Category: Media and Advertising

  • Tata Salt energises devotees at Jagannath Rath Yatra’16 with ‘Sehat ki Chuski’ campaign

    Tata Salt energises devotees at Jagannath Rath Yatra’16 with ‘Sehat ki Chuski’ campaign

    MUMBAI: Tata Salt, a pioneer in the Indian branded salt market, today kicked off celebrations at the Puri Jagannath Ratha Yatra 2016. A mass pilgrimage of faith, the world renowned festival takes place every year at Puri, the temple town in Odisha typically during the month of July, which is one of the hottest months of the year. Keeping with the brand promise of ‘Desh ki Sehat, Desh ka Namak’, Tata Salt has launched an innovative campaign called ‘Sehat ki Chuski’ in order to provide energy to pilgrims visiting Puri for the Jagannath Ratha Yatra.

    The pilgrim town is thronged by devotees to witness the divine procession over a 1.5 kilometre stretch, where the heat can be unbearable for most. Identifying this need, Tata Salt ideated an easy to consume real time solution to keep pilgrims cool and energised during the festival, thereby combatting dehydration. Catering to more than 1 lakh pilgrims, Tata Salt will be seen distributing special “Energy Pops”, a handy energy ice bar made up of Tata Salt, lemon, sugar and purified water which will help replace the lost salt content and improve absorption of water in the body thus preventing the pilgrims from getting dehydrated. This mobile on- ground activation will take place at key touchpoints of the main Yatra road, where the pilgrims assemble in mass and a customised Tata branded cart will be used for the distribution of energy pops.

    Speaking on the innovation, Tata Chemicals Consumer Products Business head marketing Sagar Boke stated, “India is a land of diverse cultures and festival. The Puri Yatra is one such festival where people travel from various parts of the world to witness the Yatra and celebrate. We wanted to create a moment of experience around this occasion that goes beyond product sampling, through unique product interventions. Providing energy bars that use Tata Salt as an ingredient is one such step. This will not only create a contextual product experience, but also make the consumers’ Yatra experience more pleasant. We hope that this activity will create a strong emotional connect amongst our consumers,”

    Also known as the Festival of Chariots, Puri Jagannath Ratha Yatra is the oldest Rath Yatra taking place in India and the World, having been celebrated for more than five thousand years.

  • Mindshare India and Vidooly  create video analytics tool ‘KYVE’

    Mindshare India and Vidooly create video analytics tool ‘KYVE’

    MUMBAI: Mindshare has partnered exclusively with Vidooly, India’s first video analytics startup, to cocreate and launch ‘Kyve’ in India, a platform for brands and advertisers to track online video viewership. The ‘Kyve’ tool will be part of the core Mindshare planning framework in India.

    The ‘Kyve tool created by Mindshare and Vidooly is part of ‘Content+’, an adaptable content model that leverages Mindshare’s unique place as a trusted advisor, helping our clients drive efficiency and effectiveness by not just considering the media channel/ but also the messaging and creative platforms. The ‘Content+’ division is spearheaded by Devendra Deshpande.

    ‘Kyve’ is a new age online video data science platform for advertisers and brands that will provide them with insights into the viewership habits of their target audience, understand viewers’ consumption as well as engagement. This data will help Mindshare India to source relevant partners and influencers for brands to engage with for content creation. Mindshare India will also use the data and intelligence gathered to scan, seed and strategize end to end digital video & content strategies for brands. The tool can also leverage its platform for precise brand targeting on online video, to eliminate audience spillage, and further measure the success of video campaigns.

    “Mindshare’s prime focus remains our commitment to our client brands, and to help create top of mind recall in our messaging, we are working with Vidooly, a leading player in the video analytics space. Millennials in India have transitioned from watching traditional TV to online videos, and consume content anytime, anywhere. Video platforms have been major driving forces behind the rise in original online video programming”, said Prasanth Kumar, CEO, Mindshare South Asia. He further added, “In an adaptive world it is important to track genres of content that is popular with users. The ‘Kyve’ tool is the first of its kind to track the user journey of online viewership and develop a video strategy that is weaved into the consumer conversation. We at Mindshare are hopeful that ‘Kyve’ will redefine the way brands advertise and are certain that our partnership with Vidooly will take us places in delivering quality services to consumers.”

