Category: Media and Advertising

  • Sterling wins Creative Media Award for #WhatIReallyReallyWant

    Sterling wins Creative Media Award for #WhatIReallyReallyWant

    MUMBAI: Sterling Media, an international business and communications consultancy head-quartered in London, was presented the prestigious Creative Media Award at the Asian Media Awards 2016 for the #WhatIReallyReallyWant campaign, which they launched with partners Project Everyone. The award is the second consecutive accolade awarded to Sterling Media by Asian Media Awards. Sterling CEO & MD Natasha Mudhar was presented the Media Personality of the Year Award in 2015.

    Sterling Media orchestrated the entire global communications campaign for the short film #WhatIReallyReallyWant which received a staggering 150 million views and more than 1.6 million YouTube views in the first few days of launch. The film was also shared by global names including Victoria Beckham, Richard Branson and Emma Watson.

    On the 20th anniversary of the release of the Spice Girls’ Wannabe video, an updated version of “#WhatIReallyReallyWant” was launched in July 2016 marking 20 years of Girl Power. The film reflected the voices of girls and women all over the world telling world leaders what Goals they ‘really really want’ to be achieved to help improve their lives. The film was directed by MJ Delaney of Moxie Pictures and featured artists from around the world including Gigi Lamayne and Moneoa from South Africa, Seyi Shay from Nigeria, Bollywood actress Jacqueline Fernandez from Sri Lanka, M.O from the UK, Taylor Hatala from Canada and Larsen Thompson from the USA.

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    The viral video launched online and in cinemas all over the world with a call to action for people everywhere to share a picture of #WhatIReallyReallyWant for girls and women.

    Speaking about the award, Mudhar said,“On behalf of everyone at Sterling Media we are so thankful to the event organisers, and the esteemed judges for awarding us this wonderful accolade for the short film we launched with our partners Project Everyone – #WhatIReallyReally Want.

    Sterling has been engaged in a number of other high profile projects. These include the launch of a $9 trillion bauxite project in New Guinea; directing the global communication strategy for the US Government’s GODAN (Global Open Data on Agriculture & Nutrition) Summit 2016 –  the largest-ever event dedicated to open data in agriculture and nutrition to end hunger; the launch of the Worlds Largest Lesson India initiative which aims to teach every child in India a lesson about the Sustainable Development Goals; and managing the India and Africa strategies for the Jamie Oliver Food Foundation to tackle child malnutrition.

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  • Dentsu to pay USD 2.3m to clients post discrepancies

    Dentsu to pay USD 2.3m to clients post discrepancies

    MUMBAI: Japanese advertisement behemoth Dentsu was under fire from the media in late September after it publicly apologised for cases of overcharging around 111 clients. Among identified 633 cases, 14 incidents were where ads were not placed at all and other cases of incorrect placement periods and falsified reporting of ad performance.

    The advertising agency is now set to pay back an estimated 230 million yen ($2.3 million) to clients after the agency uncovered a raft of discrepancies, including some cases where fees were charged and no internet advertising placement was made, it revealed in a statement on 28 October. “We will repay the 230 million yen, and we will talk with clients after all the facts are disclosed,” Toshihiro Yamamoto, Dentsu senior vice president, told reporters in Tokyo.

    The Japanese ad agency’s client Toyota was the first to point out a discrepancy, sparking an investigation into transactions dating back to November 2012, according to Bloomberg.

    “Immediately after finding out about the incidents, we organized an internal investigation team in the middle of August,” the company clarified.

    Other affected clients include LVMH Moet Hennessy Louis Vuitton SE, Diageo Plc, Nestle SA, SoftBank Group Corp. and Electronic Arts Inc.

  • Dentsu to pay USD 2.3m to clients post discrepancies

    Dentsu to pay USD 2.3m to clients post discrepancies

    MUMBAI: Japanese advertisement behemoth Dentsu was under fire from the media in late September after it publicly apologised for cases of overcharging around 111 clients. Among identified 633 cases, 14 incidents were where ads were not placed at all and other cases of incorrect placement periods and falsified reporting of ad performance.

    The advertising agency is now set to pay back an estimated 230 million yen ($2.3 million) to clients after the agency uncovered a raft of discrepancies, including some cases where fees were charged and no internet advertising placement was made, it revealed in a statement on 28 October. “We will repay the 230 million yen, and we will talk with clients after all the facts are disclosed,” Toshihiro Yamamoto, Dentsu senior vice president, told reporters in Tokyo.

