Category: Hindi

  • Film industry bodies FFI & FWICE to boycott IFFI

    Film industry bodies FFI & FWICE to boycott IFFI

    NEW DELHI: The Film Federation of India (FFI) and the Federation of Western India Cine Employees (FWICE) have jointly decided not to participate in the International Film Festival of India (IFFI) next month “as a mark of protest against the step-motherly treatment meted out” to the organisations.

     

    In fact, the FWICE has issued a missive to cine artistes to not participate in the festival being held from 20 to 30 November and organised by the Directorate of Film Festivals, which is a media wing of the Information and Broadcasting Ministry.

     

    A press note issued by FFI president J P Chowksey said, “The producers, however, will not be restrained from entering their films at the Festival as it is not our intent to hamper the functioning of the festival.”

     

    It added that this “non-cooperation is also to extend moral support to the writers and film makers who have returned their awards. Though some members insisted on totally boycotting the festival, we are only resorting to the Gandhian way of Asahyog Andolan.”

     

    FFI has been the Government’s “umbilical link to the Indian film industry. Ever since one can remember, it has been customary for the Government to consult FFI before taking any decisions that could have adverse repercussions on the existing relationship and the business of film making.”

     

    The released added that till the turn of the 21st century and, perhaps, a major portion of its first decade the Government regularly turned to the Federation in all matters concerning films including festivals and international cultural relations. Inadvertent oversights were quickly seen to and always remedied to mutual satisfaction.

     

    “Unfortunately what was once a strong bond gathering strength for over half a century or so is being severely tested, strained and threatened in the second decade of the 21st century. Today, FFI is either being ignored and sidelined. Without prejudice, it is our belief, that the top echelon in the Government is not fully conversant with the ground realities and is being misguided, or biased by information acquired by superficial research, information and from over-zealous, self-seeking individuals – at times from non film trade bodies,” the note said.

     

    Referring to the present year and “the current heartburn,” the FFI said it had no representation in the IFFI Steering Committee for the first time in history.

     

    This added to the callous, insulting behaviour meted out to the FFI president and vice president at IFFI 2014 has been a great source of embarrassment and shame, the note said. “As if this was not enough, the FFI president’s speech at the inaugural function was subjected to scrutiny. For over four decades FFI has been treated as a partner in IFFI/Filmostsav.”

     

    The Government used to set up various committees – technical, theatrical, function et al – which always included FFI delegates to guide and advise on various activities of the festival. The FFI is unaware of any such committees now, if they exist.

     

    “This smacks of Government’s total apathy towards FFI. A Ministry official took exceptional delight in harassing FFI’s representatives in connection with handing over the invites,” the note said.

     

    In a hurriedly called Film Industry Coordination Committee Meeting by the Festival Directorate on 27 October attended by FFI members, members of the FWICE – an important component of AIFEC, and the Indian Film and Television Directors Association (IFTDA), “ire and resentment was expressed on the Government’s callous attitude towards film industry members which also included cine employees.”

     

    In the last festival, a group of 200 cine employees were taken to attend the festival on invitation of the Festival Director in the Film Industry Coordination Committee Meeting. On landing in Goa, the group was not even given delegate passes to attend the festival. There was no reply to subsequent correspondence sent to the DFF by IFTDA.

     

    “A festival that is meant to celebrate film ignores the film makers: inadequate number of invitations for events; sometimes even none. Seating is in far flung corners of the auditorium; while choice seats are given to non-film, administrative and other staff not connected with film making. This has been a sore point for last few years,” the note added.

  • 17th Mumbai Film Festival 2015 to premiere ‘Mor Mann Ke Bharam’

    17th Mumbai Film Festival 2015 to premiere ‘Mor Mann Ke Bharam’

    MUMBAI: A Chhattisgarhi feature film Mor Mann Ke Bharam, directed by Karma Takapa, Heer Ganjwala and Abhishek Varma has been selected for competition in the India Gold section of the 17th edition of the Mumbai Film Festival, organised by Mumbai Academy of Moving Images (MAMI). The festival, which is currently underway, will end on 5 November 2015.

