Category: Brands

  • All eyes on Maggi’s relaunch campaign as brand clears lab tests

    All eyes on Maggi’s relaunch campaign as brand clears lab tests

    MUMBAI: If you are a loyal Maggi patron who has been pining for the product’s return to the market, it’s time for a fist pump. ‘The two minute noodles’ have been declared safe for consumption by the testing labs, announced Nestle India on Wednesday. The newly manufactured stocks have cleared all the three lab tests authorised by the Bombay High Court, and Maggi is expected to hit the shelves by this November.

    This isn’t good news for just Maggi lovers, but for the company’s investors as well. Since the news was out, Nestle’s share prices saw a surge. As compared to its previous day’s close of Rs 6234.35, the company’s stock was up 12.80 per cent at end of day’s trade on 4 November to close at Rs 6247.15. The stock opened at Rs 6256.85 and touched an intra-day high of Rs 6479 and a low of Rs 6220.80.

    The popular FMCG product came under scrutiny after more than permissible amount of lead was found in it, which eventually led to the product being taken off the shelf.

    To read more on Maggi’s ban from the market, click here.

    But Maggi’s fight to win back its lost reputation, and make up for its absence from the brand space doesn’t stop at government clearance.

    The industry’s eyes are trained to see what the brand pulls off on its marketing and advertising front, given that Maggi’s return could be the biggest brand come back of the year.

    A precursor to which we saw in a slew of short videos that Nestle recently launched on its official YouTube channel. These managed to evoke nostalgia for the brand, even when the product was off the shelf.

    Responding to the many love letters from loyal fans on social media, Maggi released six videos each ending with a ‘Miss You’ message. Conceptualised by McCann Worldwide, which handles Nestle’s corporate campaigns, the campaign instantly grabbed eyeballs with #WeMissYouToo spreading across social media.

    In a later interview to a leading business daily, McCann Worldwide India CEO Prasoon Joshi had said that the campaign was an instinctual response to what was being said on Twitter and Facebook.

    While Publicis Worldwide remain the creative agency for Maggi, Joshi is heralding the re-launch campaign for the brand.

    The campaign may have tugged at the heartstrings of a few, but according RK Swamy Hansa Group chairman and International Advertising Association (IAA) India chapter president Srinivasan Swamy the campaign hit the market “a little late in the day.” Swamy also feels that the campaign was mostly targeted towards opinion makers, and not at the core consumer base of the product, which is a larger number than Twitter and Facebook’s audience.

    “I feel that for a FMCG product, social campaign through Facebook may not be adequate. They must employ mass media to engage with their consumers. The audience that they can reach through Twitter and Facebook, is small compared to its huge consumer base,” he says.

    Digitally Maggi may have made an effort to remain alive in our memories, but the volume the product lost from the shelves is not going to be regained by a campaign. It is going to be a long drawn out process, where the brand will have to make use of the mass media more aggressively, keeping digital as one of the peripherals, feels Swamy.

    And that is precisely what the brand has done with their recent full page ad in a national daily. Meanwhile, the company has been playing up Maggi’s safety.

    “Your Maggi is safe, has always been.” – is what the ad reads before it goes on to explain that 3,500 tests conducted in India and abroad by food standards authorities in the US, Canada, the UK, Australia, New Zealand and Singapore have pronounced the noodles as “safe for consumption.”

    During the ban, Nestle India lost advertising inventory of about Rs 10 crore due to Maggi recall although they aired commercials of Nescafe or KitKat in all advertisement slots booked for the instant noodles brand. Nestle notified broadcasters and other media houses in India to stop publishing Maggi ads till the next directive is issued.

    Nestle India is known for their conservative spends on marketing and advertising. Between 2010 and 2014, Nestlé India’s spending on advertising and sales promotions was between 4.2 per cent and 4.8 per cent of total income. With a powerful and impactful campaign in the queue, market analysts predicts a sea change in their spending in the sector, which may even go up to seven per cent.

    While not revealing any figures, Nestlé India’s new managing director Suresh Narayanan, had earlier stated that the company would “spend more on advertising, marketing and promotions across categories to counter impact on sales caused by the Maggi ban.”

