Category: MAM

  • Levi’s launches ‘change your world’ campaign

    MUMBAI: On the occasion of Levi‘s completing its 15 years in India, the American jeans and casual wear brand has launched the “Change Your World” campaign which aims to reach out to consumers on several levels such as music, art, or symbols of Americana.
     
    As part of the campaign, Levi‘s will identify 15 youngsters who will embody the brand‘s personality, and will bring about change in their own way, in their own worlds.


    Levi‘s will then support them with grants of Rs 1 lakh each to help turn their Change Your World dream into reality. 
     
    Additionally, as part of this initiative, is a parallel effort to bolster the young rock scene in India. The brand plans to identify one promising band who will get a shot at fame and glory, by getting them a Levi‘s produced music video featuring Priyanka Chopra, and a chance to perform a three-city tour. 
     
    Said The Levi‘s Brand – India marketing director Shyam Sukhramani, “The ‘Change Your World‘ campaign is truly a marvelous way to mark this milestone in the company‘s history. We owe our success to the army of Levi‘s wearers who choose and wear the brand with a great sense of passion. ‘The Change Your World‘ movement seems like the most appropriate way to give back to them.”

  • Right management of brand conversation online will help build brand success: Pinder

    CAVELOSSIM: While creating online buzz for brands could lead to only generating noise for consumers, the right management of brand conversation across the platform could have a huge co-relation to the future success of the brand, stated Publicis Worldwide CEO Richard Pinder. 
     
    While addressing the audience in a session at Goafest 2010, Pinder said, “Conversations about a brand happen everywhere. The conversations could be both negative as well as positive. Controlling or censoring negative conversations does not generally work as has been evident in some cases where negative online conversations were taken down. This resulted in more negative conversations and further control of these conversations resulted in even more damage for the brand.”


    Pinder, thus, noted that the role of agencies should be to manage the online conversations so that there were many people speaking positively about a brand and fewer people speaking negatively about it. 
     
    Pinder cited a study by the London School of Economics which showed that brands most recommended in categories grew four times faster than the category average and another study by Bain Consulting showed that increasing recommendations of a brand by 12 per cent doubled the sales growth of the brand.
     
    However, ending on a cautious note about the use of a judicious mix of media, Pinder said, “Obama did not win the US presidential elections because he knew how to use facebook. He did a brilliant job on facebook, but he spent just 4 per cent of his money on the web and an enormous amount of money on TV, more than any other president has spent so far.”

  • Do things differently to stay fresh: Collin

    CAVELOSSIM: The refreshing words came from Naked Communications partner Will Collin who was speaking at the ‘Knowledge and Learning’ seminar on day 2 of Goafest 2010. “Freshness is not about doing different things, it’s about doing things differently,” he said.


    Freshness in communications means truly embracing integration and changing the way things are done. It means asking what you are actually planning for. True freshness in communications means challenging anything including the way things are done. Freshness is not about finding newer ways to get to the same place or chasing shiny new things. The integrated strategy should be built around the needs of the consumer rather than the desires of the client.
     
    Freshness in communications comes in lifting your head up and recognising the core problem, not jumping to defining a solution. “We are all of us carrying a legacy of irritation,” said Collin. Freshness in communications means avoiding irritation which is a legacy that still rules the thought processes in advertising.


    Everything that a brand does is a communication. Agencies are obsessive about details of the content and text and forgetting style.
     
    Collin gave an example of a large UK bank campaign with the tagline ‘You first’. This was a bank that spent millions in brand communication but did not integrate the message within itself, at one of the very first contact points with the customer – the telephone response system. The bank failed to keep up to the communication, because the telephone operators were not trained to respond to even the most basic questions from a prospective customer–“How do your bank put me first?”


    Freshness means not living in silos that exist on both the client’s and the agency’s sides without being connected, because each of the disciplines in an organisation has its own bottom line to meet.


    Freshness means never being compromised. There was a need to think objectively about what was needed. Each specialist in the ad industry is an expert in its own discipline and is commercially sensitised to optimizing its own self. Further, agencies are like supermarkets that often offer a diverse range of services. Advice needs to come from an objective place, a strategic censor who sits outside a communications strategy agency which can see the whole picture.


