Category: Hindi

  • Zohra Sehgal – the artiste with an infectious smile, is no more

    Zohra Sehgal – the artiste with an infectious smile, is no more

    NEW DELHI: Veteran actress Zohra Sehgal – who was known for her charming smile and keen sense of timing – passed away in the capital on 10 July at 4:00 pm.

     

    Zohra, who had turned 102 on 27 April this year, felt uneasiness after dinner on 9 July night and was rushed to Max Hospital in south Delhi. Her family confirmed that she had a cardiac arrest in the afternoon.  

     

    She is survived by her son Pavan and her daughter (eminent danseuse Kiran Sehgal), and four grandchildren.

     

    Born in 1912, she started her career as a dancer in choreographer Uday Shankar’s troupe. From 1935 to 1943, she was a leading dancer with the troupe and performed across the world including the United States and Japan.

     

    As an actress, Zohra appeared in varied roles that showed her range as an artiste. She had last appeared in the 2007 film ‘Saawariya’. 

     

    She has appeared in just over 50 films and television series starting with K A Abbas’ debut film Dharti ke Lal in 1946.

     

    Some of her better remembered films are Bhaji on the Beach (1992), The Mystic Masseur (2001), Bend It Like Beckham (2002), Dil Se (1998) and Cheeni Kum (2007); Hum Dil De Chuke sanam (1999), Veer Zara (2004),  and the TV series, The Jewel in the Crown (1984), Tandoori Nights (1985–87), Amma and Family (1996).

     

    At the age of 90, she got the lead character around whom the story revolved in 2002 film Chalo Ishq Ladaaye, where she had stunt sequences, emotional scenes, etc. Considered the doyenne of Indian theatre, she acted with Indian People’s Theatre Association and Prithviraj Kapoor’s Prithvi Theatre for 14 years.

     

    Zohra received the Padma Shri in 1998, Padma Vibhushan (2010), the Kalidas Samman in 2001, and in 2004, the Sangeet Natak Akademi’s highest award, the Sangeet Natak Akademi Fellowship for lifetime achievement.

     

    Born as Sahibzadi Zohra Begum Mumtaz-ullah Khan into a traditional Muslim family in Saharanpur in Uttar Pradesh, to Mumtazullah Khan and Natiqua Begum, belonging to Rampur, Uttar Pradesh, she was the third of seven. She was a tomboy fond of climbing trees and playing games. Zohra lost vision in her left eye as she contracted glaucoma at the age of one year. She was referred to a hospital in Birmingham where she was treated.

     

    She lost her mother while still young. According to her mother’s wishes, she and her sister were sent to Queen Mary College in Lahore (then part of undivided India). Her maternal uncle Sahebzada Saeeduzzafar Khan who was based in Edinburgh arranged for her to apprentice under a British actor. In Europe, her aunt Dicta took her to try in the Mary Wigman’s ballet school in Dresden, Germany, but she had not ever danced. She got admission and became the first Indian to study at the institution. She stayed in Dresden for the next three years studying modern dance, while living in the house of Countess Liebenstein. She happened to watch the Shiv-Parvati ballet by Uday Shankar who was touring Europe and this marked a turning point. He promised her a job on return to India.

     

    But even before she came back, she received a telegram from Uday Shankar asking her to accompany on a tour to Japan. On 8 August 1935, she joined his troupe and danced across Japan, Egypt, Europe and the US, as a leading lady, along with French dancer Simkie. When Uday Shankar moved back to India in 1940, she became a teacher at the Uday Shankar India Cultural Centre at Almora.

     

    It was here that she met her future husband Kameshwar Sehgal, a young scientist, painter and dancer from Indore, eight years her junior. They married on 14 August 1942 and had two children, Kiran and Pavan. For a while the couple worked in Uday’s dance institute at Almora. Both became accomplished dancers and choreographers. Kameshwar composed a noted ballet for human puppets and choreographed the ballet Lotus Dance. When it shut down later, they migrated to Lahore and set up their own Zohresh Dance Institute.

     

    Because of the growing communal tension preceding the Partition of India, they returned to Mumbai where her sister Uzra was already working with Prithvi Theatres. She joined Prithvi Theatre in 1945 as an actress with a monthly salary of Rs 400, and toured every city across India with the group for the next 14 years.

