Category: MAM

  • Different modes of transportation covered in marine insurance

    Different modes of transportation covered in marine insurance

    You shipped a batch of high-value machinery overseas. However, on its way, a high wave crashes into the vessel mid-ocean, damaging not only the hull but also soaking your entire consignment. A few days later, you despatch the consignment again, but this time, the truck carrying the cargo from the port meets with an accident, damaging your goods. Now, as your cargo suffers loss after loss, you must be wondering which insurance to purchase. The answer is marine insurance, which extends coverage to various transportation modes.

    Different modes of transportation under marine insurance

    The three different modes of transportation that marine insurance covers are: 

    Sea transportation 

    Sea transportation involves the movement of cargo via ships and vessels across oceans and seas. Businesses prefer sea routes for international shipments, particularly for goods such as electronics or commodities, due to their cost-effectiveness and suitability for transporting large quantities. Under marine insurance for sea transportation, the insurer covers the following:

    •    The policy covers hull damage from grounding. That means if the vessel accidentally hits the seashore and results in a dent or misalignment of the hull structure, the insurer will pay for repairs.

    •    If the insured ship collides with another vessel and damages the cargo, navigation system, or hull under the third-party liability coverage provision in the policy, the insurer will compensate for the loss.

    •    If a fire breaks out on board due to faulty wiring, combustion of goods, or machinery overheating, the insurer will compensate for the resultant loss to the engine room, deck, and adjacent containers. However, a claim will only be approved if the cause of the fire is found to be unintentional and without negligence.

    •    While delay alone is not covered, if it causes perishable goods to deteriorate and the delay is because of a covered peril, such as a collision or a storm, the insurer compensates for the loss.

    •    During trans-shipment, when the cargo is moved from one ship to another, and incidents like container slippage, damage due to misaligned lifts, or exposure of cargo to seawater occurs, the insurer will offer compensation.

    Air transportation 

    Air transportation involves using aircraft to move goods from one place to another. Although costly, it is ideal for time-sensitive deliveries where speed is crucial. It is also perfect for transporting perishable goods. The marine insurance for air transportation covers the following situations:

    •    The policy covers damage that occurs during the loading and unloading of goods from the aircraft, including cases involving broken conveyor belts, misaligned loaders, or mishandling by ground staff. However, it does not cover damage caused by poor packing of the cargo.

    •    If the aircraft carrying your shipment diverts mid-route due to technical or weather issues and the delay causes perishable cargo to spoil, the insurer will pay for the incurred losses. 

    •    The event of pilferage, also known as partial theft by ground staff or baggage handlers, is covered. To qualify for such claims, it is essential that the cargo be properly inspected and verified and that the results are documented.

    •    If the airline mistakenly ships your cargo to the wrong destination and it gets lost, stolen, or damaged in the process, marine insurance will compensate for the value of the goods.

    •    If cargo is stolen from secure airport storage areas or while awaiting customs clearance, the policy compensates the declared value of the shipment. The coverage extends to thefts occurring inside bonded terminals.

    Land transportation 

    Land transportation is ideal for delivering goods within domestic borders and involves vehicles such as trucks, lorries, vans, and even railways. If you have purchased marine single transit insurance for such transportation, the policy will cover the following:

    •    The policy covers damage to cargo during transit caused by collisions, overturns, and crashes. However, if the damage is intentional or the goods being transported are illegal, no compensation will be provided.

    •    If cargo is stolen or forcibly taken from the vehicle while in transit, the insurer compensates for the loss. This applies to both highway thefts and hijackings, where goods are forcibly removed.

    •    The policy covers accidental damage to goods during loading or unloading processes at warehouses, depots, or roadside stops. The coverage extends to damage caused by mishandling, dropping, or crushing incidents during the loading and unloading process.

    •    If the goods spoil or become worthless due to unavoidable delays, such as those caused by accidents or strikes that block transit routes, the insurer will cover the loss.

    •    The policy covers damage during inspections, customs checks, or government-authorised examinations en route.

