Category: MAM

  • NMIMS appoints Madison Media as media AOR

    NMIMS appoints Madison Media as media AOR

    Mumbai: SVKM’s Narsee Monjee Institute of Management Studies (NMIMS) has appointed Madison Media as its media agency on record, following a multi-agency pitch. The mandate will be handled by Mumbai-based Madison Media Alpha.

    The agency is tasked with scaling up media presence and generating higher reach for NMIMS across the country. It will handle traditional and digital media services including visibility in print media and radio for the institute, said the statement.

    “NMIMS is well known for its consistent academic quality and research-focused approach along with developing a sense of community among students, to achieve holistic education,” said NMIMS director – marketing and PR Burzeen Bhathena. “I am confident that Madison Media will help us establish an impactful media presence and build a strong brand with its innovative approach. I look forward to working with them.”

    “We are looking forward to this exciting opportunity with NMIMS, which is one of the few universities in the country to have established a global footprint. NMIMS’ continuous endeavour to develop and achieve new education and research milestones is in line with the radically changing landscape of the education sector. By leveraging our digital-first and outcome-driven approach, we are confident that NMIMS will achieve its goals and surpass industry expectations. Madison is committed to further NMIMS media presence with strategic planning at all levels,” added Madison Digital VP Chintan Soni.

  • Havas Creative Group India names Samarpita Banerjee as director marketing & comms

    Havas Creative Group India names Samarpita Banerjee as director marketing & comms

    Mumbai: Havas Creative Group India, the creative conglomerate of Havas Group India has named Samarpita Banerjee as director of marketing & communications. She will be based out of Mumbai and report to Havas Group India chief marketing officer Pritha Dasgupta.

    Banerjee will work across all agencies of Havas Creative Group India, including Havas Worldwide, Havas CX, Think Design, Conran Design Group Mumbai, and Shobiz Havas Experiential. Sneha Pillai Ahuja, senior manager – marketing & communications, will continue to lead corporate communications of Havas Media Group India.

    “The complete transformation that the network has witnessed is not just on the back of outstanding business growth but also a result of several industry-first initiatives, like Havas Spark, UN Unstereotype Alliance, Women Who Inspire, Women Bounce Back programme, etc,” said Pritha Dasgupta. “This undoubtedly makes Havas Group India, perhaps the most progressive agency network in India that is deeply invested in making a meaningful difference to the industry and the community at large. With Samarpita coming on board, we will be able to build stronger, more meaningful chronicles around the legacy and the future we are building.”

    A media professional with over 10 years of work experience, Banerjee is a senior journalist having worked with some of India’s most reputed print and digital media organisations. She started her journalism stint with The Times of India in 2009, before foraying into the advertising and marketing beat in 2015 with Exchange4media’s weekly magazine, Impact. In her last assignment as Business Insider’s deputy editor, she set up a new vertical for the publication to bring to life engaging stories from the world of advertising, media, and marketing.

    “Having interacted with some of the best global and Indian minds in advertising, marketing, and media over the last six years, I wanted to experience the ad world from even closer quarters,” said Banerjee on her new role. “I have been following Havas Group India and its progress work for a long time. When I met Rana and Pritha and heard about the future plans, the new initiatives, and most importantly the progressive culture they are building, I felt like being a part of this journey and building a stronger narrative.”

  • Aamir Khan dons delivery person’s uniform, plays triple role in new PharmEasy ad

    Aamir Khan dons delivery person’s uniform, plays triple role in new PharmEasy ad

    Mumbai: Consumer healthcare app PharmEasy has launched its latest campaign starring the new brand ambassador Aamir Khan in a quirky triple role of a delivery person. This fresh marketing campaign titled 

    #GharBaitheBaitheTakeItEasy was conceptualised and executed by FCB India.

    Comprising of three ad films directed by Abhijit Sudhakar and produced by Zigzag Films, the campaign has Bollywood actor playing a triple role of the PharmEasy delivery person who pops up in the oddest places and in the craziest manner to tell customers about all the offerings from the PharmEasy app and how all that people need to do now is ‘Take It Easy’ when it comes to all their healthcare needs.