    The Japanese ad agency’s client Toyota was the first to point out a discrepancy, sparking an investigation into transactions dating back to November 2012, according to Bloomberg.

    “Immediately after finding out about the incidents, we organized an internal investigation team in the middle of August,” the company clarified.

    Other affected clients include LVMH Moet Hennessy Louis Vuitton SE, Diageo Plc, Nestle SA, SoftBank Group Corp. and Electronic Arts Inc.

  • Havas appoints Mediacom’s Karl Wu as Greater China CEO

    Havas appoints Mediacom’s Karl Wu as Greater China CEO

    MUMBAI: Havas Media Group has appointed media and marketing specialist, Karl Wu, as the CEO for Greater China. Based in Beijing, Wu will be responsible for Havas’s brands — Havas Media and Arena Media, as well as Havas Group pure player agencies Socialyse, Affiperf, Ecselis and Mobext. The media group currently has five offices in China, Hong Kong and Taiwan.

    Wu joins the agency with an impressive track record in integrated marketing and advertising space, having held senior roles both on the agency and the client side. He was most recently the COO of Mediacom China and concurrently the Asia Pacific Managing Director of one of the agency’s largest clients – Volkswagen.

    Prior to joining Mediacom, Wu led Digital Marketing for Nokia as Marketing Director for Asia Pacific as well as China. He has also held senior positions at Dentsu Aegis Media and Publicis Vivaki, and his experience on the brand side extends to blue chip companies such as Intel and NBA in China, and Bell Canada in Toronto Canada.

    Wu will report to the Global Executive Committee represented by Christophe Cases, who will relinquish his role as CEO of Greater China but continue to be based in China in his global role as Deputy Global Managing Director of Havas Media Group.

    Cases said, “We are delighted to have Karl as CEO for Greater China. He is a very important hire for us and integral to our ambition for this market as we strengthen our client-centred collaborative model. Karl brings with him an international mindset and deep knowledge of not only China market but Asia Pacific as a whole. His experience in leadership roles both on the agency and the client side will be a definite asset as we move our business to next level of growth.”

    Wu said, “I have been on both sides of the table, and I can see the changes needed for our industry to deliver better customer value. Havas Group not only has the vision and strategy but has also started executing to that vision. The Havas Village integration is an example of the many initiatives that will ultimately re-shape our industry. I am excited about what the future holds and looking forward to my new role.”

  • Havas appoints Mediacom’s Karl Wu as Greater China CEO

    Havas appoints Mediacom’s Karl Wu as Greater China CEO

    MUMBAI: Havas Media Group has appointed media and marketing specialist, Karl Wu, as the CEO for Greater China. Based in Beijing, Wu will be responsible for Havas’s brands — Havas Media and Arena Media, as well as Havas Group pure player agencies Socialyse, Affiperf, Ecselis and Mobext. The media group currently has five offices in China, Hong Kong and Taiwan.

    Wu joins the agency with an impressive track record in integrated marketing and advertising space, having held senior roles both on the agency and the client side. He was most recently the COO of Mediacom China and concurrently the Asia Pacific Managing Director of one of the agency’s largest clients – Volkswagen.

    Prior to joining Mediacom, Wu led Digital Marketing for Nokia as Marketing Director for Asia Pacific as well as China. He has also held senior positions at Dentsu Aegis Media and Publicis Vivaki, and his experience on the brand side extends to blue chip companies such as Intel and NBA in China, and Bell Canada in Toronto Canada.

    Wu will report to the Global Executive Committee represented by Christophe Cases, who will relinquish his role as CEO of Greater China but continue to be based in China in his global role as Deputy Global Managing Director of Havas Media Group.

    Cases said, “We are delighted to have Karl as CEO for Greater China. He is a very important hire for us and integral to our ambition for this market as we strengthen our client-centred collaborative model. Karl brings with him an international mindset and deep knowledge of not only China market but Asia Pacific as a whole. His experience in leadership roles both on the agency and the client side will be a definite asset as we move our business to next level of growth.”

    Wu said, “I have been on both sides of the table, and I can see the changes needed for our industry to deliver better customer value. Havas Group not only has the vision and strategy but has also started executing to that vision. The Havas Village integration is an example of the many initiatives that will ultimately re-shape our industry. I am excited about what the future holds and looking forward to my new role.”