     

    The film is produced by HumanTrail Pictures and Viren Jain in association with IPTA Raigarh. The film is shot in Raigarh town of the Chhattisgarh state in collaboration with the cast from the local theatre group, IPTA Raigarh and other members and the crew from Film and Television Institute of India, Pune.

     

    Usha Athaley, Ajay Athaley, Karma P Takapa, Mona Ganjwala, Vinit Ganjwala, Abhishek Varma and Renu Agrawal have jointly co-produced the film. The feature is a story of an author’s struggle between what he wants to write and what others might want to read culminates into a surrealist novel.

     

    The film features four different folk songs of Chhattisgarh, in their original form and uses local motifs embedded in Chhattisgarhi culture that have not found space on the big screen till date.

     

    The main cast includes Ramesh Pani, Aparnaa, Yuvraj Singh Azad and Tinku Devangan. The supporting cast includes Netram Yadav, Vinod Bohidar, Ajay Athaley, Bharat Nishad, Kuldeep Das, Surendra Bareth, Vivekanand Pradhan, Shyam Devkar, Alok Beriya, Tony Chawda, Komal Thakkar, Kathil Painkra, Prem Shankar, Prem Shankar Mishra, Yash Gehlot and Poyam Singh.

     

    Chandradeep Kuldeep has composed the background score, while Rajkumari Kuldeep and Sugita Padihari Das have sung the songs for the film.

  • FICCI FLO Film Festival to host Global Symposium on Gender in Media

    FICCI FLO Film Festival to host Global Symposium on Gender in Media

    MUMBAI: The first FLO Film Festival organized by FICCI Ladies Organisation(FLO), Mumbai Chapter, the women’s wing of FICCI, today announces a new partnership with the Geena Davis Institute on Gender in Media that will see the Festival host the Institute’s first Global Symposium on Gender in Media in Mumbai, India in February 2016.

    Speaking about the partnership, Academy Award-winning actor and founder and Chairman Geena Davis said, “Media images have a huge impact on our perceptions, and on our social and cultural beliefs and behaviours. Our new global study, explores how global films may be reinforcing negative gender stereotypes with movie audiences of all ages.” The Institute is the only research-based organisation working within the media and entertainment industry to engage, educate, and influence the need to dramatically improve gender balance, reduce stereotyping and create diverse female characters in entertainment.

    FLO National President Archana Garodia Gupta said, “FLO has been working to empower women, and erase gender stereotypes for three decades. Films are a very powerful medium, and have a major role to play in our perception of the world. They can help redress the balance or reinforce negative gender images. We are very excited to bring this issue to the fore in the Film Capital of the world, and hope to improve the image of women in Indian films.”

    At the 3rd Global Symposium on Gender in Media, the Institute will present new global research which explores the influence of film audiences in the UK, India, Nigeria, France and Brazil funded by the Oak Foundation.

    The Festival will open with the Symposium, (the Symposium is sponsored by Independent Television Service Inc- ITVS), which will convene eminent entertainment content creators, business leaders, actors, directors, media personalities, policy makers, to engage in dialogue around the institute’s global research along with two panel discussions from leading entertainment industry personalities, content creators, along with gender in media related subject matter experts.

    CEO Geena Davis Institute Madeline Di Nonno said, “We are honoured to be partnering with FLO. They have been working for the education of the girl child, mentoring women entrepreneurs and many initiatives to empower women since the past 32 years. Our Symposium and the Film Festival are great platforms to discuss the depiction and representation of women and girls and how films can influence social and cultural views and beliefs. We are also very excited to continue our long partnership with ITVS.”

    FLO Member of the Advisory Panel Amruta Devendra Fadnavis said, “Films are an integral part of our culture. The Movies have made us laugh, cry, they have inspired us and have been an important constituent in the cultural evolution of our society. “Objectifying” women in films should be done away with and be replaced by the characterisation of strong women, which will create a very positive subconscious impact on the society as a whole.”

    FICCI Ladies Organisation Chairperson Falguni Padode said, “The FICCI FLO Film Festival hopes to create an impact that will mobilize and inspire audiences to bring about a paradigm shift in their perception towards crucial female-centric issues in India and across the globe.”

    The films, national as well as international, features, shorts, documentaries, animation and digital films will focus on Women Empowerment spanning subjects of Skilling and Vocation, Educating the Girl Child, Hygiene and Wellness, Self Esteem and Economic Independence, Mental Health and Sexual Exploitation.

