Category: Hindi

  • Navin Shetty’s Nube Studios gets new Baselight facility

    Navin Shetty’s Nube Studios gets new Baselight facility

    NEW DELHI: Nube Studio, set up to provide uncompromised grading services for the Indian market, has opened with a Baselight Two grading workstation as its centrepiece.

     

    The colour-driven facility is providing services for commercials, music videos, television and film throughout the region. As a facility aimed at the top end of production, an important requirement is the potential to work natively with raw files from any camera on the same timeline.

     

    The Baselight system is renowned for its ability to accommodate all professional formats and also fully supports grading metadata of any complexity, including primaries, secondaries, keys, shapes, tracks, LUTs and Truelight Colour Spaces. This allows the colourist to explore all the details from the camera, and achieve the look the cinematographer intended.

     

    Open only since June 2015, Nube already boasts an impressive 100+ TVCs, with a client register including BMW, Philips, Godrej Air, Cadbury, Flip Kart, Maruti, Amazon, Dabur, Yardley, Myntra, Pepperfry, OLX, Sunsilk, Intex, KIT KAT, Kohler, Honda, Nescafe, Britannia, Nerolac, TATA, Airtel, Grofers, STAR TV, EPSON, Mahindra, Olay, Jaguar, Lava, Lifebuoy, Renault, Mentos and Solly Sport.

     

    “Baselight delivers on every feature without restricting the creative process. I am able to concentrate on grading and never compromise on quality or inspiration,” said senior colourist and Nube Studio co-founder Navin Shetty.

     

    “Even at HDR 4K, Baselight delivers real-time playback as soon as the content is in the system,” added Shetty. “Clients are not kept waiting, and with the help of the superior grading tools they can see the final result immediately. For clients, the faster system equals staying within budget.”

     

    FilmLight CEO Wolfgang Lempp said, “We are proud to be associated with India’s leading colourist, Navin Shetty. He is very particular about the quality and output of his films. What he and his business head, Ranjan Karkera, have recognised is that directors and producers want to come to a post house and see great pictures just the way they imagined them. At FilmLight we developed our core systems to provide real-time performance even when there is a multi-level grade on top of the raw image. Baselight takes away the technical constraints of transcoding, proxies and unpredictable performance and leaves the colourist to achieve the best look in the shortest time.”

     

    FilmLight will be demonstrating the capabilities of its real-time, render-free grading approach using FilmLight’s BLG interchange format at Broadcast India on the stand of their partners, RED and Avid at Broadcast India 2015 to be held at Bombay Exhibition Centre, Mumbai, 15 to 17 October. 

  • ‘Pyaar Ka Punchnama 2:’ Fun all the way

    ‘Pyaar Ka Punchnama 2:’ Fun all the way

    Ideas are at premium and a safe way is to cash in on brand equity. Pyaar Ka Punchnama was a reasonable earner in 2011. What better than to en-cash the equity and hence Pyaar Ka Punchnama 2 follows the prequel almost to the T.

    The story, as such, follows the same lines. Three friends suckered by three girls. They are desperate for dates, company, sex and love; love comes last though they are foolish enough to think they are in love when they do find their respective girlfriends. 

    Kartik Aryan, Sunny Singh and Omkar Kapoor are roomies. They share a flat in Delhi, eat together, drink together and dream of girls together. All three are stag. They are thicker than brothers in that they can take each other for granted, whoever earns more picks up all the tabs and there is no accounting or sharing of cash spent; all they share is bonhomie. 

    Soon enough, their desire for girlfriends comes true. All three find one each. All three girls represent different mind-sets. Kartik is with Nushrat Bharucha (both being the only common factor from the earlierPKP), Omkar gets Ishita Raj while Sunny ends up with Sonalli Sehgal. 

    The three men, deprived of romance and sex, go all out to woo their girls and, thanks to their blind love and desperateness, they trust the girls immensely while the girls use their weakness to exploit them. Not all three get in return what they had dreamt of.

