remote mountain and without warning just shoot him down.

    There is nothing such as a story in this movie. This has been shown in a number of films where the captive falls for the goon. Otherwise, this film is a kind of Bharat Darshan taking you to places you would not go to otherwise. In a weatherman’s parlance, the film is 133 minutes but feels like 300 and with just two characters to carry it off, offers no distraction except change of scenery.

    Highway is touted to be aimed at the gentry audience but one would assume even gentry go to cinema for entertainment, which this film is lacking.

     

    Darr @ the Mall

    Stolen ideas…

    Horror has not really been a favourite Indian genre and neither are there original writers for this breed of film. The preference here is mainly feel good fare or soaps or romance. Obviously, the ‘inspiration’ has to come from Hollywood films. Horror movies don’t have repeat value, in most cases does not even gain a first-time audience, provides no scope for music which is a must in Indian movies and, generally, don’t entertain. In which case, why would anybody want to make one is a mystery! As suspected, Darr @ The Mall comes from a 1989 Hollywood film called Phantom of the Mall: Eric’s Revenge.

    Contiloe Entertainment is a TV content providing company making a foray into film production and the film will be learning experience for the company.

    Producers: MSM Media Motion Pictures, Contiloe Entertainment.

    Director: Pavan Kriplani.

    Cast: Jimmy Shergill, Nushrat Bharucha, Arif Zakaria, Asif Basra.

    Phantom of the Mall: Eric’s Revenge was about one Eric Matthews who lives in a huge house which burns down; Eric is reported dead but he has been able to save his girlfriend. Soon, a mall comes up where his house was. Eric is not dead though badly burnt. He haunts the mall, killing people, especially those who set an eye on his girlfriend.

    Darr @ The Mall is about a mall, ironically called Amity Mall, that has come up at a location where an orphanage run by a kindly nun stood once. The orphanage burns down killing the nun as well as all the children save for one child who, though wounded, manages to escape. A mall has come up where the orphanage stood. Soon, the mall is in the news for all the wrong reasons. Workers and sentries get killed at random at the mall. As a result, nobody is willing to take charge of the security at this mall when Jimmy Shergill, an ex-army man, gets an offer he can’t refuse. He accepts the job at the mall.

    Even as Shergill takes charge, the killing spree continues though no harm comes to him. From the sundry staff, the killing progresses to the families of the owners. To salvage the reputation of the mall, the owners decide on an evening party at the mall paving way for an item number too! That evening, which is never-ending for the viewer in this film, lasts most of the film. There are purposeless killings and illogical incidents. Why, when the culprits are available for the picking, does the revenge seeker kill innocent sentries and others?

    Darr @ The Mall is a poorly written horror film where nothing works. While in the original, it was a private property, an orphanage is not owned by the orphans, and just by killing its inhabitants one can’t take over the premises! This is a pathetic effort by Pavan Kriplani. There is no horror, only gore to pass of as horror. Writer director Kriplani is totally at a loss with this project. While the rest are caricatures, it is sad to see Shergill being totally wasted in this whim of fancy. Excuses have been created to fit in a few songs but in vain. Editing is poor. Photography is passable. Background score is jarring.

    Darr @ The Mall stands no chance at the box office.

  • Is B’wood moving towards equality?

    Is B’wood moving towards equality?

    MUMBAI: It has been spoken about many times, but this year seems to attest that Bollywood is actually shunning gender-biases and is moving towards equality. That is what is evident from the movies releasing this year. Many movies of the year are giving prominence to its female actors.

     

    While Parineeti Chopra’s character in Hasee Toh Phasee is a well-etched out role with eccentricities that makes it stand out among all the other characters in the film (even the hero Siddharth Malhotra), in this week’s release – Highway – Alia’s character has been written with similar fervor as well. In fact, Alia’s father and one of the most lauded filmmakers of the country – Mahesh Bhatt – thinks that Alia has ‘lived’ the role of her lifetime.

     

    “Thank you Imtiaz Ali for making Alia ‘live’ the role of her life time. The women of our country will empathise with this heartfelt tale,” wrote Bhatt on Facebook.

     

    In the months to come, Bollywood is going to spring up many such surprises where women will get a chance to not just live their lives but raise the bar too. Many movies with strong women characters and centered around women are going to make a mark at the big screen.

     

    There’s Queen starring Kangana Ranaut that tells the story of a girl whose wedding is called off when her fiancé passes away and she, instead of crying over her situation, decides to move on. The focus of the film is on the character growing up as an individual.

     

    Another one in the pipeline is Gulaab Gang starring Madhuri Dixit and Juhi Chawla among host of other female actors. Again a woman-centric film based around the activist group Gulaabi Gang, shows how women have started getting prominence in the film industry with diverse being written for them.