  • Multi-media ad campaign to popularise gold coin

    Multi-media ad campaign to popularise gold coin

    NEW DELHI: A year after it was first launched, a multimedia advertising campaign is being launched to drive awareness around Diwali on the availability of the Indian gold coin by the Mines and Minerals Trading Corporation along with World Gold Council. Being launched this week, the campaign will cover newspapers, radio, digital and select cinema halls.

    More information on Indian Gold Coin can be accessed on www.indiangoldcoin.com or toll free number 1800 1800 000.

    The coin is available in denominations of 5 gm and 10 gm coin, and 20 gm bar. The coins are available at all MMTC outlets across India, along with select branches of seven Banks – Indian Overseas Bank, Vijaya Bank, Federal Bank, Yes Bank, Andhra Bank, ICICI Bank and HDFC Bank. Indian Gold Coin is available at about 383 outlets across India now.

    The coin was launched by the prime minister Narendra Modi on 5 November 2015. It is India’s first-ever sovereign gold offering, and are hallmarked by the Bureau of Indian Standards (BIS) for purity. The creation of a national branded coin, of uniform price and quality has addressed the trust deficit that exists around the buying and selling of gold. It aligns with the “Make in India” priority of the Government.

    The coin has the national emblem Ashoka Chakra engraved on one side and Mahatma Gandhi on the reverse. Its other unique features include 24 Karat 999 fineness purity, positive tolerance, both in weight and purity, tamper-proof packaging and advanced anti-counterfeit features.

    The coin is minted in India from gold sourced domestically from Gold Monetisation Scheme. It enters the international basket of national gold coins which is minted locally by the Indian Government Mint in Mumbai and Kolkata. It will aid in recycling of gold through transparent buy-back option being brought by MMTC.

    Through the coin, the Government aims to reduce dependence on gold imports to meet the local gold demand as Indian Gold Coin is being minted from the gold collected under Gold Monetization Scheme (GMS).

  • Multi-media ad campaign to popularise gold coin

    Multi-media ad campaign to popularise gold coin

    NEW DELHI: A year after it was first launched, a multimedia advertising campaign is being launched to drive awareness around Diwali on the availability of the Indian gold coin by the Mines and Minerals Trading Corporation along with World Gold Council. Being launched this week, the campaign will cover newspapers, radio, digital and select cinema halls.

    More information on Indian Gold Coin can be accessed on www.indiangoldcoin.com or toll free number 1800 1800 000.

    The coin is available in denominations of 5 gm and 10 gm coin, and 20 gm bar. The coins are available at all MMTC outlets across India, along with select branches of seven Banks – Indian Overseas Bank, Vijaya Bank, Federal Bank, Yes Bank, Andhra Bank, ICICI Bank and HDFC Bank. Indian Gold Coin is available at about 383 outlets across India now.

    The coin was launched by the prime minister Narendra Modi on 5 November 2015. It is India’s first-ever sovereign gold offering, and are hallmarked by the Bureau of Indian Standards (BIS) for purity. The creation of a national branded coin, of uniform price and quality has addressed the trust deficit that exists around the buying and selling of gold. It aligns with the “Make in India” priority of the Government.

    The coin has the national emblem Ashoka Chakra engraved on one side and Mahatma Gandhi on the reverse. Its other unique features include 24 Karat 999 fineness purity, positive tolerance, both in weight and purity, tamper-proof packaging and advanced anti-counterfeit features.

    The coin is minted in India from gold sourced domestically from Gold Monetisation Scheme. It enters the international basket of national gold coins which is minted locally by the Indian Government Mint in Mumbai and Kolkata. It will aid in recycling of gold through transparent buy-back option being brought by MMTC.

    Through the coin, the Government aims to reduce dependence on gold imports to meet the local gold demand as Indian Gold Coin is being minted from the gold collected under Gold Monetization Scheme (GMS).

  • Vizeum launches Binary, special advisory unit for media clients

    Vizeum launches Binary, special advisory unit for media clients

    Mumbai: “Media business is, in the short term, headed for a tipping point, driven by the changing consumer-media interface,” emphasises Vizeum India MD Shripad Kulkarni, who strongly believes that media companies need a definitive transformation strategy in place now.

    “While planning marketing communication for a media client, an agency’s focus is on acquiring new customers/ audience and retaining them. Thus, you have to wear very different hats,” Kulkarni states, speaking exclusively to indiantelevision.com.