    Vidooly co-founder and CEO Subrat Kar said, “We are thrilled to partner with Mindshare, one the most well known media agencies, to introduce Kyve to the Indian market. Kyve is a joint effort combining Vidooly’s video analytics technology along with Mindshare’s expertise of new and emerging media. With this platform, our aim is to be the go to tool for any brand or advertiser who wants to execute an online video campaign effectively and yield an optimal ROI. We believe Kyve will be a game changer in digital video marketing.”

    According to a 2015 Nielsen report approximately 78% of regular internet users in India watch or download digital content such as videos, television shows, or movies online. India’s online video viewership has doubled since 2011. With the rapid rise of smartphones and internet penetration in India, the demand for online video will only grow further. Viewership of online content on mobile devices is already on the rise, especially amongst Millennials.

  • Mindshare India and Vidooly  create video analytics tool ‘KYVE’

    Mindshare India and Vidooly create video analytics tool ‘KYVE’

    MUMBAI: Mindshare has partnered exclusively with Vidooly, India’s first video analytics startup, to cocreate and launch ‘Kyve’ in India, a platform for brands and advertisers to track online video viewership. The ‘Kyve’ tool will be part of the core Mindshare planning framework in India.

    The ‘Kyve tool created by Mindshare and Vidooly is part of ‘Content+’, an adaptable content model that leverages Mindshare’s unique place as a trusted advisor, helping our clients drive efficiency and effectiveness by not just considering the media channel/ but also the messaging and creative platforms. The ‘Content+’ division is spearheaded by Devendra Deshpande.

    ‘Kyve’ is a new age online video data science platform for advertisers and brands that will provide them with insights into the viewership habits of their target audience, understand viewers’ consumption as well as engagement. This data will help Mindshare India to source relevant partners and influencers for brands to engage with for content creation. Mindshare India will also use the data and intelligence gathered to scan, seed and strategize end to end digital video & content strategies for brands. The tool can also leverage its platform for precise brand targeting on online video, to eliminate audience spillage, and further measure the success of video campaigns.

    “Mindshare’s prime focus remains our commitment to our client brands, and to help create top of mind recall in our messaging, we are working with Vidooly, a leading player in the video analytics space. Millennials in India have transitioned from watching traditional TV to online videos, and consume content anytime, anywhere. Video platforms have been major driving forces behind the rise in original online video programming”, said Prasanth Kumar, CEO, Mindshare South Asia. He further added, “In an adaptive world it is important to track genres of content that is popular with users. The ‘Kyve’ tool is the first of its kind to track the user journey of online viewership and develop a video strategy that is weaved into the consumer conversation. We at Mindshare are hopeful that ‘Kyve’ will redefine the way brands advertise and are certain that our partnership with Vidooly will take us places in delivering quality services to consumers.”

    Vidooly co-founder and CEO Subrat Kar said, “We are thrilled to partner with Mindshare, one the most well known media agencies, to introduce Kyve to the Indian market. Kyve is a joint effort combining Vidooly’s video analytics technology along with Mindshare’s expertise of new and emerging media. With this platform, our aim is to be the go to tool for any brand or advertiser who wants to execute an online video campaign effectively and yield an optimal ROI. We believe Kyve will be a game changer in digital video marketing.”

    According to a 2015 Nielsen report approximately 78% of regular internet users in India watch or download digital content such as videos, television shows, or movies online. India’s online video viewership has doubled since 2011. With the rapid rise of smartphones and internet penetration in India, the demand for online video will only grow further. Viewership of online content on mobile devices is already on the rise, especially amongst Millennials.

  • Ogilvy & Mather Mumbai’s new management structure keeps young leaders in mind

    Ogilvy & Mather Mumbai’s new management structure keeps young leaders in mind

    MUMBAI: Effective July 7, Ogilvy & Mather has made the following changes in the Mumbai Office Management Structure:

    • All Ogilvy Mumbai’s businesses and account management resources will be brought together under 5 clusters, each headed by an Executive Vice President & Cluster Head.

    • The five new EVPs & Cluster Heads are: Abhik Santara, Ajay Menon, Hitesh Patel, Prakash Nair and VR Rajesh.

    • These EVPs & Cluster Heads will form the core business leadership team for Ogilvy Mumbai. They will work with Kunal Jeswani, who is both CEO of Ogilvy India as well as the Head of Office for Ogilvy Mumbai, to drive Ogilvy’s flagship Mumbai office.