    “They have to spend more on marketing and advertising if they even attempt to relaunch the product,” says BBH India CEO Subhash Kamath. “The brand has been off air for a while now. They need to come back with a bang and to be more credible and visible to their consumers,” he adds, saying that the company should spend a portion of their marketing spends in the initial phase of the re-launch campaign.

    This isn’t the first time that a popular household product needed a comeback campaign after they went off shelf for a period of time. Remember Cadbury Dairy Milk’s come back campaign with Amitabh Bachchan, conceptualised by the maverick ad man Piyush Pandey?

    Kamath recollects how Cadbury had re-packaged the product with an extra layer and brought it back to the market to convince its consumers, and how a similar approach may work for Maggi as well. “Credibility is something the brands need to earn, and campaigns can just assist it. Cadbury did a very good job at that time. Maggi will probably have to do the same thing.”

    Having said that, going the celebrity way to earn this credibility may not work for Maggi.

    “Bachchan Ji had a certain credibility in the eyes of the people at that time. It was possible for him to convince the consumers of the products lost credibility. Consumers today are more skeptical. They wouldn’t buy any product just because their favourite star is selling it. Chances are, Maggi wouldn’t go the celebrity way. They may prefer the testimonials of consumers and facts for their campaign,” opines Kamath.

    Incidentally, Bachchan was also one of the endorses of Maggi some years back.

    Going ‘bold and confident’ is the only way Maggi can pull this off, opines Grey South and southeast Asia chief strategy officer Dheeraj Sinha, who has also penned the book India Reloaded. “The biggest thing that the consumers will be looking out for in Maggi’s first relaunch campaign is the air of confidence. Their message to the consumers should be emphatic about the fact that they are back. And that should be sufficient,” he says, adding that evoking any more nostalgia and emotions may undo the campaign.

    Commenting on the pressure on the products marketing team, Swamy adds, “It is an interesting challenge for the brand marketers and their creative agencies. They must obviously take multiple approaches to strategise this relaunch. I don’t believe that the marketers are sweating under the pressure. I believe they will be closely monitoring the first communique that the brand will put out in the public, and evaluate the same. This is an important re-launch for them and they have to get it right. Irrespective of what the campaigns may say, consumers take a while to respond to these changes.”

    It is interesting to note that as per a survey conducted by Airloyal’s GeInsights, 73 per cent of the respondents said that can’t wait to get their hands on a packet of Maggi, while 27 per cent are still a little unsure of its safety.”

    However, sample base for the responders form a small section of the product’s total consumer base, therefore whether this survey reflects the true guideline for the campaign is still something to wait and watch for.

  • 20th Century Fox to open branded resort in Dubai

    20th Century Fox to open branded resort in Dubai

    MUMBAI: Twentieth Century Fox Consumer Products has inked an international licensing partnership with Al Ahli Holding Group to build a Fox-branded theme park and resort in Dubai.

     

    This will be the second 20th Century Fox World theme park and the first Fox-branded resort. The deal allows for a roll-out of up to three additional Fox-branded resorts in territories outside Dubai.

     

    20th Century Fox World, Dubai, an immersive entertainment destination, will encompass themed lands featuring unique attractions, rides and retail outlets that will bring to life the studio’s iconic film and television franchises. The licensing partnership with AAHG also calls for the creation of the world’s first Fox-branded resort, where themed rooms and dining opportunities will offer visitors a chance to further immerse themselves in the entertainment brands and rich history of 20th Century Fox. 

     

    Highlights of 20th Century Fox World, Dubai will include: 

     

    – Theme park consisting of themed lands and attractions based on Fox properties, including, Ice Age, Rio, Planet of the Apes, Aliens, Predator, Night at the Museum and Titanic, The Simpsons and Sons of Anarchy.

     

    – A broad attraction mix, ranging from media-based dark rides to thrill rides that will tell new stories based on Fox film and television brands. 

     

    – A themed retail street featuring unique shopping and dining based on Fox properties. 

     

    – The world’s first Fox-themed resort hotel. 

