Category: Marketing

  • Bindass pumps in Rs 40 million to promote Dadagiri 3

    MUMBAI: Bindass, the youth entertainment channel from the UTV stable, is investing Rs 40 million to market and promote the new season of the reality show, Dadagiri.


    Based on the theme, “fight terrorism”, Dadagiri, D3 Commando Force will witness ex-army commandos – Captain Albert Louis, Captain Kshitij Sharma and Captain Dharamveer Singh train 14 young Indians, in an attempt to create commandos out of civilians. The show will be aired every Saturday at 7 pm.
     
    With terrorism and Kasab‘s trial creating a nationwide tumult during the week, the television marketing plan includes a special 40 second promo on the Kasab verdict on CNN IBN and NDTV 24×7 till 22 May. The promo will be specially run on Thursdays, Fridays and Saturdays every week.


    As part of its outdoor campaign, the channel has devised a 40-key-site campaign across Mumbai for a 15-day period. Meanwhile, Delhi and Bangalore will host a similar campaign across two to three select sites for the same time period.


    Bindass has partnered with Radio Mirchi in Mumbai, Delhi, Lucknow, Pune and Ahemdabad for radio promotion. 
     
    On 22 May a special integration on D3 commando force will be designed on Radio Mirchi with a terrorism theme.


    The print marketing plan includes a 240 sq cm. Media Net story each in Delhi Times, Lucknow Times and Bombay Times on 8 May. A Mid day ad of 240 sq cm. in Delhi, Mumbai, Pune and Bangalore edition have been issued today, 7 May, to announce the launch of the show.


    Says UTV Bindaas AVP marketing Kanika Saxena, “As part of its BTL activity, the channel has tied up with 31 stores of Gelato where branding will be displayed for two months, as well as an we will come out with an ice cream flavour of the month for June.” 
     
    A barter deal with Big Flix has been set to get prize vouchers of one month, three months and six months for viewers and posters in 35 select stores has also been put up.


    To round up the online marketing plans, a full fledged microsite of D3 on www.bindass.com/d3 has been launched, which is a real time game based on the show, called D3 elite.


    Says Saxena, “The show has 11 episodes spread over a span of 11 weeks, with two audition episodes, eight main episodes and one grand finale that will be shown airing from May 8, 2010 onwards. While are target audience remains in the 16-24 category, we are hoping this show breaches that barrier, since this is an issue relating to all.”

  • ICICI Lombard launches new ad campaign

    MUMBAI: ICICI Lombard has launched a new ad campaign, conceptualized by Ogilvy One.


    Directed by Jayant Rastogi, aims to state that it is an extremely easy process to get insurance on icicilombard.com. 
     
    The media mix includes television, radio, digital and ambient communication.


    The campaign is lead by two commercials, one based on travel and the other on health insurance. 
     
    Announcing Click Clik to the world, the travel insurance commercial is located at the airport and is based on the insight that for most Indians, travel insurance is invariably missing from the ‘get-done-before-flying‘ list.


    Click and Clik‘s family are all excited about going to USA on vacation receive a jolt when they realise that the travel insurance has been forgotten. The twins, laptop in tow, are unfazed. And with a lively melody to back them, demonstrate how instantly it can done. 
     
    A radio jingle and various digital exposures, including application on Facebook, are part of the campaign.


    Soda Films is the production house.
     

  • ICC gets Ogilvy to handle World Cup 2011

    MUMBAI: The International Cricket Council (ICC) has appointed Ogilvy & Mather as the advertising and media agency for World Cup 2011, setting the stage for the marquee event in India.   
     
    The size of the account is not firmed up yet. Said Ogilvy senior VP and head of planning – new media Kunal Jeswani, “We haven‘t finalised on the size of the account yet. The figure of Rs 2.5 billion is wrong. The ICC is currently busy with the T20 World Cup. Once the tourney comes to an end, we will sit together to finalise the budget and planning process.”


    The other agencies that Ogilvy Mumbai pitted against to win the account were JWT, McCann Erickson, Havas, Grey Worldwide and Publicis.
     
