Category: Digital Agencies

  • Kurkure Playz launches #HalkeMeinLo challenge

    Mumbai: Continuing its light-hearted demeanour, Kurkure, snack brand, has announced a quirky social media challenge – #CringeIsCute. The challenge is a part of the brand’s latest #HalkeMeinLo campaign that encourages the youth to take a lighter approach to life and is inspired by the soft texture of Kurkure’s newly launched sub-brand, Kurkure Playz. The challenge urges netizens to proudly post their not-so-perfect ‘cringe’ photo in the picture-perfect world of social media.

    As social media becomes a popular communication tool for today’s youth, sharing the best version of themselves becomes the unsaid rule. Whether it’s a vacation or their look for the day, everything is planned to look picture perfect, which at times, creates pressure to present themselves in a certain way. Kurkure Playz hopes to transform this attitude and encourage the youth to add a dose of light-hearted masti to their social media lives with the #HalkeMeinLo challenge.

    Kick-started by Bollywood actors, Arjun Kapoor and Mrunal Thakur, the celebrities engaged their audience with quirky reels that revealed their #CringeIsCute photos. In the Instagram reels, Arjun and Mrunal ask their followers whether they feel pressured to look ‘wow’ before they transition to their ‘cringe’ photo. Using the hashtags #HalkeMeinLo and #CringeIsCute, the celebrities opened the challenge for everyone and even encouraged popular TV actresses Niti Taylor, Anushka Sen and content creators Zaid Darbar, Faisal Sheikh to hop onto the challenge and inspire their friends and followers.

    Speaking on the challenge, Kurkure associate director and brand lead Neha Prasad said, “Kurkure Playz is a modern sub-brand that caters to the rise in demand for soft-textured snacks for the youth. The overwhelming response for our offerings has been an encouraging factor in amplifying our brand proposition of light-hearted masti through a youth-centric challenge. With celebrities and content creators sharing their #CringeIsCute photos, we hope that the youth is relooking at their portrayal on social media with a lighter, ‘Halke Mein Lo’ attitude.”

    To continue this light-hearted movement, Kurkure Playz will engage with local influencers to share their #CringeIsCute photos. The influencers will nudge their followers to take on the challenge and eliminate the pressure to look perfect on social media.

    Kurkure Playz comes in two international dairy flavoured offerings, Kurkure Playz Puffcorn and the all-new Kurkure Playz Pastax. Kurkure Playz Puffcorn has a distinct shape with a light texture and comes in cheese flavour whilst the all-new Kurkure Playz Pastax has a creamy, herb and onion flavour in a pasta-shaped bite.

  • Kinnect bags digital mandate for Blue Star

    Mumbai: Kinnect, India’s leading creative, data, and digital media powerhouse, has won the digital media mandate for Blue Star Ltd. Blue Star is India’s heating, ventilation, air conditioning and commercial refrigeration (HVAC&R) Company.

    The account was won following a multi-agency pitch and will be managed out of the Mumbai office.  As part of the mandate, Kinnect will handle the brand’s digital strategy globally, along with managing its social media presence in the country.

    Blue Star Ltd. managing director B Thiagarajan added, “We are pleased to partner with Kinnect, one of India’s leading digital marketing agencies, and thereby leverage Kinnect’s deep domain expertise to drive our digital campaigns.”

    Speaking on the new win, Kinnect CEO Rohan Mehta said, “We are so excited and honoured to be working with such a well-known company as Blue Star as they begin the next stage of their digital transformation. Their vision and expectations for digital are in perfect alignment with our strategy of using new-age mediums to have measurable business impact. We are looking forward to a long-standing partnership with this iconic brand.”

  • Ayatiworks bags digital and creative mandate for the Naga Foods

    Mumbai: The digital marketing mandate for Naga Foods has just been awarded to Ayatiworks, a renowned digital marketing firm based in Chennai. The agency will be managing their campaigns to drive more engagement, digital and creative solutions mandate for the brand.

    Naga Food has served as the corporation that represents Naga throughout its existence. Naga is today truly established as a farm to fork company with state-of-the-art production facility.