     

    She also joined IPTA and acted in several plays, and made her film debut in IPTA’s first film production, directed by Khwaja Ahmad Abbas, Dharti Ke Lal in 1946; she followed it up with another IPTA-supported film, Chetan Anand’s Neecha Nagar which became India’s first film to go to Cannes and won the Palme d’Or at the Cannes Film Festival.

     

    She also did the choreography for several Hindi films, including Guru Dutt’s Baazi (1951) and the dream sequence song in Raj Kapoor’s film Awaara.Kameshwar, on the other hand, became art director in Hindi films and later tried his hand at film direction.

     

    After her husband’s death in 1959, Zohra first moved to Delhi and became director of the newly founded Natya Academy. She then moved to London on a drama scholarship in 1962.Her first role for British television was in a BBC adaptation of a Kipling story, The Rescue of Pluffles, in 1964. She also anchored 26 episodes of BBC TV series, Padosi (Neighbours; 1976–77).

     

    In London, Zohra got her first break in the films and was signed by Merchant Ivory Productions. She appeared in The Courtesans of Bombay directed by James Ivory in 1982. This paved way for an important role as Lady Chatterjee in the television adaptation The Jewel in the Crown (ITV, 1984). She then acted in several other films and TV series before returning to India.

     

    She returned to India in the mid-1990s and lived for a few months in Burdwan. At that time she acted in several films, plays and TV series since. She first performed poetry at a memorial to Uday Shankar organised by his brother, Ravi Shankar in 1983, and soon took it in big way; she started getting invited to perform poetry at various occasions. She even traveled to Pakistan to recite verses for “An Evening with Zohra”. Her impromptu performances of Punjabi and Urdu became a norm. After stage performances she was often requested by the audience to recite Hafeez Jullundhri’s famous nazm, Abhi To Main Jawan Hoon.

     

    In 1993, a critically acclaimed play, Ek Thi Nani, was staged in Lahore for the first time, featuring Zohra and her sister Uzra Butt now staying in Pakistan. The English version, A Granny for All Seasons, was held at UCLA in 2001. In 2008, at the United Nations Population Fund (UNPF)-Laadli Media Awards in New Delhi, she was named Laadli of the century.

     

    In 2014, she became the longest-living actor to have appeared on Doctor Who, as well as the first centenarian associated with the show. The second is Olaf Pooley, who celebrated his 100th birthday on 13 March 2014. 

  • ‘Humpty Sharma Ki Dulhania’…Join the party

    ‘Humpty Sharma Ki Dulhania’…Join the party

    MUMBAI: The title may sound confusing. Who is this Humpty Sharma? He is no legendary lover on whom tomes may have been written. It does not give away much except that the story/ scenario would obviously be set against the background of a Delhi Punjabi family. And perhaps that is something about the Dilwale Dulhania Le Jayenge to it? Why not. After all, Dil Wale Dulhania… was an all-time hit, so what’s wrong with borrowing a bit from there?

    Varun Dhawan shyly confesses that he was a very fat child and that is how he was nicknamed Humpty. Not bad considering he could have been nicknamed Sweety or Dimppy, which could be gender defying. Varun heads a gang of three including himself in a Delhi college. The other two are Gaurav Pandey and Sahil Vaid. As in all filmy colleges, you only have a campus with a loosely hung signboard declaring that the premises is a college. He is popular with girls around for no apparent reason except that he is the hero of the story. Despite being in Delhi, for a change, he is not the son of a halwai but, as he says, the only ‘waris of the famous Vidhya Book Store’ which caters to college students’ requirements.

    For a change, Varun does not find his lady love from a college coed. She is an Ambala girl, Alia Bhatt, who is in Delhi to attend her friend’s wedding. Actually, no Punjabi love story can be told without involving a wedding. There she meets Varun who wants to date her, which she does not mind until she gets married to an NRI a few week hence. A little net practice never hurt anybody.

    This is the first man Alia has ever been exposed to. All her life she has been brought up to believe in following the family tradition: marry the guy dad chooses. Dad, Ashutosh Rana, himself has had a love marriage but since then, he has had a reason not to trust such a liaison. But apart from that, Rana is okay with giving his daughter all the freedom she wants. So she takes off for Delhi to spend time with her friend, Guncha Narula, who is due to marry soon as well as to buy a Rs 5 lakh wedding dress for herself—because Guncha has bought one worth Rs 2.5 lakh!

    Producers: Hiroo Johar, Karan Johar.