     

    One of the other movies being looked forward to is Bobby Jasoos starring Vidya Balan in which she portrays the character of a sleuth. The film is not just being anticipated as Indian cinema’s answer to detective films but probably is also one of the first in India to be bringing in a female actor to play a sleuth.

     

    Mary Kom’s biopic with Priyanka Chopra portraying the sportstar in the film is another addition to the list. While biopics are any way not too regular in India, one on a female sportstar is something very rare. And thus this is one movie that every movie buff is waiting for, especially after Irrfan and Farhan Akhtar have raised the bar of getting in to the skin of the real life people they portrayed in Paan Singh Tomar and Bhaag Milkha Bhaag. Priyanka is surely being watched out for in this upcoming movie.

     

    Doesn’t it seem to be a great year for women in the film industry?

  • Suchitra Sen’s life gets ‘booked’

    Suchitra Sen’s life gets ‘booked’

    KOLKATA: She romanced the big screen. She was probably one of the first Bengali actresses to become popular for her romantic roles. After few weeks’ after the actor’s demise, a book titled – Mahanayika – has been released on the late Bengali cinema icon Suchitra Sen.

     

    The 500-page book offers a peep into the life of the elusive actress through rare photographs, replica of posters and insights offered by renowned filmmakers. It has write-ups on Sen by director Ritwik Ghatak, Ajay Kar and Asit Sen, among others. It also carries an article by Sen’s biographer and friend Gopal Krishna Roy.

     

    “Besides photographs and posters, there is a collection of news clippings reporting her death,” the film makers said.

     

    The 82-year-old actress Suchitra Sen died at a nursing home in Kolkata 17 Jan after a massive cardiac arrest.

  • Indian Film Festival of Melbourne introduces IFFM Awards

    Indian Film Festival of Melbourne introduces IFFM Awards

    MUMBAI: The 2014 Indian Film Festival of Melbourne (IFFM) is proud to announce the establishment of an international competition in 2014 with the presentation of the Indian Film Festival of Melbourne Awards. The festival is the southern hemisphere’s greatest annual celebration of Indian cinema and takes place from 1 May to 11 May.

     

    Actor Vidya Balan will return as the Festival Ambassador in the 2014 edition. Vidya was a 2013 Cannes Jury Member and in January was awarded the Padma Shri, the fourth-highest civilian award given by the Indian government. She will launch the festival program on March 28.

     

    The inaugural Indian Film Festival Awards (IFFM Awards) will honour films in five categories: Best Film, Best Performance, Best Director, Best Independent Film and the People’s Choice Award. This will be the first Indian cinema awards of its kind in Australia.

     

    A select number of narrative feature films will be invited into competition. The films will be judged by an International Jury of prominent Indian and Australian film industry figures from a wide range of backgrounds. The stellar list includes award-winning Australian director Phillip Noyce (Rabbit Proof Fence, Dead Calm, The Quiet American); world renowned Australian film editor Jill Bilcock (Strictly Ballroom, Elizabeth, Moulin Rouge, Red Dog and Shekhar Kapur’s upcoming Paani) and 2013 Gold Jury member for the Mumbai Film Festival; celebrated Indian film maker Raju Hirani (Munnabhai MBBS , Lage rahoo Munna Bhai and 3 Idiots), Indian actress, producer and television presenter Simi Garewal; Rajeev Masand, one of India’s most respected film critics (The Indian Express, Star News, CNN-IBN, GQ India), and Indian actress, director, writer and producer Suhasini Maniratnam.

     

    Festival Director Mitu Bhowmick-Lange says: “We are thrilled to announce the inaugural Indian Film Festival of Melbourne Awards. The Awards continue to build the festival’s reputation as an important international showcase for contemporary Indian cinema.”

  • ‘Guddu Rangeela’ next up from Fox Star Studios

    ‘Guddu Rangeela’ next up from Fox Star Studios

    MUMBAI: Fox Star Studios continues its effort to deepen its connect with Indian audiences with a comedy drama Guddu Rangeela.

    The movie will bring together director Subhash Kapoor and actor Arshad Warsi of Jolly LLB, a hit courtroom comedy from last year. Production is by Sangeeta Ahir of Mangal Films.

    Shooting in Shimla, Ludhiana, Chandigarh and other locations in North India gets underway in March 2014. A theatrical release is targeted in the first quarter of 2015. An ensemble cast also includes actors Amit Sadh (Kai Po Che) and Aditi Rao Hydari (BOSS).