    Ayatiworks will seek to improve Naga Foods Group’s entire brand visibility on the internet and social media platforms. The agency will be in charge of developing original content as well as data-driven social media campaigns as part of its mandate. The agency has two advertising campaigns already planned for Holi & Ramadan. With increased exposure and the implementation of a solid brand strategy, the agency will ensure that the brand reaches market leadership. Monitoring customer interest and aiding the brand in starting a conversation across all accessible integrated marketing channels are duties assigned to the agency.

    AyatiWorks founder Upendran Nandakumar expressed, “We’re all prepared to implement 360 degree digital solutions to disrupt, and drive campaigns for the brand to help it fly to new heights. Through our all-encompassing strategy, we hope to help clients create more successful narratives and stronger connections with their audience. We are convinced that using best-in-class tactics, Naga Food will maintain its lead in a fiercely competitive sector. We would adopt the strategy of creating meaningful discussions for the brand and elevating their presence.”

    Naga Ltd. consumer division director marketing Monaa Kannan expressed excitement about the partnership, “We are pleased to have Ayatiworks on board as our digital partner. With the growing digital world, we plan to connect with each and every consumer through digital media to keep them updated with our regular innovative products.”

  • Digital saw 52 per cent rise in ad spends : TAM AdEx report

    Mumbai : TAM AdEx released a report on ‘ Advertising in digital in 2022’.

    Digital saw an exceptional 58 per cent rise in  2022 over  2021.  2022 saw 52 per cent growth in Digital Ad Insertions as compared to  2021.

    During the year 2022, the services sector had 45 per cent share of ad Insertions, followed by education with 12 per cent share.  

    Top two sectors together added more than 55 per cent share of ad insertions on digital.  Building, industrial & land materials was the new entrant in the top ten sectors in  2022 as compared to  2021.

    Ecom-online shopping ascended to first rank during  2022 as compared to  2021.  coaching/competitive exam centre and ecom-financial services were the new entrants in the Top ten categories in  2022.  Top ten categories added 45 per cent share of digital ad Insertions.

    Amazon Online India & Grammarly Inc retained their first and second positions respectively during  2022 as compared to  2021.  Samsung India electronics not only moved to 3 rd rank in  2022, but also was a new entrant in the Top 10 list of advertisers.

    Amazon.In ascended to first position during  2022, whilst grammarly keyboard descended to the second position. During  2022, there were a total more than 11000 brands present on Digital.

    Among the growing categories, cellular phones-smart phones saw the highest increase in Ad insertions with growth of 2.9 times followed by coaching/competitive exam centres with 2.1 times growth during 2022 compared to 2021.

    In terms of Ad insertion growth, ecom-Online Shopping category witnessed highest growth among the Top 10 i.e. 69 per cent.  Five of top ten growing categories belonged to ecom sector

    More than 62000 advertisers exclusively published during Y 2022 compared to Y 2021.  

    Excluding YouTube, Rediff.com is the leading publisher in terms of advertising during  2022.  NDTC News-India ascended to third position followed by Zeenews.india.com in 2022.

    Desktop display topped with 42 per cent of digital ad insertions during  2022 followed by mobile display in second position with 29 per cent share.  Ad network was the most popular method for promoting ads on digital platforms, accounting for 51 per cent of total ad Insertions, followed by programmatic method with 27 per cent share in 2022.

    HTML5 ads grabbed highest Insertions (43 per cent) on digital, followed by banner ads with 32 per cent share.  Video secured the third position with 25 per cent share in 2022.

  • Fruitbowl Digital onboarded as the branding partner for DNY Hospitality

    Mumbai: Branding design agency Fruitbowl Digital, has been onboarded as the branding partner for DNY, India’s hospitality business consultant. With a rich experience of 15 years, DNY has catered to 200+ entities in developing their restaurants, hotels, resorts, lounge bars, thematic cafes, etc.

