Category: AD Agencies

  • Lowe Lintas and Partners to host the 12th Portfolio Night in Mumbai

    Lowe Lintas and Partners to host the 12th Portfolio Night in Mumbai

    MUMBAI:  Think you can write a copy which will wow the creative heads of leading agencies? Then it is time to participate in the Portfolio Night. 

     

    In its constant endeavor to encourage and bring in raw, young creative talent to the shores of Indian advertising, Lowe Lintas and Partners will organise the twelfth edition of Portfolio Night in Mumbai. This is for the second time that the agency is hosting Portfolio Night in India.

     

    A global portfolio review and recruitment event is a platform for young creative aspirants to have their work sampled by at least top creative directors from the industry in one evening. In the process they not only get feedback and advice, but if they are good enough, they might land up a job as well. It is conducted on the same date in more than 20 cities all over the world every year.

     

    With this announcement, Lowe Lintas and Partners calls upon young creative professionals from advertising, digital and design agencies and senior students of art colleges from across the country to be a part of the world’s largest advertising portfolio review-cum-recruitment event.

     

    “Advertising has been the nesting place for too many media related professions. And we have lost people to these newer options. PN is also a great platform for young people to discover the joys of advertising. And since we have to cast this net wider PN should only get bigger!” said Lowe Lintas and Partners NCD Amer Jaleel.

     

    The agency’s NCD Arun Iyer added, “It’s a great opportunity for Lowe Lintas to give back to the community and the industry of advertising. We would want young creative guys to come in and get the chance to talk to some of the best known CDs in the country. Not only to get a sense of what the real world is all about, but also for the encouragement that they deserve and opportunities that advertising offers.”

     

    Founded by IHAVEANIDEA in 2003 and now presented by Art Directors Club, New York, the 2014 Portfolio Night 12 event will be held simultaneously in more than 20 participating cities worldwide. In addition to Lowe Lintas in Mumbai, confirmed Portfolio Night 12 cities and City Hosts include:

    · Athens, hosted by Bold Ogilvy & Mather

    · Austin, hosted by LatinWorks

    · Beijing, hosted by Ogilvy & Mather

    · Beirut, hosted by Havas Worldwide Middle East

    · Boston, hosted by SapientNitro

    · Budapest, hosted by Kirwoskiisobar & Umbrella

    · Cape Town, hosted by McCann

    · Chicago, hosted by Chicago Portfolio School

    · Detroit, hosted by Doner

    · Dubai, hosted by Havas Worldwide Middle East

    · Johannesburg, hosted by McCann Johannesburg

    ·  Kansas City, hosted by VML

    · Los Angeles, hosted by Team One

    · Montreal, hosted by Tank

    · New York, hosted by Huge

    · Paris, hosted by AACC

    · Shanghai, hosted by Ogilvy & Mather

    · Singapore, hosted by BatesCHI & Partners

    · Tel Aviv, hosted by Habetzefer Advertising School

    · Tokyo, hosted by Saatchi & Saatchi Fallon Tokyo

    · Toronto, hosted by The Hive

     

    Each City Host is responsible for bringing together the top creative directors in its city with up-and-coming advertising talent; which will provide junior talent with the opportunity to learn from the best, and to provide leading industry creative directors with a chance to mentor and give back to the advertising industry.

     

    With 25 top CDs from the industry slated to attend and review the work of young, enthusiastic and creative, this highly anticipated evening will unite advertising and design communities in every continent as the next generation of creative talent makes an exciting foray into the industry.

     

    The idea is to not just create a platform for young talent, but to also actively look for the unique, different and gifted. For the review process, aspirants will be divided into three batches and every aspirant will be given a chance to get his/her portfolio reviewed by three creative directors. Each creative director will meet three candidates individually for 15 minutes and review their work, ideas and offer them feedback.

     

    The best portfolio out of the lot will be identified as ALL STAR and will be flown to New York to take part in a week long creative challenge on a specific brief.

     

    Portfolio Night 12 is made possible by the support of global sponsors – Shutterstock, Twitter and SqaureSpace.

    Tickets for Portfolio Night are on sale since 16 April. More details are available on http://www.portfolionight.com/12/mumbai/

  • Mirchi Kaan Awards 2014 names Scarecrow as Agency of the Year

    Mirchi Kaan Awards 2014 names Scarecrow as Agency of the Year

    MUMBAI: The 11th edition of Mirchi Kaan Awards saw some of the big names of the ad and corporate world such Josy Paul, Pops, Sajan Raj Kurup, Rekha Nigam, Sunil Lulla, Sanjay Tripathi, Gaurav Seth and Sripad Nadkarni present at the awards as the winners were felicitated in front of a packed audience.