    Shedding light on the storytelling, FCB India CCO Surjo Dutt said, “PharmEasy has a very distinct voice and tonality crafted over many years of commitment to disruption through humour. Our challenge was to stay true to this commitment and create a campaign that would take forward this legacy.”

    “The idea was to use Aamir Khan in a funny, unexpected, and effective way to create a campaign that is attempting to bring in many new users to the PharmEasy fold. Hence the triple role and the over-the-top style storytelling was thrown into the blender along with simple and clear benefits that the brand brings into the Indian consumer’s life,” Dutt added.

    Speaking on the collaboration, Aamir Khan said, “It is indeed a pleasure to work together with the PharmEasy brand, to help provide economical healthcare at each person’s doorstep. I feel that in today’s times, PharmEasy is providing an essential service, in a sector that is itself a fundamental requirement for all of us, and I look forward to this association.”

    With this collaboration with Aamir, the brand – managed by API Holdings said it hopes to further strengthen its belief in making healthcare accessible to every nook and corner of the country.

    “Collaborating with someone as versatile as Aamir Khan fills us with immense joy,” API Holdings CMO  Gaurav Verma said, talking about the collaboration. “With this association, we aim to reach more people while making affordable healthcare accessible to everyone. We are looking forward to a great collaboration with him this year and widening our reach through offerings and such campaigns.”

  • Binance becomes official crypto exchange partner of Grammys 2022

    Binance becomes official crypto exchange partner of Grammys 2022

    Mumbai: Global blockchain company Binance has partnered with The Recording Academy to become the ‘first-ever official cryptocurrency exchange partner’ for the 64th Annual Grammy Awards and Grammy Week events, including the inaugural Recording Academy Honors celebration. 

    “Binance will continue to work with The Recording Academy to bring various Web3 technology solutions and experiences to the organisation’s members, events and initiatives throughout the year,” said the crypto platform in a statement on Friday.

     “As we continue to evolve the Recording Academy for a rapidly changing music industry and for the next generation of creators, we feel that it’s important to work with innovative partners to explore new monetisation avenues for our members and create new experiences for music fans,” said Recording Academy co-president Panos A Panay. “As the leading player in the crypto and blockchain space and with its community-focused approach, Binance is the perfect partner for the Grammys and for our mission to empower music people around the world.”

    “We were impressed by the Recording Academy’s ability to meet changing demands by its community—this is something we mutually share as a company that puts users and people first,” said Binance co-founder Yi He. “Starting with the Grammys, we are excited to work together with the Recording Academy to bring fresh new experiences powered by blockchain and all the great things Web3 technology can bring to entertainment.”

    Additional details about the partnership will be announced at a later date.

    Live from MGM Grand Garden Arena in Las Vegas, SonyLIV will be exclusively streaming the 64th edition of Grammy Awards in India on 4 April at 5:30 a.m IST.

  • OOH on good recovery trajectory, to match pre-Covid levels soon: Experts

    OOH on good recovery trajectory, to match pre-Covid levels soon: Experts

    Mumbai: As the world accepts the ‘new normal’ and authorities uplift the Covid-19 restrictions, out-of-home (OOH) advertising has gained momentum once again and how. According to the industry experts, the OOH sector has matched the pre-Covid level by 75-80 per cent and it is expected to reach 100 per cent in the next four months.

    In this special report, IndianTelevision.com shed the spotlight on the most effective OOH medium and leading trends in the industry.

    OOH experiencing better recovery trajectory

    If we look at the initial days of the Covid-19 pandemic-induced lockdown and subsequent restrictions, OOH was one of the severely hit industries because the industry stands on the idea of being ‘out of home.’ 

    With the pandemic receding, the industry is witnessing significant growth now. JCDecaux Advertising India executive chairman Pramod Bhandula reveals that the industry has recorded 75-80 per cent business and will soon match the pre-Covid levels. “OTT, entertainment, and telecommunication brands are spending heaving on out-of-home advertising,” he tells.

    Explaining the reason behind this, Bhandula says the world has experienced a saturation point where there was no direct human communication, followed by a lack of new content too. “This turned out as an opportunity for OTT and entertainment industries as the blank period in between ignited the quest of viewers, increasing their interest in the new content,” he highlights.