    With this strategic partnership, the agency will establish the brand visual identity for cafe’s, dine-in restaurants, QSRs and cloud kitchens working with DNY Hospitality with a carefully considered branding exercise to develop their core identity supported by brand messaging that sets the path for future communication. From helping new players establish themselves through unique brand names and logos to further amplifying the brand’s visual appeal through detailed guidelines, menu design and even merchandising and packaging, Fruitbowl aims to bring it all to the table.

    Fruitbowl Digital co-founder Dedepeeya Reddy said, “They say you eat with your eyes and that has become even more true for our digital-first world. The hospitality industry relies strongly on visual storytelling not just with their food, beverage and service; but also their brand and its presentation. We are delighted to partner with DNY hospitality and look forward to creating captivating visual communication elements for the diverse category of players in the food and beverage industry in India”.

    “Importance of branding in the hospitality sector in India is taking giant strides. Aesthetic visuals play a major role in creating brand awareness and recall in customers. We are happy to associate with the dynamic and energetic team at Fruitbowl to make this a reality for a host of renowned hospitality players in the country”, said DNY Hospitality creative director & co-founder Nikita Dalwani.

  • Digital > Traditional media: Industry opines

    Digital > Traditional media: Industry opines

    Mumbai: The digital space is an ever-evolving one and has caught everyone’s attention like no other medium ever has. This form has come far ahead of its simple banner ad days and has transformed advertising into an exciting and innovative sphere. Indiantelevision.com spoke to industry mavens to see how the digital arena is taking shape, some of the memorable campaigns of the year that went by, what lies ahead for digital marketing in 2023 and more.

    Taking a closer look, GroupM India’s This Year Next Year (TYNY) 2023 report highlights a 15.5 per cent increase in ad spend in India, reaching Rs 1,46,450 crore in 2023, with which India ranks 8th globally on ad spends and continues to be the fastest-growing market in 2023. The report predicts Rs 20,000 crores of incremental ad spend in 2023 compared to 2022. Most importantly, 56 per cent of the ad spends are estimated to be digital in 2023.

    The domestic advertising industry is indicating an 18.1 per cent growth since 2021 with a market size of Rs 85,769 crore. The Dentsu India Digital Report 2023 reveals that the sector is expected to further grow at a compounded rate of 15.07 per cent to reach Rs 1.13 lakh crore by the end of 2024. It mentioned that a heavy skew was towards digital mediums with digital advertising having a market share of more than a third of the entire market size at Rs 29,784 crore, growing at a much faster rate at 39.5 per cent over 2021. It is anticipated to reach Rs 51,110 crore, with a compounded growth rate of 31 per cent, by 2024.

    While the ad spends on digital media is expected to overtake the ad spends share of television in 2023, currently, television remains the largest advertising spend medium, with a share of 40 per cent of the entire pie. As of now, digital media and print media have a share of 35 per cent and 21 per cent, respectively.

    Digital marketing devising a path for itself

    Discussing the kind of niche that digital marketing has carved for itself as an advertising medium in 2022, as compared to other media such as television to make it what it is today at the onset of 2023, Mirum India joint CEO Hareesh Tibrewala elucidates, “I think the big opportunity that digital creates is personalised marketing. Understanding the consumer, and being able to craft personalised communication that can be shown on social or digital channels – that’s the true power of digital. This ensures that the right consumer gets the right message on the right channel at the right time. This is something that TV or print cannot do. Also once the consumer has consumed a certain message, depending on the content that has been consumed, the rest of the communication journey can be planned.”

    FoxyMoron (Zoo Media) business head North Alin Choubey states, “Digital marketing has not only become an extremely popular and fast adapting medium but also something which is constantly evolving to solve marketeers’ problems.

    With its ability to target specific audiences smartly, and ability to track, analyse and optimise in real-time, businesses can reach their desired customers more effectively than through traditional methods such as television or print advertising. It allows businesses to make informed decisions about their marketing strategies and allocate their resources effectively.”

    He further points out, “It is not restricted to a niche anymore but a preferred choice of a majority of brands. With products and services to cater to every budget and deliver results, the time is now for digital to take the lead on every front of marketing.”

