Category: Hindi

  • Choreographer Longinus Fernandes joins Amelia and Satish Reddy for ‘Bollywood Dance Seminar’

    Choreographer Longinus Fernandes joins Amelia and Satish Reddy for ‘Bollywood Dance Seminar’

    NEW DELHI: Even as Japan and some Southeast Asian countries have taken to the dance styles of Indian cinema, the interest also appears to be spreading to Europe.

     

    Choreographer Longinus Fernandes, popular for choreographing Jai Ho from Slumdog Millionaire, is conducting a dance seminar and workshop organised by Oriental Dream and Scribes Paris India Connection (INC) at the prestigious club located in the heart of Paris this month.

     

    The workshop will start on 12 April at Club Montmartrois, 60 Rue Ordener in Paris, France.

     

    The Seminar will be a combination of all the ingredients of music, dance, costumes, drama and emotions. Fernandes has made actors in Slumdog Millionaire dance to his tunes and also directed a sequence in Hollywood film Eat, Pray & Love.

     

    Amelia of Oriental Dream said, “I am very happy to receive the Choreographer Longinus Fernandes from Bollywood. All passionate lovers of Indian dances and fans of Indian movies are very excited to meet him finally in real. This International Dance Seminar will be a big success in Europe.”

     

    Satish Reddy of Scribes INC said, “It was a pleasure to be associated with the workshop as we will be bringing more Indian artistes and Culture to Europe. I am happy that I am getting a chance to explore in Paris through this Seminar.”

     

    Many movies have been shot in Paris. Preity Zinta revived the trend after a long gap when she shot her last film Ishq in Paris. The Shammi Kapoor- Sharmila Tagore film An Evening in Paris was the first Hindi film to be filmed there. 

  • ‘Detective Byomkesh Bakshy!’: Lacks twists & turns; is slow

    ‘Detective Byomkesh Bakshy!’: Lacks twists & turns; is slow

    MUMBAI: As is apparent from the name, Detective Byomkesh Bakshy! falls in the detective genre, the kind that has not been tried in some time. Set in WW II Calcutta of 1942, it can be termed as a period detective saga. It is based on the famous detective character, Byomkesh Bakshy, created by writer Sharadindu Bandopadhyay, which has been made into many TV and movie versions.

     

    Sushant Singh Rajput, who plays Byomkesh, is just finishing his college and is uncertain about his future plans. Anand Tiwari, a batch mate, learns that his father has gone missing and he asks Sushant to help find him. 

     

    Sushant has this knack for observing and making logical deductions. Sushant refuses to help saying his father may have committed some crime and vanished. This earns him a slap from Anand. 

     

    However, Sushant gets back to Anand and agrees to help him. He starts with checking in into the same guest house, Anukul Lodge.  This where Anand’s father also stayed and from where he had gone missing. Sushant is an accidental detective and he beats around the bush, looking for clues everywhere. His suspicion hovers around a suddenly shut down chemical factory owned by a politician from where, finally, Anand’s father’s dead body is recovered.

     

    The politician is booked but even while the DCP is interrogating him, it strikes Sushant that the politician is being framed. On his word, the DCP lets him go. The trial and error method of detecting continues while the truth is right around Sushant as he searches far and wide. 

     

    The plot thickens as the theme expands its scope from a murder of a chemistry scholar to heroin to the local politics to free the country to a plot to pave the way for the entry of Japanese troop through the river Ganga! 

     

    There is also a conflict between a Chinese drug dealer and a presumed dead rival who has hijacked tons of heroin of the Chinese.

     

    After all this detective work done by Sushant, the film is taken to its conclusion in a traditional way by collecting people concerned under one roof. The culprit being one of them is a given. As happens in all detective stories, Sushant takes to retelling the plot, laying bare the intentions of culprit and who it is. How you wish you were told this an hour earlier.

     

    The problem with Detective Byomkesh Bakshy! is that it is too slow and lacks the twists and turns and red herrings that such a story needs. It therefore has no grip. The script needed to be tight. Visually too it is drab with indoor scenes being dimly lit while outdoor ones are dulled even more with smoke added for effect. 

     

    While the background score is effective, songs are chosen keeping the period in mind and, hence, lack appeal to today’s listener. 

     

    What lands some relief to the viewer is Sushant’s pleasant outlook (which other regional actors don’t quite have). Of the women, Swastika Mukherjee brings some oomph though as a performer she has limits. Anand is good and so is Divya Menon despite getting a limited exposure. Meiyang Chang is a good addition to character artistes. The one who impresses is Neeraj Kabi (who also threatens a sequel at the end).