    FICCI FLO Film Festival Creative Director Rashmi Lamba said, “For the first time in India, the FICCI FLO Film Festival aims to be the ‘Catalyst For Change through Film’ and will provide a platform to bring together the voices and expertise of leading Indian and global media institutions and organisations working towards creating gender sensitivity and women empowerment.”

    Leading global and Indian Film and Media Institutes and Organisations that include Whistling Woods International, Women Make Movies, ITVS, Population First, Tata Institute of Social Sciences, and Point of View will showcase selected films and hold a series of strategic Workshops during the FLO Film Festival to focus on gender sensitivity, skill development, outreach and social impact, to enable audiences to become discerning viewers and critically reflect on their media consumption and how it influences them.

    A special screening of the acclaimed movie – He Named Me Malala was held as a special event to announce the Partnership and Film Festival.With a presence in 14 locations across the country and over 4,000 members, FLO boasts of some outstanding work in the field of women empowerment.

  • Box Office: ‘Shaandaar’ collects Rs 30.8 crore in opening weekend

    Box Office: ‘Shaandaar’ collects Rs 30.8 crore in opening weekend

    MUMBAI: The Shahid Kapoor and Alia Bhatt starrer Shaandaar fails to find the approval of moviegoers. The film, an attempt to blend comic book approach with a fairytale setting, seems to take the audience and its intelligence for granted and meets with ready rejection.

     

    Opening on Thursday to cash in on the major National holiday of Dussehra and enjoying the solo release status, its opening day collections of around Rs 11 crore leave much to be desired. The first day audience’s disappointment reflected at the box office on Friday as the collections dropped by over 30 per cent showing further decline on Saturday and Sunday to end its four day opening weekend with figures of Rs 30.8 crore.  

     

    Pyaar Ka Punchnama 2 was lapped up by the youth it being a romantic comedy catering to the young lot. That the film enjoyed certain brand equity because of earlier film, Pyaar Ka Punchnama, which was a reasonable success, also helped the sequel. Despite the film following a similar theme and gags as the previous version, the film did not fail to entertain. After a strong opening weekend of Rs 20.8 crore, the film held steady through the week to end its first week with figures of Rs 37.8 crore. 

     

    The film will enjoy a lucrative second week as it enjoys a favourable word of mouth while also benefiting from poor opposition from the new release of the week, Shaandaar.

     

    Wedding Pullav faces total rejection. The film manages to collect a poor Rs 50 lakh for its first week.

     

    Other minor films, released without any promotion, go unnoticed. The films are: Chinar Daastaan-E-IshqBumper DrawHogaya Dimaagh Ka DahiPrivate Teacher and Jaatiwad.

     

    Jazbaa drops to about 10 per cent of its first week figures, which in itself was poor. The film adds Rs 3.1 crore in its second week to take its two week total to Rs 23.7 crore.

     

    Singh Is Bliing collects Rs 1.3 crore in its third week taking its three week total to Rs 73.95 crore.

     

    Talvar remains strong despite new releases. It braves all oppositions. On a strong public appreciation, the film returns impressive figures in its third week. It adds Rs 3.55 crore to take its three week tally to Rs 29.55 crore.

  • MS Sathyu gets Fellowship, Ustad Iqbal Ahmed Khan among Sangeet Nataka Akademi awardees

    MS Sathyu gets Fellowship, Ustad Iqbal Ahmed Khan among Sangeet Nataka Akademi awardees

    NEW DELHI: Veteran filmmaker M S Sathyu and musicians Vijay Kumar Kichlu, Tulsidas Vasant Borkar, and SR Janakiraman were awarded the fellowship of the Sangeet Natak Akademi for 2014 from President Pranab Mukherjee here.

    Hindustani classical singer Ashwini Bhide Deshpande, flautist Ronu Majumdar, and tabla player Nayan Ghosh were among nine persons awarded for their contribution to music. 

     

    Others awarded for music were: Hindustani vocalists Iqbal Ahmed Khan and Nath Neralkar, Carnatic vocalist R Santhanagopalan, Carnatic instrumental (thavil) exponent Thiruvalaputhur T A Kaliamurthy, Sukanya Ramgopal for Ghatam, and Dwaram Durga Prasad Rao for violin.