    SoCheers director – digital marketing Rajni Daswani understands that the increasing numbers of internet users and growing adoption of smart devices has further accelerated the growth of digital marketing. It has rightly established itself as a key medium for digital-first brands and consumer tech companies, among other market segments. However, television has maintained its appeal to advertisers who are promoting to a GenX or Boomer audience, while print gained back its momentum after the pandemic. But digitally, the growth has been the most prominent. Digital advertising, cumulatively, has been growing at a rate of 30% over the last five years and undoubtedly pandemic fuelled this further.”

    In early 2022, Group M’s This Year Next Year (TYNY) report brought out that digital advertising will grow by 33 per cent in 2022 and emerge as the largest medium with an estimated share of 45 per cent as compared to TV which was expected to grow by 15 per cent with an estimated share of 39 per cent.

    More specifically, during the first and second quarters of last year, digital ad insertions surged by 109 per cent as compared to the same period last year, according to a report by TAM Media Research. And, the festive season saw a renewed energy in both the advertisers and consumers, further accelerating the medium’s growth.

    Digital vs traditional media

    Grapes co-founder & CEO Shradha Agarwal says, “Looking at the ongoing trends digital advertising is only expected to grow in 2023. With the rate at which technology is shaping in the form of 5G, AI, ML etc. Digital advertising will continue to grow at a phenomenal rate and it is even estimated that it will take a major pie in the overall advertisement expenditure share. Considering that the advertising landscape is quite volatile, brands are on the lookout for cost-effective solutions. As digital advertisement comes with the advantage of economical execution, brands are very likely to increase their ad expenditure on the digital front.” 

    Digital continues to grow by leaps and bounds. “It is no longer a question of if the brand needs digital. As a matter of fact, what we hear nowadays from clients is that they are questioning the mainline spends,” Tibrewala of Mirum underlines.

    Daswani of SoCheers feels that we’re at an incredible stage, where every advertising medium is witnessing some kind of innovation and is evolving itself regularly. “This innovative growth, however, is the most rapid and most visible for the digital medium. Digital platforms are regularly introducing new and more technologically advanced features in their offerings like metaverse, integration of AI & AR, evolution of madtech, Meta’s step towards strengthening the creator economy on Facebook and more. This has allowed advertisers to reach their audiences in more effective ways. This value proposition is a ‘can’t miss opportunity’ for brands.”

    “However, we cannot deny the fact that digital is constantly evolving and what’s trending one minute might be irrelevant the next. But some trends found their rhythm in 2022, gave us insights about the consumers and the marketing landscape, and can be expected to grow in 2023. And, technology will be a clear leader,” she continues.

    “Constant and fast evolution will be a key factor in shaping the future of digital compared to traditional advertising mediums. While television and other advertising mediums are catching up and eventually digitising, digital marketing will lead the sphere. Real-time tracking, and analysing during a campaign is the single most important factor that most other mediums fail,” Choubey of FoxyMoron (Zoo Media) explains.

    He continues, “As more and more people spend time online and engage with digital content, it is likely that businesses will continue to invest in digital marketing to reach and engage with their customers. Television, OOH, print, etc still remain comparatively more expensive as well.”

    Blast from the past

    Giving us a major throwback on some of the effective digital campaigns of 2022, most seemed to reminisce about Shah Rukh Khan’s Cadbury Celebrations campaign as one of the memorable pieces of communication.

    “I think one of the most effective campaigns that I saw was the Shah Rukh Cadbury campaign earlier in the year. It leveraged technology to the hilt. Personalised videos of Shah Rukh, at scale, were created using AI. And thereafter leveraging data effectively, a relevant video was shown by geo-targeting the neighbourhood audience of the store that the ad was promoting,” Tibrewala says.

    Daswani says, “Dove’s ‘Reverse Selfie’ campaign has been going strong since 2021. And every day it becomes all the more relevant and hard-hitting. The campaign hashtags of the #TheSelfieTalk and #NoDigitalDistortion have been establishing clear CTAs for all the digital audience, especially young girls and their parents. It is truly a raw and practical extension of the larger brand message. Mondelez India’s Diwali ‘Celebrations’ ad featuring Shah Rukh Khan created a huge buzz. Swiggy’s ‘Why is this a Swiggy ad’, Tanishq’s ‘Marriage conversations 2.0’, HUL’s ‘Bin boy’ and Cred’s ads revisiting the glory of the golden 90’s era tickled the right chords.”