    As a popular name in the OOH space, Bhandula also shares his analysis of the performance of the OOH industry since the first lockdown was imposed.  One thing which he emphasises is that the industry is on a good growth trajectory.

    “The first Covid wave followed by an indefinite lockdown brought a complete lull in the out-of-home advertising. Brands chopped down their marketing budgets and OOH was thrown at the back as the last priority in their budgets because the medium became insignificant during the lockdown,” he explains. “However, with the first unlock, the industry started registering momentum but was far from the regular business.”

    “The business started coming back by the end of 2020. Although the growth was slow, it was steady,” he further says.

    Bhandula feels that this steady growth helped the industry rise back carefully and if we do not experience another Covid wave, the industry will soon reach pre-Covid levels.

    OOH in metro gains momentum; OTT,  travel, and fintech top investors

    A Delhi Metro Rail Corp (DMRC) insider reveals that OOH advertising in Delhi Metro is experiencing growth like never before. However, most brands are more interested in digital out-of-home advertising but wrapping a train with advertisements still remains a favorite of many.

    “As the world has opened up almost completely, travel restrictions are removed by many countries and states. Interestingly, train wrap has become a favorite metro advertising trend among the tourism industry to woo the consumers with their eye-catching locations,” says the DMRC executive.

    On being asked what categories of brands are more interested in advertising in the metro, he reveals that 80 per cent of their overall OOH business is presently coming from OTT, travel, fintech, banking, and insurance brands.

    If we look back to 2021, when the world just experienced the deadly second wave of Covid, it was LIC, the largest Indian state-owned insurance company, who came forward with blunt advertising on Andheri metro station in Mumbai. In the same campaign, LIC took another bold move by acquiring digital screens spread across 12 metro stations and metro train wrap. Ever since we have experienced multiple short-term lockdowns, but the demand for metro advertising was stagnant among the brands to broaden the communication visibility.

    Digitisation remains a trend in OOH

    While the OOH industry is all set to grow even bigger, digitisation turns out to be the leading trend within the OOH space.

    A July 2021 report forecasts the value of the digital out-of-home (DOOH) market to nearly double in just seven years (from $18.8 billion to $35.1 billion, between 2020 and 2027). With the advantages digital OOH ads offer being opened up to a much wider audience thanks to new programmatic technology, this isn’t surprising.

    “When data is digitised, it plays a vital role in shaping the industry and with the implementation of new technologies like AI technology, it’s embracing the overall industry,” say OOH experts.

    OOH is experimenting with new technologies and trends too, from bright colors, to eye-catching animation and videos. With digitisation taking over in all industries, DOOH Media is rising as a notable trend in the OOH space. 

  • We plan to launch 97 new SKUs in makeup in the next quarter alone: Plum CEO Shankar Prasad

    We plan to launch 97 new SKUs in makeup in the next quarter alone: Plum CEO Shankar Prasad

    Mumbai: India’s online beauty and personal care market has witnessed a boom due to a shift in consumers’ buying behaviour during the Covid-19 pandemic. The estimated number of online beauty shoppers by 2025 is expected to be over 122 million, with a $5.6 billion market opportunity for D2C brands in the beauty and personal care segment, according to Customer Perception Report 2021. This comes at a time when the space has also been seeing increased traction from investors.

    Earlier last week, the homegrown vegan beauty brand Plum made news when it raised $35 million in fresh capital led by A91 Partners. A fast-growing player in the D2C beauty space, Plum has been strengthening its omni-channel presence, building new categories in addition to its core skin care category- across channels and categories in skin, hair, body, men’s care, and now makeup. The fresh capital is expected to add further momentum to the new-age brand’s game plan.

    IndianTelevision.com spoke to the founder & CEO of Pureplay Skin Sciences, the parent company of Plum, Shankar Prasad to find out more about the D2C startup’s road map, post the foray into new categories and the fresh capital infusion. Prasad also elaborates on the brand’s plans to scale up this year by aiming for a larger share in the beauty market following its entry into the competitive make-up category.