    Fox Star Studios is the five-year-old joint venture between 21st Century Fox’s Indian pay-TV market leader Star Television and Hollywood studio 20th Century Fox. With 28 movies (9 Hindi, 4 Tamil, and 15 Hollywood pictures, from Fox and DreamWorks Animation) this year the studio certainly intends to increase its presence in India.

    Jolly LLB, with Arshad and Subhash, was our first independent production and its critical and commercial success has reinforced the fact that our vision to create high concept yet entertaining cinema has found resonance with the audiences worldwide,” said Fox Star Studios CEO Vijay Singh in a prepared statement.

    FSS’s Indian slate includes a three movie deal with Vishesh Films, alliances with Pooja Entertainment and Films, Phantom Films, Illuminati Films and a deal with Endemol India to deliver Traffic. Other highlights include Omen Remake, directed by Vishal Mahadkar set for a 14 September release, and Anurag Kashyap’s Bombay Velvet set for a Christmas Day 2014 outing.

  • Saregama reports subdued results for Q3-2014

    Saregama reports subdued results for Q3-2014

    BENGALURU: Saregama India Limited, which claims to be the custodian of over half the music ever recorded in India, reported lower numbers for Q3-2014 as compared to the immediate trailing and year ago quarters, despite its film and television serials segment recording a 15.6 per cent y-o-y  and 5.1 per cent q-o-q growth in operating revenue. The company received lower licence fees and paid lesser royalty fees in Q3-2014 as compared to the previous and corresponding last year.  At the same time, its cost of production of films, television serials and portal went up. 

     

    Overall, the company’s net total income from operations (net of excise duty) for Q3-2014 was 16.4 per cent lower at Rs 43.02 crore as compared to the Rs 51.43 crore in Q3-2013, and 5.5 per cent lower than the Rs 45.53 crore in Q2-2014. During 9M-2014, Saregama’s net total income fell 1.9 per cent to Rs 124.36 crore from Rs 126.74 crore in 9M-2013. For FY the, net total income reported was Rs 174.69 crore.

     

    Saregama’s Q3-2014 net profit at Rs 1.02 crore was a little more than one-fifth (20.61 per cent) of Rs 4.95 crore in Q3-2013 and less than half (about 40 per cent) of the Rs 2.49 crore in Q2-2014. For the nine month period ended December 31, 2014, the company’s net profit  was 37.6 per cent lower at Rs 5.34 crore as compared to the Rs 8.56 crore in 9M-2013. For FY 2013, the company reported PAT of Rs 10.88 crore. 

     

    Let us look at the other Q3-2014 figures reported by Saregama 

     

    Saregama received 17.7 per cent lower licensing fees at Rs 24.67 crore in Q3-2014 as compared to the Rs 29.96 crore in Q3-2013 and 15.2 per cent lower than the Rs 29.08 crore in Q2-2014. In 9M-2014, licensing fee income was Rs 76.71 crore, which was 0.58 per cent more than the Rs 76.27 crore in 9M-2013. For FY 2013, Saregama had licensing fee income of Rs 104.98 crore. 

     

    The company reports revenue from two segments – Music and Film and Television Serials (Production). 

     

    Music segment reported 29 per cent fall in revenue for Q3-2014 to Rs 26.13 from Rs 36.82 crore in Q3-2013, but reported an increase of 34.3 per cent from Rs 19.46 crore in Q2-2014. During 9M-2014, the Music segment’s revenue was down 16.6 per cent to Rs 80.68 crore from Rs 96.79 crore in 9M-2013. For FY 2013, the segment reported revenue of Rs 131.70 crore.

     

    Music segment’s operating profit in Q3-2014 at Rs 8.57 crore was down 25 per cent from Rs 11.42 crore in Q3-2013 and was just 2.5 per cent more than the Rs 8.36 crore in Q2-2014. In 9M-2014, operating profit was 17.3 per cent lower at Rs 26.24 crore as compared to the Rs 31.73 crore in 9M-2013. For FY 2013, Music segment reported revenue of Rs 51.33 crore. 

     

    The company’s Production segment reported operating revenue of Rs 16.89 crore, which was 15.6 per cent more than the Rs 14.61 crore in Q3-2013 and 5.1 per cent more than the Rs 16.07 crore in Q2-2014. The segment’s 9M-2014 operating revenue at Rs 43.68 crore was 45.4 per cent more than the Rs 29.95 crore in 9M-2013. For FY 2013, the segment reported operating income of Rs 42.99 crore.

     

    Production segment reported operating profit at Rs 0.69 crore as compared to an operating loss of Rs 1.28 crore y-o-y and was a little more than a fourth (about 27 per cent) of the Rs 2.54 crore operating profit in Q2-2014. For 9M-2014, the segment reported an operating profit of Rs 3.6 crore as compared to an operating loss of Rs 9.70 crore in 9M-2013. Saregama’s Production segment had reported an operating loss of Rs 11.49 crore in FY 2013. 