    Choubey absolutely loved FCB’s campaign for SOS Children’s Village with Chatpat. “The way it resulted in an increase in corporate donations, brand impressions, etc. was amazing. The biggest takeaway was the organic acceptance of the content and it was celebrated, shared and impacted people on social media.”

    Of NFTs, web3, blockchain, metaverse et al

    A lot has been spoken about NFTs, web3, blockchain, metaverse and one really wonders how would 2023 turn out to be a year of implementation of these digital marketing tools for brands in the best possible manner.

    Tibrewala brings out, “While we are seeing a lot of hype around NFT, web3, blockchain, etc, I still think we are a few years away from really being able to use these technologies for digital marketing. The use cases that we see right now, most of them are early experimentation. Having said that, there is no doubt in my mind that some of these technologies will play a pivotal role in ensuring consumer data privacy, better delivery, and the measurability of digital ads. Both these factors will contribute to the growth of the digital marketing industry.”

    Daswani quips, “We saw a glimpse of virtual or meta influencers in 2022, and what an intriguing glimpse that was! We even got India’s very first meta influencer in Kyra. 2023 is sure to further build on this fusion of technology into the realm of influencer marketing. Its effectiveness will however depend on the mass adoption of metaverse in general. There still are certain technological hindrances like the accessibility of the metaverse hardware, and they’ll in turn be crucial in deciphering the potential of meta influencers in 2023.”

    “NFTs were the buzzword in 2022, and brands as well as advertisers were able to leverage it in some unique and memorable campaigns. For instance, MakeMyTrip launched NFTs based on India’s best travel destinations, and Mahindra & Mahindra auctioned Thar themed NFTs. It’ll be interesting to see if NFT marketing will make an even stronger comeback in the new year, and if so, what new experimentation opportunities it’ll bring,” she adds.

    While 2022 might have ended with a lot of conversation and PR-related campaigns, Choubey is very optimistic about 2023. “Now this space will not be based on hype, and speculation but on merit and value. The current crypto winter might be more beneficial for Web3 than most people think. We’ll see a healthier ecosystem with builders creating even better infrastructure for us digital marketers to use. We will also be expecting more govt. Regulations coming in, positioning themselves as web3 friendly.

    The year 2023 will also mark the year where NFTs are less about digital art and collectibles and more about viable business use cases (or utility NFTs). For example, Starbucks’ rewards programme, Odyssey, is now backed by web3 tech and is such an NFT utility case. NFTs will also be changing Music and Concert experience. Creating communities backed by experience will make NFTs more viable than just being collectible.”

    He goes on to say, “For metaverse, we will be seeing a lot of decentralisation. Right from social media to decentralised identities. Privacy will become a very important player in empowering users. All this will give marketeers another chance to look at these technologies from a different perspective. They will not just be a PR stunt or another gimmick but a useful feature in 2023.”

    Agarwal observes that 2022 has seen a lot happening around NFTs and metaverse. “Brands have come up with some phenomenal work making use of the technologies. They have harnessed it substantially for exercising better engagement with the audience. Grapes has done some great work at the NFT front for DS Group and at the same time focuses on data-driven content to ensure media amplification. But the NFT and metaverse are still in their nascent stage and things will materialize eventually. Going ahead, a lot still remains to be explored in 2023. It is very likely that AI and ML will see a surge in demand with brands looking forward to automating their functioning.”

    Trends and innovations disrupting the digital marketing scene

    Shedding light on the trends that are making it big in digital marketing, Tibrewala says, “Influencer engagement seems like a big emerging trend. And when I say influencers, these are not celebrities but rather people who are category experts and have a large following. More and more brands are looking at influencer engagement programs and this trend will continue in 2023. Another trend that is emerging is using e-commerce marketplaces for bottom-of-the-funnel advertising.”