    Detective Byomkesh Bakshy! is slow and offers nothing to recommend it.

     

    Producers: Aditya Chopra, Dibakar Banerjee

     

    Director: Dibakar Banerjee

     

    Cast: Sushant Singh Rajput, Anand Tiwari, Neeraj Kabi, Divya Menon, Swastika Mukherjee, Meiyang Chang, Mark Bennington, Takanori Kikuchi, Shivam, Dr Kaushik Ghosh, Anindya Banerjee, Arindol Bagchi, Peter Wong, Pradipto Kumar Chakraborty, Manoshi Nath, Moumita Chakraborty, Tirtha Mallick, Prasun Gain, Aryann Bhaumik, Prashant Kumar & Nishant Kumar, Shaktipada Dey, Sandip Bhattacharya, Piyali Ray.

     

  • Abhay Deol in IFFLA jury

    Abhay Deol in IFFLA jury

    NEW DELHI: Actor-producer Abhay Deol has been included in the jury for the 13th annual Indian Film Festival of Los Angeles.

     

    The Festival is being held from 8 to 12 April at the ArcLight Hollywood.

     

    The other narrative jury members are filmmaker Sean Baker, HFPA member and frequent Board director Yoram Kahana, Warner Bros executive vice president (physical production) Ravi Mehta, and author and film curator Berenice Reynaud.

     

    The shorts jury include actor Danny Pudi, Outfest Director of Programming Lucy Mukerjee-Brown, Sundance Shorts Programmer Lisa Ogdie, and Heather Morris Washington, Manager of the Emerging Writers Fellowship at Universal.

    Aditya Vikram Sengupta’s debut feature Labour Of Love following one day in the life of a married couple has been added to the festival’s lineup. It screens on 10 April.
     

    Other films include Jai Ho by Delhi-based filmmaker Umesh Aggarwal who had attended the premiere of the film in New York earlier this year.

     

    The world premiere of British comedy One Crazy Thing is the centerpiece this year. The opening night film is Haraamkhor, helmer Shlok Sharma’s debut starring Nawazuddin Siddiqui, and the closing film is Dhanak by Nagesh Kukunoor.

     

    Other highlights are Danis Tanovic’s Tigers, Cannes entry Titli by Kanu Behl and the Los Angeles premiere of Miss India America.

     

    IFFLA will unspool 25 films, including four world premieres, seven North American bows, two American and 10 Los Angeles preems from not just India, but also the US, the United Kingdom, France, Germany and Cuba, in 10 languages including English, Spanish and German.

     

    Directed by Amit Gupta, One Crazy Thing stars Ray Panthaki and Daisy Bevan and centers on a man struggling to overcome the notoriety from his sex tape. 

     

    Tanovic’s Tigers stars Bollywood star Emraan Hashmi and is about the true-life tale of the salesman who took on a drug company that marketed a deadly baby formula. 

     

    Titli is a coming-of-age story starring Shashank Arora; while Miss India Americastars Tiya Sircar and Hannah Simone in the story of a woman who enters a beauty pageant after losing her boyfriend to a former Miss India America.

     

    IFFLA Artistic Director Jasmine Jaisinghani said, “Many of the films at this year’s IFFLA look at contemporary youth from diverse backgrounds, united in their creative ways of overcoming life’s situations. The palpable energy of youth spirit runs throughout our film lineup, and these stories take you on an adventurous journey.”

  • Film industry gears up for Cannes Film Fest; FICCI to set up India Pavilion

    Film industry gears up for Cannes Film Fest; FICCI to set up India Pavilion

    NEW DELHI: The India Pavilion at the forthcoming Cannes Film Festival will be set up once again by the Federation of Indian Chambers of Commerce and Industry (FICCI) in coordinating and on behalf of the Information and Broadcasting Ministry.

     

    The 68th Cannes Film Festival is being held at the coastal city of Cannes in France from 13 to 24 May.

     

    An India Film Guide featuring details of registered participants will also be brought out for distribution during this international fete at the Pavilion.

     

    A major film delegation led by officials of the Ministry is expected to attend the meet.

     

    The India Pavilion will be showcasing Indian cinema across linguistic, cultural and regional diversity with the aim of forging an increasing number of international partnerships in the realms of distribution, production, script development and technology, and promoting film sales and syndication.