     

    “20th Century Fox World, Dubai is the second Fox theme park destination and marks an important step forward in our global theme park strategy. Fox World will be a world-class destination that will help fuel Dubai’s emergence as a global tourism destination. This park builds on the foundation being laid by 20th Century Fox World, Malaysia, currently under construction,” said Twentieth Century Fox Consumer Products president Jeffrey Godsick. 

     

    Al Ahli Holding Group CEO Mohammed Khammas said, “AAHG’s history in the genre of entertainment is replete with successful partnerships with top motion picture studios. We pride ourselves in understanding the pulse of the audience and catering to it with novel and breakthrough projects.”

     

    “Fox’s rich history of great entertainment-based intellectual properties from movies, television shows and animation concepts will help us spearhead this project and add value to our latest offering in the global entertainment space. As part of our international deal with Fox, we look forward to building these attractions and resorts globally starting with Dubai as the first location and additional Fox branded resorts that we hope to open across other territories in the future,” added Khammas.

     

    “We are thrilled to partner with Al Ahli Holding Group on this exciting project. 20th Century Fox World, Dubai will provide an ongoing platform for immersive brand engagement with our consumers from around the world, including key international markets of Europe, Russia and China,” said Twentieth Century Fox Consumer Products senior vice president of global live and location based entertainment Greg Lombardo.

     

    “The synergy created by AAHG’s partnership with Fox will enable 20th Century Fox World, Dubai to offer the consumers in the Middle East and global tourists visiting Dubai to experience world-class facilities with unique attractions and retail outlets that will take themed entertainment to a different level,” said AAHG director of investment and strategy Manoj Aheeray. 

     

    20th Century Fox World Dubai is slated to open in 2018, design and production services are being provided by Rethink Leisure & Entertainment.

  • Q2-2016: Jagran Prakashan YoY revenue up 19%; Radio City Op revenue up 8.3%

    Q2-2016: Jagran Prakashan YoY revenue up 19%; Radio City Op revenue up 8.3%

    BENGALURU: Indian publishing group Jagran Prakashan Limited (JPL) reported 19.1 per cent growth in consolidated operating revenue in the quarter ended 30 September, 2015 (Q2-2016, current quarter) to Rs 519.5 crore as compared to the Rs 436.3 crore in Q2-2015 and eight per cent more than the Rs 481.15 in Q1-2016

     

    The company’s consolidated profit after tax (PAT) in the current quarter increased 35.5 per cent to Rs 76.7 crore as compared to the Rs 56.6 crore in Q2-2015 and 1.9 per cent lower than the Rs 78.21 crore in Q1-2016.

     

    Note: 100,00,000 = 100 lakh = 10 million = 1 crore

     

    Radio Business

     

    JPL’s radio business that includes subsidiary Music Broadcast Limited (MBL) has 31 (including 11 radio stations acquired in phase 3 auctions) under the brand Radio City and eight other stations acquired under the brand Radio Mantra. The company’s radio business reported 8.3 per cent growth to Rs 55.54 crore in Q2-2016 as compared to the Rs 51.29 crore in Q2-2015 and 17.2 per cent more than the Rs 47.38 crore in the immediate trailing quarter.

     

    JPL’s radio business reported 6.4 per cent drop in profit at Rs at Rs 12.05 crore in Q3-2016 as compared to Rs 12.88 crore in Q2-2015 and a loss of Rs 2.23 crore in the immediate trailing quarter. 

     

    Advertising and Circulation numbers

     

    Consolidated advertisement revenue was up by 26.8 per cent to Rs 389 crore in the current quarter as compared to the Rs 306.9 crore in Q2-2015 and was 12.6 per cent more than the Rs.345.54 crore in Q1-2016. Standalone Advertisement Revenues were at Rs 312.74 crore, up by 9.1 per cent from Rs 286.58 crore.

     

    Consolidated Circulation revenue in the current quarter increased 3.1 per cent to Rs 99.8 crore from Rs 96.5 crore in Q2-2015, but was 0.7 per cent lower than the Rs 100.51 crore in Q1-2016. Standalone circulation revenue increased 5.4 per cent to Rs 94.48 crore in Q1-2016 as compared to the Rs 89.64 crore in the corresponding year ago quarter. Standalone Circulation Revenues were at Rs 93.87 crore, up by 3.4 per cent from Rs 90.75 crore.