    Daswani strongly thinks that 2023 is going to be a year of ‘integration’. “Be it the integration of advanced technology into standard marketing practices, or the integration of multiple mediums to deliver a cohesive communication. Several of these lines have already started blurring in 2022, which has paved the way for true integration in the near future.

    For instance, we saw several unique executions of Digital Out-Of-Home (DOOH) campaigns in 2022, combining the flexibility and precision targeting of digital marketing with the traditional, ‘non-skippable’ reach of OOH marketing.”

    Another much-talked-about subject is that of social commerce. According to Daswani, social commerce is another example of how integrating multiple digital aspects is turning into large growth industries. With the ever-growing numbers of online shoppers, spurred considerably by the pandemic, and the inherent engagement on social media platforms, social commerce sits at the intersection of these two very lucrative factors.

    Social Media Trends 2023 Report by Talkwalker states that the social commerce industry is going to grow to become a $16-20 billion one by 2025, so this next year is going to be crucial in this growth journey.

    Apart from this, Daswani elucidates that influencer marketing and short-form video marketing were also the talking points. And, the beautiful integration of the two furthered digital advertising’s ecosystem at large and for them individually. This can be considered the foundation for the advancement of the creator economy. And, it would be quite interesting to integrate AI in order to reach consumers with specifically targeted offerings.

    Lastly, Daswani understands that the content was, is and will always be the king. Therefore, marketers and creators should not lose focus on effective and impactful storytelling while crafting their campaigns. Seamless integration of all of the above would play an important role in 2023.

    Choubey, too, recognises that we saw the peak of influencer marketing and short video format leading in 2022. Moment marketing was another front where brands made a lot of noise. However, year after year, quality content consistently gave results no matter what platform or medium it was.

    He continues, “In 2023, I see technology leading most of these trends. From AI to blockchain, we should be seeing a lot of integration of technology in our ways of running marketing campaigns. We are already seeing quite a few brands using AI and ML to fast track, run and fast track their existing campaigns right from creative adaptations to integration.”

    Looking at the trends, Agarwal highlighted that Instagram reels ruled the digital advertising segment in 2022. It emerged to be an effective medium for forming a better connection with the target audience. “Likewise, even in 2023, short-form videos will continue to dominate the digital marketing landscape whereas YouTube shorts are expected to be a dominating trend in 2023. There is a lot of scope for the platform to monetize in the upcoming year and brands will be quite enthusiastic to explore new avenues by resorting to YouTube shorts. In addition to this, the upcoming year will also see some phenomenal work happening around the curation of data-enabled content,” she wraps up.

  • fibi launches world’s first digital news platform for content creators in India

    Mumbai: fibi founding team consisting of Ankita Gaba (ex-cofounder Social Samosa), Pankaj Sharma (ex-Viacom 18, Mid-Day, J Walter Thompson) and Valentine Vaz (Ex HT Media, Dainik Bhaskar, Mid-Day, Qoruz) has revealed the release of the first-ever content and news platform solely dedicated to social media influencers and content creators.

    fibi, For Influencers By Influencers, has launched its portal www.fibiverse.com, the first of its kind in the world that will be the go-to destination for news, updates, and insights on the latest trends and developments in the world of social media influencers and content creators from a very fresh POV.

    The influencer marketing industry has witnessed remarkable growth, from a $1.7 billion industry in 2016 to a projected 15 billion in 2022. Influencer marketing has proven to be effective, with eight out of 10 consumers making a purchase after seeing a product recommended by an influencer. Unaudited statistics state that 61 per cent of consumers place their confidence in an influencer as opposed to only 38 per cent trusting branded social media content.

    fibi recognizes the growth of influencers and content creators in the digital landscape. It aims to provide a platform where influencers, fans and industry professionals can stay up to date with the latest news and developments in the field.

    The launch phase of the portal will feature exclusive interviews with not only the biggest names in the industry but also nano, micro and macro influencers, in-depth analysis of the latest trends and insights from across India and the globe. The portal will feature original content created by some of the most talented influencers and content creators, providing a unique perspective on the industry.