    Kartik is head over heels with Nushrat. She is game for everything, sex included, though she is too finicky, her every question, which is answered by him leads to a counter question from her. Also, she is still in love with her ex-boyfriend from Chandigarh with whom she sleeps around even while professing her true and total love for Kartik. 

    Sunny and Priyanka are dating. He hopes to marry her but ends up becoming an errand boy for her father and mother, Sharat Saxena and Mona Ambegaonkar. She is the chaste kind who won’t sleep before marriage. She does not, however, have the guts to tell her father she loves Sunny. Priyanka’s father is looking for a groom for her and Sunny even ends up escorting her to her meetings with her grooms to be. 

    Omkar’s girlfriend, Ishita is game for everything Omkar would desire in a woman. She pretends to be dignified always ready to pay her own share of an outing. Soon, having established herself as a self-sufficient and self-respecting girl, she gradually starts milking Omkar even talking him into giving her an add-on credit card and open a joint bank account where he deposits 20 per cent of his Rs 3 lakh salary against 20 per cent of her Rs 20,000 salary.

    The rest of the film follows the earlier version as the boys realise what they have got into. Establish the guilt of each of their partner and want out.

    The film has nothing new for those who have seen its earlier version since it adheres mainly to the same sequence of events. Yet, what works is some witty lines and its raw youth appeal. The young ones who would want to get in to and out of affairs; sex being the aim. The film has some fun moments and some dull ones. However, you don’t come out cursing it. Direction is in keeping with the theme. Music is soothing as it comes mostly in small doses. What helps it is the visuals since it has been shot at Pattaya while taking liberty to shift to UAE for a song or two. 

    While the acting is generally competent, the three boys do better. Sunny tops the list with equal contribution from Kartik and Omkar. Kartik has his minutes of glory when he delivers a long monologue on girls. Ishita as a scrounging girlfriend to Omkar is best among girls with Nushrat is close on her heels. Priyanka is fine too. Sharat is in his element while Mona has little to make an impact with. 

    Pyaar Ka Punchnama 2 enjoys the brand equity. The film has opened to very good response despite Navratri and Ram Leela season and should turn out to be a minor hit.

    Producer: Abhishek Pathak

    Director: Luv Ranjan

    Cast: Kartik Aaryan, Nushrat Bharucha, Sunny Singh, Sonalli Sehgall, Ishita Raj, Omkar Kapoor

    ‘Wedding Pullav:’ Unappetising fare, served cold

    Wedding Pullav is loosely based on the 1997 Hollywood movie, My Best Friend’s Wedding. This is also the launch pad for Film & Television Institute of India (FTII) alumni and Shashi and Anu Ranjan’s daughter Anushka Ranjan. When a girl is to be launched, romantic comedy would seem like a safe bet. Hence, ready to serve inspiration from Hollywood.

    Diganth Manchale is getting engaged to Sonalli Sehgal with who he thinks he is in love for, after all, she is the one who convinced him to pursue a course in MBA, got him a job in her dad, Parmeet Sethi’s company where he designs motorbikes! One would think an IIT grad would be better suited for such a job! But, an MBA is the flavour of the season.

    While there are minutes left for the mahurat for the engagement ceremony, Diganth is anxious because there is no way he can proceed unless his best friend since childhood, Anushka, does not arrive. Anushka and Diganth had a tiff four years ago after which she had left in a huff for London. So what makes her come to his engagement? No script is ever all perfect. The engagement is done with and when it comes to wedding time, the families concerned shift to Pattaya where the ceremony will take place.  

    Anushka makes a grand entry with a band in tow. She is tomboyish and her usual dress code is casuals, jeans mostly and that is what she wears at the engagement, too. For, if she dresses up as a glam girl, love happens. Which does when she ‘dresses to kill’ as she plans to go receive her boyfriend from London, Karan Grover. 

    Since Anushka and Diganth are best buddies, it is suggested that both the couples, Diganth and Sonalli as well as Anushka and Karan marry at the same venue back to back. And so, Karan arrives in Pattaya. The presence of another man in Anushka’s life sort of makes Diganth uncomfortable and, soon, he realises he loves Anushka and not Sonalli. 