    Keeping these two point of views in mind, Vizeum has launched a strategic advisory and consultancy for media networks in the print/TV and radio domain. “We are currently establishing a separate specialist team outside our media planning and buying outfit to handle media clients, because it needs a unique orientation and perspective,” Kulkarni asserts. This unit will be headed by Shilpa Dhanu, who has over 20 years’ experience in media strategy and Marcom with TV channels.

    The agency also caters to several major media clients including Viacom18. Dentsu Aegis Network strengths in Digital are unparalleled and this is a major advantage Vizeum has. With Isobar, iProspect WATConsult and Web Chutney they have a suite of companies specialising in every major aspect of digital depending on the need.

    As an entrepreneur, Kulkarni has good experience in consulting and training media organisations such as Indian Newspaper Society, Sony Television, Red FM and many other media companies. Binary thus claims to have just the right combination of old-world learning and new-age solutions for the challenges faced by mainstream media.

    The service would offer focused transformation strategies and customised solutions for TV channels, radio stations and print media. The service covers two modules which would be customised to each media network as per the specific need of the business. India is a market where mainstream media is still growing. So managing the transition is an immediate plan of action. But there must be a Digital Transformation Roadmap.

    The Transition module covers four services :1) New age pricing and sales strategies for revenue maximisation titled RevenueMax; 2) A holistic marcom strategy relevant in the new milieu called True 3600; 3) Trainware to getting the team trained for the new age challenges and 4) Sales Assist: technology based real time sales support.

    This will also include update on various happenings and trends across media, competitive analysis of rates across regional publications, analysis of ad spends by category for TV and print, special analysis of various databases like IRS/TAM/TGI are some of the specialised offerings of this advisory. Under this module, the special unit will also cater to the client’s creative requirements as per the marketing communications plans.

    The transformation roadmap, likewise covers five stages : a digital review covering an audit, evaluating the business model and assessment of the new business model needs, content strategy, assessing routes for the ‘new company’, followed by digital transformation roadmap. “This is a unique Service and I am quite bullish on the business prospects,” Kulkarni added.

    Kulkarni strongly believes that media companies, although are brands themselves, have special media management requirements that is distinct from a FMCG or automobile brand. “The fact that a brand comes to a media company to reach out to an audience differentiates it from a regular advertiser,” he said.

    Vizeum India was recently awarded the media duties of one of the giants of film studio – Warner Bros Pictures. Following the win, the first movie from the Warner Bros slate that Vizeum worked on was “The Conjuring 2.” For the record, after the theatrical run of its recent release Batman v Superman, Warner Bros has now lined up as many as 15 new releases in 2016. Apart from this, the agency also caters to several major media clients including Viacom18.

    To how media clients spend differently than other brands, Kulkarni added that films and television channels operate on different ecosystem altogether. “Speaking specifically of television channels, to start with, we consider how it can use its own channel differently, because at the end of the day the broadcaster is a medium of its own. Brands and advertisers come to a broadcaster, so that its his strength. Maximising own media is the starting point. The second question a broadcaster asks is how it can maximise its reach through its home network,” Kulkarni explains.

    Keeping a clear idea of the end goal makes the planning sharper and more efficient. “The broadcaster needs to be sure of what it is chasing — new audience, or the channel’s loyal audience or home network. The media planners then need to ask if its client’s chasing the end goal through one property or multiple property, and what will get it tune ins. That’s the single-minded proposition. Because, once the tune-in happens, the channel, and the program take care of the rest,” Kulkarni adds.

    In that way films and channels are similar; in both cases the opening week or weekend (for the former) makes a huge difference.

    As per industry guesstimates, on an average, a leading GEC spends Rs 25 to 30 crore worth of media within its home network in the first two to three weeks of a show launch. If one were to monetise the value of the media, the channels’ use in it own network, it is the value of the advertising opportunity the broadcaster has lost. Beyond this, a channel can spend close to Rs 1 crore–5 crore if ‘across network’ promotion is involved, which would include outdoor and on-ground activation as well. This figure may rise up to Rs 10 crore if the channel’s home network isn’t strong enough.

  • Vizeum launches Binary, special advisory unit for media clients

    Vizeum launches Binary, special advisory unit for media clients

    Mumbai: “Media business is, in the short term, headed for a tipping point, driven by the changing consumer-media interface,” emphasises Vizeum India MD Shripad Kulkarni, who strongly believes that media companies need a definitive transformation strategy in place now.