    Aiming for a larger share in the Beauty Pie

    From a business perspective, category and channel expansion is the way forward for Plum. The brand plans to deploy its series C funding on “marketing, technology, and people,” says Prasad.

    Speaking about the new make up products range launched by the brand, Prasad emphasises, “The fact that product efficacy goes hand-in-hand with the goodness of non-toxicity is appreciated by our consumers,” adding that what worked for the brand is its ‘skin loving makeup proposition’: “which is to say that our makeup is lightweight, nourishing, and free from toxins, apart from being 100 per cent vegan and cruelty-free of course.”

    The brand plans to build on this momentum and replicate the success across a full-face makeup range in the coming year. “We plan to launch 97 new SKUs in the next quarter alone. To put things into perspective, our current SKU count is 36, and we plan to take this to 143 by the end of the next quarter across eyes, face, lips, and nails,” Prasad further adds.

    Turning disruption into an opportunity

    The pandemic was a period of changing consumer behavior, when offline sales had come to a grinding halt and online transactions were the go-to. There was an overall increase in exploration and awareness of brands and content consumption during the lockdowns. The beauty industry was one of the biggest beneficiaries of this shift in consumer behaviour.  This had a direct effect on our business, agrees Prasad. “An increasing number of customers, even those who preferred shopping offline, were now turning to online avenues of buying, which gave a much-needed boost to all D2C brands, including us.”

    The D2C platform grew 2.5 times over the last year in terms of business. “We got over a million visitors a month on our platforms, with close to 35 per cent repeat rate on a 12-month period.” So while the brand’s makeup line took a hit due to people curtailing their discretionary spends and shying away from buying non-essential items, an increased awareness about hygiene gave a boost to its skincare category, a major part of its portfolio.

    The startup saw an opportunity in the reduced advertising costs due to the uncertainty in the market on the media front. “We increased our advertising spends to acquire new customers on our D2C and e-commerce channels.”  The brand also took cues from the shifting search trends as people were actively looking for products with specific ingredients, and innovated to launch products such as Aloe Vera Gel and Vitamin C Serum.

    The brand recently launched an ad campaign for the products with the millennial actor Mithila Palkar as brand ambassador. Prasad is happy with the response the campaign has garnered, referring to Palkar as ‘a natural fit’ for the brand, as she reflects Plum’s values of being ‘honest and real.’

    The D2C brand considers as its primary TG the young women across metros and tier 1 & 2 cities, typically in the age group of 18-34. “With increasing internet penetration, there is greater awareness around new-age D2C brands, not only in the metros but also in tier 1 & 2 cities and consequently, they’re increasingly gaining in share. So, we certainly see a huge opportunity here,” affirms Prasad.

    Betting big on social commerce

    Social commerce has been gaining momentum in the D2C space by virtue of its ability to educate and reach newer consumers, especially in the hitherto unexplored territories of tier 2 & 3 cities.

    Amid the convenience of shopping in the comfort of their homes, the experience of shopping was lost, feels Prasad. “Social commerce solves this by simulating such an experience through social networking sites such as Instagram, Facebook, etc. Higher customer engagement, personalised offers, increased average order value, faster decision-making towards the purchase, and ease of purchase are some of the benefits. Hence, it is a win-win situation for both the consumer and the brand.” Also, due to the interactive nature of the activity, feedback about the product from both the influencer and customers is rich and real-time, enriching the overall experience of the consumer and providing valuable insights to the brand, he stresses.

    Keeping this in mind, the D2C platform has a watch and buy section on its website, where users can watch the product being used and then make their purchases. It also has plans to leverage Instagram for social commerce soon, adds Prasad.

    Shaping an omni-channel presence

    Being a digital-first brand since inception, all its spends are digital and it plans to ‘aggressively’ continue down that road. However, with retail expansion, the brand plans to supplement its primary digital media with other channels such as radio, TV, OOH, etc. “With an increasing offline presence in terms of retail outlets, our consumer touchpoints need to increase proportionately and be relevant to our TG. In accordance with this, we plan to leverage other media such as OOH, radio, TV, print, etc. in the coming year.