    CEO & editor in chief co-founder Pankaj Sharma shared, “We are excited to launch fibi, the world’s first content and news portal dedicated to social media influencers and content creators. We believe that the portal will provide a valuable resource for fans, industry professionals, and anyone interested in the world of social media influencers and content creators.”

    Gaba said, “fibi will be a natural extension to my work after having successfully run   SocialSamosa.com. Having been involved in social media for more than a decade, I realised there is no wholesome platform that brings the creator economy together. The ‘For Influencers, By Influencers’ ethos will materialise in bringing the community together in form of news articles, video interviews, expert stories, networking meets and much more.”

    Vaz shared, “There are many local Influencer marketing agencies and platforms which are decentralising the supply side and providing statistics on Influencer discovery. Brands are investing in the space and trying to source the best ROI driven influencers across languages, however there is no dedicated platform which brings the entire industry together where everyone can share, learn and grow. fibi identified this gap and opportunity.”

  • Django Digital bags media mandate for Zillionaire

    Mumbai: Django Digital added Zillionaire, a fashion jewellery brand, to its clientele. The agency will now manage the brand’s performance marketing and content creation mandate.

    The jewellery brand, supported by the king of bling – Anupam Mittal, targets millennials and gen-z customers along with having a strong client base consisting of rappers like Divine, MC Stan and celebrities like Ranveer Singh and Karan Johar.

    On collaborating with the agency, Zillionaire co-founder Aditya Fatehpuria stated, “We’re elated to associate with Django Digital for leading our media mandate, especially because of the synergy that we build together as one team trying to provide high-end fashion jewellery to its target consumers. An amalgamation of product expertise from us combined with the marketing expertise from the agency is surely going to bring something fruitful to the table.”

    Django’s expertise in serving young D2C brands will come to its apt use with this collaboration. Winning the mandate, Django partner & performance marketing lead Vivek Shah said, “It has been a delight partnering with the inspiring young duo who’ve created a high-end profitable fashion jewellery business applauded by the viewers pan-India on national television. We’ve thoughtfully devised a media plan helping the brand escalate from here onwards and are super stoked to join hands with them in this exciting journey.”

    Aditya Fatehpuria, and Raghav Goyal, the founders of Zillionaire, brought the brand to life in 2017 and walked away with an investment double their ask on Shark Tank India Season 2 by the Shadi.com founder Anupam Mittal.

  • Interactive Avenues bags a total of 31 awards across a wide range of categories

    Mumbai: Interactive Avenues, a reprise network company, and the digital arm of Mediabrands India, took home the coveted ‘Digital Agency of the Year’ (Gold) by winning 30+ awards at the Internet & Mobile Association of India’s (IAMAI) India Digital Awards 2023. The agency won a total of 13 Gold, 13 Silver, four Bronze and one winner accolades across 21 categories. Spotify India led Interactive Avenues’ medals tally with seven Gold and four Silver, while Amazon Prime Video and Amazon India stood second and third on the roster, respectively.

    IAMAI’s India Digital Awards celebrate organisations, teams and practitioners who have surpassed landmarks and delivered successful business outcomes using digital as a medium. The winners were announced to a full house on the second day of the India Digital Summit (21 February) in New Delhi.

    “Since inception, Interactive Avenues has modelled itself as a full-service digital agency. Winning IAMAI ‘Digital Agency of the Year’ is the biggest validation of our integrated suite of crafts that encompasses the entire digital ecosystem. We are thrilled to have received this recognition for the tenth time. It marks a decade of victory for us!” said Interactive Avenues CEO Amardeep Singh.

     

     

  • Blink Digital brings Blenders Pride Glassware Fashion Tour into the Metaverse

    Mumbai: Blink Digital, an independent digital agency, created the Blenders Pride Glassware Fashion Tour Park on Decentraland for the Blenders Pride Glassware Fashion Tour 2022, where users could experience fashion like never before. The Blenders Pride Glassware Fashion Tour reinvented its legacy with a more modern, inclusive, and innovative approach and blended fashion with technology, accounting for, on average, over 64 per cent of the traffic on Decentraland during the campaign period.

