Category: AD Agencies

  • Publicis opens AI-powered content studio in India

    Publicis opens AI-powered content studio in India

    MMUMBAI:  The age of one-size-fits-all advertising is over. Brands now need content that speaks to specific audiences, on specific platforms, at specific moments—and they need it fast.

    Publicis Groupe India has launched a content studio designed to meet precisely that demand, combining artificial intelligence with traditional creative talent to produce personalised, localised marketing material at speed.

    The facility, the group’s fifty second globally, integrates AI-powered tools with editing suites and CGI workstations to help brands respond quickly to cultural moments and platform changes. Unlike standard production houses, the studio focuses on creating what the company calls “intelligent content”—assets tailored to specific audiences, platforms and contexts rather than generic material produced at volume.

    “Marketers today aren’t short on data or ideas. What they need is the ability to turn those insights into powerful, relevant content—faster than ever before,” said  Publicis Groupe south Asia chief executive Anupriya Acharya. “This studio does exactly that.”

    The Mumbai operation joins Publicis Production’s network of studios in creative hubs including New York, London, Paris and Shanghai. It is equipped to handle both high-end production and agile content creation, offering post-production services to complement prodigious India’s existing capabilities.

    The studio integrates with Publicis’s international production ecosystem through LucidLink and data asset management systems, enabling real-time collaboration across markets. It has already produced content for brands across beauty, automotive, fast-moving consumer goods and technology sectors, creating thousands of assets for markets from southeast Asia to Australia and America.

    “Production is no longer the final step; it’s the creative engine that connects strategy, media, technology and commerce,” said Publicis Production managing partner C. “Today, it’s not just about producing more content, it’s about producing intelligent content, made for the right audience, tailored to the right platform, and delivered at the perfect moment.”

    Publicis Groupe South Asia  chief creative officer Rajdeepak Das  said the studio brings “creative, production and technology under one roof,” enabling the company to match the pace of cultural change.

     

  • Adman Chetan Shetty hops over to Publicis Groupe as managing director

    Adman Chetan Shetty hops over to Publicis Groupe as managing director

    JAKARTA: Chetan Shetty, a seasoned advertising executive, has switched allegiances from McCann Worldgroup to Publicis Groupe, taking up the role of managing director at the French advertising conglomerate’s Jakarta office in September.

    The move marks the end of Shetty’s five-and-a-half-year stint at McCann Worldgroup, where he served as managing director since March 2020. During the same period, he also held the managing director position at FCB Global, suggesting he juggled dual roles across the Interpublic group agencies.

    Before his McCann days, Shetty spent nearly two years as partner for content at WPP’s Wavemaker, following a substantial five-and-a-half-year tenure at FCB Global where he climbed from group account director to head of digital.

    His career portfolio reads like a who’s who of multinational brands. At FCB Global, Shetty orchestrated campaigns for Beiersdorf’s Nivea and Mondelez’s Oreo across southeast Asia, whilst winning new business from Unilever (Pepsodent, Zwitsal), Fonterra (Anlene, Anmum), and Standard Chartered Bank. His digital-led integrated campaigns earned him the Citra Pariwara Indonesia award for best digital campaign.

    Earlier in his career, Shetty cut his teeth at MEC (now part of GroupM) during the inaugural seasons of the Indian Premier League, managing Citibank’s sponsorship for the tournament’s first five editions. He also crafted partnerships for Mercedes-Benz, HDFC, and Colgate across television and digital platforms.

    The appointment signals Publicis Groupe’s continued push to strengthen its southeast Asian operations with experienced local talent who understand both global brand strategies and regional market dynamics.

  • Maddys 2025 celebrates creativity with record entries and global reach

    Maddys 2025 celebrates creativity with record entries and global reach

    MUMBAI: The Advertising Club Madras proudly announced the successful completion of the 43rd edition of Maddys, presented by Dinamalar and powered by Peps, marking a grand celebration of creativity, media, digital, design and strategy under the theme “AI vs AI: Awesome Ideas vs Awesome Ideas.”

    The gala evening brought together the best of India’s creative, digital, and media industries and witnessed one of the most competitive editions in the award’s storied history, with 929 entries across 155 categories from over 106 agencies and clients spanning India and Nepal.

    Advertising Club Madras, secretary, Surej Salim said, “Maddys 2025 was an incredible celebration of ideas that inspire culture and transform businesses. Congratulations to all the winners whose creativity continues to be the heartbeat of our industry.”

    Demonstrating its credibility and fairness, Maddys 2025 employed a two-stage judging process, with each entry independently scored by at least three jurors in the first round and then deliberated upon in the second round by panels chaired by respected leaders, under the guidance of eight jury chairs, 27 industry experts, and jury convenor and process auditor Gokul Krishnamoorthy.