    The new management structure is designed to empower Ogilvy’s young leaders and create a width of leadership to re-engineer the agency for growth over the next 5 years, drive greater focus on clients within each cluster, drive new capabilities and services, and a deeper focus on talent and training.

    “Like any great team, we need to put the right people in the right roles; we need to work harder and train harder than the competition; and we need to play to win. Ogilvy Mumbai is a great team. And we’re playing to win. Abhik, Ajay, Hitesh, Prakash and Rajesh are our best young business leaders and we are empowering them to shape this agency. We are building for the future and this is only the beginning,” said Ogilvy India CEO and Head of Office – Ogilvy Mumbai, Kunal Jeswani.

  • Ogilvy & Mather Mumbai’s new management structure keeps young leaders in mind

    Ogilvy & Mather Mumbai’s new management structure keeps young leaders in mind

    MUMBAI: Effective July 7, Ogilvy & Mather has made the following changes in the Mumbai Office Management Structure:

    • All Ogilvy Mumbai’s businesses and account management resources will be brought together under 5 clusters, each headed by an Executive Vice President & Cluster Head.

    • The five new EVPs & Cluster Heads are: Abhik Santara, Ajay Menon, Hitesh Patel, Prakash Nair and VR Rajesh.

    • These EVPs & Cluster Heads will form the core business leadership team for Ogilvy Mumbai. They will work with Kunal Jeswani, who is both CEO of Ogilvy India as well as the Head of Office for Ogilvy Mumbai, to drive Ogilvy’s flagship Mumbai office.

    The new management structure is designed to empower Ogilvy’s young leaders and create a width of leadership to re-engineer the agency for growth over the next 5 years, drive greater focus on clients within each cluster, drive new capabilities and services, and a deeper focus on talent and training.

    “Like any great team, we need to put the right people in the right roles; we need to work harder and train harder than the competition; and we need to play to win. Ogilvy Mumbai is a great team. And we’re playing to win. Abhik, Ajay, Hitesh, Prakash and Rajesh are our best young business leaders and we are empowering them to shape this agency. We are building for the future and this is only the beginning,” said Ogilvy India CEO and Head of Office – Ogilvy Mumbai, Kunal Jeswani.

  • Isobar introduces programmatic radio buying in India

    Isobar introduces programmatic radio buying in India

    MUMBAI: The face of radio and music consumption has changed with the smartphone explosion in India and so has the way advertisers look at the market. With almost all music consumers tuned into their favourite tracks through their choice of over-the-top digital music players, top media agencies too are taking note that radio as a form of mass media could catch up with the rest backed by data and analytics.

    A good example of this is the recently launched initiative from Dentsu Aegis Network’s digital arm, Isobar India, in partnership with AMNET that facilitates programmatic radio buying — a first of its kind in India as per the agency. In order to execute the first ever digital radio, Isobar and AMNET partnered with digital audio companies, Triton Digital and AdsWizz by integrating data with Appnexus.

    Online music consumption enabled by players like Guevara, Tunein, Planet Radio city, AIR Fm Gold and Music Live FM etc. have democratized the music industry in India, making it a lucrative segment for brands to capitalize on. However, until recently, media buys used to happen on these platforms on an ad hoc basis with no clear definition of the audience segment clusters.

    But with introduction of digital radio infusing intelligent targeting through programmatic solution,the new tool from Isobar will be efficient in aiding the process of acquiring new customers and delivering relevant output to existing customers via search, display, native, video and social.

    Breaking the concept down for the layman, Isobar India MD Shamsuddin Jasani AKA Shams explained, “Currently music lovers are consuming most of their music on the Gaanas and Saavns of the world as opposed to traditional radio channels. With the new tool that we are launching we are able to marry the data that we acquire from these digital players and target consumers.This will allow advertisers to programmatically buy audience targeted digital radio units based on the consumer’s’ music listening behaviour. Basically radio commercials that are targeted at digital music consumers.”

    AMNET India business head Salil Shanker said, “At AMNET, we believe in extracting the full potential of our brand offerings by using AMNET Audience Centre to profile new customers, deliver unique messaging to brand loyalists, and connect audiences across channel beats they fall into – i.e. Search, Video, Social and Native. Many brands fail to connect with relevant audiences, who consume audio content on the go (on digital radio).We have managed to bridge this gap by introducing the first ever programmatic digital radio in India. Our recent associations with brands like Microsoft, DS Group and JK Tyres have identified the potential of digital radio like never before and adopted this new-age technology.”