     

    The company’s Q3-2014 Total expense at Rs 41.70 crore was 12.4 per cent lower than the Rs 47.59 crore in Q3-2014 and was 4.4 per cent lower than the Rs 43.6 crore in Q2-2014. During the nine month period of the current year, Total expense was up by 0.35 per cent to Rs 119.37 crore from Rs 118.95 crore in 9M-2013. For FY 2013, the company’s Total expense was Rs 167.8 crore. 

     

    As mentioned above, Saregama’s cost of production of Films, Television Serials and portal in Q3-2014 was higher by 10.5 per cent at Rs 14.23 crore as compared to the Rs 12.88 crore in Q3-2013 and was 2.9 per cent more than the Rs 13.83 crore in Q2-2014. For 9M-2014, this expense head at Rs 37.03 crore was 32.6 per cent more than the Rs 27.92 crore in 9M-2013. For FY 2013, Saregama’s cost of production of Films, Television Serials and portal was Rs 39.55 crore. 

     

    The company’s Royalty expense in Q3-2014 was lower by 29.6 per cent at Rs 3.49 crore as compared to the Rs 4.96 crore in Q3-2013 and was less than half 42 per cent of the Rs 8.31 crore in Q-2014. In 9M-2014, Saregama’s royalty expense at Rs 15.24 crore was 29 per cent more than the Rs 11.81 crore in 9M-2013. For FY 2013, the royalty expense was Rs 15.64 crore. 

     

    Saregama’s advertising and sales promotion expense at Rs 2.17 crore in Q3-2014 was less than half (44 per cent) of the Rs 4.92 crore in Q3-2013 and 45.6 per cent more than the Rs 1.49 crore in Q2-2014. In 9M-2014, the company spent Rs 5.87 crore towards Ad expense, which was  (44.6) per cent lower than the Rs 10.59 crore in 9M-2013. In FY 2013, the company spent Rs 14.42 crore towards this expense head.

     

    Click here for full financials

  • Solo release ‘Gunday’ makes the most at BO

    Solo release ‘Gunday’ makes the most at BO

    MUMBAI: Gunday made the most of its combination of two young heroes with growing popularity, its music and Valentine’s Day release date to take a bumper Friday at the box office with a figure of 16.12 crore. Being a solo release also helped. The box office levelled out on Saturday with 12.63, rising again on Sunday to 15.18. The first weekend tally of 43.93 already qualifies the film as another hit for Yash Raj Films.

     

    Hasee Toh Phasee with a weekend of 15.75 crore remained steady on the lower side during the week to collect 25.35 in its first week.

     

    Of the three other releases, Babloo Happy Hai, Ya Rab and Heartless, only the last one managed to reach near one crore mark.

     

    Jai Ho added 3.7 crore in its third week taking its three week total to 104.9 crore.

     

    Yaariyan, coming to the end of its run, added 30 lakh in the fifth week to take its five week tally to 32.95 crore.

     

    Dedh Ishqiya has added 30 lakh in its fifth week to take its five week tally to 26.25 crore.

  • SRK, Madhuri, Honey Singh in Malaysia for ‘Temptation Reloaded’

    SRK, Madhuri, Honey Singh in Malaysia for ‘Temptation Reloaded’

    MUMBAI: Bollywood’s King Khan – Shah Rukh Khan – is in Malaysia for his concert ‘Temptation Reloaded’.

     

    Speaking at the ‘Temptation Reloaded’ press conference at the Ritz Carlton last afternoon said, “It’s always a sense of pride for me whenever I come to Malaysia. I often feel that I have never left home in fact. It’s a great feeling to be back to such lovely people once again.”

     

    Said to be the biggest Bollywood concert production, ‘Temptation Reloaded’ offers all the music, love and drama of the Bollywood silver screen together with Shah Rukh Khan’s beautiful leading ladies Madhuri Dixit and Rani Mukherji today at Stadium Merdeka. Apart from the big stars, our very own desi rapper Yo Yo Honey Singh will also be performing along with the team.

    Despite injury, pain and wounds, SRK is all set to rehearse and then perform in Malaysia. Shah Rukh Khan tweeted, “On way to Malaysia for Temptations. Little in pain but between Madhuri rani yo yo arijit and the team we will entertain u well.”

     

    The concert is in conjunction with the ongoing Visit Malaysia Year 2014 celebrations. Shah Rukh Khan also said at the do that it was his “duty” to promote the country as a tourism destination.