    This rigorous system resulted in 340 shortlisted entries and ultimately 184 awards, including four Grand Prix, 31 gold, 61 silver, 76 bronze, and 12 special recognitions across creative, media, digital, design, print, film, and audio categories, making this year’s edition a milestone in scale and competitiveness.

    With its legacy of 68 years and an active calendar of more than 50 programmes in just the past two years ranging from adtalks to student initiatives, the Advertising Club Madras reaffirmed its role as a driving force in the creative ecosystem, and through Maddys 2025, proved once again that this is where legends begin.  
     

  • Adman Diwan Arun Nanda gave India a marketing conscience

    Adman Diwan Arun Nanda gave India a marketing conscience

    MUMBAI: Diwan Arun Nanda who passed away this week was one of the founding fathers of independent Indian advertising and co-founder of the agency Rdiffusion.  Over half a century, Nanda transformed the way Indians understood brands, and equally, how brands understood Indians. His legacy lies not just in memorable campaigns but in the rare conviction that advertising should win trust, not merely attention.

    Born in Mumbai in 1948, Nanda belonged to the pioneering first batch of the Indian Institute of Management, Ahmedabad, where he graduated with a gold medal for academic excellence. He joined Hindustan Lever as part of its celebrated management trainee programme, a finishing school for the country’s future business leaders.

    At Lever, Nanda’s intuitive grasp of consumer recall and semiotics surfaced quickly. He was instrumental in introducing Rin’s lightning-bolt symbol, a clean graphic that turned detergent into iconography. Household recognition was instantaneous, and so was the reputation of a young executive whose instincts straddled both commerce and creativity.

    In 1973, tired of working within large corporate structures and spotting an opening in India’s communication landscape, Nanda teamed up with Ajit Balakrishnan and Mohammed Khan to found Rediffusion. Their move came at a time when multinational agencies dominated the client rosters. A truly Indian firm challenging the giants was seen as audacious.

    The gamble paid off spectacularly. Their win of the Eveready batteries account, with the deceptively simple line “The chosen one. For your transistor,” established Rediffusion as a creative force that could shape consumer culture. For the first time, Indian advertising talent was asserting that local creativity did not have to play second fiddle to imported gloss.

    Over the next decades, Nanda marshalled Rediffusion into one of the country’s great agencies, winning clients across telecom, consumer goods, airlines and banking. Its campaigns became pop-culture staples. Rediffusion was cheeky, self-assured and intensely Indian—and at its helm was a leader who prized rigour as much as wit.
    If Nanda delighted in bold slogans, he was equally defined by what he refused to sell. When a magazine failed to live up to readership claims touted in Rediffusion’s ads, Nanda chose to resign the account, believing his agency had, however inadvertently, misled consumers. Few contemporaries would have walked away. He did so without fanfare, only with the conviction that trust was more valuable in the long run than billings.

    This rare streak of principle separated him from peers in an industry where sleight of hand often outpaces substance. To Nanda, advertising was about persuasion, not deception; about clarity, not cleverness for its own sake.

    Nanda’s influence stretched beyond the confines of the ad world. In the 1980s he advised prime minister Rajiv Gandhi on communications, contributing to the narrative of a youthful, reform-minded leadership. He struck a joint venture with global player Young & Rubicam, strengthening Rediffusion’s international profile without sacrificing its independence.

    Corporate India also sought his judgement. He served as a director on the boards of Air India, Eveready, Kingfisher Airlines and Yes Bank, his counsel valued for its mix of marketing acumen, strategic vision and clean governance.

    Colleagues fondly recall Nanda’s insistence on discipline and clarity. He was a mentor who disdained jargon and demanded that ideas shine through in the simplest possible way. In an age when advertising was becoming increasingly performative, he grounded his protégés in first principles: honesty, insight, storytelling.

    He often reflected with pride on Rediffusion’s long journey, which he described as “a dream run”. It was one of the few Indian-founded agencies to achieve scale, reputation and global stature without being absorbed by a multinational. That sense of independence mirrored Nanda’s own personality—ambitious, exacting, yet unfailingly proud of domestic creativity.

    With his passing, Indian advertising loses not only a giant but also a moral compass. Nanda represented a generation that carved out space for Indian talent at a time of foreign dominance, that proved ideas from Mumbai could rival Madison Avenue, and that insisted commercial success meant little if not grounded in integrity.

    Today’s industry, beset by algorithms, influencer culture and data-driven messaging, may seem far from the world of transistors and detergents in which Nanda first honed his craft. But the central lessons he preached—that a brand must earn trust, that persuasion must be rooted in truth—remain as urgent as ever.

    Diwan Arun Nanda’s journey—from a meticulous trainee at Hindustan Lever to a mentor of agencies, CEOs and politicians—was, as he himself would admit, a testament to ambition without compromise. His campaigns lit up households, but it was his conscience that set him apart.