     

    Total Expense in Q2-2016 at Rs 401.31 crore was 21.8 per cent more than the Rs 329.5 crore in Q2-2015 and was 8.6 per cent more than the Rs 369.45 crore in the immediate trailing quarter.

     

    Cost of Raw materials consumed in Q2-2016 at Rs 154.5 crore was 3.6 per cent less than the Rs 160.3 crore in Q2-2015 and 0.9 per cent lower than the Rs 155.89 crore in Q1-2016.

     

    Company speak

     

    JPL chairman and managing director Mahendra Mohan Gupta said, “It gives me immense pleasure to report that the company has for the first time crossed the mark of Rs 500 crore in turnover in a quarter. Chasing unprofitable growth has never been our philosophy and this is where the team has done an incredible job by delivering still healthier growth in profits.”

     

    “We are happy with acquisition of one of the two strongest FM radio networks of the country; Radio City which continues to perform on the expected lines. Phase-III auction has witnessed unrealistic bidding for metro as well as non-metro stations and I do not see the frequencies, taken at exorbitant prices, giving the return on investment. As far as we are concerned, we remained disciplined but could still manage to get what we had planned. We do not subscribe to the strategy of multiple frequency as opposed to expansion to newer markets and therefore biding for multiple frequency was never part of our plan. Besides publication and radio businesses, digital business too continues to record steep growth in revenues and occupy a prominent market position,” he said.

     

    “With strong franchise across various media platforms, market position and operating performance duly backed by financial prudence, the company is very well poised to next level of growth and enhancing the wealth of shareholders,” added Gupta.

  • Q2-2016: PVR net profit up 347% at Rs 41.1 crore

    Q2-2016: PVR net profit up 347% at Rs 41.1 crore

    BENGALURU: Indian motion picture exhibition, production and distribution house PVR Limited (PVR) reported more than fourfold increase in profit after tax (PAT) in the quarter ended 30 September, 2015 (Q2-2016, current quarter) as compared to the corresponding year ago quarter. PVR’s PAT for Q2-2016 at Rs 41.05 crore (8.6 per cent margin) was 4.46 times the PAT of Rs 9.20 crore (2.1 per cent margin) reported for Q2-2015, but 29.3 per cent lower than the Rs 58.45 crore (12 per cent margin) in Q1-2016.

     

    Note: 100,00,000 = 100 lakh = 10 million = 1 crore

    All numbers are consolidated unless stated otherwise.

     

    Total Income from Operations (TIO) in Q2-2016 at Rs 474.60 crore was 18.9 per cent more YoY than Rs 399.30 crore, but declined 2.3 per cent QoQ from Rs 486.02 crore.

     

    Box Office performance

     

    PVR’s top five box office performers in terms of Gross Box Office (GBO) were: Bajrangi Bhaijan (GBO Rs 72.02 crore, 34.8 lakh admits, average ticket price or ATP – Rs 207); Baahubali – The Beginning (GBO Rs 48.54 crore, 27.9 lakh admits, ATP – Rs 174); Welcome Back (GBO Rs 22.16 crore, 11.5 lakh admits, ATP – Rs 193); Drishyam (GBO Rs 18.74 crore, 10.3 lakh admits, ATP 0 Rs 183) and MI Rogue Nation (GBO Rs 17.99 crore, 8.5 lakh admits, ATP – Rs 212).

     

    Net Box Office (NBO) collections in the current quarter increased 20.3 per cent to Rs 274.55 crore (59.5 per cent of Total Revenue) as compared to the Rs 228.15 crore (61.5 per cent of Total Revenue) in Q2-2015 and flat as compared to the Rs 249.12 crore (59.3 per cent of Total Revenue) in Q1-2016.

     

    Q2-2016 saw admits increasing by 20 per cent to 1.88 crore with an occupancy of 37 per cent as compared to 1.57 crore with an occupancy of 32 per cent in Q2-2015 buts declined slightly QoQ a as compared to 1.90 crore and an occupancy rate of 38 per cent. ATP in the current quarter also improved to Rs 187 from Rs 181 in Q2-2015 and Rs 183 in Q1-2016.