    Director: Shashank Khaitan.

    Cast: Varun Dhawan, Alia Bhatt, Ashutosh Rana, Siddharth Shukla, Kenneth Desai, Gaurav Pandey, Sahil Vaid, Mahnaz Damania, Deepika Amin, Guncha Narula, Jaswant Daman.

    Varun, quite popular in college, sees this new girl in town and as is wont of any Delhi boy, piles on. Alia is the kind who can take a Delhi boy in her stride but quite enjoys Varun’s company. Varun, on his part, has fallen head over heels. The happy days are over and Alia has to return to Ambala as her NRI fiancé is due to arrive. That is when Alia also owns up to her deep love for Varun.

    Back in Ambala, Alia has only one option and that is to forget Varun and get ready for her marriage with this NRI doctor, Siddharth Shukla. Varun chases Alia to Ambala only to be beaten black and blue by her brother and his goons. Varun is unrelenting. Shukla is arriving and Rana decides to offer Varun a chance so as to avoid any tamasha during the wedding. It is five days till wedding, Varun’s job is to hang around Shukla and find some fault in him for Rana to call off Alia’s wedding with him. But, one look at the fiancé and Varun loses all hope. He is a perfect stud with no blemish at all. Since Gaurav and Sahil are also with Varun, the fun and repartees continue. 

    Despite the latter half of the film revisiting Yashraj Films’ all-time hit, Dilwale Dulhania Le Jayenge, it is all well done. The film’s writer/director deserve all the credit for coming up with a very plausible take on Dilwale…., with a taut script peppered with witty exchanges between characters. There are some loose ends like disappearance of Shukla from the scene suddenly! The film also has the advantage of some peppy numbers in ‘Saturday Saturday’…., ‘Lucky tu lucky me’…. and a melody in ‘Samjhawan’…albeit all with heavy Punjabi flavour.

    Varun along with Gaurav and Sahil make sure one stays entertained. Alia does well, not going overboard in dramatic scenes. Rana is good while Shukla makes an impact despite a brief role. The supporting cast is adequate.

    Humpty Sharma Ki Dulhania is a joyride for youth and an entertainer that also caters to other age groups. While its business may be affected to a degree due to Ramzan month, it is generally a moneymaker.

  • Iconic music films mark 100th FD Zone screening this week

    Iconic music films mark 100th FD Zone screening this week

    NEW DELHI:  Eminent film based on the country’s music legends will mark the 100th FD Zone screening. The films include Ravi Shankar which is based on the Bharat Ratna sitarist and is directed by Pramod Pati. Others include Amir Khan by SNS Sastry, and on Bhimsen Joshi directed by the eminent Gulzar. The screening will begin on 12 July at 4 pm.

     

    All the three films are remarkably individualistic in style. Pramod Pati’s film carries his zany energy, while Sastry’s film is a sublime meditation of the arts of music and film-making. Gulzar’s film is a feature-length documentary which is a sensory delight.

     

    FD Zone commenced two years earlier with a three-day festival of Mani Kaul’s films at the FD office in Mumbai. The programme of weekly screenings began on 14 July 2012 with SNS Sastry’s I am Twenty and Ashim Ahluwalia’s John and Jane.

     

    Since then, films have been shown every Saturday from the archives of the division aimed at creating a dialogue on diverse film-making practices, with emphasis on the non-fiction genre.

     

    The FD Zone screenings are free and open to all and even independent films have been screened along with films from the FD archives.

     

    Filmmakers visiting Mumbai have shared their films, fellow filmmakers have curated programmes and the audience has supported and enthusiastically participated in creating this space. The programme has been running once a month in seven other cities – Delhi, Bengaluru, Chennai, Kolkata, Madurai, Thrissur and Coimbatore, in partnership with local organisations.

     

    The films on Ravi Shankar and Amir Khan were made in 1970, while the film on Joshi was made in 1992.

  • Sunny Leone’s ‘Pink Lips’ crosses 1 million views

    Sunny Leone’s ‘Pink Lips’ crosses 1 million views

    MUMBAI: Ragini MMS2 made a space for itself in the hearts of the moviegoers even before it released, and that was due to its hit number ‘Baby Doll’. The upcoming movie Hate Story2, is generating the same response, thanks to the latest released ‘Pink Lips’.