    Conclusion

    Marine insurance covers sea, air, road, and land transport. The policy extends coverage to incidents like collisions, theft, fire, pilferage, and accidental damage during loading or delays. Whether your cargo travels across oceans, flies in the air or moves by road within the country, marine insurance ensures your goods are financially protected at every step of the journey. 
     

  • Bright sparks this Diwali with dazzling 360° brand storytelling blitz

    Bright sparks this Diwali with dazzling 360° brand storytelling blitz

    MUMBAI: Looks like this Diwali, the skyline’s getting a glow-up and it’s not just the fireworks. Bright Outdoor Media limited, one of India’s oldest and most iconic OOH players, is gearing up to paint the city in pixels and posters, bringing brands closer to consumers with an all-out 360° marketing spectacle.

    With nearly five decades of advertising legacy, Bright’s creative arsenal is anything but dim. Its 360° Marketing Division is set to fuse tradition with technology, rolling out multi-platform storytelling that shines across streets, screens, and streams. The mission? To help brands cut through the festive clutter, engage audiences where they are, and amplify their message with flair.

    At the heart of Bright’s Diwali strategy lies a state-of-the-art digital network over 50 large-format LED screens lighting up Mumbai’s busiest junctions with motion-led, high-impact campaigns. Add to that special festive pricing designed to maximise reach, and you’ve got a bright spot for every brand eager to make an impression.

    But that’s not all. For brands chasing the good old billboard buzz, Bright’s premium static hoardings at high-traffic hotspots promise maximum visibility during the city’s shopping frenzy. Whether it’s commuters on their way home or families out for festive errands, these larger-than-life displays ensure your campaign gets the eyeballs it deserves.

    Meanwhile, the company’s transit media division is taking festive storytelling on the move. Think bus wraps, metro branding, cab ads, and local train panels, all tailored for Diwali’s bustling travel rush. After all, in Mumbai, where everyone’s always going somewhere, so should your brand message.

    Cinema too is rolling out the red carpet. With Diwali bringing blockbuster releases and packed theatres, Bright plans to leverage cinema screens across multiplexes and single screens for entertainment-led engagement. Nothing says brand recall like a 70mm message just before the hero makes his grand entry.

    And for those tuning in from home, Bright’s got the OTT crowd covered. Its digital and OTT campaigns will target audiences binge-watching festive specials, ensuring every click comes with a spark of brand recall. Complementing this is print advertising Bright’s sharp, industry-specific strategy to cut through the festive noise with tailored, clutter-free messaging in leading publications.

    But Bright isn’t just sticking to screens. The company’s also curating experiential events to take brand conversations offline. This festive season, it will make a mark at a real estate expo in Borivali and host a prestigious awards ceremony for the Gujarati and Marwari business communities, connecting advertisers directly with influential audiences. It will also continue its long-standing partnerships as official outdoor media partner for marquee events like Navratri festivals and cultural shows.

    Beyond these, Bright’s network of media professionals will power everything from store launches to film promotions, ensuring each campaign finds its spotlight. With a robust celebrity and influencer network, the company’s festive storytelling will blend glamour, relatability, and recall.

    Bright Outdoor Media chairman and managing director Yogesh Lakhani puts it best: “Diwali is more than a festival, it’s a time for connection, celebration and joy. Our 360° marketing framework combines traditional and digital platforms, backed by creativity and precision, to ensure campaigns not only reach but resonate with consumers wherever they may be.”

    This Diwali, Bright isn’t just illuminating hoardings, it’s illuminating ideas. With every LED flicker, billboard glow, and screen scroll, it’s setting the festive adscape ablaze, proving that when it comes to storytelling that shines, nobody does it brighter.
     

  • Women take the wheel as ETO Motors powers Amaravati’s green drive

    Women take the wheel as ETO Motors powers Amaravati’s green drive

    The road to sustainability just got a lot more empowering. In a move that blends women power with green power, Hyderabad-based ETO Motors has signed an MoU with the Andhra Pradesh Capital Region Development Authority (APCRDA) to roll out a fleet of fully electric three-wheelers all driven by women across the capital region of Amaravati.

    The initiative, inaugurated by chief minister Nara Chandrababu Naidu, is part of Andhra Pradesh’s renewed vision to develop Amaravati as a model sustainable capital. The Chief Minister launched the new APCRDA headquarters while unveiling a series of infrastructure and connectivity initiatives designed to transform the region into a hub of smart, inclusive mobility.