    Freshness is not about chasing shiny new things. He cited a case of a client which needed to reduce its online exposure and was so advised. “Don’t do the cool thing, do the right thing,” says Collin.
     
    “Freshness in communication doesn’t mean that you have to be sexy,” cautions Collin. “In brand communication, unsexy can be the new sexy if it is a holistic process to deliver profitability to the brand.” Collin highlighted this with an example of a European pharmacy Boots which went back to the basics by placing a message at the first contact point, the retailer, for filling a medical prescription. Boots managed to reduce its ad spends by 68 per cent and yet achieved a 104 per cent increment in revenues by adopting an unsexy strategy – placing its message on a signboard at the retailer and training and incentivizing the clerk who filled in the prescription to sign on more clients for online prescriptions.


    Freshness means understanding your audience. “People are your partners and not target audiences,” he warns. The industry has been using warlike terms such as campaign, target, carpet bombing, conquer, guerilla tactics etc., “Why not think of the journey that a consumer makes from being an uninterested person to building an interest and making him a consumer through the relevant and effective channels and touch points?”, he queries.


    Communication means overcoming memory muscles. It is not just about trying to add a few extra things around the edges. “You can’t change things to fit the way you work, you have to change the way you work,” he said.

  • Media Abby Awards: Lodestar Universal, Mudra Max win top honours

    CAVELOSSIM: Lodestar Universal and Mudra Max have been awarded with three golds each for Media Abby at Goafest 2010, the maximum catch for any agency this year.


    Tata Nano, the cheapest car in the world, blessed Lodestar Universal with three golds – for mix media strategy, print and radio.


    For Mudra Max, the golds came for their work on Big Pictures’ Paa (television) and Aircel (which won one each for outdoor & ambient media and special event & stunts/live advertising).


    Meanwhile, Maxus took home the maximum metals, aggregating to 11.
     
    The agency won one gold for its work on Vodafone (radio) and five silvers for Vodafone (television), Tata Sumo Victa (cinema), Nokia 5800 Xpress Music (radio), Nokia Music store (Internet & Digital Media) and Nokia Xpress Music 5130 (sponsorship).


    Additionally, Maxus won five bronze metals for its work on Nokia N97 (cinema), Nokia 6700 Classic (branded content), Red Bull (special event & stunts/live advertising), Nokia 5800 Xpress Music (radio) and Nokia 6700 Classic (branded content). 
     
    This year’s Media Abby received 484 entries against last years’ 415, a 15 per cent increase. The jury of 65 members, headed by Lodestar Universal CEO Sashi Sinha, pared this number down to 81 and finally 39 metals were awarded. Of the 14 categories, awards were given for 13, with no award for the best use of vertical category.
     
    The handing over of the awards came with a twist, or an additional delight – the winners of metals had to ring a UTV Bindaas gong either on or after receiving the award.


    “Quality wise, entries from mixed media and internet were quite good, while those from television were of middling to average quality,” revealed Sinha during a media interaction. “There is no Grand Prix for the media awards at Goafest,” he added.


    A peep into the detailed winners list:



