    For its 16th edition, Blenders Pride Glassware Fashion Tour partnered with Blink Digital to hop on the metaverse trend and obtain the first-mover advantage in comparison to other global players. Blink Digital created the entire Blenders Pride Glassware Fashion Tour Park experience, including the multi-platform strategy, Discord server, and influencer activities. The Fashion Tour Park comprised several zones – starting with the lounge area, which displayed information on Blenders Pride Glassware Fashion Tour Park and highlighted all its activities and events. This is where users could claim a free “Proof of Attendance NFT.” The Designer & Trial Zone, where users got a chance to try on and purchase one-of-a-kind wearable NFTs based on designs by designers like Shantanu and Nikhil, Amit Aggarwal, Falguni Shane Peacock, and Kunal Rawal; the purchase of these NFTs entitled the user to get that exclusive outfit in the real world, thereby allowing them to sync their digital and physical presences. In the Ramp area, users also had the opportunity to be a showstopper and walk the ramp, with the paparazzi snapping away. Users could also watch live streams of the on-ground events here while simultaneously interacting with other metaverse attendees. Last but not least, there were distinctive selfie spots at various locations in the Fashion Park for visitors to capture selfies and share them on social media, with floating selfie points hovering above the Fashion Park, providing unmissable views.

    The headline event of the Fashion Park was the metaverse fashion show. Showcasing the “This is not a T-shirt” project, the fashion show featured 60 real-world outfits created by India’s designers and labels and allowed users to experience fashion in the Metaverse like never before. The fashion show was the embodiment of the principles of the Blenders Pride Glassware Fashion Tour, with diversity and inclusivity at its core. The ramp models were created to represent various backgrounds, including LGBTQIA+, body positivity, and people of determination. The Fashion Park also offered fun activities such as the Metaverse Treasure Hunt, a metaverse-native event where the clues were strewn across the Fashion Park and users had to solve and collect them to be eligible to win amazing prizes like an iPhone 13, headphones and online shopping vouchers. All in all, the Fashion Park saw over 41,000 park interactions and over 800 unique participants in the Treasure Hunt.

    Another extension of the Fashion Tour Park was the “Step into the Metaverse” booth, which was available to visitors attending the on-ground shows. These visitors had the chance to try on and even purchase the Metaverse wearables that were available in the Designer & Trial Zone in real time using AR technology, thereby creating a seamless phygital experience.

    Speaking about the exciting new metaverse experience, Pernod Ricard India chief marketing officer Kartik Mohindra said, “The 16th edition of Blenders Pride Glassware Fashion Tour will set the foundation for a new era in fashion and lifestyle. The fashion world is ever-evolving, and the Fashion Tour has always led this wave of evolution in India. Taking the Fashion Tour to the metaverse is not just a first-of-its-kind initiative for the industry, but it’s our interpretation to make the tour more inclusive, accessible and futuristic, by allowing young audiences to experience Fashion Tour in an immersive way like they have never before. It is a part of our journey of celebrating the ‘Pride’ of today’s youth, with newfound vigor and vision.”

    Pernod Ricard India chief digital officer Pierre de Greef said, “Digital technology has really shaped how consumers engage with their passion be it sports, entertainment and fashion is no different. Taking Blenders Pride Glassware Fashion Tour to the Metaverse in collaboration with Blink Digital was not only about creating a virtual platform by stepping into the web3 world but also reshaping how our consumers are experiencing it. With our Metaverse partner’s support, we were able to create immersive, walkable arenas, exclusive NFT wearables for consumers to purchase, a treasure hunt to engage consumers and also launched India’s first Metaverse Fashion Tour.”

    Speaking at the association, Blink Digital founder and COO Rikki Agarwal said, “Blenders Pride Glassware Fashion Tour has taken a giant leap in blending fashion with technology to bring to users an immersive and far-reaching experience. This futuristic approach will not just draw fashion enthusiasts to the metaverse but also lure curious minds to get a first-hand experience. We are grateful to the Blenders Pride Fashion Tour for believing in our capabilities and giving us yet another chance to showcase our expertise. Our aim is to create a seamless yet memorable experience for our brands and, more importantly, their users, to stand out from the crowd.”

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