     

    Awards were also given for folk music to Puran Shah Koti (traditional Punjabi), Abdul Shah Hafiz of Jammu and Kashmir, and Thanga Darlong of Tripura.

     

    Awards were also presented for theatre and various classical dance forms.   

     

    Meanwhile, a delegation of artistes from the Akademi called on the Prime Minister Narendra Modi today. Pt. Birju Maharaj, Pt. Vishwamohan Bhatt, Pt. Ajoy Chakravarty, Ms Aruna Sairam and Atul Tiwari were part of the delegation. Akademi Chairman Shekhar Sen was also present.

     

    The purpose of the meeting was not disclosed, but comes against the backdrop of artistes returning their awards to protest ‘growing intolerance.’

  • Q2-2016: Inox YoY revenue up riding on higher box office, PAT quadruples

    Q2-2016: Inox YoY revenue up riding on higher box office, PAT quadruples

    BENGALURU: Inox Leisure Limited reported 33.6 per cent increase in Total Income from Operations (TIO) in the quarter ended 30 September, 2015 (Q2-2016, current quarter) at Rs 355.38 crore as compared to the Rs 265.94 crore in Q2-2015. The company’s TIO in Q2-2016 also improved 192 basis points as compared to the Rs 348.68 crore in the immediate trailing quarter.

     

    The increase was driven by a 35.5 per cent increase in box office collection in the current quarter at Rs 243.87 crore as compared to the Rs 179.96 crore in Q2-2015 and fractionally higher than the Rs 239.38 crore in the immediate trailing quarter.

     

    Note: (1) 100,00,000 = 100 lakh = 10 million = 1 crore

    (2) Figures include Satyam Cineplexes Limited which became wholly owned subsidiary of the company on 8th Aug 2014.

     

    Improved Box Office performance of a number of movies saw the company’s PAT in the current quarter almost quadruple (up 3.92 times) to Rs 20.51 crore (5.8 per cent margin) as compared to the Rs 5.23 crore (two per cent margin) in Q2-2015, but declined 18.8 per cent as compared to the Rs 25.26 crore (7.2 per cent margin) in the immediate trailing quarter.

     

    Performance of movies like Bajrangi Bhaijaan (Rs 53.26 crore GBOC or Gross Box Office Collection, 28 lakh footfalls); Baahubali –The Beginning (Rs 39.67 crore, 25 lakh footfalls); Welcome Back (Rs 16.1 crore GBOC, 10 lakh footfalls); Drishyam (Rs 13.72 crore GBOC, 8 lakh footfalls) and Brothers (11.03 crore GBOC, 6 lakh footfalls) drove the resurgence in revenue as well profit after tax (PAT).

     

    Footfalls, occupancy rates and average ticket price

     

    Inox reported a 30 per cent increase in footfalls in the current quarter at 145 lakh as compared to the 112 lakh in the corresponding year ago quarter and flat as compared to the 145 lakh in Q1-2016.

     

    Occupancy rate in Q2-2016 improved to 32 per cent as compared to the 26 per cent in Q2-2015 and slightly lower than the 33 per cent in the immediate trailing quarter.

     

    Average Ticket Price (APT) increased 3.6 per cent to Rs 167 in the current quarter as compared to the Rs 161 in Q2-2015 and Rs 165 in the immediate trailing quarter.

     

    Advertising, food and beverages and other operating revenues

     

    The company reported 20.2 per cent higher advertising revenue in Q2-2016 at Rs 21.40 crore as compared to the Rs 17.81 crore in Q2-2015 and was 3.2 per cent more than the Rs 20.72 in Q1-2016.

     

    Food and Beverages revenue (F&B) in Q1-2016 increased 36.5 per cent to Rs 69.24 crore as compared to the Rs 50.77 crore in Q2-2015, but declined 6.3 per cent as compared to the Rs 73.89 crore in Q1-2016.

     

    Other operating revenue increased 19.9 per cent to Rs 20.87 crore as compared to the Rs 17.40 crore in Q2-2015 and was 42 per cent more than the Rs 14.70 crore in Q1-2016.