     

    Promoting India as a film destination will be a major emphasis this year and details will be given about the advantages of filming in India. FICCI will help book structured B2B meetings with foreign participants; and organize networking events.

     

    In addition, it will display trailers of films even from those who are not going to Cannes for showing at the Pavilion. Brochures and other literature about films and film festivals in India will also be displayed at the Pavilion.

     

    Apart from this, the National Film Development Corporation (NFDC) will put up a separate stall in the Cannes Film Market.

     

  • Viacom18 to release Paresh Rawal’s ‘Dharam Sankat Mein’ on 10 April

    Viacom18 to release Paresh Rawal’s ‘Dharam Sankat Mein’ on 10 April

    MUMBAI: Viacom18 Motion Pictures is all set to release the Paresh Rawal, Naseeruddin Shah and Annu Kapoor starrer Dharam Sankat Mein on 10 April.

     

    The movie is a sequel to OMG – Oh! My God, which also starred Akshay Kumar along with Rawal.

     

    In the upcoming satirical film, Rawal will be seen playing a father, a maulwi and a pundit. Dharam Sankat Meinis the story of a man torn by the dilemma of choosing between two religions.

     

    Rawal plays Dharampal, a man caught in an identity crisis of epic proportions. His entire belief system is shaken when documents from his departed mother’s locker reveal to him that instead of being what he believed himself to be – an average upper middle class Hindu – he was actually born to a Muslim family.

     

    Speaking about his role, Rawal said, “The film goes into a series of hilarious events that follows once I figure my true identity. Dharam Sankat Mein is an important film wherein a good message is being delivered through a rib tickling story.”

     

    Talking about his journey so far in the film industry, Rawal added, “I’m fortunate to have got the opportunity to play interesting characters. I hope to continue entertaining the audience and my fans.”

  • Amitabh Bachchan felicitated by Egyptian Academy of Arts

    Amitabh Bachchan felicitated by Egyptian Academy of Arts

    NEW DELHI: Megastar Amitabh Bachchan, who has been named for the Padma Vibhushan this year, will receive an honorary doctorate from the Academy of Arts, Egypt during a visit to as chief guest of the mega festival ‘India by the Nile’.

     

    Organized by the Indian Embassy in collaboration with the Indian Culture and Tourism Ministries and the Cairo Opera House, this is considered the biggest foreign fair in Egypt amidst a political unrest and violent extremist attacks, and is aimed at sending a message that the country is safe for tourists, according to Indian Ambassador to Egypt Navdeep Suri.

     

    The Indian ambassador said the focus was to get in more tourists in Egypt from India and the idea to rope in Bachchan as the chief guest for the festival this year stemmed from that.

     

    The third edition of the festival formally commences tomorrow and will continue till 17 April. achchan, 72, will speak about his films, particularly Amar Akbar Anthony at the Opera House tomorrow and will also be present at a gala event at the Pyramids the same day.

     

    In the run up to the festival, artistes from India and Egypt presented a Bollywood performance at the airport. Delhi-based dance group kick started the performance with Bachchan’s hit song Ye Dosti from the movie Sholay and went on to perform on the hit Dil Chahta Hai track Koi Kahe.

     

    Young college girls chanted “Indiawale” as the performers danced to the beats of the dhol. Their act was followed by a dance number by Cairo-based dance group comprising five young girls, who are all self-confessed Bollywood fans.

     

    The gala inauguration will be followed by a new musical ‘Bollywood extravaganza: A Tale of Passion, Love and Revenge’, which will run at the Opera House from 1 to 3 April and will see more than 35 Indian dancers performing to the much-loved music of Indian cinema.

     

    The musical will also travel to Egypt’s second largest city Alexandria, in north central part of the country. As part of the festival, a Bollywood dance workshop was also organised today at Medan Theatre in the Cairo Opera House complex.

     

    “The proposition we gave last year was Egypt is going through a rough patch (and) tourism is badly hurt. Many countries have issued advisories against visiting the country. We said we are committed to do the festival and we will not go back even if you have the occasional bomb blasts or elections,” Suri said at the Indian Embassy in Cairo.

     

    “This year the approach to tourism was that they wanted to get more visitors from India. In 2010 the number was 114000. The idea was to grow that number and that’s why we decided how about getting an iconic figure like Bachchan, at the iconic place such as the pyramids.