     

    Scarecrow Communications emerged as the ‘Agency of the Year’, with a total of 6 awards, including 5 Gold and 1 Bronze. JWT Mumbai bagged 2 gold, 2 silver and 3 bronze awards. Linen- A Lintas Group Company, walked away with a total of 11 awards, including 4 silver and 7 bronze.

     

    Last year’s agency of the year, Ogilvy & Mather, bagged 2 silver and 1 bronze award. Scarecrow Communications also won the ‘Crystal Award’ and ‘Best Radio Creative of the Year – Client’s Choice’ for the Nitco Tiles radio spot captioned ‘Pinkesh’. Kapil Tammal, Manish Bhatt, Raghu Bhat and Sarvesh Raikar walked away with the ‘Radio Writer of the Year’ award.

     

    NITCO was honored with the title of ‘Client of the Year’. Sounds Good Production won ‘Excellence in Production’ while Madison Media Pinnacle won the ‘Best use of Radio as a Medium’ for Cadbury Celebrations – Songs for Sisters campaign. At a regional level, Radio Mango won 2 bronze awards.

     

    The Mirchi Kaan Awards was introduced in 2004 to celebrate creativity in the challenging field of radio advertising. The 11th edition of the awards, centered on the theme of ‘Mute the Clichés’, attracted over 250 entries from 36 agencies across 20 categories.

     

    Commenting on the success of the event, GG Jayanta, National Marketing Head, ENIL (Radio Mirchi), said, “We are extremely delighted to see the turnout of our initiative in acknowledging the potential of radio. The surge in participation is a testament to the acceptance of radio as an important medium in creative communication. This year we have opened the way for regional entries too. We hope to continue our efforts in awarding and showcasing some of the most innovative advertising campaigns on radio. We congratulate all the winners and take this occasion to thank the jury.”

     

    This year’s jury included eminent creative personalities such as Josy Paul, Prathap Suthan, Agnello Dias, Anurag Agnihotri, Priti Nair, Amit Akali, Manohar Nayak, Tista Sen, Rekha Nigam , Prateek Bharadwaj & Tapas Sen.

     

  • Percept restructures the Advertising business – MASH Advertising merges with IBD India

    Percept restructures the Advertising business – MASH Advertising merges with IBD India

    MUMBAI: Forget love, mergers are in the air these days.  The latest being MASH Advertising with IBD India.

     

    Percept has restructured its advertising business to merge the two entities with effect from 1 April. The restructure will enable Percept to offer better synergies, streamline operations and efficiencies between the two agencies, and provide a greater array of services and solutions to stakeholders.

     

    Rahul Gupta has been elevated to managing director of the merged business wef 1 April. Gupta had set up ByDesign in 1994 to offer strategic brand services based on superior creativity, and in 2007 ByDesign entered into a JV with Percept–Hakuhodo to form IBD India.

     

    Today IBD India offers a complete 360 degree approach in providing brand and marketing solutions to clients. Over the years Rahul has brought invaluable expertise to the many dynamic brands handled by IBD India including SSK Group, Panasonic, PNB Housing, Tupperware, Taj Group of Hotels, K Raheja Corp and Tilaknagar.

     

    Going forward, Gupta’s in-depth knowledge of brands and the dynamics within which they operate will enable him to continue to offer unique and innovative integrated brand development solutions and creative strategies for the many successful brands handled by MASH Advertising and IBD India.

     

    Amitabha Lahiri has been elevated to chief executive officer of the merged business. Lahiri has been associated with the Percept group in different leadership roles for over seven years. He joined as senior vice president, Hakuhodo Percept India and was later elevated to the position of COO during which Hakuhdo Percept witnessed a series of prestigious business wins including Wagon R, Grand Vitara & A-star from Maruri Suzuki, Carrier, Toshiba, Daikin, Unicharm, Sukam and Hindware.

     

    In 2011 Lahiri became CEO of the newly incepted MASH India – a subsidiary of Percept/H, and within a span of two years attained a diversity of prominent businesses including Carrier, Toshiba, Haier, Philips, Kyocera Mita, DLF and Parsvnath. His proficiency on a wide array of businesses will enable to take the newly merged entity to the next level of success.