    Similar to how two way communication through digitally addressable system (DAS) on television allows advertisers to run different ads targeted at different audience parallely, programmatic buying of radio units will let advertisers place user specific different communications all playing at the same time.

    “We are creating different profiles for users to be categorised in based on the different campaigns. It’s not like one profile fits all consumers. We are able to target different profiles of consumers with different ad sports at different points in their purchase journey for a particular advertiser. For example at one time 30 different 15 second-er audio spots can run on one of these on demand music players.” Not to mention, being audio, the ad spots are lighter on the advertiser’s pocket as well.

    There are several perks to using audio as a medium of communication for brands. Apart from targeted messaging that saves brands from spraying and praying, and prevents wastage of precious advertising budget, tapping into a whole new market is another advantage that the new tool offers advertisers. “Most of the users who have switched to digital to listen to music are not paid users. In turn they are okay with listeing to advertisements as long as they have access to the huge music libraries players such as Saavan and Gaana.com have to offer.”
    Currently digital agency already has three major clients onboard with the new initiative namely – -DS Group, Microsoft and JK Tyres.Claiming it to be the first of its kind in Asia Pacific, the agency also hopes to get 50 to 60 clients using the service by the end of this financial year.

    Lauding the new initiative Microsoft India CMO Jyotsna Makkar shared her views saying, “We always look for innovative ways to cut-through and are happy to be amongst the first marketers to explore the potential of this format.”

    “Again,” Jasani highlights, “audio consumes less data and therefore consumers seamlessly consume the content.”

    When pointed out that only handful of such digital audio platforms are available to advertisers in India, Jasani assured that by the end of this financial year Isobar has plans allow access to ‘ 45 such apps, both Indian and global’ to its clients.

    Jasani is also optimistic that this new aspect of digital audio ads will push the envelope of digital ad spends within the country. “It’s only a matter of time before advertisers take better notice as the majority of consumers have already shifted to digital, especially when it comes to music. And it’s only going to grow as the data price becomes cheaper and cheaper in the next few months. What holds them back is a proper mechanism that will allow them to systematically use to power of digital in their campaigns and that is exactly what programmatic radio buying will allow them,” Jasani signed off.

  • Isobar introduces programmatic radio buying in India

    Isobar introduces programmatic radio buying in India

    MUMBAI: The face of radio and music consumption has changed with the smartphone explosion in India and so has the way advertisers look at the market. With almost all music consumers tuned into their favourite tracks through their choice of over-the-top digital music players, top media agencies too are taking note that radio as a form of mass media could catch up with the rest backed by data and analytics.

    A good example of this is the recently launched initiative from Dentsu Aegis Network’s digital arm, Isobar India, in partnership with AMNET that facilitates programmatic radio buying — a first of its kind in India as per the agency. In order to execute the first ever digital radio, Isobar and AMNET partnered with digital audio companies, Triton Digital and AdsWizz by integrating data with Appnexus.

    Online music consumption enabled by players like Guevara, Tunein, Planet Radio city, AIR Fm Gold and Music Live FM etc. have democratized the music industry in India, making it a lucrative segment for brands to capitalize on. However, until recently, media buys used to happen on these platforms on an ad hoc basis with no clear definition of the audience segment clusters.

    But with introduction of digital radio infusing intelligent targeting through programmatic solution,the new tool from Isobar will be efficient in aiding the process of acquiring new customers and delivering relevant output to existing customers via search, display, native, video and social.

    Breaking the concept down for the layman, Isobar India MD Shamsuddin Jasani AKA Shams explained, “Currently music lovers are consuming most of their music on the Gaanas and Saavns of the world as opposed to traditional radio channels. With the new tool that we are launching we are able to marry the data that we acquire from these digital players and target consumers.This will allow advertisers to programmatically buy audience targeted digital radio units based on the consumer’s’ music listening behaviour. Basically radio commercials that are targeted at digital music consumers.”

    AMNET India business head Salil Shanker said, “At AMNET, we believe in extracting the full potential of our brand offerings by using AMNET Audience Centre to profile new customers, deliver unique messaging to brand loyalists, and connect audiences across channel beats they fall into – i.e. Search, Video, Social and Native. Many brands fail to connect with relevant audiences, who consume audio content on the go (on digital radio).We have managed to bridge this gap by introducing the first ever programmatic digital radio in India. Our recent associations with brands like Microsoft, DS Group and JK Tyres have identified the potential of digital radio like never before and adopted this new-age technology.”