     

    “The idea worked… he has been phenomenally gracious. It is generous of him to make time for the festival,” Suri added. The festival will also feature performances by a Manipuri dance group, yoga sessions and an Indian street food festival.

     

    “Three years ago we wanted to do an Indian cultural programme partly to get away from the notion that India is all about Bollywood,” Suri said. 

  • ‘Dum Laga Ke Haisha’ collects Rs 28.07 crore at box office

    ‘Dum Laga Ke Haisha’ collects Rs 28.07 crore at box office

    MUMBAI: The plight of the exhibition sector continues as the supply of crowd puling films remains scarce. What’s more, the next few weeks will also see small budget films releasing. While the ICC Cricket World Cup has reached its logical conclusion, come 8 April and the next major hurdle for films will come in the form of the Indian Premiere League (IPL).

     

    Barkhaa, an old-fashioned love story, which released last week, saw poor box office collections in its opening weekend.

     

    The other release, Yahan Sabki Lagi Hai, unfortunately found no audience.

     

    Hunterrr, a film about a self-confessed skirt tail chaser, remained below average. The film collected Rs 7.85 crore in its first week.

     

    Dilliwali Zaalim Girlfriend showed poor performance with collections of Rs 3.7 crore in its first week and no further prospects.

     

    The Anuskha Sharma starrer NH10’s first week figures were Rs 19.85 crore. The film has added Rs 7.2 crore in its second week to take its two week tally to Rs 27.05 crore. This being an open week, NH10 may be able to sustain and add a few crores more to its tally.

     

    Dirty Politics managed to add about Rs 10 lakh in its third week to take its three week total to Rs 6.6 crore.

     

    Dum Laga Ke Haisha makes the most of its status of being the only family fare catering to all kind of audience as well as facing poor oppositions. The film maintains steady collections of Rs 2.37 crore in its fourth week to take its four week tally to Rs 28.07 crore.

     

    Badlapur: Don’t Miss The Beginning has added a symbolic Rs 8 lakh in its fifth week to take its five week total to Rs 48.75 crore.

  • 5 Bollywood co-stars that get along like a house on fire

    5 Bollywood co-stars that get along like a house on fire

    MUMBAI: Bollywood has seen many long lasting friendships, many of which started out on sets of various films. And when co-stars turn friends, the audience can literally see their magic translate on the silver screen, and their movies have that extra magic that no one can quite define.

     

    Here are five examples of on and off screen friendships that set the screens on fire:

     

    Ranveer Singh-Arjun Kapoor: Both Singh and Kapoor knew each other very well even before they became a part of the film industry. So when they were offered Gunday, their chemistry was evident onscreen for everyone to see. The two young and energetic actors were indeed a treat for the movie-goers.

     

    Katrina Kaif-Ranbir Kapoor: This cosmic duo has been great friends since they first met on the sets of Ajab Prem Ki Ghazab Kahaani. Ranbir and Kaif reportedly got along immediately during their first shoot schedule and share a very strong rapport since then. Their onscreen performances rightly reflect the bond and comfort they share. This peerless couple will soon be seen in their next film – Jagga Jasoos.

     

    Kunal Kohli-Jennifer Winget: This combination is never-seen-before. However, this pairing seems full of promise. Kohli and Winget who will be seen in their new movie Phir Se apparently hit it off instantly on the sets of the movie. Pictures from the sets of the movie show the two enjoying a day of ice-skating amidst their busy schedule, which talks volumes about the comfort level they share. Director Kohli’s first acting stint with TV starlet Winget is surely something to look out for.

     

    Amitabh Bachchan-Deepika Padukone: When two stalwarts come to work on a fun quirky movie, sharing a strong, comfortable chemistry is inevitable. So much so that Padukone has started calling Big B baba, which means father – as the senior actor is seen playing her father in their upcoming movie Piku. This unusual pairing has certainly set high expectations because of the sheer amount of talent they bring together on the silver screen.

     

    Akshay Kumar-Jacqueline Fernandez: Though they are working with each other for the first time, both Kumar and Fernandez have been seen having a good time. She recently put up a quirky video true to her style, where he is congratulating her on reaching one million fans on Instagram. The two actors have been working on their film Brothers.

  • Kangana Ranaut named brand ambassador of LIVA

    Kangana Ranaut named brand ambassador of LIVA

    MUMBAI: Birla Cellulose, from Aditya Birla Group, unveiled its new age fabric brand, LIVA. The company has named Kangana Ranaut as its new brand ambassador.