  • IAA Conversations on role of polls and media in influencing voters

    IAA Conversations on role of polls and media in influencing voters

    MUMBAI: Election wave is on and is not sparing anyone. In the same context, International Advertising Association (IAA) in its next IAA Conversations will see political party representatives Ram Naik (BJP), Prem Shukla (Shiv Sena), Sanjay Jha (Congress) and political analyst Kumar Ketkar debating.

     

    The panel discussion moderated by Anand Rathi will deliberate on ‘Do Opinion Polls and Media Reports Influence Voters?’ between 4pm and 6pm on 10 April at the Nehru Centre, Mumbai.

     

    IAA India Chapter president & development Asia Pacific region of IAA vice president Srinivasan Swamy said, “Our objective at the IAA India Chapter is to bring about discussions on key issues concerning advertising, media and allied sectors. This edition of IAA Conversations is an attempt to deliberate on an issue that has generated much discussion in the run-up to the general elections.”

     

    Zee Media group CEO and chair of the event Dr Bhaskar Das said, “The role of the media in influencing public opinion cannot be denied and hence this discussion with key stakeholders will bring to the fore issues and concerns on how opinion polls and media reports can influence the masses at election time.”

     

    “Many senior members of the advertising, marketing and media fraternity are invited to be present at the engaging event,’ added Swamy.

  • Dentsu bags creative duties of TVS Housing

    Dentsu bags creative duties of TVS Housing

    MUMBAI: Dentsu Communications has bagged the creative duties of Emerald Haven Realty (EHRL), housing business of the TVS group.

     

     “We’re delighted with this opportunity to work with TVS Housing. This win not only strengthens our relationship with the TVS Group, but also our Southern network. We look forward to creating some distinctive and memorable communication on the brand,” said Dentsu APAC South CEO and Dentsu India executive chairman Rohit Ohri.

     

    After bagging the creative duties from the automobiles to realty major, Dentsu Communications CEO Simi Sabhaney said, “We will strive to provide impactful communication solutions in this category, which is otherwise so undifferentiated and cluttered.”

     

    Dentsu Communications VP Samrat Chengapa said, “Emerald Haven Realty, rooted in the values of the TVS group, is committed to creating homes that will bring joy to their consumers. It gives Dentsu great pride to be partnering them in this journey. We look forward to creating some impactful work for them in the near future.”

     

    “We are happy to have Dentsu partnering us in creating value to our customers through their processes of deep customer understanding, well established creative development and global expertise,” said EHRL CEO and president R Chandramouli.

  • JWT acquires majority stake in Social Wavelength

    JWT acquires majority stake in Social Wavelength

    MUMBAI: WPP Group’s JWT has acquired a majority stake in Social Wavelength.

     

    JWT’s acquisition of Social Wavelength is a logical confluence of social media and mainline expertise, coming together to create integrated communication for brands. The rich experience of five years that we have, in this young industry of Social and Digital Media, will find the next leap of growth, through this partnership. A socially connected world is going to create new challenges and opportunities for brands, and we will create solutions to help brands navigate those challenges,” said Social Wavelength joint CEOs Haresh Tibrewala and Sanjay Mehta.  

     

    The social media agency was founded in 2009, and headquartered in Mumbai, with offices in Delhi and Chennai. The agency now has over 170 professionals who offer social media communication services, social media listening services using Radian6,  influencer outreach program, application development, video and rich media content creation and media buying to over 50 leading brands.

     

    The acquisition marks a further step in WPP’s strategy of developing its networks in fast-growth markets and sectors. In India, WPP companies (including associates) generate revenues of nearly $500 million and employ almost 13,000 people.

     

    “We want to be a critical resource partner across the many solutions we provide to our clients. As we continue to relentlessly transform our offerings, Social Wavelength adds a huge dimension to our existing clients and the brands we steward. Across the marcom value chain and across various digital touch points the skills and capabilities of Social Wavelength will be that edge,” said JWT South Asia CEO Colvyn Harris.

     

    Social Wavelength’s revenues for the year ended 31 March 2013 were Rs 9.15 crore, with gross assets at the same date of Rs 5.92 crore. Social Wavelength marks WPP’s fifth acquisition in India in the last four years.

