Category: Hindi

  • Happy New Year:  Fast forward please!

    Happy New Year: Fast forward please!

    MUMBAI: When Farah Khan makes a film, she does not carry with her the burden of logic or justification. This is a caper movie and since caper movies can’t be very different from each other, the film has to count on its ensemble cast and how the film is scripted and treated. On this count, the star cast cannot help much.

     

    Shah Rukh Khan does odd jobs,including street fights, for a living. He has an axe to grind with Jackie Shroff who is a big shot in Dubai. His desire for revenge is overwhelming. Shah Rukh’s father, Anupam Kher, was an honest man who specialised in making the world’s most secure safe vaults. He had made one such rare safe for Jackie Shroff who rents it out for safekeeping of diamonds worth crores. The safe opens with a combination of a password and thumb print.

     

    Since Kher made the safe, only his thumb impression and password worked on the safe. He wants Jackie to change it but instead Jackie drugs him and steals diamonds worth crores. Kher is framed, jailed and later commits suicide. It has been eight years since and Shah Rukh is waiting for a chance to get even.

     

    Shah Rukh soon gets a chance to reach not only Dubai but the very hotel where Jackie operates from and where his safe is located. There is a world dance competition in Dubai in the same hotel and it is scheduled during the same period as diamonds worth Rs 300 crore will be kept in the safe while in transit.

     

    Now, Shah Rukh needs to build a team. He gets two people, Sonu Sood and Boman Irani, in his own backyard. They both worked for Kher. Boman is an expert on safes. He finds world’s best hacker in Vivaan Shah and Abhishek Bachchan is the lookalike of Jackie’s son on whose thumb impression now the safe opens. Having found experts in the fields he needs, Shah Rukh now has one problem. None of these five can dance to save their lives and they have to win two local rounds before they qualify to represent India.

     

    For this, they find Deepika Padukone, a bar dancer who agrees to teach them dancing. The required glamour quotient is in. Their dancing does not improve but while VIvaan hacks the online voting for the team, the judges, Vishal Dadlani and Anurag Kashyap, are blackmailed into voting for them and they qualify. However, being chosen does not change the public opinion looking at the welcome they get in Dubai with eggs and rotten tomatoes.

     

    There are minor hitches but finally the day arrives when they commit the heist; it is also the day when the dance final is due.

     

    As mentioned, how different can one caper film be different from another? Not much. Hence one looks forward to what follows. The disappointment starts as soon as you see the censor certificate stating the running time of the film as 179 minutes 50 seconds (this is after eight minute deletion a few days before release). Then, as Shah Rukh goes about building his team, he takes almost one hour. The characters of Boman, Sonu, Vivaan and Abhishek are introduced with demonstrations of how their talents will help towards carrying out the heist. Deepika enters after one hour into the film. Almost all sequences are stretched: Sonu’s fight in the beginning and Shah Rukh’s rooftop fight for instance, feel never-ending.

     

    The film counts on comedy and humour to entertain but save for few occasions, comedy and humour both are childish. The romance is one-sided for almost entire length of the film. The film has three songs with appeal, of which ‘Indiawale…..’ has been overplayed but still liked as it comes at the end as a victory song. Photography is good. Heavy editing was needed. There is not much scope for histrionics. Shah Rukh gets the best lines and most footage and his usual self. However, he is surrounded taller and stronger guys around except Vivaan and that does not please the eye. Deepika has to dance and moisten her eyes on regular basis, which is it. Boman Irani is wasted. Vivaan has a pleasant look with a smiling face and acts well too. It is Abhishek who justifies the funny lines he gets, some good and some PJs. Jackie is fine.

     

    Happy New Year is at an advantage being a solo Diwali release while, on the other hand, it is also at disadvantage because of its length which makes only four shows a day possible. Looking at the response, it will have to make the most of the holiday weekend.

     

    Producer: Gauri Khan.

     

    Director: Farah Khan.

     

    Cast: Shah Rukh Khan, Deepika Padukone, Abhishek Bachchan, Jackie Shroff, Boman Irani, Sonu Sood. Also in special appearances: Dino Morea, Prabhu Deva, Malaika Arora Khan, Anurag Kashyap, Vishal Dadlani, Sajid Khan, Anupam Kher.

  • Indian filmfest in The Hague to show films from SAARC countries

    Indian filmfest in The Hague to show films from SAARC countries

    NEW DELHI: More than 25 films and documentaries are to be screened during the eight days of the Indian Film Festival at Filmhuis Den Haag and Theater Dakota in the Hague.  
     