    Even as Diganth gets drawn to Anushka more with every passing moment, he is committed to Sonalli and her father’s millions as well as his career. Also in attendance at the venue in Pattaya are his three friends, Anushka’s relatives Himani Shivpuri and grandma and, of course, his parents, Satish Kaushik and Upasana Singh. They all can see that Diganth actually loves Anushka but is marrying Sonalli. 

    So there are some melodramatic moments, which actually seem like hours to slow down the pace of the narration till Diganth realises and gathers enough courage to open his mind while just about everybody else knew who he loved including his bride to be, Sonalli and Anushka’s groom to be, Karan. 

    It is time to sum up things; the wedding rituals have started when Diganth decides to walk out of the ceremony and go searching for Anushka. Of course, Jai is very much there to complete the matchmaking. Love triumphs and hero and heroine get each other. QED. 

    Though inspired from a hit Hollywood film, the film lacks on reworking the script. The direction is just passable while the editing needed to be a bit crisper. For a love story, the music is lacking. Dialogue is not much either. Anushka is a sort of photoshop version of Juhi Chawla and few more though, eventually, fairly charming. Diganth needs getting used to and does not appeal when in mug shots. Karan has good screen presence. Sonalli is fair. Rishi Kapoor plays a cameo and makes his presence felt. Satish has nothing to back his comic yet is a wary father while Upasana is loud without a cause as she has always been. Himani is her usual self. Kitu Gidwani and Parmeet fill the bill. 

    Wedding Pullav is a film you can sit through but not carry home. Lacking face value, it faces a tough challenge of drawing the audience from show one. For after all, admission rates offer no discounts for a film sans face value.

    Producers: Shashi Ranjan, Anu Ranjan

    Director: Binod Pradhan

    Cast: Anushka Ranjan, Diganth Manchale, Sonalli Sehgall, Karan Grover, Rishi Kapoor, Satish Kaushik, Himani Shivpuri, Parmeet Sethi, Upasana Singh, Kitu Gidwani

  • ‘Piku,’ ‘Dum Laga Ke Haisha,’ ‘Mardaani’ screened at Indian Film Festival Japan

    ‘Piku,’ ‘Dum Laga Ke Haisha,’ ‘Mardaani’ screened at Indian Film Festival Japan

    MUMBAI: Yash Raj Films’ productions Mardaani and Dum Laga Ke Haisha along with MSM Motion Pictures’ Piku, which is co-produced by Saraswati Entertainment and Rising Sun Films and distributed by YRF are being showcased at the Indian Film Festival Japan.

     

    The festival is being held from 9 – 23 October, 2015.

     

    This year, the Indian Film Festival Japan festival opened with a screening of Piku on 9 October. The film starring Amitabh Bachchan, Irrfan Khan and Deepika Padukone, has already been screened at Indian Film Festivals in Russia and Australia.

     

    Dum Laga Ke Haisha director Sharat Katariya attended the screening of his film at the festival in Japan on 10 October.

     

    YRF’s Mardaani starring Rani Mukerji will be screened later this week.

     

    YRF vice president of international operations Avtar Panesar said, “It has always been our endeavour at YRF to take Indian cinema to the widest possible audience. It’s heart-warming to see native audiences connect with our films through festivals, which eventually lead to commercial releases. Japan is a very vibrant market and we hope to build on the earlier successes we have had with Jab Tak Hai Jaan andEk Tha Tiger.”

  • Y-Films readies new web series ‘Bang Baaja Baaraat;’ ropes in Lakme as sponsor

    Y-Films readies new web series ‘Bang Baaja Baaraat;’ ropes in Lakme as sponsor

    MUMBAI: Buoyed by the success of its maiden web series called Man’s World, Yash Raj Films’ youth films wing – Y-Films is planning to launch its second web series – Bang Baaja Baaraat – on 4 November.

     

    The five-part series is directed by Anand Tiwari and written by Sumeet Vyas, Amritpal Bindra and Anand Tiwari. Bang Baaja Baaraat is thestory of two crazy families that come together for one mental wedding. 