    Commending ETO Motors’ efforts, Naidu said, “These women drivers will ferry passengers from nearby villages to the Capital Region, becoming financially independent and contributing to a cleaner, greener Amaravati.”

    And it’s not just about the environment, it’s about empowerment. Every woman behind the wheel has been trained, certified, and deployed under the programme, creating a blueprint for inclusive, sustainable growth that extends beyond transport.

    ETO Motors chief marketing officer Rajeev YSR said, “With a unified ticketing system, passengers can seamlessly travel across three-wheelers, buses, and cars for first-mile, middle-mile, and last-mile connectivity. Our goal is to build a fully electric fleet that connects the Capital Region quadrangle Gannavaram Airport, Vijayawada, Amaravati, and Guntur through clean, accessible transportation.”

    The rollout is ambitious. In its first phase, ETO Motors plans to deploy 300 electric three-wheelers, 100 electric cars, and 20 electric shuttle buses, integrating a multimodal network that’s both affordable and zero-emission.

    Beyond mobility, the programme is designed to generate employment and micro-entrepreneurship for women and marginalised communities ensuring that the transition to clean energy also drives social change.

    ETO Motors expressed its gratitude to the state’s leadership, including minister for MA&UD P. Narayana and APCRDA commissioner Sri Kannababu IAS, for their vision in enabling the project. The company’s senior leadership Bhaskar Ponnapula (director, ETO Group), Preethi Belinda Jasti (vice president of operations), and Nirmal (president, ETO Motors) were also present at the event.

    With e-rickshaws driven by women and powered by clean energy, Amaravati’s new mobility model isn’t just about getting from point A to B, it’s about moving towards a future that’s electric, equitable, and empowering. In this journey, Andhra Pradesh isn’t just going green, it’s going gracefully green.

     

  • Samarpan Health spotlights leadership driving excellence in mental health

    Samarpan Health spotlights leadership driving excellence in mental health

    MUMBAI: Samarpan Health, one of India’s leading mental health and rehabilitation organisations, is putting the spotlight on its core leadership and psychiatry teams, reinforcing its commitment to ethical, internationally benchmarked care.

    At the helm are chief operating officer Martin Peters, and chief clinical officer Obi Unaka both practising clinicians with decades of experience in mental health and addiction care across the UK, Asia, and the Middle East. They are joined by senior clinical psychologist Nikita Bhati and eminent psychiatrists Anu Kant Mittal and Priyanka Mahajan, forming a powerhouse team driving clinical excellence.

    Martin Peters brings over 30 years of experience in mental health, specialising in relapse prevention, crisis management, and transitional care, while overseeing Samarpan’s operations. Obi Unaka, with more than 25 years in psychotherapy, leads clinical strategy and supervises treatment programs, focusing on trauma, personality disorders, and substance use.

    Clinical psychologist Nikita Bhati adds depth with her expertise in trauma, dissociative disorders, and complex psychological cases, mentoring young psychologists and shaping therapeutic strategies. Complementing her are Anu Kant Mittal, with three decades of experience and leadership in psychiatric ethics and interventions, and Priyanka Mahajan, an adult psychiatrist specialising in personality disorders, ocd, and complex mood conditions, bringing both international and domestic expertise.

    “Dr Anukant and Dr Nikita bring immense experience and credibility, strengthening our multi-disciplinary team,” said Martin Peters. Obi Unaka added, “Their expertise and compassion will greatly benefit those we serve.”

    Together, Samarpan Health’s leadership and psychiatry teams, with over 90 years of combined global experience, are steering the organisation’s vision of transformative, client-centred mental health and addiction care, blending strategic foresight, therapeutic depth, and ethical integrity.

     

  • Water ATMs flow hope in Chhatrapati Sambhajinagar

    Water ATMs flow hope in Chhatrapati Sambhajinagar

    MUMBAI: Making a splash in rural Maharashtra! Community-managed Water ATMs are transforming life in ten villages of Phulambri block, Chhatrapati Sambhajinagar. Installed by Anandana, The Coca-Cola India Foundation in partnership with the S M Sehgal Foundation, these kiosks deliver safe, affordable drinking water while boosting groundwater recharge and strengthening local livelihoods.