    “While planning marketing communication for a media client, an agency’s focus is on acquiring new customers/ audience and retaining them. Thus, you have to wear very different hats,” Kulkarni states, speaking exclusively to indiantelevision.com.

    Keeping these two point of views in mind, Vizeum has launched a strategic advisory and consultancy for media networks in the print/TV and radio domain. “We are currently establishing a separate specialist team outside our media planning and buying outfit to handle media clients, because it needs a unique orientation and perspective,” Kulkarni asserts. This unit will be headed by Shilpa Dhanu, who has over 20 years’ experience in media strategy and Marcom with TV channels.

    The agency also caters to several major media clients including Viacom18. Dentsu Aegis Network strengths in Digital are unparalleled and this is a major advantage Vizeum has. With Isobar, iProspect WATConsult and Web Chutney they have a suite of companies specialising in every major aspect of digital depending on the need.

    As an entrepreneur, Kulkarni has good experience in consulting and training media organisations such as Indian Newspaper Society, Sony Television, Red FM and many other media companies. Binary thus claims to have just the right combination of old-world learning and new-age solutions for the challenges faced by mainstream media.

    The service would offer focused transformation strategies and customised solutions for TV channels, radio stations and print media. The service covers two modules which would be customised to each media network as per the specific need of the business. India is a market where mainstream media is still growing. So managing the transition is an immediate plan of action. But there must be a Digital Transformation Roadmap.

    The Transition module covers four services :1) New age pricing and sales strategies for revenue maximisation titled RevenueMax; 2) A holistic marcom strategy relevant in the new milieu called True 3600; 3) Trainware to getting the team trained for the new age challenges and 4) Sales Assist: technology based real time sales support.

    This will also include update on various happenings and trends across media, competitive analysis of rates across regional publications, analysis of ad spends by category for TV and print, special analysis of various databases like IRS/TAM/TGI are some of the specialised offerings of this advisory. Under this module, the special unit will also cater to the client’s creative requirements as per the marketing communications plans.

    The transformation roadmap, likewise covers five stages : a digital review covering an audit, evaluating the business model and assessment of the new business model needs, content strategy, assessing routes for the ‘new company’, followed by digital transformation roadmap. “This is a unique Service and I am quite bullish on the business prospects,” Kulkarni added.

    Kulkarni strongly believes that media companies, although are brands themselves, have special media management requirements that is distinct from a FMCG or automobile brand. “The fact that a brand comes to a media company to reach out to an audience differentiates it from a regular advertiser,” he said.

    Vizeum India was recently awarded the media duties of one of the giants of film studio – Warner Bros Pictures. Following the win, the first movie from the Warner Bros slate that Vizeum worked on was “The Conjuring 2.” For the record, after the theatrical run of its recent release Batman v Superman, Warner Bros has now lined up as many as 15 new releases in 2016. Apart from this, the agency also caters to several major media clients including Viacom18.

    To how media clients spend differently than other brands, Kulkarni added that films and television channels operate on different ecosystem altogether. “Speaking specifically of television channels, to start with, we consider how it can use its own channel differently, because at the end of the day the broadcaster is a medium of its own. Brands and advertisers come to a broadcaster, so that its his strength. Maximising own media is the starting point. The second question a broadcaster asks is how it can maximise its reach through its home network,” Kulkarni explains.

    Keeping a clear idea of the end goal makes the planning sharper and more efficient. “The broadcaster needs to be sure of what it is chasing — new audience, or the channel’s loyal audience or home network. The media planners then need to ask if its client’s chasing the end goal through one property or multiple property, and what will get it tune ins. That’s the single-minded proposition. Because, once the tune-in happens, the channel, and the program take care of the rest,” Kulkarni adds.

    In that way films and channels are similar; in both cases the opening week or weekend (for the former) makes a huge difference.

    As per industry guesstimates, on an average, a leading GEC spends Rs 25 to 30 crore worth of media within its home network in the first two to three weeks of a show launch. If one were to monetise the value of the media, the channels’ use in it own network, it is the value of the advertising opportunity the broadcaster has lost. Beyond this, a channel can spend close to Rs 1 crore–5 crore if ‘across network’ promotion is involved, which would include outdoor and on-ground activation as well. This figure may rise up to Rs 10 crore if the channel’s home network isn’t strong enough.