    MEDIA Abby AWARDS – 2010
    Best Use of Television

    Company Name

    Caption

    Brand Name

    Award

    Mudra Max

    The film god speaks on India‘s biggest religion

    Big pictures-Paa movie

    GOLD

    Maxus

    Zoo Zoo Marathon- World‘s First Advertisement

    Vodafone

    SILVER

    Mediacom

    Gillette Mach 3 Shave India Movement

    Gillette Mach 3

    BRONZE





















    Best Use of Cinema

    Company Name

    Caption

    Brand Name

    Award

    Maxus

    India‘s first Lyricode

    Tata Sumo Victa

    SILVER

    Maxus

    Live Cinema template of advertising N97 Cinema Widget

    Nokia N97

    BRONZE


























    Best Use of Newspaper & Magazine

    Company Name

    Caption

    Brand Name

    Award

    Lodestar Universal

    How we said it uncommonly

    Tata nano

    GOLD

    Mindshare

    Surf Excel – Nanhe Patrakaar

    Surf Excel

    SILVER

    Mediacom

    The day Volkswagen took India by Storm

    Volkswagen

    BRONZE


























    Best Use of Outdoor & Ambient Media

    Company Name

    Caption

    Brand Name

    Award

    Mudra Max

    Aircel – History in the making

    Aircel

    GOLD

    Loadstar Universal

    The power of Nano Innovation

    Tata Nano

    SILVER

    Mindshare

    To do not to do is this question

    Domex

    BRONZE































    Best Use of Special Event & Stunts/Live Advertising

    Company Name

    Caption

    Brand Name

    Award

    Mudra Max

    Aircel – History of making

    Aircel

    GOLD

    Lintas Media Group

    “Beep of Biking”

    Bajaj Pulsar

    SILVER

    Mudra Max

    The Lemon Pattalam (Army)

    7 UP

    SILVER

    Maxus

    Empty Tin-cans make 10,000 heads turn

    Red Bull

    BRONZE































    Best Use of Radio

    Company Name

    Caption

    Brand Name

    Award

    Maxus

    From Awarness to conversions in 30 sec

    Vodafone

    GOLD

    Lodestar Universal

    Creating a Nano Parlance

    Tata Nano

    GOLD

    Maxus

    Nokia 5800 – Midas touch

    Nokia 5800 Xpress Music

    SILVER

    Maxus

    Nokia Music Xpress

    Nokia 5800 Xpress Music

    BRONZE































    Best Use of Internet & Digital Media

    Company Name

    Caption

    Brand Name

    Award

    Mindshare

    Shock to life with a code

    Nike

    GOLD

    Maxus

    Shock “em but pleasantly at their moment of truth

    Nokia Music store

    SILVER

    Mediacom

    Gillette Mach 3 Shave India Movement

    Gillette Mach 3

    BRONZE

    Mindshare

    Television‘s moment of truth on social media

    Star Plus

    BRONZE


























    Best Use of Sponsorship

    Company Name

    Caption

    Brand Name

    Award

    Maxus

    No TVC Approach

    Nokia Xpress Music 5130

    SILVER

    Mindshare

    Sunsilk – Blue Carper

    Sunsilk

    BRONZE

    Media Edge : CIA

    Wild card Princesses

    Nivea Visage

    BRONZE


























    Best Use of Branded Content

    Company Name

    Caption

    Brand Name

    Award

    Mudra Max

    The film god speaks on India‘s biggest religion

    Big pictures-Paa movie

    BRONZE

    Loadstar Universal

    Station Docomo

    Tata Docomo

    BRONZE

    Maxus

    Nokia meets kaminey

    Nokia 6700 Classic

    BRONZE


























    Best Use of Mix Media

    Company Name

    Caption

    Brand Name

    Award

    Loadstar Universal

    The power of Nano Innovation

    Tata Nano

    GOLD

    Loadstar Universal

    Do the new

    Tata Docomo

    SILVER

    Madison Media Infinity

    Pehali Tareekh – A Must on the First

    Cadbury Dairy Milk

    BRONZE


























    Best Use of Never Before Media

    Company Name

    Caption

    Brand Name

    Award

    Mindshare

    Coming to life with a code

    Nike

    GOLD

    Lodestar Universe

    Nanovatrions

    Tata Nano

    SILVER

    Lodestar Universe

    Don‘t throw away your used cinema ticket, its valuable

    Van Heusen

    BRONZE





















    Best Use of Youth Marketing

    Company Name

    Caption

    Brand Name

    Award

    Mindshare

    AXE – “Call me”

    AXE

    SILVER

    Maxus

    Is your media worth conversation

    Red Bull

    BRONZE





















    Best Use of Pro bono Marketing

    Company Name

    Caption

    Brand Name

    Award

    Lodestar Universe

    Sache ko chune, Ache ko chune

    National Election Watch & Association for Democratic Reforms

    SILVER

    Mudra Max

    May i help you

    National Association for Blind

    SILVER













    Best Use of Vertical marketing

    Company Name

    Caption

    Brand Name

    Award

    No Award

  • Brands need to be creative in fragmented environment


    CAVELOSSIM: The first panel discussion of The Business Conclave session of the fifth edition of Goafest 2010 on Time to Grow – Brand and Creativity was moderated by Mudra Group managing director and chief executive officer Madhukar Kamath.