    Ogilvy will be handling the account across all the three co-host countries for the game – India, Sri Lanka and Bangladesh. While executive chairman Piyush Pandey will lead the team in the South Asia region, national creative directors Rajiv Rao and Abhijeet Avasthi will take care of the creatives.
     
    It is pertinent to note here that Ogilvy has been responsible for the 360 degree campaign for the third season of the Indian Premier League.

  • Tyronne Devdros is VP – Hansa outdoor

    MUMBAI: R K Swamy Hansa has appointed Tyronne Devdros as vice president, Hansa Outdoor. He will report to Hansa Outdoor CEO Surojoy Banerjee.


    Prior to this, Devdros was VP – OOH at Integrid Media Pvt Ltd. 
     
    Said Tyronne, “I am happy to be part of an organisation where intelligence and integrity are a tradition and these qualities have been consistently exhibited to customers time and again. The R K Swamy Hansa group has been successful in creating strong relationships with its clients over the years and we will continue with this tradition.”
     
    Adds Surojoy Banerjee, “Having worked in senior positions, Tyronne possesses an in depth knowledge of the OOH space. He is well equipped to lead and grow the business and Hansa Outdoor will definitely gain from his experience and competence.”
     
    Tyronne has also worked with Portland India Outdoor Advertising (A WPP Group company), Leo Burnett and Reliance Communications.
     

  • Spice gets Ogilvy as creative partner

    MUMBAI: Spice has appointed Ogilvy as its new creative agency for Spice Mobiles – its mobility businesses of handsets & devices, Spice Hotspot – telecom retail and Spice Digital – mobile VAS.


    The appointment followed a multi-agency pitch involving agencies such as Lowe Lintas, FCBDraft / Ulka, Publicis, Bates 141, Everest, Capital and the incumbent agency Contract. The pitch process was kicked off in end-February and was concluded by mid-April.
     
    Spice has been going through a transformational phase after the brand was refreshed by a London-based agency The Brand Union (TBU), in early 2009, defining a new manifesto and strategic direction. The thrust has since been to reinvigorate the brand in a market cluttered by the advent of new players. Thus, Spice decided to identify a partner with a deep understanding of market dynamics and to help the brand move to a higher growth trajectory.


    Speaking on the development, Spice Global group president – global brand & marketing Vivek Bali, “We are very happy to be working with Ogilvy as our creative and strategic communications partner. The appointment of Ogilvy comes after a rigorous process which included evaluation of key communications metrics. We will continue to make substantial investments in our brand and focus on our essence of smart thinking, the core of our DNA.” .
     
    “I firmly believe that in our partnership, Ogilvy we will be able to leverage their strengths in strategic ideation, strong creative and market-wide impact,” Bali added.


    Adds Ogilvy India executive chairman & creative director South Asia Piyush Pandey, “We are happy to partner with a growing brand such as Spice, in which we see the potential of becoming a leading brand in the country, not just in its category. We are confident that we would be able to provide the depth of strategic and creative support to take the brand forward to the highest levels of value and equity.”

  • Bajaj Finserv adorns new logo

    MUMBAI: Bajaj Finserv, the financial services arm of the Bajaj Group, has adorned a new logo that encompasses the group company‘s business activities as well as project growth.


    The new version will hold the current Bajaj logo and style intact above with a new 3D seal of the letters B and F, making the financial services part a distinct standout. 
     
    While the blue colour in the logo will stand for confidence, strength and ambition of the company, the blue ball will symbolize the globe, with a primary focus on India.


    The new logo has been crafted by Indi Design creative director and CEO Sudhir Sharma. 
     
    Says Bajaj Finserv Ltd MD Sanjiv Bajaj, “Across our running business, you will see advertising across all mediums, which would also include websites, including our own.”


    Meanwhile the company is also planning to enter the wealth management business in the second-quarter of 2010. 
     
    “The new business plans of the company are in tune with their overall dream of becoming a complete financial services company. They also hope to someday start a bank as well. As of now the company is debt free and has cash reserves of up to Rs 9000 million. They are considering getting into the wealth management business with Allianz, subject to the legal conditions and procedures,” Bajaj informs.