     

    The song which sees Sunny Leone shaking her legs to the number composed by Meet brothers and choreographed by Uma-Gaiti has already generated 1,281,224 views, while the teaser has garnered 1,655,205 views.

     

    It can be recalled that the song ‘Baby Doll’ was also choreographed by Uma- Gaiti. “The success of ‘Baby Doll’ had left a lot of pressure on Uma-Gaiti to deliver something bigger and better and they have done justice to this as well. Since Sunny was constantly shooting for a reality show, Uma- Gaiti had to send their assistants to Jaipur to help Sunny rehearse due to time constraint,” said a release.

     

    The song which was shot in two days, sees Sunny wearing six different outfits which sensually suits her persona while she grooves to the new dance moves in ‘Pink Lips’.

     

    The promotional song is for the movie Hate story 2 produced by T-series and sung by debut singer Khushbo Grewal.

     

    The song teaser hit the one million mark within just three days of its launch.

     

    “It has been an absolute pleasure to put ‘Pink Lips’ together. We have choreographed ‘Baby Doll’ with Sunny so with ‘Pink Lips’ the process got easier. We had a better tuning this time and would get each other faster. In a shoot environment this really helps. Apart for the work equation with Sunny the song is extremely close to our heart as we have been involved in the making and all other creative aspects of it. Sunny was running a tight schedule we had sent our assistants to Jaipur for her to learn the steps. ‘Pink Lips’ was a huge challenge as it was being pitted against ‘Baby Doll.’ We wrapped up six sets in a record time of two days. Kudos to the team and Sunny,’ said Uma-Gaiti.

  • ‘Ek Villan’ and ‘Holiday’ cash-in at BO

    ‘Ek Villan’ and ‘Holiday’ cash-in at BO

    MUMBAI: Bobby Jasoos was much publicised and Vidya Balan was expected to repeat the trick with another film after Dirty Picture and Kahaani. But, the moviegoers did not seem to share the enthusiasm of the makers. The film had a very weak opening day and managing to improve only symbolically as most films do on Saturday and Sunday. The film managed to put together Rs 7.5 crore for the opening weekend.

     

    Lekar Hum Deewana Dil has been rejected outright eking out a poor Rs 1.5 crore for its first weekend.

     

    Ek Villain continues its good run after a strong opening weekend. Appreciated for the story, the performances as well as the musical score, the film takes in a healthy Rs 70.2 crore for its first week and also holding on well through its second weekend.

     

    Humshakals collected Rs 4.3 crore in its second week to take its two week total to Rs 55.9 crore.

     

    Holiday: A Soldier Is Never Off Duty has managed a decent Rs 2.5 crore in its fourth week to take its four week total to Rs 110.2 crore.

     

  • Indian short wins ‘Best Film Award’ in Serbia, now slated for screening in Kerala

    Indian short wins ‘Best Film Award’ in Serbia, now slated for screening in Kerala

    NEW DELHI: The best film award at the seventh Cinema City International Film Festival in Serbia has gone to an Indian short, Stray Dogs.

     

    The 19-minute short film by Atanu Mukherjee won the IBIS statuette for the best film.

     

    The film won in the “Up to 10,000 Bucks” competition programme, meant for low-budget films that screened 32 films of all genres this year.

     

    The Cinema City International Film Festival was held in Novi Sad in Serbia from 21-28 June 2014.

     

    “Stray Dogs uses a minimalistic and well-aimed dramatic structure to speak of system-imposed relation between the privileged and the oppressed, the mercurial nature of such relations, and discovery of a man outside the dynamics of hierarchy,” the Jury stated.

     

    Set in Pune, Stray Dogs tells the story of Tony, an employee in the Flex Manufacturing industry whose freedom is always dominated by hierarchy.  Being suppressed by his boss, he can’t keep his commitments and priorities in his personal life. Gradually he starts performing the role of a manipulator and wants to see the effect of the same. Finally he confronts the reality of this vicious circle, where everybody is trapped within, including a stray dog.

     

    The film is also scheduled for a screening at the International Documentary & Short Film Festival of Kerala in July.

  • SRK hits a trophy again!

    SRK hits a trophy again!

    MUMBAI: Looks like the baadshah of Bollywood still continues to woo his audiences. This month is turning out to be really fortunate for Shah Rukh Khan. After being honoured by the French Government, SRK is all set to hit another trophy!

     

    Held at Chennai on 5 July, he will be presented with the ‘Entertainer of Indian Cinema Award’ at the eighth Annual Vijay Awards.