     

    The cast includes Ali Fazal, Rajit Kapoor, Shernaz Patel, Gajraj Rao, Ayesha Raza, Neil Bhoopalam. The series will also mark the debut of YRF’s new find – Angira Dhar, who has also been signed up by the studio.

     

    Additionally, the studio has also brought on board Lakme as the sponsor of the series. 

     

    YRF talent management and Y-Films head and producer of the series Ashish Patil said, “Y-Films has always believed in pushing the boundaries of story-telling, our first series Man’s World was just the start of that journey on the web. With Bang Baaja Baaraat, we are upping the ante on the medium with one of the most incredible star casts that a web series has ever seen in India and a cinematic vision that’s never been seen on the net. The series itself is a fantastic ride, like a mad destination wedding gone wrong. Don’t miss it!”

     

    HUL vice president – skin care Srinandan Sundaram added, “Bang Baajaa Baaraat promises to be an entertaining wedding story that the young audiences will relate to. We are happy to partner with YRF on this endeavour with our brand Lakmé as this is a good opportunity to strengthen Lakmé’s image on styling for special occasions such as weddings, a pivotal moment in a woman’s life.”

     

    Mindshare Fulcrum leader Amin Lakhani said, “We, at Mindshare always thrive in coming up with unique ideas that connect a brand to its consumer. YRF’s forte of creating clutter breaking content & Mindshare’s expertise at driving innovations paves way for an iconic partnership. Given the grandeur & the star cast, we saw Bang Baaja Baaraat as a great opportunity for a contemporary brand like Lakmé. It has also given us a platform to engage the brand’s audience by creating interesting content around the series and its protagonist, Angira.”

     

    The series’ costumes have been exclusively designed and styled by Diva’ni – a YRF & KBSH brand.

  • Directorate of Film Festivals ropes in Sabu Cyril as art director for IFFI 2015

    Directorate of Film Festivals ropes in Sabu Cyril as art director for IFFI 2015

    NEW DELHI: The Directorate of Film Festivals of the Information and Broadcasting (I&B) Ministry, which organises the International Film Festival of India (IFFI) has roped in four-time National Award winner production designer Sabu Cyril to design all the sets for different components of this year’s festival. 

     

    The 46th International Film Festival of India will be held from 20 – 30 November, 2015.

     

    Right from the motif of the peacock as the logo for the festival to creating an appealing ambience at different event venues for delegates at Panaji in Goa, he will be bringing alive cinema in different shades at the IFFI.

     

    With a career spanning over two decades, Cyril has been associated with some of the landmark films in Hindi, Telugu, Malayalam, Kannada and Tamil cinema.

     

    Speaking about his association with IFFI 2015, Cyril said, “I am very pleased to be a part of one of the biggest film festivals of Asia. In a commercially competitive world of filmmaking, the International Film Festival of India is doing a great job of promoting aesthetically rich Indian films, which are no less than a masterpiece in the context of cinematography and art direction. It feels good to handle the creative responsibilities of one of the prestigious film festivals in the world. IFFI is a great platform for aspiring as well as established filmmakers to showcase their talent to global audience and let them experience the creativity of Indian cinema.”

     

    Directorate of Film Festivals director C. Senthil Rajan added, “Saby Cyril is a perfect combination of great credentials and imaginative skills and has been a part of some of the best and globally renowned Indian films. Under his creative guidance, I am sure the 46th IFFI would be a wonderful journey of visual opulence that will impress the film lovers across the globe.”

     

    Cyril began his production designing career in 1988 and till date has directed more than 2500 advertisements, three tele-serials and 115 feature films in various languages. In 1996, he directed the stage design for the Miss World beauty pageant.

     

    IFFI will showcase movies across sections including Indian and International Panorama, Indian and Foreign Retrospectives, tributes, special focus, workshops, short films, Master Classes and the Film Bazaar.

  • National Film Archive of India to pay homage to Smita Patil

    National Film Archive of India to pay homage to Smita Patil

    NEW DELHI: A two-day film festival to remember versatile actress Smita Patil on her sixtieth birth anniversary is being held by the National Film Archive of India (NFAI) in Pune.