    The company is hoping that once it takes off in these new lines, it will be able to integrate and make all people associated with any of the Bajaj brands part of the financial services business.
     

  • TME firms up digital portfolio; gets Sivakumar as national digital head

    MUMBAI: With an expanded focus in the digital space, The Media Edge (TME), Rediffusion Y&R‘s media planning arm, has appointed Uma Sivakumar as national digital head.


    Sivakumar joins TME from Tribal DDB (Mudra Group) where she was heading online media for the last four years. 
     
    Said TME president Divya Radhakrishnan, “With the evolution of media consumption, digital has become a key focus area across the portfolio of brands that we manage. So far, we were working with external partners to deliver digital solutions. However, we felt the need to get the expertise in-house and with Uma leading this role I am confident that our digital solutions are going to live up to TME‘s brand promise of delivering OTX (Opportunity to Experience) through our process of market contact planning.” 
     
    Sivakumar has also worked with Interactions, the interactive division of GroupM and has handled the digital business of a wide range of clients such as Times Business Solutions, Reliance group, LIC, Citibank, Volkswagon, HSBC and Godrej. 
     
    Says Sivakumar, “What excites me is the opportunity to work with the diverse and interesting bouquet of clients of the group. My responsibility will be to provide a digital media orientation within the agency as well as to all our clients.”
     

  • ‘IPL franchise ownership seems to be driven by celebrity rather than commercial reality’ : Intangible Businesses valuation director Richard Yoxon

    ‘IPL franchise ownership seems to be driven by celebrity rather than commercial reality’ : Intangible Businesses valuation director Richard Yoxon

    The Indian Premier League (IPL) defied financial gravity at a time when the world was struggling to fight the menace of recession. Even as capital became scarce, the world’s hottest cricket property managed to renegotiate a nine-year broadcast deal in 2009 for a whopping $1.6 billion. The earlier agreement, signed a year ago, had valued the TV rights for $1.03 billion over 10 years.

     

    The temporary refuge in South Africa was a welcome aberration, establishing the IPL as a global property. In 2010, the IPL became bigger and better as it attracted larger audiences, costlier sponsorship deals and fatter franchise bids, growing the cricket economy.

     

    Then came the Lalit Modi saga and charges of match-fixing, rigging of bids, financial irregularities and betting. The architect of the IPL is now suspended and a clean-up exercise has begun.

     

    A parallel has often been drawn between the IPL and the English Premiere League (EPL) that houses some of the world’s iconic soccer clubs including Manchester United.

     

    The IPL, however, has a big mountain to climb. Its TV rights, the main revenue supply for the entire structure including the teams, went for much less. Last year the EPL‘s TV rights bundles were acquired for $2.6 billion for 3 years. And it‘s not just a big difference in value. More importantly, the EPL‘s TV rights will be renegotiated twice before the IPL‘s current deal expires.

     

    But the IPL is just three years old and has seen a stupendous growth. It can learn important lessons from the EPL as it scales up, including doing shorter term TV deals in future as the property gets well established.

     

    The IPL team owners should also be cautious in not repeating the mistakes committed by their EPL counterparts. Some of the EPL club owners have funded their acquisitions through huge debt and have gone on to pay unrealistic amounts to purchase players. In fact, the EPL clubs are popularly known as the ‘rich boys‘ toys‘ that appeal to the owner‘s ego and vanity.

     

    In an interview with Indiantelevision.com‘s Sibabrata Das, Intangible Businesses valuation director Richard Yoxon talks about the challenges that sports properties face as they grow up to be run like big commercial businesses.

     

    Excerpts:
     
     
    Will it be right to compare the IPL as a potential sports property that can grow to the scale of the EPL in future?

    I think the IPL has more in common with the American franchise sports such as NBA and NFL than with the EPL. The success of English football was built on interest from local communities and commercialisation came a lot later. American sports and the IPL, on the other hand, were created and driven by commercial objectives.

     

    Football is the major sport in most countries. NBA, NFL and baseball are only major sports in the US while India is the only major economy where cricket is the number one sport.
     

     
    Can the IPL leapfrog?