     

    Food and Beverages and Advertisement revenue

     

    Food and Beverage (F&B) share of Total Revenue was 25.9 per cent at Rs 119.59 crore as compared to 24.5 per cent at Rs 90.81 crore in Q2-2015 and 28 per cent at Rs 117.87 crore in Q1-2016. Advertising share to revenue in the current quarter dropped in percentage terms to 10 per cent but increased in value terms to Rs 46..13 crore as compared to 10.9 per cent (Rs 40.65 crore) in Q2-2015 and was slightly higher in percentage terms than 9.9 per cent (Rs 41.62 crore) in the immediate trailing quarter.

     

    Let us look at the other numbers reported by PVR

     

    The company has reported positive operating results in Q2-2015 from Movie Exhibition segment at Rs 61.90 crore, which was more than double (2.34 times) the Rs 26.46 crore in Q2-2015, but declined 23.1 per cent as compared to the Rs 80.54 crore in Q1-2016.

     

    Movie production and distribution (Production) as well as ‘Others,’ which includes bowling, gaming and restaurant services, etc., reported operating losses in the current quarter as compared to the operating profits in the immediate trailing quarter.

     

    PVR’s Production segment operating revenue declined by more than half (down 54.6 per cent) to Rs 8.56 crore as compared to the Rs 18.87 crore in Q2-2015, but was 13.7 per cent more than the Rs 7.53 crore in the immediate trailing quarter. The segment reported operating loss of Rs 0.46 crore in the current quarter as compared to an operating profit of Rs 1.34 crore in Q2-2015 and an operating profit of Rs 1.87 crore in Q1-2016.

     

    ‘Others’ segment reported a 4.7 per cent increase in YoY revenue in the current quarter to Rs 19.05 crore as compared to Rs 18.19 crore in Q2-2015, but a 11.2 per cent decline as compared to the Rs 21.46 crore in Q1-2015. The segment returned an operating loss of Rs 0.65 crore in the current quarter as compared to an operating loss of Rs 0.96 crore in Q2-2015 and an operating profit of Rs 0.82 crore in the previous quarter.

     

    Total expense in Q2-2016 at Rs 413.83 crore (87.2 per cent of TIO) was 11.2 per cent more YoY than the Rs 372.07 crore (93.18 per cent of TIO) and 2.7 per cent more QoQ than the Rs 402.77 crore (82.9 per cent of TIO).

     

    The company’s film exhibition cost increased 21.7 per cent YoY at Rs 113.53 crore (23.9 per cent of TIO) as compared to Rs 93.25 crore (23.4 per cent of TIO) and was almost flat QoQ as compared to Rs Rs 113.69 crore (23.4 per cent of TIO).

     

    F&B and other cost in Q2-2016 increased 11.7 per cent YoY to Rs 32.01 crore (6.7 per cent of TIO) as compared to Rs 28.65 crore (7.2 per cent of TIO) and was 7.5 per cent lower than the Rs 34.59 crore (7.1 per cent of TIO) in Q1-2015.

     

    Other expense in Q2-2016 declined 4.3 per cent to Rs 43.51 crore (9.2 per cent of TIO) as compared to the Rs 45.46 crore (11.4 per cent of TIO) in Q2-2015, but was 15.3 per cent more than the Rs 37.72 crore (7.8 per cent of TIO) in Q1-2016.

  • HY-2016: Adlabs footfalls doubles; EBIDTA more than quadruples

    HY-2016: Adlabs footfalls doubles; EBIDTA more than quadruples

    BENGALURU: Adlabs Entertainment Limited (Adlabs) reported almost double (increased by 98.2 per cent) the footfalls at its two theme parks Adlabs Imagica and Adlabs Aquamagica-Water Park for the half-year ended 30 September, 2015 (HY-2016, current half-year) at 7.87 lakh as compared to 3.97 lakh in the corresponding year ago half-year.