     

    Though the awards acknowledge the best of the Tamil artists, this is for the second time that Khan has been blessed with this honour. Previously, he was bestowed with the Chevalier Shivaji Ganeshan award at the same ceremony.

     

    It will be graced by popular South celebrities including Shruti Haasan, Hansika Motwani, Vaani Kapoor and Lakshmi Rai.

  • ‘Bobby Jasoos’…open and shut case

    ‘Bobby Jasoos’…open and shut case

    MUMBAI: Bobby Jasoos is a curious mix of a light film, a romantic film, and a Muslim family social drama while also packing in a bit of suspense.

    Vidya Balan belongs to a traditional Muslim family from Hyderabad but her interests are not very traditional. She wants to become a private detective. When she seeks a job at an established detective agency, she is turned down. She then decides to start her own agency right opposite this agency. Her assignments are from fellow Muslim men and women from her neighbourhood, a dense Muslim locality.

     One of her clients is Ali Fazal; every time his family wants him to get married and choose a girl for him, he asks Vidya, Bobby Jasoos, to find some negative thing about the girl and to convey that to his parents so the marriage is put off. However, these are petty assignments earning her in the low thousands. What is more, she has to use the tea stall of a friend, Akash Dahiya, for her meetings with clients and has to order tea so that he gets some business for letting her use his joint. Her other sidekick is Prasad Barve, who runs a cyber cafe in the area.

    But Vidya has a problem at home. While her mother, Supriya Pathak Kapur, loves her like any mother would love her ward, her father is upset about her way of life and refuses even to talk to her. That is the family drama part of the film.

    Producers: Dia MIrza, Sahil Sangha, Reliance Entertainment.

    Director: Samar Shaikh.

    Cast: Vidya Balan, Ali Fazal, Arjan Bajwa, Zarina Wahab, Supriya Pathak, Tanve Azmi, KIran Kumar, Rajendra Gupta, Prasad Barve, Aakash Dahiya, Anupriya Goenka

    While working on her petty cases, Vidya suddenly gets her big break. Kiran Kumar, a very stern and suspicious looking person, walks into her life and offers her an assignment with wad of currency as well as an expense account. All she is given is a name and age of a girl and a birthmark on her palm to trace her. With funny trial and error methods, Vidya manages to find her.

    With this success follows another assignment at double the fees. She has to find another girl, again with only a name, age and a birthmark. Vidya is elated and wants to share her success with her father, but he will have nothing of it. For him, this is not how a traditional Muslim girl of 30 behaves.

    Somehow, Vidya succeeds in tracking this girl too through the pretext of carrying out a screen-test for a TV serial. And, now, Kiran Kumar is ready to give her a third and last case. She has to find a young man and is given his name but this time there is no birth mark. Only hint is that the boy has a toe missing in his right leg. But, by this time, Vidya is convinced Kiran Kumar is not a good man and lays a trap to find out his background. This is also the time to end the cat and mouse game and open the cards.

    Bobby Jasoos is basically a Vidya Balan show in toto. Her various getups are well done but the real Vidya pops out of each of them. But what is good about the casting is that, in the supporting cast, the film has a host of veterans in Kiran Kumar, Rajendra Gupta, Zarina Wahab, Supriya Pathak, Tanve Azmi and an effective Arjan Bajwa. The veterans live up to their reputation while the rest of the supporting star cast also does well. Ali lives up to the confidence of casting him.

    But as Vidya’s two lives are juxtaposed: that of family and her love to play detective, the film wavers, loses grip. The suspense created around Kiran Kumar and Bajwa shadowing Vidya turn out to be damp squibs. Gupta and Vidya’s equation, which remained ice cold throughout, changes in a few minutes’ worth of melodrama, which is cliché. Thankfully, there is little of music to slow the pace further.

     With Hyderabad as backdrop and a Muslim background, the release of Bobby Jasoos bang in the middle of the month of Ramzan shows utter lack of wisdom. 

    ‘Lekar Hum Deewana Dil’… going nowhere

    Lekar Hum Deewana Dil is a campus love story. There is a usual group of a bunch of friends, which includes the lead pair. The bunch generally has a good time because they are never in a class room but hang around the campus all day. The hero sports a guitar around his neck on daily basis. So what’s new?