    On the basis of global appeal, the IPL will never come close to the EPL. Commercially it‘s possible due to the size and growth of the Indian economy, but I think it‘s unlikely except in the very long-term as in a global context cricket is small beer compared to football.

     

    In a renegotiated deal in 2009, the IPL‘s TV rights went for $1.6 billion for 9 years. In contrast, last year the EPL‘s TV rights bundles were acquired for ?1.7 billion ($2.6 billion) for 3 years. A very big difference. More importantly, the EPL‘s TV rights will be renegotiated twice before the IPL‘s current deal expires.

     

    England has 3 professional leagues below the EPL and over 90 professional clubs!

     

    The Indian economy (2009 GDP $1,235 billion) will need to be multiple times bigger than the UK economy (2009 GDP $2,184 billion) for the IPL to leapfrog the EPL.
     
     

    Several EPL clubs are sunk in debt while the IPL has run into controversies very early in life. Do you see sports businesses being in trouble across the world?

     Not many football clubs currently or historically make a profit. It is often suggested that the clubs are ‘rich boys‘ toys‘ that appeal to the owner‘s ego and vanity. Football clubs are trophy assets rather than profit centres. This is a key similarity as I think IPL franchise ownership seems to be driven by celebrity rather than commercial reality.
     

     
    Are the allegations of match-fixing, rigging of bids and betting going to impact the IPL as a brand?

    The events are certainly not helpful but the impact will be minimal in the long-term if the BCCI acts promptly and transparently to address the problems. The Indian public loves Twenty20 cricket and the competition‘s format. This love affair with the game is not going to change as long as the game is cleaned up commercially. What‘s the alternative? I can‘t imagine the Indian public switching to football, hockey, kabaddi or even test cricket with equal fervour and enthusiasm.

     
     
    What is the IPL worth in value after 3 years of existence and how does it compare with the EPL?

    I think there is nothing wrong with the progress made to date by the IPL. I think the BCCI / IPL has done amazingly well in a short space of time.

     

    But we haven‘t valued either brand. Brand Finance valued the IPL brand at $4.13 billion, but I struggle to understand how the brand of a business whose main source of income is a 9-year TV deal for $1.63 billion can be worth so much.
     

    ‘IPL franchises certainly do need to scale up to justify the high franchise fees. The amount they need to scale up in the time available appears unrealistic‘

     

    But you have valued the IPL franchises and they are much below that of Brand Finance‘s estimates. Why?

    Brand Finance is, perhaps, more optimistic than us. Regarding the IPL, they have more ambitious growth rate projections and are less conservative in discounting.

     

    But if you look at our valuations, the top four teams are almost having similar values (Royal Challengers Bangalore at $37.7 million to Chennai Super Kings‘ $36.1 million). There can‘t be any particular team breaking too far ahead at this stage because there is no big difference among them. The difference is mainly due to the size and level of interest in the IPL franchise‘s catchment areas. Rajasthan Royals ($27.5 million) is distinctly disadvantaged compared to Royal Challengers Bangalore and Mumbai Indians (5th at $32.7 million).
     

     
    Do you see revenue streams a big problem with the IPL teams?

    They certainly do need to scale up to justify the high franchise fees. The amount they need to scale up in the time available appears unrealistic.

     

    As far as licensing and merchandising revenues go, the IPL franchises can tap their growing fan base. There will be a limitation, though, if you compare it with EPL clubs like the Manchester United where the shirts are even bought by the Japanese or the Chinese. The IPL team merchandise will find it difficult to cross the global boundaries and communities outside the Indian diaspora.
     

     
    What are the lessons the IPL needs to learn from the EPL?

    The IPL needs to negotiate shorter TV deals. I suspect that the IPL‘s 10-year deal (renegotiated deal after a year is for 9 years) was driven by necessity as the concept was unproven at the time of the negotiation. A longer deal was probably needed to get to potential franchise owners on-board by providing the assurance of guaranteed revenues and media coverage over a sufficient period to justify the initial franchise setup costs.