  • Adman Diwan Arun Nanda, co-founder of Rediffusion, passes away

    Adman Diwan Arun Nanda, co-founder of Rediffusion, passes away

    MUMBAI: Diwan Arun Nanda, one of Indian advertising’s towering figures and co-founder of the agency Rediffusion, passed away this week in Mumbai. He was 76.

    Born in 1948, Nanda cut his teeth at Hindustan Lever after graduating as a gold medallist from the Indian Institute of Management, Ahmedabad. His early work included the lightning-bolt logo for Rin detergent, which seared itself into household memory.

    In 1973, with Ajit Balakrishnan and Mohammed Khan, he set up Rediffusion, thumbing his nose at the global giants then ruling the market. A coup soon came with Eveready’s transistor-battery campaign—“The chosen one”—that announced the firm’s creative muscle.

    Over the next decades Nanda steered Rediffusion into the premier league, wooing clients from telecoms to fast-moving consumer goods. His fame rested not just on catchy slogans but on fierce integrity. When a magazine failed to deliver on claims hyped in its ads, he promptly gave up the account, unwilling to mislead.

    Nanda’s reach went well beyond Madison Avenue. He advised prime minister Rajiv Gandhi in the 1980s, forged a tie-up with Young & Rubicam, and sat on the boards of Air India, Eveready, Kingfisher Airlines and Yes Bank. Colleagues remember him as a demanding mentor who valued clarity and principles as much as creativity.

    “Rediffusion’s journey was a dream run,” he once said. His death marks the close of an era in Indian advertising—an era of audacity, pride in home-grown talent, and the rare refusal to compromise.

  • WPP hires Mariel Maciá as senior director of strategic design for Open unit

    WPP hires Mariel Maciá as senior director of strategic design for Open unit

    MUMBAI: WPP has appointed Mariel Maciá as senior director of strategic design within its WPP Open team, strengthening the agency group’s push to blend human creativity with artificial intelligence in marketing and brand experience.

    Maciá joins after more than five years at McKinsey & Company, where she served as senior service design manager in Berlin. Before that, she held design leadership roles at Die Krieger des Lichts and the innogy Innovation Hub, and earlier worked in film acquisition, production and festival programming across Europe and Latin America.

    Trained in audiovisual narrative in Buenos Aires, Maciá has built a career spanning media, design and digital transformation. At WPP, she will focus on reimagining how design thinking and emerging technologies can unlock new opportunities in advertising, media and customer experience.

    “The journey ahead is incredibly exciting,” she said, adding that she looks forward to collaborating with “the brilliant minds across WPP.”

  • Deepali Saini steps up as global chief experience design officer at Havas CX

    Deepali Saini steps up as global chief experience design officer at Havas CX

    BENGALURU: Think Design chief executive Deepali Saini has been elevated to global chief experience design officer at Havas CX, the customer experience arm of Havas Group. In her expanded brief, Saini will continue to run Think Design in India while shaping the network’s worldwide experience design (XD) practice.

    The move signals Havas CX’s ambition to place design leadership from India at the centre of its international growth. Saini now joins the global CX leadership board, where she will be responsible for harmonising experience design standards across markets, deepening integration with client programmes, and accelerating growth in new service areas.

    Her mandate also includes strengthening design methodologies across geographies, mentoring talent, building proprietary frameworks, and setting ethical guidelines for deploying artificial intelligence in the design process — a theme gaining urgency across global networks.

    Saini, who co-founded Think Design in 2004, has spent over two decades shaping design-led strategies for organisations in healthcare, banking, telecom, and public services. A graduate of NID Ahmedabad and ENSCI Paris, she is known for championing research-driven design and has taught methodology at NID.

    “This is an opportunity to both honour the foundations we have laid in India and push the boundaries of what experience design can achieve globally,” Saini said. She credited Havas India chief Rana Barua and Havas CX global chief David Shulman for their backing in creating what she called “a truly borderless design practice.”

    Her appointment underscores a wider trend of Indian design talent gaining global prominence within multinational networks, with Havas signalling that southeast Asia, India, and the middle east will be pivotal growth regions for its CX portfolio.