     

    JWT Asia Pacific has invested heavily in expanding its digital footprint over the last two years.  In addition to the acquisition of Hungama, in India, JWT acquired Post Visual in South Korea in 2013, and took a stake in Converge, in Pakistan, in 2012.  XM Asia, a digital agency owned by JWT, also acquired Designercity, in Hong Kong, and Thomas Idea, in Thailand, in 2013, and XM Gravity in 2012.

  • D&AD to offer free membership to connect global creative community

    D&AD to offer free membership to connect global creative community

    MUMBAI: Honouring its commitment to support the global creative industries, D&AD has announced it will be introducing free Membership for the first time in its history.

    As part of a revamped Membership structure, at the heart of the free proposition is a new interactive D&AD archive, enabling anyone in the wider creative community, and beyond, to view the best work from the full 52 years of D&AD.

    Beginning with the sixteen Yellow Pencils bestowed at the inaugural D&AD Professional Awards in 1963,  every awarded ad, design, campaign, product, agency and creative will be made available to browse through and search for free, including all New Blood Award winners. At launch, users will be able to search back as far as 1990,  with the full archive available online for August 2014.

    But more than just a source of inspiration, the new D&AD Membership will look to foster a vibrant online community, founded upon the spirit of the ‘I Wish I’d Done That’ ethos introduced earlier this year.

    Through the new digital platform, members will be able to explore and interact with fellow creatives by highlighting work they particularly admire. Each user’s profile will be populated with related awarded work, credits and portfolios, allowing creatives of all ages and experience to connect by sharing their appreciation for each other’s craft.

    Tim Lindsay, Chief Executive at D&AD, explains the move: “A look at D&AD’s history tells a wonderful story. In 1962,  the organisation was the formed by a special group of designers and art directors, who came together to celebrate the best in commercial creativity, and that’s the spirit we continue today.

    “But we’ve evolved a lot since then too. Our remit spans all corners of the world and we strongly believe in the role we have to play in bringing that community together, nurturing and supporting the next generation of design and advertising talent.

    “That’s why we felt it so important to make this decision – to be more visible, guiding and inspiring, whilst creating greater opportunities for connection, collaboration and mentorship. The new digital archive is a wonderful illustration  of the rich history of the industry and a fantastic resource; one that we believe should be accessible to all, regardless of who you are, or where in your career you may be.”

    The new Membership structure consists of three tiers; Free, Full and Awarded:

    • Free Membership gives Members complete access to the D&AD digital platform, including the Awards archive and the opportunity to take part in the new online community.  It also allows individuals to engage through more traditional features, including entering Awards, downloading briefs and signing up to events.

    • Full Membership gives Members additional benefits such as a free copy of the D&AD Annual, a D&AD notebook, personalised Membership card, free tickets to any of the monthly President’s Lectures, exclusive invitations to VIP events, discounts on Training courses, the ability to vote in the annual election of Board Trustees and discounts on selected brands.

    • Awarded Membership has all the benefits of a full Membership plus the following: A free entry to a new Professional Awards category, a free session to a new Training course, a free Training course to “gift” to a New Blood Member, the option to stand for election in the Board of Trustees elections and a black personalised Membership card. All In-Book, nominated and Yellow Pencil winners will be entitled to a free year of Awarded Membership.

    Both the Full and Awarded tiers will be priced at ?12 per month. Winners of the Black Pencil, White Pencil and Presidents Award will be given Awarded Membership for life. In addition, D&AD will continue to offer special New Blood Memberships tailored for students, tutors and universities, as part of the New Blood programme.

    The new Membership structure will come into effect in conjunction with the launch of the new D&AD digital platform, which can be visited at http://www.dandad.org.

     

  • I will return after ‘Bhootnath Returns’: Nitesh Tiwari

    I will return after ‘Bhootnath Returns’: Nitesh Tiwari

    MUMBAI: After his first directorial debut, Chillar Party, Leo Burnett’s chief creative officer (CCO) Nitesh Tiwari’s second film Bhootnath Returns, starring Amitabh Bachchan, will hit the screens in April, this year.

     

    And it is after this that the man will return to the creative agency.

     

    “I was supposed to join back in February and because of the film it got a little delayed,” says Tiwari rubbishing the various speculations about him not coming back to Leo Burnett.

     

    “I will be back in April once the film releases,” says Tiwari.

     

    Another rumour doing the rounds in the industry is that of Leo Burnett’s chief creative officer India subcontinent KV Sridhar (Pops) leaving the agency.  