     

    The IPL is a closed shop. There‘s no promotion or relegation. Teams should earn the right to play in the IPL rather than buy their way in. The British public loves an underdog (hence I follow Rajasthan Royals in the IPL) and it is great for the sport when a small team gains promotion to the EPL on a shoestring budget and even beats one of the big names (Burnley won promotion to the EPL last year and beat Manchester United in their first home game).

     

    It is equally interesting when the big teams face the threat of relegation despite significant investment in players (Newcastle relegated last year). Relegation also maintains interest for longer; once teams are out of contention to win the IPL there‘s little to play for. It would be good to see the IPL develop feeder leagues to give smaller cities the opportunity to develop teams and aspire getting a sniff of the big time.
     

     
    When did the EPL commercialise?

    Football is a fabric of British society; it has been developed over 120 years. But the first big step towards commercialisation was when TV deals were renegotiated in 1992. Twenty top clubs separately negotiated for TV rights, which became the main driver for their increase in revenues. Previously, the TV rights were negotiated collectively for all the 90 clubs.

     

    Merchandising is a huge income for certain big clubs like the Manchester United. But for most of the clubs, the main income is from TV. Portsmouth, for instance, reported a total income of $60 million last season, out of which $40 million came from TV.

     
     
    Why has the enterprise value of the EPL come down recently?

    The same reason as any other market or business. Recession! Leisure and entertainment expenditure is cyclical. It‘s to be expected that consumers spend less on leisure and entertainment during recessionary times. In the medium and long-term, leisure and entertainment is a fast growing but highly competitive market.

     
     
    Why have the EPL clubs amassed huge debt?

    Two reasons. First, leveraged buyouts. Manchester United and Liverpool were bought by Americans using debt finance which was pushed onto the club‘s balance sheets. The clubs did not create these debts.

     

    The second reason is bad management – spending more than the club can afford in the hope that any resulting success will pay for the gamble.
     

     

    Is there a current crisis?

    What crises? The EPL is as popular as ever. Football clubs going bust is nothing new. The fans suffer in the short-term but the club survives.

     

    There are no major threats to the EPL. It‘s been going on since 1888 (rebranded in 1992); it‘s survived two world wars and hooliganism in the late 1970‘s / 1980‘s. The current exchange rate and increased income tax rates make playing in England less appealing financially for the world‘s top footballers. This has yet to have an effect but this summer I expect we‘ll see less big name players than usual moving the EPL in favour of Spanish, Italian and German leagues. This will not affect popularity in the UK but may have an impact on global interest in the medium term.
     
     

    Have foreign owners contributed to the financial mess?

    International investors have actually made the EPL economy much bigger. The problem has been with the buyouts being funded by debt and the purchase of players at a very high price. 
     

    Does the EPL need a restructuring?

    No. Some clubs need probably restructuring but the EPL is a profitable business. The supporters of several clubs would like new owners (Manchester United, Liverpool). Overtime, I suspect and hope that we will see more clubs owned by supporter‘s trusts, similar to the Barcelona model.

  • Colors: The IPL blues and the comeback

    MUMBAI: Colors, which had lost its leadership position in the Hindi general entertainment channel (GEC) space during the IPL window, has zoomed back to the top due to a strong weekend revival.


    The Viacom18 channel is leading the flock with 288 gross rating points (GRPs), as per Tam data for the week ended 2 May.


    Star Plus, which had snatched the position from Colors during the IPL, is a close second with 286 GRPs.


    Zee TV is also not far behind with 279 GRPs in its kitty (See table).






























































    Week


    Channel (ratings in GRPs)


    2010


    Colors


    Star Plus


    Zee TV


    Wk 10


    310


    316


    301


    Wk 11


    339


    335


    241


    Wk 12


    291


    315


    252


    Wk 13


    281


    314


    257


    Wk 14


    278


    325


    275


    Wk 15


    258


    319


    260


    Wk 16


    268


    317


    268


    Wk 17


    276


    298


    284


    Wk 18


    288


    286


    279


    Source: Tam, C&S 4+, HSM


     


    The absence of a strong weekend property primarily led to Colors‘ slide during the IPL tourney.


    “When Colors launched Bingo National Nights, the first episode got good ratings because of the novelty and curiosity factor. However, it bombed and the channel was not having any good property during the weekends,” a media observer comments.