     

    Entertainment Tax, Distributors share and F&B costs, rents, etc.

     

    Inox paid 48.7 per cent higher entertainment tax in Q2-2016 at Rs 47.57 crore as compared to the Rs 32 crore in Q2-2015 and 2.9 per cent more than the Rs 42.63 crore in Q1-2016.

     

    Distributors share (exhibition cost) in Q2-2016 at Rs 86.61 crore increased 26.1 per cent as compared to the Rs 68.71 crore in Q2-2015 and was 1.6 per cent more than the Rs 85.21 crore in Q1-2016.

     

    F&B costs in Q2-2016 increased 31.6 per cent to Rs 17.6 crore as compared to the Rs 13.37 crore in Q2-2015, but declined 4.2 per cent as compared to the Rs18.38 crore in Q1-2016.

  • ‘Shaandaar:’ Not really!

    ‘Shaandaar:’ Not really!

    Director Vikas Bahl has made a wedding movie of 146-minute duration. But, at the same time, he wants to be different from similar ‘wedding videos’ made in the past. After all, a comparison to the pioneer wedding movie, Hum Aapke Hain Kaun would be inevitable. To avoid this, Bahl tries to treat his film in a fairytale style. To this end, the film has been shot in a huge country side palace. The film even starts with Naseeruddin Shah narrating what is to follow a la ‘once upon a time’.

    Sushma Seth is a billionaire tycoon occupying the palace with her family of three sons, a daughter-in-law and the older son Pankaj Kapur’s two daughters, Sanah Kapoor and Alia Bhatt; Alia being an adopted child. Pankaj and his two brothers as well as the rest of the family are totally under Sushma’s thumb. She rules the palace like her own domain and its inhabitants like her slaves.

    Sushma has made it to the cover page of Forbes magazine but also sharing the cover with her is her relative to be, Sanjay Kapoor, who goes by the name of Fundwani. He is also a local tycoon. The wedding between Sanjay’s son and Sanah is actually a business deal for Sushma for her enterprise has gone broke and she expects this liaison with Sanjay’s family to give her bank balance some stability.

    For Sanjay, being a Sindhi is the ultimate thing to be and all those who are successful, including Queen Elizabeth and Michael Jackson are, in fact, Sindhi. Sanjay wears a huge pendant with the dollar sign, which he says stands for Sindhi. Well, that is meant to be the comic content in the film.

    Sushma wants the wedding to be a big tamasha and has appointed Shahid Kapoor to manage the event. Shahid has his first encounter with Pankaj and, soon enough, with Alia. Love happens at first sight. The rest of the film is about Shahid and Alia coming closer while Pankaj does his best to keep them part. All this while the rest of the wedding programme, including the sangeet, mehndi etc, takes place in the background. An attempt is made to make it funny by having Karan Johar in a cameo to compere Mehndi with Karan. Actually, there is nothing worthwhile happening in the film.

    The film has no story to tell and tries to weave this wedding video with a series of gags (poor), song-and-dance numbers and useless nothings. The attempt to give the fairytale touch to the story does not work despite gimmicks like bringing in a frog called Ashok or even choreographing a song in a Dick Tracy kind of setting. Some secrets tumble out through the course of the story. Sanjay himself is on the verge of bankruptcy and expects to benefit with this wedding deal into Sushma’s family. Meanwhile, Alia is actually Pankaj’s own daughter born out of an affair he had while training as a pilot.

    Scripting is very poor and patchy. Direction lacks imagination and the outcome is juvenile. The film has two hummable songs in Shaam saaandar…. and Nazdeekiyaan; a variety has been tried in song presentations to little effect. Editing needed to be crisper. Visually, efforts are made to give the film a pleasant look.

    No actor has a defined role to make an impression. While Pankaj is a pleasure to watch, Shahid and Alia play the usual romantic pair, Sanjay sticks to buffoonery. Of the rest, Sanah does well.

    Shaandaar caters to low IQ viewers which, at prevailing tickets rates, will be hard to find.

    Producers: Anurag Kashyap, Vikramditya Motwane, Karan Johar, Madhu Mantena.