    Similar to how two way communication through digitally addressable system (DAS) on television allows advertisers to run different ads targeted at different audience parallely, programmatic buying of radio units will let advertisers place user specific different communications all playing at the same time.

    “We are creating different profiles for users to be categorised in based on the different campaigns. It’s not like one profile fits all consumers. We are able to target different profiles of consumers with different ad sports at different points in their purchase journey for a particular advertiser. For example at one time 30 different 15 second-er audio spots can run on one of these on demand music players.” Not to mention, being audio, the ad spots are lighter on the advertiser’s pocket as well.

    There are several perks to using audio as a medium of communication for brands. Apart from targeted messaging that saves brands from spraying and praying, and prevents wastage of precious advertising budget, tapping into a whole new market is another advantage that the new tool offers advertisers. “Most of the users who have switched to digital to listen to music are not paid users. In turn they are okay with listeing to advertisements as long as they have access to the huge music libraries players such as Saavan and Gaana.com have to offer.”
    Currently digital agency already has three major clients onboard with the new initiative namely – -DS Group, Microsoft and JK Tyres.Claiming it to be the first of its kind in Asia Pacific, the agency also hopes to get 50 to 60 clients using the service by the end of this financial year.

    Lauding the new initiative Microsoft India CMO Jyotsna Makkar shared her views saying, “We always look for innovative ways to cut-through and are happy to be amongst the first marketers to explore the potential of this format.”

    “Again,” Jasani highlights, “audio consumes less data and therefore consumers seamlessly consume the content.”

    When pointed out that only handful of such digital audio platforms are available to advertisers in India, Jasani assured that by the end of this financial year Isobar has plans allow access to ‘ 45 such apps, both Indian and global’ to its clients.

    Jasani is also optimistic that this new aspect of digital audio ads will push the envelope of digital ad spends within the country. “It’s only a matter of time before advertisers take better notice as the majority of consumers have already shifted to digital, especially when it comes to music. And it’s only going to grow as the data price becomes cheaper and cheaper in the next few months. What holds them back is a proper mechanism that will allow them to systematically use to power of digital in their campaigns and that is exactly what programmatic radio buying will allow them,” Jasani signed off.

  • Percept Pictures releases Youtube channel ‘Indian Chronicles’ and Musical Short Film on LGBTQ

    Percept Pictures releases Youtube channel ‘Indian Chronicles’ and Musical Short Film on LGBTQ

    MUMBAI: Percept Pictures has launched its new Musical Short Film on the contentious LGBTQ subject matter. “Just Begun” is an interesting journey of a young female couple as they embark on life together, with the journey transporting the viewer through flashes of reminiscence. The objective of the film is to convey the concept of Love in its purest form, break preconceived barriers, encourage liberation and support humanitarianism, with an ecstatic music track. The film makers claim to deal with an extremely sensitive issue, yet tackles it in the most tranquil and contemporary style with an aim to reach out to the vast global audience.

    Produced and directed by Percept Pictures, this short film continues to add to their repertoire of achievements following in the footsteps of their award winning short film (aids+b)2 which won the Best Film award at the Dada Saheb Phalke Film Festival 2016.

    Percept Pictures chief operating officer Danny Mamik said, “We were quite disturbed by the shootings in Orlando and wanted to do our bit to showcase our support for the LGBTQ community through a platform that could reach out to the masses. While brainstorming we came up with the idea of “LOVE IS THE OLDEST RELIGION”, and I was quite surprised to realize that there is no phrase coined like that till date. The phrase is so true and so apt for our world right now.”

    He further added, “Once we cracked the core concept, the execution and treatment of the video just flowed. The main thought that we want to communicate is that it doesn’t matter who you are or what your choices are, as long as there is Love, there should be no judgement.”

    Percept Pictures also announced the launch of its YouTube page, “Indian Chronicles”. This channel will serve as a dedicated platform to enable the youth to express themselves. Over the past year Percept Pictures has become a nurturing ground for young aspiring creative talent and ‘Indian Chronicles’ will offer an opportunity and platform for young budding creative talents across our country to showcase their skills and voice their opinions in a creative manner across any topic that is close to their heart.   