    ‘Remembering Smita’ on 17 and 18 October will also showcase a rare poster and photo exhibition on her from the NFAI collection.

    The festival will showcase eight films including her debut short film Teevra Madhyam. Other films includeBhavni Bahvai, Akaler Sandhaney, Jait Re Jait, Bazaar, Debshishu, Tarang, and Chidambaram. Out of these films, three films – Akaler Sandhaney, Jait Re Jait and Chidambaram have been restored by NFAI.

    The Festival is a tribute to the multi-talented actress who died on 13 December, 1986 at the age of 31 due to childbirth complications.

    The festival would be inaugurated on 17 October at 11 am by actor Amol Palekar.

    A panel discussion on Patil will be held at 6 pm on 18 October with Dr Jabbar Patel, Dr Mohan Agashe and Lalita Tamhane as participants. The discussion would deliberate upon her unique style, her acting career and contribution to the film industry.

    The venue for the festival is NFAI campus, Law College road, Pune.

    A film, television and theatre personality regarded as one of the finest actresses of all time, Patil worked in around 80 Hindi, Marathi, Malayalam and Bengali films. She left her mark with two National film awards for best actress and Padma Shri in 1985.

    Born on 17 October, 1955, Patil graduated from the Film and Television Institute of India (FTII) in Puneand made her film debut with Shyam Benegal’s Charandas Chor (1975). Some of the other films that sheappeared in include Manthan (1977), Bhumika (1977), Aakrosh (1980), Chakra (1981), Chidambaram (1985), Mirch Masala (1985) and Namak Halaal amongst others.

    The schedule of the festival is as below,

    Inauguration: 17 October, 2015 at 11 am

  • Box Office: ‘Jazbaa’ collects Rs 14.4 crore in opening weekend

    Box Office: ‘Jazbaa’ collects Rs 14.4 crore in opening weekend

    MUMBAI: Jazbaa, based on the Korean film, Seven Days, is a story that could have been told in a undeviating manner. However, between adhering to the original and Indianising it is ‘lost in translation.’ The film, which is being touted as Aishwarya Rai Bachchan’s comeback film, opened to a meek response at the box office on Friday. However, it improved a great deal on Saturday in comparison to its opening day figures but remained static on Sunday. Jazbaa ended its opening weekend with Rs 14.4 crore, though its real standing will be determined only over next four days after the weekend.

     

    While the film had the advantage of being the one and only release for the week, it had little competition from last week’s two releases,Singh Is Bliing and Talvar. While the first one started losing steam from its first Monday onwards, Talvar has a moderate following and continues to do well within its parameters it posed no threat to Jazbaa after its seven day run.

     

    Talvar, another version of the Noida murder of a 14 year old girl, Arushi Talwar, allegedly by her own parents, generated some amount of curiosity and attracted a decent amount of footfalls. Considering its limited range, the film did fairly well to close its first week with a reasonable Rs 15.5 crore. The powerful media group, one of the makers of this film, is making sure it remains in the news or, to put it fairly, in controversy, so that the film adds a crore or two everyday even in its week two! The film maintained well during its second weekend.

     

    Singh Is Bliing started off well but lost momentum from day two and even further from the first Monday after its release. This action comedy saw the female lead star, Amy Jackson, performing better action than the hero and action star Akshay Kumar, whose action scenes were lame and oft seen before. Akshay’s films have a limit till how much they can score at the box office and this one will stop short of even that limit. The film added Rs 19.75 crore in its four days after a decent weekend to show a figure of Rs 62.15 crore for its first week.

     

    Kapil Sharma’s debut movie vehicle Kis Kisko Payar Karoon maintained well in its second week by collecting Rs 5.1 crore to take its two week total to Rs 43.2 crore.

     

    On the other hand, Madhur Bhandarkar’s Calendar Girls crashes to a meagre Rs 10 lakh collections in its second week to show a tally of Rs 5.2 crore. A major loser.