  • Shantanu Sapre takes charge as chief business officer at MullenLowe Lintas Group

    Shantanu Sapre takes charge as chief business officer at MullenLowe Lintas Group

    MUMBAI: Shantanu Sapre, a seasoned advertising leader with more than 25 years in the business, has been appointed chief business officer at MullenLowe Lintas Group. He stepped into the role in July after a three-year entrepreneurial run, where he was involved in tech start-ups building mobile apps in ticketing, quizzing and fantasy sports.
    Sapre is no stranger to the agency. Over a 15-year stint at MullenLowe, he rose from executive vice president to president, steering some of its biggest business units and contributing nearly a quarter of its India revenues at his peak. He was instrumental in driving the agency’s “hyperbundling” solutions, pushing digital transformation, and broadening its client roster beyond FMCG to online, fashion, sport and media brands.
    Earlier in his career, Sapre held leadership roles at Leo Burnett, TBWA, Euro RSCG and MTV Networks India, where he helped launch Viacom Brand Solutions. His portfolio includes campaigns for Bajaj Auto, Surf, Axis Bank, Johnson’s Baby, Burger King, FirstCry and Mumbai Indians. In 2015, Campaign Asia named him Account Person of the Year.
    Back at MullenLowe, Sapre is expected to lean on his blend of big-agency heft and start-up agility to sharpen the group’s growth strategy, deepen client relationships and accelerate digital-led innovation.

     

  • Jack in the Box Worldwide and Tidal7 merge to form J7

    Jack in the Box Worldwide and Tidal7 merge to form J7

    MUMBAI:  Independent agencies Jack in the Box Worldwide and Tidal7 have sealed a merger, creating a new entity called J7 that aspires to be a “future-ready” marketing powerhouse. The combined agency will pool strengths in creative storytelling, branding, data intelligence and technology-led marketing to deliver integrated solutions for clients in India and beyond.

    Jack in the Box Worldwide, founded by Roopak Saluja, has built its reputation on social media campaigns, design and consumer research. Tidal7, launched by Venkat Mallik, carved out its niche with data-driven branding, digital analytics and multi-channel creative services. Together, the two outfits aim to position J7 as a partner that can blend cultural insight with measurable business outcomes.

    “This is a major inflection point in Jack in the Box Worldwide’s trajectory,” said Saluja, who will continue as founder and chairman. “By joining forces with Tidal7, we are enhancing our culture of creativity with world-class data intelligence and strategic depth. J7 is not just a new name — it is a manifestation of our shared commitment to solving our clients’ most complex challenges.”

    Mallik, who becomes J7’s founder and chief executive, underlined the agency’s growth ambitions: “We have always believed that the most powerful marketing solutions emerge when brand thinking, creativity and data intelligence work hand-in-hand. With J7, that belief takes on a new dimension. The aim is not just to create campaigns but to build growth ecosystems for clients, empower teams with advanced tools and lead in an AI-driven future.”

    J7 will place particular emphasis on AI-led innovation, new media formats and tech-integrated tools. Plans are under way to expand service offerings, develop industry-specific solutions and pursue growth both within India and overseas.

    Team J7

    The leadership bench will include Farhatnaz Ansari as managing partner, Sivaram Subramaniam as executive creative director and Vikram Srivastava as director of data and strategy. Both agencies’ existing clients will continue to be served without disruption, now aligned under the J7 vision.

    By marrying Jack in the Box Worldwide’s creative flair with Tidal7’s analytical rigour, J7 is betting that the next era of advertising belongs to agencies that can move as fast as technology — and as imaginatively as culture.

  • The International Advertising Association (IAA) inducted Prasoon Joshi into the hall of fame

    The International Advertising Association (IAA) inducted Prasoon Joshi into the hall of fame

    MUMBAI: McCann Worldgroup India of McCann Worldgroup Asia Pacific chairman, CEO and chief creative officer, Prasoon Joshi joins a globally esteemed group of individuals recognised for shaping the future of marketing and communications.

    Established to celebrate pioneers who have advanced the advertising profession and inspired generations, the International Advertising Association (IAA) Hall of Fame includes among its ranks the industry’s most respected figures.

    Inductees are selected by a global panel based on their lifetime achievements and their influence on the direction of marketing communications in their region and beyond. The induction acknowledges Joshi’s extraordinary contributions as an industry leader, cultural commentator, and voice of purposeful storytelling in India and beyond.

    The IAA Leadership Awards Hall of Fame honoured Prasoon Joshi for his exceptional and multifaceted contributions across advertising, film, music, and public service; for visionary campaigns that blend creativity, culture, and emotion; for shaping Indian cinema and storytelling with poetic depth; for transformative leadership as CBFC chairperson; for championing social causes; and for inspiring meaningful change in the industry.

    Known for his deep sensitivity to social issues and his ability to elevate brands through human insight and emotion, Joshi has earned acclaim for work that consistently blends creative bravery with cultural integrity. Joshi’s career spans more than two decades across Advertising, Cinema, Music, Literature, and policy.

    In response to the honour, Joshi said, “Being inducted into the IAA Hall of Fame is a privilege and affirms what I have always believed: communication and creativity are not mere marketing tools – they are forces that shape perspectives and inspire thought. Advertising, in particular, both mirrors, and shapes popular culture. To be recognised alongside those who have defined the spirit of our industry is an honour and reminder of the responsibility to keep pushing the boundaries of ideas and impact . My thanks to the IAA and to the collaborators who have been part of this journey.”