     

    Footfalls in the quarter ended 30 September, 2015 (Q2-2016, current quarter) increased 14.8 per cent YoY to 2.48 lakh from 21.6 lakh in Q2-2015, but were more than half (declined 54 per cent) from the 5.39 lakh in the immediate trailing quarter. The company says numbers have been affected due to the closures of the Mumbai-Pune Expressway because of landslides in August and September 2015.

     

    Note:  (1) 100,00,000 = 100 lakh = 10 million = 1 crore

    (2) All numbers in this report are standalone unless stated otherwise

     

    Buoyed by the numbers reported during Q1-2016 (quarter ended 30 June, 2016, immediate trailing quarter, previous quarter) or the school and college holiday season, Earnings before interest, depreciation and amortisation and taxes (EBIDTA) more than quadrupled (4.28 times) in HY-2016 to Rs 18.48 crore (15.1 per cent margin) as compared to the Rs 4.31 crore (six per cent margin) in HY-2015. EBIDTA in Q2-2016 was negative Rs 6.26 crore as compared to the Rs 3.54 crore (9.9 per cent margin) in Q2-2015 and the Rs 24.73 crore (29.1 per cent margin) in Q1-2015.

     

    Adlabs CEO Kapil Bagla said, “The highlight of Q2-2016 was the launch of our Hotel Novotel Imagica with 116 rooms. The hotel has got off to a great start with an average occupancy rate of 77 per cent and a huge pent up demand for this product. We see a healthy mix of corporate and leisure customers at our property and the feedback from customers who have stayed at the Novotel has been very encouraging.”

     

    “We were impacted by the disruption and closure of Mumbai-Pune Expressway due to recurring landslides in the months of August and September. The Expressway is our primary connectivity to the Park. The historical trend is that we achieve 60-62 per cent of our annual footfalls in the second half, so we feel; that Q3 and Q4 will be extremely good quarters for us,” added Bagla.

     

    Let us look at the other numbers reported by Adlabs:

     

    Adlabs revenue in HY-2016 increased 69.6 per cent to Rs 122.22 crore as compared to the Rs 72.07 crore in the corresponding half-year of last year. For Q2-2016, the company reported 4.2 per cent YoY growth in revenue to Rs 37.21 crore as compared to the Rs 35.71 crore in Q2-2015, but a 56.2 per cent decline from the Rs 85.01 crore in the immediate trailing quarter.

     

    Total Expenditure (TE) in HY-2016 increased 38.4 per cent to Rs 146.03 crore (119.5 per cent of TIO) as compared to the Rs 105.53 crore (146.4 per cent of TIO) in HY-2015. TE in Q2-2015 increased 28.5 per cent YoY to Rs 64.99 crore (174.7 per cent of TIO) from Rs 50.56 crore (141.6 per cent of TIO), but declined 19.8 per cent QoQ from Rs 81.05 crore (953 per cent of TIO).

    A major expense head for Adlabs is Employee Benefits Expense (EBE). EBE in HY-2016 increased 48 per cent to Rs 30.32 crore (24.8 per cent of TIO) as compared to the Rs 20.49 crore (28.4 per cent of TIO) in HY-2015. EBE in Q2-2016 increased 56.9 per cent YoY to Rs 14.85 crore (39.9 per cent of TIO) from Rs 9.46 crore (26.5 per cent of TIO) in Q2-2015, but declined four per cent QoQ from Rs 15.47 crore (18.2 per cent of TIO).

     

    Adlabs loss in HY-2016 reduced to Rs 49.45 crore as compared to the Rs 53.61 crore in the corresponding year ago period. Loss in the current quarter however, was higher at Rs 34.73 crore than the loss of Rs 24.94 crore in Q2-2015 and the loss of Rs 14.81 crore in the immediate trailing quarter.

  • Q2-2016: Just Dial revenue up 16.2%; PAT up 47%

    Q2-2016: Just Dial revenue up 16.2%; PAT up 47%

    BENGALURU: Indian search engine and directory services provider Just Dial Limited (Just Dial) reported a 16.2 per cent jump its total income from operations (TIO) in the quarter ended 30 September, 2015 (Q2-2016, current quarter) to Rs 171.27 crore as compared to the Rs 147.50 crore in Q2-2105 and 1.6 per cent growth as compared to Rs 168.62 crore in Q1-2016.