  • Vaani Kapoor cast opposite Ranveer Singh in Aditya Chopra’s ‘Befikre’

    Vaani Kapoor cast opposite Ranveer Singh in Aditya Chopra’s ‘Befikre’

    MUMBAI: Yash Raj Films’ chairman Aditya Chopra, who will be directing his next film titled Befikre after a hiatus of seven years, has cast actress Vaani Kapoor as the female lead opposite Ranveer Singh.

     

    Kapoor made her film debut in YRF’s Shuddh Desi Romance in 2013, where she starred alongside Sushant Singh Rajput and Parineeti Chopra.

     

    Just like YRF did with Singh – the lead actor of Befikre, it released a video message wherein Kapoor shared her excitement on being part of Chopra’s next directorial venture.

     

    Chopra’s last film was Rab Ne Bana Di Jodi in 2008 starring Shah Rukh Khan and Anushka Sharma. He made the Befikre announcement on the eve of his father and veteran filmmaker Yash Chopra’s 83rd birth anniversary on 27 September. According to him, Befikre is his “riskiest” and “youngest” film. The film’s tagline is – “Those who dare to love.”

  • MVP Entertainment to release ‘Baahubali’ in seven countries

    MVP Entertainment to release ‘Baahubali’ in seven countries

    NEW DELHI: Indian blockbuster film Baahubali: The Beginning by S S Rajamouli is all set to release in seven territories across Asia.

     

    MVP Entertainment will release the film in Indonesia, Thailand, Vietnam, Laos, Cambodia, Myanmar, and Timor-Leste.

     

    The deal was struck at the recently concluded Busan Asian Film Market between MVP president Raam Punjabi and manager Vikas Sharma and the film’s co-producer Shobu Yarlagadda and Francois da Silva from Arka Mediaworks International.

     

    Additionally, the film has already got dates for release in China and Japan in conjunction with E Stars for China and Twin Co. for Japan.

     

    The opening film of the Busan Film Festival’s Open Cinema Stand, Baahubali has grossed $92 million so far.

     

    Rajamouli’s earlier film Eega was screened at Toronto, Shanghai, and several other international film festivals, giving him a cult status.

     

    Rajamouli has shot about 40 per cent of Baahubali: The Conclusion and will commence the rest in November-end in Hyderabad’s Ramoji Film City. Some forest sequences will be shot in the northern Indian state of Himachal Pradesh.

     

    The film is expected to be release by the end of next year, and will be released simultaneously in Telugu, Hindi and other languages.

     

    The film’s success lay in the final epic war scene that was filmed with a lot of ingenuity and original stunts. Owing to the grandeur, the budget of the two Baahubali films has gone up from $40 million to $50 million.

     

    The Baahubali saga is about brothers in medieval India in conflict over a rich kingdom and is rich in imagery, battles and skulduggery. It stars Prabhas, Rana Daggubati, Anushka Shetty, Tamannah, Sathyaraj and Ramya Krishnan.

  • Eros acquires worldwide rights of Diljit Dosanjh’s ‘Mukhtiar Chadha’

    Eros acquires worldwide rights of Diljit Dosanjh’s ‘Mukhtiar Chadha’

    MUMBAI: Eros International is expanding its presence in the regional film market. After announcing plans to release the Malayalam filmPathemari starring Mammothy, the company has now acquired the worldwide rights of actor Diljit Dosanjh’s upcoming Punjabi film Mukhtiar Chadha.

     

    The movie will be released on 27 November, 2015.

     

    After his last movie Sardarji, Dosanjh will be seen in another comedy Mukhtiar Chadha opposite Oshin Sai.

     

    Written by Dosanjh and Chetan Parwana, the film also features Yashpal Sharma, Kiran Juneja, Jaswant, Rathor Khyali among others. It is produced by Ohri Productions & Wahid Sandhar Showbiz and the music is given by Jaspal Singh.

     

    “Punjab is a flourishing market that has immense potential to grow further. We are happy to associate with Mukhtiar Chadha that will pave the way for further broadening our presence in the regional markets,” Eros International managing director Sunil Lulla.

     

    Ohri Productions director Vivek Ohri added, “We are extremely happy we have teamed up with a leading studio like Eros that will provide the right platform to our film and take it to audiences worldwide.”