    Another factor that weighed against Colors during the IPL window is its relatively stronger pull among male and urban audiences, compared to Star Plus and Zee TV. These set of audiences were also IPL watchers, some media analysts say.


     





    Click here to zoom


    Among the top three channels, only Colors has gained GRP numbers post IPL. The next rung of channels – Sony Entertainment TV (Set), Imagine TV, Sab and Star One – have seen a rise in audience share.
     
     
    After the IPL, Colors‘ recently launched kids dance reality show Chak Dhoom Dhoom is expected to fill the weekend void.


    However, Balika Vadhu, one of the main fiction properties of Colors, is losing ground. The show, which was leading the charts in week ended 6 March with a 6.5 TVR, has come down gradually to 3.3 TVR in week ended 1 May. At the same time slot, Zee TV’s Jhansi Ki Rani has marched up the ladder to 4.2 TVR.


    Says Zee Entertainment Enterprises Ltd COO –national channels and Zee TV business head Nitin Vaidya, “We are pleased to note that Jhansi Ki Rani has worked so well as a show. In times when the idea of historical shows was discouraged, Zee TV took the initiative to make a difference with Jhansi Ki Rani. It is heartening to know that our conviction in the concept of the show has borne fruit.”


    Colors’ other properties like Uttaran and Laado are maintaining their ratings, but Bairi Piya has gone down.
     
     
    A new concern for Colors could be the fact that it is trailing behind Star Plus and Zee TV in ratings for non-film programming. As per Tam data for the week ended 1 May, Colors clocked 245 GRPs from non-film programmes, while Star Plus bagged 282 GRPs and Zee TV 261 GRPs.


    Colors more than made up with 43 GRPs that it collected from movies aired during the week; Zee TV, in comparison, got 18 while Star Plus had to contend with four GRPs.


    “We have to wait for the picture to get clear as after 45 days of IPL, the flirting audience is yet to come back to the channels. The coming weeks will be interesting to observe,” says a media analyst.


    Meanwhile, a peep into the other GECs: Set clocked 175 GRPs in the week (from earlier week‘s 147 GRPs), getting back its male audiences, while Imagine TV (104 GRPs), Sab (80 GRPs) and Star One (40 GRPs) also added a few GRPs.
     

  • Coca Cola unveils ‘Goal Celebration’ ahead of soccer WC

    MUMBAI: Coca-Cola is celebrating the countdown to the 2010 Fifa World Cup South Africa by encouraging people around the world to take part in what it claims to be the longest-ever online goal celebration.


    The ‘Longest Celebration‘ competition will offer fans the opportunity to win prizes, including tickets to 2010 Fifa World Cup matches.
     
    The ‘Longest Celebration’ extends the global marketing campaign by Coca-Cola that includes advertising that features the iconic goal celebration by Roger Milla, the African footballer whose corner flag dance at the 1990 FIFA World Cup encouraged a new generation of football moves. The digital campaign invites fans to film and upload their own goal celebrations to YouTube.com/Coca-Cola or celebrations.coca-cola.com.


    In the build-up to the 2010 FIFA World Cup, Coca-Cola will run a series of mini-competitions for people who upload their celebrations with categories including ‘Most African Celebration’, ‘Happiest Celebration’and ‘Funniest Celebration’. 
     
    The best participating fans can expect their efforts to be rewarded. Ten grand prize packages will be up for grabs offering football fans the chance to win three big-screen televisions and seven exclusive VIP experience packages that include flights, accommodation and 2010 FIFA World Cup match tickets.


    Coca Cola group director, worldwide sports and entertainment marketing Emmanuel Seuge says, “The ‘Longest Celebration’ is the most ambitious attempt to connect fans across all continents together online to celebrate the vibrancy and rhythm of Africa and the FIFA World Cup even if they are not in the stadium — although some lucky fans will win that experience.”
     
    The Coca-Cola ‘Longest Celebration’, designed by integrated marketing agency SapientNitro, is a key online element of the Company’s sponsorship of the 2010 FIFA World Cup.