    Part of Anandana’s Refreshing Difference campaign, the Water ATMs have already sparked real change. Digital films capture stories from residents who are seeing tangible benefits every day. Savitri, an Asha worker, shares how she no longer relies on unsafe water or expensive bottled supplies. Kalpana, an Anganwadi Sevika, highlights the relief women feel by avoiding long treks to fetch water. Meanwhile, Kailash, the Water Management Committee secretary, points to savings and improved livelihoods thanks to affordable water access.

    Other voices like Nanda and Yogesh describe fewer waterborne illnesses and healthier families, allowing more time for school and agriculture. These accounts reveal the human side of sustainable technology, showing how community engagement and partnership come together to make a real difference.

    S M Sehgal Foundation CEO Anjali Makhija said, “The Water ATMs provide families with daily access to safe water while our recharge initiatives improve local water security. This partnership offers long-term relief for villages.”

    Anandana director Rajiv Gupta added, “These Water ATMs are more than clean water. They restore dignity, support livelihoods, and create sustainable ecosystems. Through our Refreshing Difference campaign, we are proud to showcase the power of community partnerships.”

    Anandana and the Sehgal Foundation have been expanding safe drinking water access across India through Project Jaldhara, enhancing water availability in drought-prone regions and supporting agriculture and rural development in Maharashtra, Rajasthan, Andhra Pradesh, and Karnataka.

    This initiative proves that a simple drop can ripple into lasting change, quenching more than just thirst in India’s villages. 
     

  • Funskool plays it smart this festive season

    Funskool plays it smart this festive season

    MUMBAI: Funskool India is turning up the cheer this season with ten brand-new toys and games designed to delight every age, from toddlers stacking cars to families chasing wins on the board.

    The home-grown toymaker’s latest lineup brings together some of its most loved in-house brands: Giggles, Handycrafts, and Fundough, alongside licensed international favourites from Molto, Spain. Each promises a dash of creativity, colour and festive fun.

    For the littlest hands, Giggles rolls out my first vehicle gift set, a 4-in-1 pack featuring stack-a-car, dump truck, aeroplane and caterpals, and my first playtime gift set, complete with a slide tower, shape-sorting gear box and baby action ball.

    Older kids can try their hand at the refreshed sequence classic, the timeless game of luck and logic, perfect for family nights that stretch into laughter-filled marathons.

    The crafty bunch haven’t been forgotten either. The Handycrafts diya décor kit and Fundough’s super activity kit promise to keep little fingers busy while fuelling imagination and fine motor skills.

    Adding an international flair, Molto’s colourful trucks: fire, dumper, garbage and police, come with nifty tiltable and flip-up features, tailor-made for adventure seekers aged 18 months and up.

    “Toys and games bring joy and boost imagination,” said Funskool India CEO K.A. Shabir. “This festive season, we hope to help build a generation of creative young minds who will shape India’s future.”

    With prices ranging from Rs 165 to Rs 1,549, the new toys are already lighting up store shelves, just in time to make every child’s festive wish come true.
     

  • The One Show opens its doors to the insurgents

    The One Show opens its doors to the insurgents

    NEW YORK: The One Club has shaken up its awards structure in the most significant overhaul in decades, launching The One Show Indies—a dedicated competition designed to level the playing field for independent agencies, design firms and freelance creators locked out of the global creative spotlight by better-resourced rivals.

    The new category, debuting within The One Show 2026, is a direct challenge to the holding company orthodoxy that has long dominated the industry’s most prestigious accolade. Entry is restricted to truly independent outfits: at minimum 51 per cent founder or staff-owned, with no more than four physical offices. The signal is unmistakable. The One Club reckons independent shops are being starved of recognition, and it intends to rectify that.

    The One Club chief executive Kevin Swanepoel  framed the initiative as an act of creative liberation. “The One Show Indies is like a new rebel wing inside The One Show,” he said, summoning the rhetoric of insurgency. “We’re recognising independent shops and creators who make powerful work without holding company budgets and restraints.”