    Director: Vikas Bahl

    Cast: Shahid Kapoor, Alia Bhatt, Pankaj Kapur, Sanjay Kapoor, Sanah Kapoor, Sushma Seth, Karan Johar (cameo).

  • Friday Cine Entertainment to release ‘Ishq Forever’ on 15 January, 2016

    Friday Cine Entertainment to release ‘Ishq Forever’ on 15 January, 2016

     MUMBAI: Friday Cine Entertainment’s romantic comedy Ishq Forever starring an ensemble cast is all set to release on 15 January, 2016.

     

    Produced by Ajay Shah, Himanshu Gandhi & Shabeer Boxwala, Ishq Forever is directed by Sameer Sippy.

     

    The movie will be introducing Krishna. It will also star Ruhi Singh, Lisa Ray, Zakir Hussain, Chetan Pandit, Sonal Jha, Arif Zakaria, Gurpreet Singh, Kuljeet Kaur, Sachin Parikh, Denzil Smith, Mahesh Balraj and Javed Jafferi. Raza Murad and Sharat Saxena will have special appearances in the movie.

     

    Written by Shabeer Boxwala, Ishq Forever has music by Nadeem Saifi and lyrics by Sameer.

  • Box Office: ‘Pyaar Ka Punchnama 2’ takes Rs 21 crore in opening weekend

    Box Office: ‘Pyaar Ka Punchnama 2’ takes Rs 21 crore in opening weekend

    MUMBAI: ‘It is the season for small budget comedies be it about romance or sex. Pyaar Ka Punchnama 2 appeals hugely to youth and proves that a film has to be youth oriented for they are the ones who guarantee a decent opening at the box office and also spread good or bad word of mouth.

     

    Despite very limited promotions, the film took an impressive opening and the figures reflect the fact. The film only showed a marked rise in collections on Saturday and Sunday. And, despite being Navratri period, which is not the best of times for a new release, especially one counting mainly on its youth appeal. The film collected a heartening Rs 20.8 crore in its opening weekend.

     

    Wedding Pullav is poor and failed to get footfalls through its opening weekend.

     

    On the other hand, Jazbaa, a comeback film for Aishwarya Rai Bachchan after a five year break and an expected hat-trick for Irrfan Khan, who has given two much appreciated films in Piku andTalvar, falls prey to its bad scripting and inapt handling. The film could not sustain its collection after its opening weekend and the figures dropped through the week. The film could manage to put together just Rs 20.6 crore for its first week.

     

    Singh Is Bliing loses the plot in its second week with the collections dropping by a major chunk as the film collects Rs 10.5 crore to take its two week total to Rs 72.65.

     

    Talvar maintains a strong trend in its second week cashing in on the appreciation received. The film collects Rs 10.5 crore to take its two week tally to Rs 26 crore.

     

    Kapil Sharma’s Kis Kisko Pyaar Karoon has added Rs 75 lakh in its third week to take its three week total to Rs 43.95 crore making a star out of the TV comedian in the process.

  • Drishyam Films to kick-start ‘The Masters’ series with Sriram Raghavan

    Drishyam Films to kick-start ‘The Masters’ series with Sriram Raghavan

    MUMBAI: Drishyam Films will be hosting screenings and interactions with noted filmmakers, cinematographers, editors and producers titled as The Masters. The monthly series is an effort to give the audiences and film buffs a unique and enriching cinematic experience. 

     

    The series will kick-start with the screening of Raman Raghav and will be followed by a master class by director Sriram Raghavan. The two-part made for video series will be introduced by filmmaker and director Atul Sabharwal. The sequence comes from the year 1991 based on the true story of a serial killerThe series will outlay the successful investigations of the Stoneman murders that took place in the 1960s, drawing from official police case files.

     

    The screening will take place on 21 October, 2015 at PVR Citimall Andheri at 8 pm.

     

    “This is a one-of-a-kind initiative by us to reinvent the way master filmmakers interact with their audiences as well as aspiring filmmakers. We are sure that this will be an exciting opportunity for both to have a lively and fruitful exchange every month,” said Drishyam Films CEO Shiladitya Bora. 

     

    This is the first theatrical outing of the series, exclusive to early bird registrations. The event will be free and open to all, based on a first-come-first serve basis. The registrations can be made at http://www.drishyamfilms.com/events/