     

    Note: 100,00,000 = 100 lakh = 10 million = 1 crore

    The numbers in this report are unaudited and unconsolidated.

     

    Let us look at the other numbers reported by Just Dial:

     

    Just Dial’s PAT for Q2-2016 increased 47 per cent to Rs 46.30 crore (27 per cent margin) as compared to the Rs 31.49 crore (21.4 per cent margin) and increased 39.6 per cent to Rs 33.17 crore (19.7 per cent margin) in Q1-2016.

     

    Simple EBIDTA in Q2-2016 at Rs 39.72 crore (23.2 per cent margin) declined 6.8 per cent from Rs 42.6 crore (25.3 per cent margin) in Q2-2015 and declined 18 per cent from Rs 48.42 crore (28.7 margin) in the immediate trailing quarter.

     

    The company’s Total Expenditure (TE) in Q2-2016 at Rs 139.44 crore (81.4 per cent of TIO) was 25.5 per cent more than the Rs 111.11 crore (75.4 per cent of TIO) in Q2-2015 and 9.9 per cent more than the Rs 126.93 crore (75.3 per cent of TIO) in Q1-2016.

     

    Employee Benefit Expense (EBE) is the major expense head for Just Dial. EBE in Q2-2016 at Rs 96.18 crore (56.2 per cent of TIO) was 26.9 per cent more than the Rs 75.78 crore (51.4 per cent of TIO) in Q2-2015 and was 9.2 per cent more than the Rs 88.11 crore (52.3 per cent of TIO) in Q1-2016.

  • Urban Ladder aims to touch emotional chords with ad film

    Urban Ladder aims to touch emotional chords with ad film

    NEW DELHI: Furniture and home décor company Urban Ladder has made a unique film, which brings the essence of unified Indian families while publicising its own products.

     

    The short film titled ‘The Homecoming’ captures the journey of a couple’s decision to move into their son’s home, when the son and his wife make them feel at home with thoughtful changes in the house. The film is conceptualised and filmed by Boring Brands.

     

    The 7.16 minute long film opens with the son (Amit Sadh) talking to his mother (Pyumori Mehta) on the phone to plan their Diwali visit, and also insists that his parents should move in with his family. When the couple arrives, the father (Piyush Mishra) looks hesitant and uncomfortable in the son’s house since it’s very different from his home. The son and daughter-in-law (Tapsee Pannu) understand his discomfort and do a complete makeover of the room with thoughtful changes.

     

    The couple is surprised by this effort and in this emotional moment make a decision to move in with their son and his family.

     

    “At Urban Ladder, we strongly believe that a beautiful home is not just created with good looking furniture, but with a lot of thought that make spaces comfortable and cozy for everyday living. Our everyday routine revolves around those favourite spaces in our home which complete our day – tea on the swing, newspaper on a lounge chair or the bookshelf that stacks our everyday reads. In this film, we have tried to capture how small but thoughtful changes can make a house a home and bring people together,” said Urban Ladder VP – marketing Nikhil Ramaprakash.

     

    Boring Brands co-founder and CEO Anshul Sushil said, “The festive season always sees an influx of TV commercials and content aiming to attract shoppers. The idea with this was to poignantly bring out the notion that family ties go beyond festivals. It is a celebration of human relationships and behaviour that audiences will instantly warm to. Urban Ladder as a brand resonates the sentiment that a home is built not by furniture and décor but by the family that lives in it and that is the driving message of this film.”

     

    The film has been directed by Vinay Jaiswal of Kreative Wings Studio.

     

    Mishra, who features in this film said, “The beauty of this film lies in its simplicity. It celebrates relationships set in the backdrop of Diwali festival and brings out the coming together of a family. For someone who has been in the industry for so long, it is heartening to see young brands create unique content and I feel lucky to have been a part of this effort by Urban Ladder.”

     

    Link to the film –  Urban Ladder | The Homecoming | A Short Film 

  • Irrfan Khan named brand ambassador for Xolo

    Irrfan Khan named brand ambassador for Xolo

    NEW DELHI: Actor Irrfan Khan has been named as the new brand ambassador of LAVA International’s Xolo brand.