    Answers were sought for pertinent questions such as – For a developing market like India, are our brands growing fast enough? Is creativity rising to the occasion to drive and grow brands? Given the increasing noise and clutter in Indian Media, has creativity risen far enough to make brands stand out and make an impact?


    If one were to go by awards, then it has. But what do the figures from markets and brand tracks reveal? And what do advertisers say based on what is happening in the market place?
     
    The panel members were Nielsen Asia’s managing director Piyush Mathur (The story of brand growth); Millward Brown’s chief creative officer & director Global Solutions Board Shiv Moulee who spoke on the emerging story on brand tracks; HUL’s VP (Haircare and Lame event) Rajaram Narayan; O&M’s Piyush Pandey (What we need to do make advertising sell better?); and Yahoo’s CEO Arun Tadanki ( Digital- the missing link in Advertiser’s armoury).


    Mathur who has returned recently from abroad after more than a decade, kicked off the discussion lauding Indian creativity saying that it was world class. He spoke of ‘Indovation’ (Indian innovations’ such as the Nano, thumbprint banking for the uneducated, etc.), a term coined by a Cambridge university pundit.


    Mathur spoke of the clutter in the television space with the number of channels growing from 340 in 2006 to 430-plus in 2009 in India and the drop in share of leading channels by 40 per cent though ad spends had dropped by 10 per cent.


    Though media expenses headed south due to the global meltdown, FMCG and durables ad spends had shown double-digit growth in that period, informed Mathur. He said that rural was a great opportunity for brands, since people were moving from commodities to brands in these segments.
     
    Moulee said that in a large market like India, the GDP of a state surpassed those of some nations. He cited the cases of Maharashtra and Punjab whose GDP exceeded that of New Zealand and Kenya respectively. He informed that company sales were mostly in sync with the state GDP’s in each state in India.


    Emphasizing the importance of creativity for brands, Moulee cautioned: “Fragmented categories are a new reality today, the level of branding engagement has declined. The nature of engagements has also changed since people bond with brands. Challenge for advertising begins at the starting point – cutting through the clutter.”


    Narayan agreed with Moulee but said that Indian advertising is being held back by lack of creativity or media support. He also observed that the spends have come down, though India continued to be ahead in terms of growth compared to the rest of the world. “Advertisers are recalibrating after the slow down. The recovery for advertising will not keep pace with growth in India’s GDP, ” he cautioned.


    He noted that as brands grew, the battle rules were changing and advertising had to compete with other levers for growth. Development of the right kind of capabilities were needed to push brand growth forward.
     
    Pandey posed the question to the advertising fraternity – “Are we serious about advertising or do we need to sell more?” He said that the clients were busy throughout the year researching advertisements and then playing it safe by not allowing agencies to be creative, while agencies were busy spending money for stuff that did not make sense to win awards.


    “One side wants to see advertising as a science while the other sees it as an art. Advertising is not a science; everybody would be doing it otherwise. It is a commercial art,” he said.


    Tadanki said that advertisers had inaccurate perceptions and impressions about the digital medium. He cited the example of Indian Englsh newspaper advertising with a reach of 16.7 million attracting Rs 68 billion of ad spends as opposed to the internet with almost three times the reach at 49.6 million garnering only Rs 6.5 billion. He said that the reach of the internet was more than just Sec A as 34 per cent of the internet came from the top 8 metros, 33 per cent were from Sec. A, and 22 million users came from the 25+ years segments. He said that the reach of the internet was comparable to English television.