    The programme will go beyond the classic Bollywood films, stir debate and present a realistic picture of today’s India in all of its colour and diversity. The festival audience will have a wide choice of contemporary film by a number of independent directors from India and the diaspora.
     
    The Festival being held for the fourth time will take place from 22 to 29 October includes the screening of the 3D version of the classic ‘Sholay’ directed by Ramesh Sippy. The Indian Film Festival The Hague is part of Holland India Festivals The Hague.
     
    Highlights of the festival include the opening film ‘Traces of Sandalwood’ by Maria Ripoll on 22 October. The film set in Mumbai and Barcelona recently won the Audience Award during the Montreal World Film Festival 2014.
     
    Other highlights include the documentary ‘Without Shepherds’ as well as the dramas ‘With You, Without You’ (Oba Nathuwa Oba Ekka) and ‘Vara: A Blessing’, the short animation ‘True Love Story’ and the documentary ‘Tropical Amsterdam’.
     
    The festival will also feature visits by Indian film directors and producers.
     
    The photography exhibition ‘Bhopal: Facing 30’ by Francesca Moore portrays the site of the 1984 Bhopal disaster and those affected 30 years on. The expo can be seen in the Filmhuis.
     
    Other side events include a ‘Cinemas of India’ seminar at Leiden University, a panel discussion on the cinemas of India, a lecture for children on tigers (in Dutch), an India Dance Festival film programme, a cooking class and a yoga workshop. There will be a workshop for children on animation during the Festival.

    These films originate from various regions in India, each with their own language and culture. The Festival this year will also have some films from the neighbouring countries Pakistan and Sri Lanka, as well as films that are set in both India and Europe.

    A number of these films reflect on the lives of women who manage to break through the traditional barriers that restrict them in many ways. Another film shows the brave efforts of the young Dalits – the ‘Untouchables’ – who no longer accept their inferior position in society.

    The festival this year will expand to film theatres in Amstelveen, Eindhoven, Hertogenbosch  and  Utrecht. This makes it possible for more people to marvel at the beauty of Indian cinema. Different kinds of multiple screening passes make it possible for film lovers to enjoy as many films as possible.

     

  • Anupam and Lisa get drunk: Behind the scenes of ‘The Shaukeens’

    Anupam and Lisa get drunk: Behind the scenes of ‘The Shaukeens’

    MUMBAI: To give a scene reality touch while shooting, actor Anupam Kher and Lisa Haydon downed a little too much red wine on the sets of The Shaukeens.

    Tired after a hard day at work, where the lead actors Anupam Kher, Annu Kapoor, Piyush Mishra and Lisa Haydon were scheduled to travel to three different locations to shoot three different scenes in one day, with each location about two hours away from the next. Haydon and Kher decided to break away from the tradition of using mock drinks for shooting the last scene for the day where they were to be filmed while drinking wine by having actual red wine.

    By the time the final shot was taken, the two had downed three to four glasses each, a source from the sets revealed. “Luckily, it was the last scene for the day. So, no one noticed that the actors were actually in high spirits.”

    The Shaukeens is a remake of 1982 comedy movie Shaukeen directed by Basu Chatterjee. It stars Anupam Kher, Annu Kapoor, Piyush Mishra and Lisa Haydon along with Akshay Kumar in a special appearance. Produced by Cine1 Studios, Cape Of Good Films and Ashwin Varde Productions and directed by Abhishek Sharma, the film is set to release on 7 November 2014.

     

  • Jay Leno Receives Mark Twain Prize for Humor

    Jay Leno Receives Mark Twain Prize for Humor

    MUMBAI: Jay Leno has been awarded the nation’s top humor prize, ‘Mark Twain Prize for American Humor’. The comedian was feted in a ceremony which took place on 19 October at the Kennedy Center in Washington.

     

    Jimmy Fallon, Jerry Seinfeld and Wanda Sykes celebrated with the former ‘Tonight Show’ host as he received the honour. The show will be broadcast nationally on 23 November on PBS.

     

    According to media reports, accepting the awards, Leno said that The Tonight Show years were the best of his life and also praised his successor Jimmy Fallon for bringing a new dynamic to the show, adding that it’s fun to see the show change.

     

    The Mark Twain Award honours people who have had an effect on American society in the tradition of Samuel Clemens, the writer, satirist and social commentator, better know as Mark Twain. Past recipients of the award include Ellen DeGeneres, Carol Burnett, Will Ferrell and Bill Cosby.

     

    Leno built his career in standup comedy and still makes more than 100 live performances each year. During his time on The Tonight Show, he remained the top-rated late-night host for years, before stepping down from the show for the second time this year. He stepped down for the first time in 2009 and finally in February this year.