    In keeping with the preferences of the new-age digital consumer, the brand also plans to be present on OTT media soon, as this will play a major role in expanding its reach to the right kind of audience.

    “From our consumer lens perspective, we are also looking at new-age digital consumers who are primarily cord-cutters (those who have cancelled their subscriptions to multichannel television services available over cable or satellite), which brings OTT channels into the mix.”

    Marketing road map and expansion plans for 2022

    The D2C’s focus is to maximise its reach on leading social media and video platforms such as YouTube, Instagram, and Facebook and a major chunk of its marketing expenditure would go on these digital reach-building channels, according to Prasad. “Our marketing spends are in the range of 25 per cent of overall sales and can even go up to 50 per cent at times.” The brand also has a robust influencer marketing program. “We have 1000+ influencers who we work with on a month-on-month basis as part of the affiliate program, which is called the ‘Plum List.’ Off late, we have been engaging with regional and vernacular influencers too, as these give us a very good return on investment.

    From a business perspective, the brand has been scaling rapidly in the offline space too. “We have three exclusive brand outlets in Mumbai and Chennai with plans to launch 50 in the next two years.” From a beauty industry lens, Prasad believes consumers these days are more aware of the products they use and also more conscious about the effect of their purchase on the environment. “This puts a spotlight on issues such as sustainability as brands will have to do more to live up to the consumer expectations,” he signs off.

  • Upstox encourages youth to ‘own their future’ in new IPL campaign

    Upstox encourages youth to ‘own their future’ in new IPL campaign

    Mumbai: Investment platform Upstox (also known as RKSV Securities India) has launched its Indian Premier League (IPL) 2022 campaign called ‘Own Your Future.’ The marketing campaign aims to encourage young Indians to participate in the equity market.

    The digital ad film showcases how one can “make your favourite companies work for you”- by buying their stocks, becoming a shareholder in them, and thus having the company and its management work to improve the returns.

    The brand has partnered with IPL ever since the cricket league was launched in 2008. The first two videos of the series were released along with the launch of Tata IPL 2022.

    “The campaign ‘Own Your Future’ intends to encourage more Indians to participate in the equity market and make the right investment choices through Upstox,” said Upstox co-founder Kavitha Subramanian. “Young Indians today understand the value of owning assets and building a portfolio, via owning shares in companies. There’s a huge rise in startup culture and they understand that even if everyone cannot be an entrepreneur, you can still own a share of a company, and participate in its long term upside.”

    “Just like IPL has redefined cricket, Upstox aims to redefine investments for its customers. We are positive that this campaign will help drive a culture of equity investment in India, as well as encourage more Indians to take charge of their financial future,” she added.

    The multimedia marketing campaign includes commercials on television, digital, and social media platforms. While digital has been employed to reach out to the target segments in metros and big cities, television will be dominating the media mix for tier 2 and 3 cities, the brand said.

     

  • IPL 2022: Spotify ups its marketing game with Leo Burnett India

    IPL 2022: Spotify ups its marketing game with Leo Burnett India

    Mumbai: Audio streaming platform Spotify India has rolled out a new multilingual campaign to leverage the ongoing Indian Premier League (IPL) season. The marketing campaign has been conceptualised and created by Leo Burnett India.

    Crafted on the insight that music makes life better, the campaign will include 15 films which will be aired in phases throughout IPL 2022. “IPL is one of the biggest sporting events of the country and is avidly watched across India, and with this campaign, Spotify hopes to strengthen its presence across all markets,” said the statement.

    The Spotify IPL campaign focuses on the power of music to help tide over even the most boring or tough situations one may find themselves in. The 15 film campaign is shot in Hindi for Hindi-speaking markets, in Telugu for Andhra Pradesh/Telangana market, and in Tamil for the Tamil Nadu market.

    “This campaign literally allows us to see situations through the filter of music, making us see humour even in a situation where you are stuck,” said Leo Burnett South Asia CEO and chief creative office Rajdeepak Das. “Keeping the signature Spotify humour intact, we’ve created a language native campaign that will hold appeal across the length and breadth of the nation. No matter what the situation, Spotify has the right music solution. Spotify ‘Sunte Ja’.”