     

    Xolo has forged industry-leading partnerships including Intel, NVIDIA and Qualcomm amongst others, in order to provide differentiated technology to the new-age, discerning consumers.

     

    In 2013, Xolo also partnered with the iconic Liverpool FC, which signifies the company’s long-term intent to promote football across the sub-continent, to strengthen the engagement with younger, new-age consumer.

     

    Xolo business head Sunil Raina said, “We are pleased to announce Irrfan Khan as brand ambassador and the face of Xolo brand. Irrfan Khan is an internationally acclaimed actor who has made his mark in both Indian and Hollywood cinema. He makes a perfect fit with our brand values of passion, curiosity and honesty and will be instrumental in communicating the benefits of Xolo to consumers across India.”

     

    Khan is equally popular among the urban as well as the semi-urban audience, which will distinctly bring forth shared synergies, values and beliefs and help Xolo further expand its reach.

     

    Khan said, “I am excited to represent a forward-looking innovator like Xolo. To me, Xolo spells technology, innovation and evolves with the usage patterns of the consumers. I am looking forward to this association and the next line up of innovative products from Xolo.”

  • Maruti plans 360 degree integrated campaign for new Baleno

    Maruti plans 360 degree integrated campaign for new Baleno

    BENGALURU: Recently, Maruti Suzuki launched a new premium segment hatchback Baleno to be manufactured exclusively in India for sale across 100 countries, including Japan. Now with the Indian festival season just around the corner, the company has planned an integrated 360 degree campaign.

     

    The car comes with new features that include Apple CarPlay, a first for an Indian car, and is going to be available at an introductory special price during the Diwali season.

     

    The campaign includes television, print, outdoor, in-store, internet and BTL activities. The campaign creatives are by Hakuhodo Percept, while digital creatives are by internet marketing agency Grapes Digital and public relations are by Avian Media.

     

    “Hakuhodo will be integrating creatives across all mediums, including creatives by other agencies,” revealed a source at Maruti. “Within a day or two you will see TVCs play across your screens.”

     

    Maruti plans to sell the five petrol and four diesel variants of the Baleno through its recently launched chain of premium exclusive automobile retail outlets Nexa.

     

    Maruti regional manager (new channel) South unveiled the Belenao as well as the first preview of the TVC to be aired in Bengaluru yesterday.

  • PVR opens three screen multiplex in Kolhapur

    PVR opens three screen multiplex in Kolhapur

    MUMBAI: Multiplex player PVR has opened a new multiplex at DYP City Mall in Kolhapur, Maharashtra. 

     

    The three screens multiplex with a seating capacity of 726, enabled with state of art technology and 3D technology with 7.1, became operational from 22 October.

     

    With the opening of this multiplex at Kolhapur, PVR’s screen count in Maharashtra has touched 138 across 34 properties. Pan India, the multiple chain now operates 477 screens at 107 locations across 44 cities in 15 states and 1 Union Territory.

     

    PVR joint managing director Sanjeev Kumar Bijli said, “Our debut in Kolhapur is an earnest attempt to bring in the multiplex culture to the city. We want to make sure that the best in class cinematic experience is accessible to all our patrons, not only metros but to tier 2, tier 3 cities.”

     

    “Kolhapur is a film city for the cinema lovers and we see tremendous scope and potential in this market to launch our property. I would like to extend my gratitude to the mall developers, Mr Sanjay Dnyan Deo Patil of DYP Group, who has provided us the most suitable location – in the heart of the town, which is easily accessible to our patrons not only in Kolhapur, but also in adjoining cities like Belgaum, Bhiwandi, Ichalkarangi etc,” he added.

     

    PVR Cinemas CEO Gautam Dutta said, “From being an industrial hub for the entrepreneurs, to a favourite tourist destination for the explorers; Kolhapur breeds a population with varied interests. But one thing, which binds everyone is cinema; no wonder that the city plays a host to so many important film festivals. This is PVR’s debut project in Kolhapur.”

     

    The opening of this cinema is a part of PVR’s organic growth strategy of PAN India expansion and increasing its presence in major cities.