     

    “I’m not going anywhere. It is all rubbish,” says Pops to indiantelevision.com. “If I stand for elections for Aam Aadmi Party, I will let people know,” he adds in humour.

     

    In 2012, both Pops and Tiwari were handed over the additional roles of looking at the subcontinent and pan-India, respectively, with an aim to better and grow the agency.

     

  • Why bigger agencies net smaller fish?

    Why bigger agencies net smaller fish?

    MUMBAI: Passion drives creative minds to set up independent agencies. In a majority of cases however, after the initial burst, resources become a constraint and growth avenues out of reach.

     

    While being able to do what you want, pitch to the client of your choice or leverage the tools of your choice continue to be the perks of going solo, at some point, the smaller independent agency is forced to reflect on how long it can continue to stand alone successfully.

     

    This is probably when selling out to a larger entity seems like the best option. In the past couple of years, there have been several instances of big networks snapping up smaller, independent agencies; the most recent being DDB Mudra’s acquisition of Bangalore-based 22feet. Indiantelevision.com spoke to a cross-section of the advertising industry in a bid to understand what really drives network agencies to invest in independents or conversely, independents to sell out or as in some cases, hold on to their freedom.

     

    Vineet Gupta of 22feet, who will soon take charge as MD of the new entity, 22feet Tribal Worldwide, says mergers and acquisitions (M&A) aren’t necessarily about losing independence. “We have always wanted to outperform and be ahead in the market. And in Tribal, we found a partner which had the same vision like us and hence, we went ahead by joining hands,” he explains.

     

    Praveen Kenneth of Law & Kenneth – at the time Law & Kenneth was integrated with Saatchi & Saatchi – had famously said that Law & Kenneth was born out of passion and had always focussed on adding value to client brands and to the lives of the people it touched every day. The story of Law & Kenneth was an example of the Saatchi & Saatchi spirit of ‘Nothing is Impossible’, and the combination of Law & Kenneth’s stability, proven success and experience in India’s dynamic market place and Saatchi & Saatchi’s iconic status and mystique had resulted in a creative powerhouse called L&K Saatchi & Saatchi.

     

    WebChutney, a digital agency founded in 1999, became part of Dentsu India Group when the network agency acquired 80 per cent stake in it in 2013. How has it benefitted the independent agency? Says, the agency’s co-founder Sidharth Rao, “Our unique chutney culture is the same but yes, being part of a global network has helped in terms of new alliances & smarter processes. One of the best parts is that we have access to global learnings which we think will be a big advantage going forward in our journey.”

     

    For Naresh Gupta, CSO and managing partner of Bang in the Middle, the iYogi in-house creative agency that went independent in 2012, the best marriage is when creative and cultural freedom isn’t taken away and bigger agencies only provide support through finance and sources to scale up. “There has to be a cultural match before any formal arrangement is made because a group which has invested too much money in acquiring one doesn’t want it to fall. It will only want it to grow as it wants back the money it had invested in it,” says he.

     

    Publicis’ South Asia CEO Nakul Chopra believes that while cultural and operational differences between the two agencies would never cease to exist, it depends on how well they make the marriage work. “If the home-work has been done well before the acquisition is made and the two are culturally close at the core, there are not many difficulties between them. We at Publicis have a well-oiled and tested process that allows us to achieve that goal,” he says, adding that the acquisition is also about ‘strategic fit’. “Ideally and normally, we would want to acquire an agency when it fulfils multiples of strategic goals. In parallel, we also look closely at the culture of that agency and how well it fits into the culture of our network. Only after this, do we decide on acquiring any agency.” Chopra insists that acquisitions are not like buying a shirt and either the agency is in talks with someone or someone approaches the agency. What matters is how transparent and deeply connected the two agencies feel before shaking hands.

     

    Dentsu India group executive chairman Rohit Ohri echoes similar sentiments. “Network agencies are always on the lookout for a holistic view. There are some or the other gaps which need to be filled-up so network agencies look for agencies which can do so. The fundamental law of any acquisition is that the two parties work closely in the pre-acquisition period to get to know each other’s culture and get a sense of partnership. There has to be a chemistry match otherwise it can lead to a fallout past acquisition or the smaller agency can collapse. There has to be a meeting of minds,” he explains.