    “Consumers have moved online, advertisers haven’t kept pace,” he bemoaned, while citing the case of a leading automobile brand which had 80 per cent of its prospective buyers as internet users. The brand spent just 3 per cent of its ad budget on online advertising.


    “Sub optimal allocation will not get the results for any medium. Try radio advertisement with just Rs 500,000 or place just two billboards ads in Delhi – will that show that radio or outdoor advertising is working?”, he queried.


    Tadanki said that unlearning of measures such as clicks was required since this was an inaccurate method. “What of the 99.5 per cent of the users that saw the ad but never clicked?”


    Internet could be used for brand building, and was a means to communicate the brand message with measurable impact on brand health. Attention, however, needed to be paid to creative output since most agencies delegated the creative work to an inexperienced person or a trainee.

  • Goafest: India on the right side of history, Chinese branding to grow

    CAVELOSSIM: India is on the right side of history and the time has come for the advertising industry to grow, experts said.


    The size of the Indian advertising industry is just 0.4 per cent of the country’s GDP, as against almost one per cent in the case of the US, indicating a latent potential for faster growth to drive consumption.
     
    “After growing at such a rapid pace for the last five years, the advertising market dipped by 10 per cent in 2009. It is now time to grow, to develop brands, markets, research and creativity,” said Madison World CEO Sam Balsara, while speaking at the fifth edition of Goafest 2010.


    The advertising market is underdeveloped in India compared to many developed and developing countries. India contributes to 17 per cent of the world population but is only 0.7 per cent of the global advertising market, prompting a need for agencies to look for new business models. 
     
    Delivering the keynote address for the session ‘Time to grow’, JWT China CEO Tom Doctoroff shared insights into the growth of the advertising industry and its future in China.


    Doctoroff pegged the Chinese market at about $30-35 billion with around 500 million consumers. “China could learn a lot from India,” he said. “China is a market which has tremendous growth potential. I see it as one of the largest markets for advertising the world over,” he added.


    Explaining the Chinese psyche, Doctoroff said that Chinese like order and the industry was moving from chaos to order with big brands ruling the roost there.


    Explaining the nuances of the Chinese mind, he said that the Chinese consumer felt that brands projected stability, sanity and identity status. Chinese believed that stability was a platform for forward movement for the clan rather than the individual. Nationalism in China is a powerful motivator, he revealed.


    The Chinese mind perceived brands as badges of success, as status projectors. “China is a market where scale counts, big brands count, being present in every corner of every retail store counts,” Doctoroff said. “The future is bright for local branding in China.”
     
    He informed that with 625-plus TV channels there was a 250 per cent supply of colour TV which has resulted in a 47 per cent drop in prices over the last three years. Though local branding, which was a new phenomenon here, had risen from just 2 per cent a few years ago to around 45 per cent in the case of JWT China, it was chaotic rather than organised. The local brand message was manufacturing jargon – as if by official state dictates and announcements rather than by consumer driven insights.


    Doctoroff presented a case study of one of the local brands, Anta Shoes, handled by JWT China and how it had grown to compete with well known international brands in China from just a $100 million company to a $ 1 billion company in 2009 with projections of $1.5 billion for 2010.


    JWT used every possible branding opportunity to convey Anta’s oneness with the Chinese, he informed.
     

  • Goafest 2010: Reduce ad inventory to rationalise rates

    GOA: In a scenario where the top 20 Indian broadcasters suffer a combined loss of $39 million, a possible way out is to reduce ad inventory to rationalise rates.


    “TV broadcasters need to unify and consolidate to reduce ad inventory from the current average of 23 minutes per hour to help rationalise ad rates,” said UTV Software Communications CEO Ronnie Screwvala, while speaking at the fifth edition of Goafest 2010.
     
    Elaborating further, Screwvala noted that an increasing number of channels, segmentation and fragmentation are pushing ad rates southward.


    Star India CEO Uday Shankar also echoed the thought that broadcasters are hurting and the time had come to address several issues. “Though television ad revenues had gone up by 16 per cent in 2009 and some of the broadcasters such as the Zee group did report profits, the top 20 broadcasters incurred losses to the extent of around $39 million in the year,” he said.
     