    Armaan Jain and Deeksha Seth are college friends and they are in love but not quite aware of the fact, while to rest of their friends it is obvious that there is more than mere friendship. These two realise they are in love only when they have guzzled a few bottles of beer. Every love story needs a villain so in their case, the villain is the north-south divide. Deeksha is a south Indian and her father believes in maintaining traditions.

    Producers: Dinesh Vijan, Saif Ali Khan.

    Director: Arif Ali.

    Cast: Armaan Jain, Deeksha Seth.

    Besides his guitar, Armaan also owns a bike, mandatory for any college going young man in films! When Deeksha’s father is determined to marry her off to a suitor from his own community, she and Armaan decide to elope. Their first stop is Goa where they take shelter at Armaan’s uncle’s place. Soon the uncle betrays them and informs his family. The couple has to flee in hurry. And, of all the places, they land up in Maoist territory! Meanwhile, they have found the time to go through a temple wedding.

    Their stay at the Maoist camp is used to force in an item song and put on test the romance of the two immature people. Their love snaps under pressure and the bad circumstances they have landed in. The couple now hate each other as much as they loved earlier. Back in Mumbai, the divorce procedure starts at a family court. Sessions with a marriage counselor don’t work as both start fighting at the very sight of the other.

    As the divorce process is in progress, both embark on a great nostalgia montage of their good times together. Such montages have saved many broken romances in so many films so far so why should it not work here too? After all, love stories are all about happy endings. This is no Romeo and Juliet.

    Despite launching a new pair, with the hero much touted as the grandson of late Raj Kapoor, the film seems to be more about saving money rather than spending on it. With two new faces, there is nobody in the supporting cast whom one may have seen before. To add to that, even the promotion leaves much to be desired.

    The story is woven around a very flimsy plot. Screenplay is poor and so is the direction. With a song being forced in at every excuse, just a single number, Khalifa….. seems to have worked with youth. Rest of the aspects are below average. As for performances, Armaan is certainly not an actor; he is too raw and chocolaty. Deeksha, because of her south experience, does better.

  • ‘Manjunath’ travels the film festival circuit

    ‘Manjunath’ travels the film festival circuit

    MUMBAI: Some stories need to be told and ‘Manjunath’ is one such story that Viacom18 Motion Pictures (VMP) in association with NFDC and ICOMO brought to the Indian viewer, making the 27 year old dead Manjunath Shanmugham more than just a headline.

     

    The Indian International Film Festival of Queensland 2014 confirmed ‘Manjunath’ as its opening film for the year and it has won the Special Jury Award (of encouragement) in this circuit. The Indian International Film Festival of Queensland (IIFFOQ) is a celebration of new wave Indian cinema that was held in Brisbane from 28 June to 2 July. ‘Manjunath’ is also to be screened at the Jagran Film Festival on the domestic front on 6 July in Delhi.

     

    ‘Manjunath’, a biopic on the IIM graduate who was brutally murdered for exposing the petrol adulteration scam by the fuel mafia in Uttar Pradesh in 2005 is directed by Sandeep Varma, reputed ad-film maker and the Managing Director of ICOMO. The Cast includes veteran theatre and film actors like Divya Dutta, Anjorie Alagh, Seema Biswas and Yashpal Sharma with debutant Sasho Satiiysh Saarathy playing the lead as Manjunath.

  • Three Indian films at Durban International Film Festival

    Three Indian films at Durban International Film Festival

    NEW DELHI: Ritesh Batra’s Lunchbox and Anup Singh’s Qissa, the two Indian films that have swept international film festivals over the past year, will be among the three Indian films at the 35th edition of the Durban International Film Festival.

     

    Jayan K. Cherian’s Papilio Buddha will be the third Indian film at the festival to be held from 17 to 27 July.

     

    A total of around 69 feature films, 60 documentaries and 57 short films will be screened.

     

    Qissa will be screened as part of a special package of films on Gender and Sexuality as it is a film that blurs the boundaries of gender and genre in its story of a girl who is brought up as a boy.

     

    The Lunchbox– a tale of an isolated housewife who tries to reignite her relationship with her husband through a friendship she forms with someone who receives her delicious meals – will be screened in World Cinema section.

     

    Also in the World Cinema section is Papilio Buddha, the story of a university-educated son of a Dalit activist who is politically apathetic until he receives bad treatment at the hands of the state.

     

    The film was screened at the Berlin International Film Festival early this year.