     

    On the bigger agency trying to impose its culture on the smaller one, he gives the example of Dentsu’s Taproot acquisition close to two years ago. “The merger has worked well for both of us. Dentsu has been able to work on major accounts (Congress being the latest client) that were won after the merger. Taproot has been a leading light in the creative field and has a strong reputation. So we follow what they set out to achieve. It is the other way round for us. We at Dentsu are trying to assimilate that,” he says.

     

    And not all mergers end on a good note. Remember what happened to Enterprise Nexus? The agency was created in 1996 when Enterprise (born out of the partnership between Mohammad Khan and Rajiv Agarwal in 1983) and Nexus (founded two years later when Agarwal left the agency to launch his own along with Arun Kale) joined hands.

     

    However, what started off great, fizzed out soon when Agarwal and Kale, gave up their shares to Khan, making him the majority shareholder in Enterprise Nexus. The agency was later acquired by WPP and merged with Bates India.

    With a few mergers ending on a bitter note, it hasn’t stopped the majority of firms from acquiring others or launching new ones. So does the buck stop at M&A?

     

    According to Anil Kakar, founder of Gasoline, a lean agency structure based on a collaborative model where both like-minded creative talent and projects have been cherry-picked to ensure faster and more cost-effective solutions, “A lean agency structure ensures a greater investment of time and thought into a campaign, a greater control over the creative output, customised solutions, faster turnaround times and access to some of the best brains in the business.”

     

    “Obviously it helps in terms of getting access to a larger client base as well as in leveraging the media strengths of the network. The network consists of a unique bunch of agencies each with their own particular strength which is very useful when pitching to global brands,” adds Rao.

     

    Gupta offers a different perspective altogether. “Acquisitions work both way; most independent agencies don’t want to remain small and want to add muscle and that can be only added either by becoming a network agency or becoming a part of a network agency. Also, it is very difficult for an independent Indian guy to go international and become a network,” he says. 

     

    However, agencies that are “okay with what they have” may choose to remain independent. Otherwise, the question “Can I make the business grow?” is bound to crop up from time to time. “Our country is a very competitive one and it is a price-sensitive market. Clients don’t pay agencies for the amount of work they do for them,” he adds.

     

    In sum, you need to tread on M&A with caution: while it is necessary for further consolidation and growth, it can’t be achieved at the altar of the agencies’ DNA.

  • With 52 TVCs, DDB Mudra launches Big Bazaar’s biggest campaign

    With 52 TVCs, DDB Mudra launches Big Bazaar’s biggest campaign

    MUMBAI: Multiple creatives for a certain marketing initiative is nothing new today. Marketers come up with variants of advertising campaign to keep the target audience engaged, but the country’s largest hypermarket chain, Big Bazaar has launched its latest marketing campaign which will leave all others plain faced.

     

    Unlike the norm of doing a TVC which tries to establish the brand positioning and message thought through a single or a series of TVCs, the campaign from Big Bazaar will see 52 different TVCs which will go on to take one product every week from the hypermarket chain.

     

    DDB Mudra Group CEO and managing director Madhukar Kamath said, “It is an unique, never done before and a brave campaign which can only come from a leader like Big Bazaar. The brand has been at the forefront of innovation and leading change. This campaign redefines the step-change that Big Bazaar is making in its relationship with its current and prospective shoppers. It will further establish Big Bazaar as a company that sells products which enables and inspires every Indian to make their world look beautiful on the outside, as well as on the inside.”

     

    Each TVC is a light-hearted commentary on the changes that are happening in Indian society, and make for interesting stories of the role that products play in making people’s life more beautiful and enriching. These short stories also trigger positive social change like men lending a helping hand to household work, health consciousness, people becoming more stylish, society becoming more secular etc. This campaign strengthens the connection of Big Bazaar with its current customers, while appealing to new younger Indian consumers at the same time.

     

    DDB Mudra Group chairman & CCO Sonal Dabral said, “If it’s not engaging and insightful it’s not creative. That’s what we told ourselves when it came to the creative execution of these films. We looked at deep insights around each of the 52 products to come up with stories for each one of them. Our objective was to showcase the brand and its usage and yet convey the small change that the product has brought into the lives of new Indians through nuanced and closely observed insights. In terms of tonality, we have kept it real because that’s the voice of Big Bazaar.  These are not ad films they are closely observed 52 sparkling stories of the small changes Big Bazaar and its products are bringing to everyday India.”

     

    The campaign will be backed by OOH, radio and in-store visual merchandising.