     

    Leno is currently developing a new TV show from his Los Angeles garage about on cars. Named Jay Leno’s Garage, the show will premiere on CNBC in 2015. He will also continue his live performances and start a new comedy series next year at the Kennedy Center.

     

  • ‘Bang Bang’ continues to rule at the BO

    ‘Bang Bang’ continues to rule at the BO

    MUMBAI: Though fairly well promoted, Sonali Cable fails to draw enough footfalls and opens to very poor response. Coming as it does during the dullest period of the year, pre-Diwali, and lacking face value showed on the public response. The film has remained limited to less than the four million mark for the opening weekend which is disastrous.

    Mumbai 125KM, a horror film with poor promotion facing dull release period, is a loser. The film has just about managed to reach the one crore mark for its first three days.

    Ekkees Topon Ki Salaami has managed to scrap together Rs 1.55 crore in its first week. Tamanchey manages to cross a crore mark with Rs 1.25 crore to show for its first week. The other two releases of the week, Jigariya and Spark, were lost without a trace.

    Bang Bang has collected Rs 21.3 crore in its second week to take its two week tally to Rs 136.6 crore.

    Haider has managed to collect Rs 10.3 crore in its second week mainly on support at multiplexes to take its two week total to Rs 45.45 crore.

     

  • Three more awards added to Deepika Padukone’s kitty this year

    Three more awards added to Deepika Padukone’s kitty this year

    MUMBAI: Adding more awards to her kitty, Deepika Padukone has bagged three awards at the Star Box Office India Awards 2014, for her performances throughout the year.

    She was awarded the ‘Actor of the Year – Female’ and ‘Romantic Jodi of the Year’ with Ranveer Singh for Goliyon Ki Rasleela… Ramleela.  In addition to this she was also given a special award ‘Ms Hat Trick’ for her back to back successes marking that she has had the highest cumulative box office collections over the past 3 years.

    Overwhelmed with all the love she received on the awards night, the Om Shanti Om actress tweeted, “Too much love tonight! Thank you Star and Box Office India!”

    Received grandly by global audiences throughout her SLAM world tour, the actress has received rave reviews for her performance in Finding Fanny as Angie.

    Deepika Padukone was seen wearing a backless black gown complemented her slender and tall frame, paired with gold coin earrings and berry red lipstick at the event.

    She will soon be seen in Happy New Year which is her third movie with Shah Rukh Khan. She is also shooting for Shoojit Sircar’s Piku alongside Amitabh Bachchan and Irfan Khan and Imtiaz Ali’s Tamasha with Ranbir Kapoor. The ace actress will then start shooting for Sanjay Leela Bhansali Bajirao Mastani with Ranveer Singh.

    ‘Star Box Office Awards’ recognizes the achievements of Hindi films at the box office and will be broadcasted on the 19 October 2014.

  • 26 features and 15 non-features make it to Indian Panorama 2014 for IFFI

    26 features and 15 non-features make it to Indian Panorama 2014 for IFFI

    NEW DELHI: A total of 26 features and 15 non-features have been selected for the Indian Panorama section of the 45th International Film Festival of India (IFFI) to be held in Goa next month.

    The jury for feature films headed by renowned cinematographer-turned-filmmaker AK Bir selected the features out of a total of 181 eligible entries while the non-feature jury was headed by emnent filmmaker Mike Pandey.
    Two features out of the chosen ones will be selected for the competition section of the Festival while one will be placed in a special section of SAARC films.

    The feature Elizabeth Ekadashi (Director: Paresh Mokashi) and the non-feature The Last Adieu (Director: Shabnam Sukhdev) have been chosen as the opening film by the feature film jury of Indian Panorama 2014.

    The feature section has seven films each in Malayalam and Marathi, five films in Bengali, two in Hindi, and one film each in Assamese, Kannada, Khasi, Odiya and Tamil.

    The complete list of the films is:

    FEATURE FILMS

    NON-FEATURES:  

  • ‘Sonali Cable’… Stuck in time

    ‘Sonali Cable’… Stuck in time

    Sonali Cable must have been an idea in the mind of its writer-director, Charudutt Acharya, for a long time. Finally, he gets to realize it. Why is it an old thought? Because, cable turf wars are a story of the late 20th century. Providing cable connections was a totally money-and-muscle-wielding business when it started. There was nothing legal about it because there was no control. It just flourished.