    The economics of entry have been designed to entice participation. Submissions are capped at a modest ten entries per eligible shop, with each piece of work allowed into no more than three categories. Entry fees come at a steep 20 per cent discount off The One Show’s regular rate, whilst burdensome case study films are restricted in their use as judging material. The combined effect is tangible: a genuine attempt to remove the financial and administrative friction that deters cash-strapped independents from throwing their hat in the ring.

    The jury will be drawn entirely from creatives at independent agencies, using the same rigorous judging standards that underpin The One Show’s reputation. Winners will claim Gold, Silver and Bronze Pencils and Merit awards, with an additional Crystal Pencil bestowed on an overall Best of Indies champion. A separate celebration event is planned, staged in casual surroundings away from the formal May ceremonies during Creative Week.

    The One Show Indies crystallises a shift in the creative industry’s consciousness. Independents have spent years grumbling about glass ceilings at award shows dominated by multinational holding companies. They’ve complained—often with justification—that the costs of entry and the judging structures inherently favour agencies with dedicated awards departments, bigger budgets, and armies of administrative staff to shepherd work through the submission process.

    This new category doesn’t solve that structural imbalance entirely. But it cracks the door open. For smaller shops punching above their weight, a One Show Pencil—even one contested exclusively amongst independents—remains a genuine prize. It offers market validation, bragging rights, and the kind of industry credibility that shapes client perceptions and staff recruitment.

    The One Club’s motives are plainly also commercial. Awards bodies thrive on volume and participation. Attracting a hitherto underserved cohort of independents will swell submission numbers and fortify The One Club’s position as the creative industry’s dominant credentialing authority.

    Entry deadlines are stacked across four rounds, with the super-early window closing 30  October  2025, offering the deepest discounts. Regular entry runs until 23 January 2026, with a final window through 20 February 2026. Judging commences in January, with winners announced in May.

    The One Club operates as a non-profit, recycling revenue from entries back into industry programming across four pillars: education, inclusion and diversity, gender equality, and creative development. That circularity—awards funding grassroots support—gives the organisation a moral sheen beyond the commercial calculus of conventional awards schemes.

    The One Show Indies lands at a moment when the creative industry is reassessing who deserves a voice. This rebel wing may just prove to be the most inclusive—and competitive—corner of the awards landscape.

  • Switzerland and India flow together in art

    Switzerland and India flow together in art

    MUMBAI: New Delhi shimmered in rhythm and reflection last night, as Switzerland and India found themselves ‘In the Flow’. The Embassy of Switzerland hosted an enchanting edition of Swiss Art Night 2025, transforming the capital into a confluence of sound, movement, and meaning. Themed ‘In the Flow’, the evening celebrated water, not just as nature’s lifeline but as a symbol of connection, creativity, and continuity between the two nations.

    Part of the Embassy’s sustainability with a plus initiative, the event showcased a first-of-its-kind collaboration between Bombaymami, the Swiss-Indian music sensation, and Switzerland’s acclaimed artistic swimmers Aimée Michel, Melody Halbeisen, and Anna-Sophia Aeschbacher. Together, they created a spellbinding fusion of melody and movement, a performance that quite literally flowed between art and sport.

    The evening carried extra resonance as it coincided with the Trade and Economic Partnership Agreement (TEPA) taking effect between Switzerland and India on 1 October 2025, marking a new chapter in their longstanding friendship.

    Swiss Ambassador Maya Tissafi captured the spirit of the night perfectly, saying, “Art transcends borders and reminds us of our shared humanity. Water connects us all, it nourishes, it inspires, and it teaches us to flow together. Much like the new TEPA agreement, tonight’s celebration brings Switzerland and India closer through creativity and collaboration.”

    For Bombaymami, who straddles both worlds, the performance was deeply personal. “This collaboration was a dialogue: between music, movement, and identity. It shows how art and sport share the same discipline and emotion. It’s a joy to celebrate both my cultures through creativity,” she said.

    The Swiss artistic swimmers described the experience as “an honour and a joy,” noting that their sport’s values of precision, harmony, and grace found perfect reflection in this cross-cultural exchange.