    The main causes are high cost of content (up by 40 per cent year-on-year in the case of GECs), personnel (up by 40-45 per cent) and carriage fees (up by 43 per cent).


    Though the mobile and the television industry started around the same time, the former is now a $25 billion industry with around 500 million connections and 400 million users as opposed to the television sector which had a reach of about 520 million and revenues of just $2320 million, rued Shankar.


    Both Screwvala and Shankar urged for a suitable measurement matrix that would go beyond households to other aspects such as innovation.


    The panel discussion on “Time to grow the advertising pie” was moderated by Lintas Media Group chairman and CEO Lyn deSouza. 
     
    Lodestar Universal CEO Sashi Sinha noted that CPT (cost per thousand) was one matrix that could be used across all media platforms. He also noted that there was scope for entry of more television channels, print magazines and multi-niche players in India.


    The Times of India Group executive president (response) Bhaskar Das said that the print sector needed to innovate further to drive in ad revenues which stayed almost flat last year.
     

  • Emami signs 3 Indian cricketers to endorse Zandu Balm brand

    MUMBAI: Emami has roped in Virender Sehwag, Amit Mishra and Dinesh Karthik to endorse its Zandu Balm brand.
     
    Under the contract signed, the three cricketers will play brand ambassadors for the product for two years. 
     
    The company has roped in Genesis as its creative agency. A TVC, directed by ad man Prahlad Kakkar, will launched in June.
     

  • ZME partners with UK firm to develop branded Indian content

    MUMBAI: ZAPP Media & Entertainment (ZME) has partnered with UK-based Grand Central Entertainment (GC) to launch an independent branded content division that will create branded shows for Indian audiences.


    Under the agreement, GC, which has brand-funded programmes in the UK and Europe such as The Big Idea for Vodafone, Connect The World for Skype and GT Academy for Nissan, will provide its expertise to ZME to help offer fully developed content for marketers and advertisers. 
     
    Says ZAPP Media & Entertainment co-founder Pradeep Prabhu, “We will use GC‘s expertise to create content that is engaging and entertaining for consumers and effective for marketers and advertisers. With GC, we will also move the industry beyond audience measurement and focus more effort on audience engagement. It is strategic marketing v/s tactical marketing. I am confident that our experience in the western markets will give branded content a different dimension in the Indian television industry.”


    ZME is in talks with various broadcasters for developing branded content and initially plans to tap audiences through niche channels and the general entertainment route.
     
    “The choice of content depends absolutely on what the brand‘s requirement is and its target audience. So depending on the requirement we will be developing the requisite formats and approaching the necessary broadcasters,” explains Prabhu.


    The company is also working with various corporates to launch branded content shows on other interactive media platforms.


    Says Grand Central Entertainment co-founder Rabin Mukerjea, “The old adage of ‘content is king‘ has never been more true or more important. In an increasingly fragmented, ad skipping, ‘surf-the-internet-whilst-watching-tv‘ universe of TV viewers. The advertisers that benefit most will be those that harness the power of content to engage this newly empowered public. 
     
    “There is no media market as vibrant and entrepreneurial as India‘s is right now and through our partnership with ZAPP, we aim to work with forward-thinking brands, broadcasters, agencies and producers to create properties that represent the perfect storm of viewer entertainment, strategic engagement and media value,” Mukerjea adds.
     

  • Fifth Estate Communications wins Kirtilal Kalidas Jewellers’ media biz

    MUMBAI: Kirtilal Kalidas Jewellers has awarded its creative and media duties to Chennai-based Fifth Estate Communications.
     
    The account size is pegged at Rs 50 million.
     
    While Grey Bangalore was the incumbent agency for the retail stores creative duties, Mindshare Chennai was handling the store‘s media duties.
     
    Fifth Estate managing director Ganesh Baliga says, “We will be using multiple mediums to promote the brand. In addition to getting into television, we would be looking into getting into print in particular lifestyle magazines and direct to home marketing.”