    The content of the channel will be three fold, viz:
    –  Cause Cinema
    –  Topical, Real stories
    –  A platform to showcase Talent – any person, anywhere in India who has talent can showcase their skills on Indian Chronicles

    Commented Danny, “At Percept Pictures we have always believed in giving the youth a chance to express themselves. The movie Pyar Mein Kabhi Kabhi is a prime example – Salim Suleimann, Vishal Shekhar, Shaan and many more had all debuted in that film. In keeping with that tradition and seeing that we are now truly in the digital age, we launched a channel on YouTube called Indian Chronicles with the sole purpose to offer youngsters a chance to express themselves. The content of the channel will be real, raw and topical. We don’t want to limit ourselves to only professionals of the film world…there are 1.2 billion people out there and each one has a story to tell. I believe that the audience is ready for real stories and that is what we will focus on via Indian Chronicles.”
     

  • Percept Pictures releases Youtube channel ‘Indian Chronicles’ and Musical Short Film on LGBTQ

    Percept Pictures releases Youtube channel ‘Indian Chronicles’ and Musical Short Film on LGBTQ

    MUMBAI: Percept Pictures has launched its new Musical Short Film on the contentious LGBTQ subject matter. “Just Begun” is an interesting journey of a young female couple as they embark on life together, with the journey transporting the viewer through flashes of reminiscence. The objective of the film is to convey the concept of Love in its purest form, break preconceived barriers, encourage liberation and support humanitarianism, with an ecstatic music track. The film makers claim to deal with an extremely sensitive issue, yet tackles it in the most tranquil and contemporary style with an aim to reach out to the vast global audience.

    Produced and directed by Percept Pictures, this short film continues to add to their repertoire of achievements following in the footsteps of their award winning short film (aids+b)2 which won the Best Film award at the Dada Saheb Phalke Film Festival 2016.

    Percept Pictures chief operating officer Danny Mamik said, “We were quite disturbed by the shootings in Orlando and wanted to do our bit to showcase our support for the LGBTQ community through a platform that could reach out to the masses. While brainstorming we came up with the idea of “LOVE IS THE OLDEST RELIGION”, and I was quite surprised to realize that there is no phrase coined like that till date. The phrase is so true and so apt for our world right now.”

    He further added, “Once we cracked the core concept, the execution and treatment of the video just flowed. The main thought that we want to communicate is that it doesn’t matter who you are or what your choices are, as long as there is Love, there should be no judgement.”

    Percept Pictures also announced the launch of its YouTube page, “Indian Chronicles”. This channel will serve as a dedicated platform to enable the youth to express themselves. Over the past year Percept Pictures has become a nurturing ground for young aspiring creative talent and ‘Indian Chronicles’ will offer an opportunity and platform for young budding creative talents across our country to showcase their skills and voice their opinions in a creative manner across any topic that is close to their heart.   

    The content of the channel will be three fold, viz:
    –  Cause Cinema
    –  Topical, Real stories
    –  A platform to showcase Talent – any person, anywhere in India who has talent can showcase their skills on Indian Chronicles

    Commented Danny, “At Percept Pictures we have always believed in giving the youth a chance to express themselves. The movie Pyar Mein Kabhi Kabhi is a prime example – Salim Suleimann, Vishal Shekhar, Shaan and many more had all debuted in that film. In keeping with that tradition and seeing that we are now truly in the digital age, we launched a channel on YouTube called Indian Chronicles with the sole purpose to offer youngsters a chance to express themselves. The content of the channel will be real, raw and topical. We don’t want to limit ourselves to only professionals of the film world…there are 1.2 billion people out there and each one has a story to tell. I believe that the audience is ready for real stories and that is what we will focus on via Indian Chronicles.”
     

  • Former PayU exec Saranjeet Singh joins Airtel Payments Bank as digital marketing head

    Former PayU exec Saranjeet Singh joins Airtel Payments Bank as digital marketing head

    MUMBAI: After his stint at the payment gateway company PayU India that spanned around three years, Saranjeet Singh has joined Airtel Payments Bank starting July 016.

    Singh will be responsible for sketching out the business’ digital marketing strategy with key focus on the service’s tentative launch in and around September 2016.

    As per industry insiders, he is currently reporting to the COO Shweta Aprameya, who was the founder of YTS Solutions that Airtel had acquired and rechristened as Airtel Money about a year ago. Earlier last month, Airtel’s senior executive Shashi Arora’s movement from its DTH business to Airtel Payments Bank as CEO created quite a buzz in the industry.

    With few months left for the its official launch, as well as that of its several competitions , Airtel Payments Bank is seeing major influx of talent from within the market.