    Extending the spirit beyond the stage, the Embassy will host a special youth engagement session with around 500 students on 12 October. Led by Ambassador Tissafi, the interaction will explore creativity, inspiration, and Switzerland’s celebrated model of vocational training, a path chosen by over 60 per cent of Swiss youth.

    Since its inception in 2014, the Swiss Art Night has been a highlight on Delhi’s cultural calendar, blending artistic excellence with sustainability and social dialogue. With past themes such as In the Light, In Bloom, and In the Air, this year’s In the Flow continued the tradition of bridging art, environment, and empathy, proving that when creativity and culture meet, the world moves beautifully in sync.

  • Phoenix Marketcity Chennai dazzles with Euphoria 2025

    Phoenix Marketcity Chennai dazzles with Euphoria 2025

    MUMBAI: Phoenix Marketcity Chennai kicked off the festive season with Euphoria 2025 – A Celebration of Sorts, its spectacular annual Diwali bash. This year’s edition, themed the five elements – earth, water, fire, air, and ether, transformed the mall into a multisensory playground of fashion, music, theatre, and art.

    The highlight of the evening was a fashion extravaganza curated by India’s style guru Prasad Bidapa, showcasing designs inspired by nature’s harmony. Hindi cinema star Dino Morea stole the show as the runway’s showstopper, while soulful performances by Charu Semwal added melodic magic to the night.

    Phoenix Marketcity Chennai centre director – Phoenix Mall of Asia & marketing director – South Rituu Jai Mehhta said, “Euphoria has become one of Chennai’s most anticipated festive celebrations, bringing together fashion, culture, and entertainment. This year’s edition, part of the Phoenix Festival – 90 Days of Fun, is just the start of a season filled with creativity, joy, and immersive experiences for our patrons.”

    Prasad Bidapa added, “Designing a show in Chennai is always inspiring. With its rich tradition and modernity, from Kanchivarams to temple-border motifs, Euphoria 2025 celebrates the city’s uniqueness through fashion, performance, and storytelling.”

    The evening drew a lively crowd of shoppers, influencers, celebrities, and families, all reveling in the festive decor, capturing vibrant moments, and soaking in the magic of the season.

    With Euphoria 2025, Phoenix Marketcity reaffirmed its status as Chennai’s premier destination for lifestyle, fashion, and entertainment, where every celebration is a larger-than-life experience.
     

  • Jos Alukkas celebrates cultural pride at Miss South India 2025

    Jos Alukkas celebrates cultural pride at Miss South India 2025

    MUMBAI: Jos Alukkas brought a touch of gold to the 23 edition of Miss South India, held recently in Bengaluru, as Liz Jaymon Jacob claimed the title of Jos Alukkas – Garden Vareli Miss South India 2025. Aishwarya Ullas and Ria Sunil were named first and second runners-up, among 21 finalists representing the vibrant cultural diversity of the southern states.

    Jos Alukkas managing director Paul Alukkas said, “Miss South India 2025 is a celebration of individuality and tradition. Every contestant is a reflection of strength, elegance and cultural pride, values that align perfectly with what we stand for.”

    John Alukkas managing director, added, “At Jos Alukkas, we celebrate the spirit of womanhood. The pageant brings together confidence, creativity and fashion, while remaining rooted in the rich heritage each contestant represents.”

    The event showcased the innovation, grace and cultural vibrancy of Andhra Pradesh, Karnataka, Kerala, Telangana and Tamil Nadu, featuring a mix of performances and personal stories that celebrated the spirit of the South.

    Organised by Pegasus Global since 2002, Miss South India is one of the region’s most prestigious beauty pageants, highlighting empowerment and cultural heritage through rounds featuring ethnic wear, cocktail and gown segments.

    For over six decades, Jos Alukkas has been a trusted name in jewellery, known for its Bis-certified gold and Iso 9001:2000 recognition, the first of its kind in the industry. Led by chairman Jose Alukkas and managing directors Varghese, Paul and John Alukkas, the brand continues to redefine modern jewellery retail with innovation and integrity across its 60-plus showrooms and online presence.