  • Tara Sutaria becomes new face of Madame

    Tara Sutaria becomes new face of Madame

    Mumbai: Western wear fashion brand Madame has signed on Tara Sutaria as the face of the brand. As a part of the association, the Bollywood actor will endorse the spring-summer and autumn-winter collection of the brand.

    Madame is certain that its new collection and association with Sutaria will elicit excitement among its loyal clients as well as attract new buyers. “The collection will contain capsules such as Sorbet Blue, Lilac Sage, Indigo Breeze. Both clothing collections are aimed squarely at today’s women who desire to dress stylishly and keep up with the latest fashion trends,” it said in a statement.

    “We are delighted to partner with Tara to endorse our new collections of Madame,” stated Madame head of marketing and communications Sumedha Jain. “This is in line with our motto of supporting the modern Indian women who dare to achieve their dreams.  I think Tara is a wonderful representative of what our brand stands for. We want all the women to feel inspired and be confident about themselves.”

    Sutaria also expressed her excitement about this new venture as she said, “Confidence, paired with the perfect look, and you’re ready to take on the day. That’s why I’m excited to partner with Madame to bring all you lovely women the opportunity to ‘Make Now Yours’.”

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  • P&G India treads the green path, becomes ‘plastic waste neutral’

    P&G India treads the green path, becomes ‘plastic waste neutral’

    Mumbai: Consumer goods major Procter & Gamble (P&G) India said it has become ‘plastic waste neutral’ in the past FY, April 2021–March 2022. The company made this announcement during its ‘It’s Our Home Sustainability Summit’ held here on Thursday. With this, P&G becomes the first few FMCG companies in India to achieve plastic waste neutrality.

    “The company has collected, processed, and recycled over 19,000 MT of post-consumer plastic packaging waste from across the country which is more than the amount of plastic packaging in its products sold in a year,” said the conglomerate in a statement.

    P&G India also announced that it will set up two more in-house solar plants at its manufacturing sites in Goa and Mandideep in India. This is in addition to the existing in-house solar plant that the company set up at its Hyderabad manufacturing site in 2021. P&G will be among the first few FMCG companies in India to have three in-house solar plants across its manufacturing sites, according to the consumer goods major.

    P&G is working with recycling partners across 75 cities in India to collect plastic which is then sent to different recyclers, waste to energy plants, and cement kilns. In addition to recycling, the company has also made a deliberate effort to reduce the packaging material and in the last five years has reduced usage of packaging material by more than 5,000 MT, according to the statement. 

    “We are proud of the significant progress we have made on environmental sustainability, and achieving ‘plastic waste neutrality’ is a key milestone in this journey,” said Procter & Gamble – Indian sub-continent CEO Madhusudan Gopalan. “Plastic waste does not belong in the environment, and we will continue to partner with multiple stakeholders in our efforts to reduce and recycle packaging waste.”

    “We are also taking a deliberate approach to reducing the impact of our operations, and setting up in-house solar plants is a step in this direction. We have made strong progress across our brands, our supply chain, our operations with support from our partners and employees. We are fully committed to making a positive impact in the world and creating a sustainable future for generations to come,” he further said.

    In recent years, the company has made significant progress on environmental sustainability which can be seen across its operations and brands. According to the company, these include:

    ·       All P&G manufacturing sites in India are ‘zero manufacturing waste to landfill’

    ·       Five P&G India sites have already achieved the 2030 P&G global target of 35 per cent water efficiency

    ·       P&G India purchases 100 per cent renewable electricity for all its manufacturing sites in India

    ·       P&G’s fabric care brands in India Ariel and Tide continue to be phosphate-free since 2015, thus helping preserve the quality of water resources

    ·       The liquid detergent bottles of fabric care brand Ariel are recyclable

    ·       Using recycled material in the packaging of its baby care and feminine care products which will reduce the usage of 500 MT of virgin plastic annually

    The conglomerate further said it aims to achieve net-zero greenhouse gas (GHG) emissions across its operations and supply chain, from raw material to retailer by 2040.