     

    The company also launched the Liva Accredited Partner Forum (LAPF) at JW Mariott, Mumbai with a fashion show. LIVA is a new age fabric that is natural, fluid, and fashionable which infuses fluidity into the garment.

     

    The evening saw an amalgamation of the five elements to bring out the essence of LIVA, in a fluid fashion showcase titled ‘Panchtatva’.

     

    James Ferreira, renowned for his subtle non-literal infusion of Indian elements, presented the LIVA Collection themed Air, whereas Puja Nayyar, known for her unique ideation towards experimentation in design, used Earth as an element to showcase the expanse of the fabric LIVA. Narendra Kumar, known for his structured silhouette and sharp tailoring, displayed the fluidity of the fabric, using Water as the inspiration and Anita Dongre, who is known for her wide range – pr?t to couture, traditional to contemporary, classic to avant-garde and desi to global, took inspiration from Fire to bring alive the fiery fluidity of LIVA.

     

    The highlight of the showcase was show stopper Kangana Ranuat, walking the ramp in a gorgeous LIVA creation.

     

    Ranaut said, “When I saw the fabric, I was really surprised at how flowy and fluid it was. It draped by body in just the right way, wasn’t too boxy or too tight. The fabric moved as I moved. I think it’s the kind of fabric that can go well with any clothing and occasion. Moreover, I personally feel that LIVA is going to play a very important role in the world of fashion. People always want something new; something exciting and I can see it happening with LIVA. The collections seen tonight are very much testament to the great potential the brand has for women’s wear. It feels great to be here tonight with the wonderful design team from LIVA, and of course, the absolutely brilliant designers who have show cased their collections”

     

    Grasim Industries managing director and group director – textiles K.K Maheshwari said, “Firstly, we needed to create a distinctive and relevant end-consumer promise. With years of experience and several intense rounds of understanding consumers, we have found one that we believe resonates strongly with their desires and beliefs. Not only does it fully satisfy them on the aspect of being a natural product, it also delights them on the distinctive aspect of the product which is its soft drape, or “fluidity”. I am delighted to announce that we are launching this product under the brand name “Liva” with the very simple but very meaningful and attractive proposition of “Natural Fluid Fashion.”

  • Barkhaa…Who?

    Barkhaa…Who?

    MUMBAI: Barkhaa is an old fashioned story revisited. It is about a city lad on a visit to a picturesque location where he falls for another visitor. As a modern version, the theme is about one sided love, an obsession and about his love ending up in a dance bar.

     

    Taaha Shah, a reputed and wealthy lawyer’s son, is on a visit to Haryana, where he spots Sara Loren and falls in love with her. She is not aware of his feelings or scrutiny. But, soon, Sara has vanished from the scene and Tahaa does not know where to look for her.

     

    Back to routine, he is asked to run an errand for his lawyer father, Puneet Issar, to meet a dance bar owner client of his. Taaha is invited by the bar owner to come visit his bar. When Taaha does so, he gets an unpleasant surprise. Sara is one of the bar dancers at the joint. Now, Taaha may be obsessed with Sara but, for a reputed, traditional Tahaa, son of a renowned lawyer, a bar girl is not supposed to be an ideal object of romance.

     

    Since Taaha is in a quandary as his love for Sara is overpowering, he is drawn to the bar constantly. He lands up there and takes to drinking. He drowns his sorrows and shock of his love being a dance bar girl by just looking at her every day without communicating.

     

    Sara is not a mere bar girl, she is talented too and has penned a book, which Taaha is invited to inaugurate. After reading the book, Taaha learns the story of Sara’s life, her betrayal by Taaha’s own friend and her having been left with a child out of wedlock.  The book mentions no author’s name but Taaha somehow connects it to Sara.

     

    It is time for the old-fashioned melodrama. Taaha is summoned to his hospitalized mother. Meanwhile, Issar is plotting to get Sara out of Taaha’s life. As a reputed lawyer, he can’t have a bar girl as his daughter in law. But, such films are all about happy endings. So be it.

     

    Sara acts well and has a good presence. Taaha does well. The direction is fair and the film has a pleasant musical score.

     

    But with no face value and a lack of promotion, Barkhaa will only add to numbers, nothing to box office.

     

    Producer: Shaban Hashmi.

    Director: Shadaa Mirza.

    Cast: Sara Loren, Taaha Shah, Puneet Issar.