    Cable was a way to watch various TV channels and infringing on other cable operators’ turf was the norm. It led to gang wars, murders and all such things that happen in other turf wars; after all, it was all about taking over a territory. But, Sonali Cable talks of a later stage. The stage when cable service was not limited to TV channels but also started providing internet connectivity.

    The story of Sonali Cable is a two-way fight between a multinational powerful company, Shining, owned by Anupam Kher, who wants to control all of Mumbai’s net connectivity which, according to him, will make whole of Mumbai vulnerable to him!! (There have been weirder ideas!) He has bought over all small time operators catering to few thousand connections and Mumbai is all his except for this one small time network provider, Sonali  (Rhea Chakraborty); her 3,000 connections stop him from controlling the entire city. For the convenience of the script, the national service provider, MTNL, is done away with, and so are other poor contenders owned by private companies. It is all about Kher, who walks in like East India Company, and takes over the net connectivity in the business capital of India.

    Then there are the emotional angles. Kher’s mother brought him up supplying khakhras in some Saurashtra village. Today, he swears by a khakhra but has no scruples otherwise. The film waits a long while for Sonali to get her own back. Which, by the way, totally ruins the latter half of the film. The shortcomings and liberties notwithstanding, the film loses the plot post-interval.

    Kher takes over Mumbai: just about every product is his, and just about every politician is owned by him. But this is the computer era as well as spy camera era. So, like all recent films where the villain ends up blabbering in front of a hidden camera, Kher complies too!

    The problem with this film is that the makers, and especially the writer, take the audience for granted. Can anybody monopolise Mumbai? Especially its net connectivity? While some ideas are good, some are farfetched. Also, the film has a Mumbai-Marathi flavour and a generous use of local slang words, which will not be understood by everyone. The film has some good songs. Direction shows promise given a better script (which is also by the director here).

    The story revolves around Rhea, a slum bred independent girl running her cable network with an opportunist politician, Smita Jaykar, whose son, Ali Fazal, is Rhea’s childhood love. Rhea does well except when using Marathi slang. Ali Fazal is getting better with each film. Raghav Juyal is a natural. Anupam Kher does one of his quirky characters with élan. Jaykar does well.

    Sonali Cable is out of tune with time and, otherwise too, goes haywire in the second half. Faces poor prospects.

     

    Producers: Ramesh Sippy, Rohan Sippy.

     

    Director: Charudutt Acharya.

     

    Cast: Rhea Chakraborty, Ali Fazal, Raghav Juyal, Anupam Kher, Smita Jaykar, Swanand Kirkire.

  • PK motion poster 4: Now, Anushka carries the transistor

    PK motion poster 4: Now, Anushka carries the transistor

    MUMBAI: With Aamir Khan making headlines with the PK posters, now it is Anushka Sharma’s turn to ‘wear the transistor’.

    Khan, who plays the title role in the film, took to Twitter to share Sharma’s first PK look. The Jab Tak Hain Jaan actress like Khan, is dressed in khaki, sporting a short hairdo and the transistor slung across. This is the first official look that the makers of the film have released of the actress.

    The motion poster shows five different looks of the beauty along with co-star Aamir Khan.

    Ahead of the release of the poster, Aamir Khan tweeted:, “Babaaaal machney wala hai!!! Jaggu bhi humre jaise tiranjister pahan kar poster ma? Babaaaaal machney wala hai !!!”

    Later with the link of the motion poster, he tweeted, “Ei dekha….. humaar Jaggu…. tiranjister ke saath…“

    Directed by Rajkumar Hirani, PK also stars Sushant Singh Rajput, Sanjay Dutt and Boman Irani among others and is slated to release on December 19. The film is produced by Vinod Chopra Films and Rajkumar Hirani Films in association with UTV Motion Pictures.

     

  • ‘Labour of love’, only Indian film at Abu Dhabi Film Festival

    ‘Labour of love’, only Indian film at Abu Dhabi Film Festival

    NEW DELHI: The Bengali-language film Asha Jaoar Majhe (Labour of Love), which had its premiere in the ongoing Mumbai Film Festival, is the only Indian film to be selected for the Abu Dhabi Film Festival this year.

    The film will be screened in the New Horizons section at the festival that screened Anup Singh’s Qissa last year.

    The film is about modern alienation in the crumbling suburbs of Kolkata, explored with lyricism and tenderness in times of great economic duress. A husband and wife share the same house and an intense love for each other. But since she works by day and he by night, they almost never meet.

    Aditya Vikram Sengupta was named the Best director of a debut film for Labour of Love in Venice Days, an independent sidebar of the Venice International Film Festival, where the film received its world premiere.

    The Abu Dhabi Film Festival will be held from 23 October to 1 November.