Category: Brands

  • LeEco bags the Most Promising Smartphone Brand Award by TeleAnalysis

    LeEco bags the Most Promising Smartphone Brand Award by TeleAnalysis

    MUMBAI: In less than three months LeEco formally entered into India, the company crossed another milestone in its journey to become top three mobile players in the market.  LeEco bagged the “Most Promising Smartphone Brand” award in the TeleAnalysis Customer Satisfaction Survey on 17 March in New Delhi, India.

    The award was based on an extensive nationwide survey conducted by TeleAnalysis in the last three months. Sample size was around 12,000 with 3,000 consumers from each zone -east, west, north and south.

    The results of the survey proved that consumers appreciated LeEco’s brand as well as its products. And the award is a testimony of the consumers’ faith in LeEco’s products.

    This is not just another feather in LeEco’s cap as the company has not only managed to pip ahead of other established brands in this cluttering market, but also been able to generate a loyal and a reasonably large clientele base within a short span of time. The brand recognition is a no mean feat considering that the mobile phone maker entered the Indian market only a couple of months ago.

    The “Most Promising Smartphone Brand” award was given to LeEco by Anupam Shrivastava, Chairman and Managing Director, BSNL at the TeleAnalysis Device World 2016 conference held at New Delhi on March 17.

    Around 250 people from Telecom industry including high-profile speakers from various smartphone and telecom companies like Samsung, Reliance Jio, Motorola, Micromax, huawei, and Intex as well as from government agencies participated in the TeleAnalysis Device World 2016.

    LeEco had recently offered an exchange offer for 2 days on E-commerce site, Flipkart, for buyers to grab on the exciting offers. Of late, LeEco days on E-commerce portal, Flipkart have become blockbusters in the mobile phone industry.

    LeEco has launched two phones in India – Le 1s and Le Max. Within only February, LeEco had sold more than 200,000 Le 1s, the flagship killer device in India, making several industry records concerning flash sale quantity and time.

    The company is planning to embed different types of contents to its Superphones and offer it to the phone buyers on a platter. This initial “Device+Content” strategy adopted by LeEco in the world’s second largest smartphone market has already garnered rave reviews starting from bloggers and gadgets freaks to common buyers.

  • LeEco bags the Most Promising Smartphone Brand Award by TeleAnalysis

    LeEco bags the Most Promising Smartphone Brand Award by TeleAnalysis

    MUMBAI: In less than three months LeEco formally entered into India, the company crossed another milestone in its journey to become top three mobile players in the market.  LeEco bagged the “Most Promising Smartphone Brand” award in the TeleAnalysis Customer Satisfaction Survey on 17 March in New Delhi, India.

    The award was based on an extensive nationwide survey conducted by TeleAnalysis in the last three months. Sample size was around 12,000 with 3,000 consumers from each zone -east, west, north and south.

    The results of the survey proved that consumers appreciated LeEco’s brand as well as its products. And the award is a testimony of the consumers’ faith in LeEco’s products.

    This is not just another feather in LeEco’s cap as the company has not only managed to pip ahead of other established brands in this cluttering market, but also been able to generate a loyal and a reasonably large clientele base within a short span of time. The brand recognition is a no mean feat considering that the mobile phone maker entered the Indian market only a couple of months ago.

    The “Most Promising Smartphone Brand” award was given to LeEco by Anupam Shrivastava, Chairman and Managing Director, BSNL at the TeleAnalysis Device World 2016 conference held at New Delhi on March 17.

    Around 250 people from Telecom industry including high-profile speakers from various smartphone and telecom companies like Samsung, Reliance Jio, Motorola, Micromax, huawei, and Intex as well as from government agencies participated in the TeleAnalysis Device World 2016.

    LeEco had recently offered an exchange offer for 2 days on E-commerce site, Flipkart, for buyers to grab on the exciting offers. Of late, LeEco days on E-commerce portal, Flipkart have become blockbusters in the mobile phone industry.

    LeEco has launched two phones in India – Le 1s and Le Max. Within only February, LeEco had sold more than 200,000 Le 1s, the flagship killer device in India, making several industry records concerning flash sale quantity and time.

    The company is planning to embed different types of contents to its Superphones and offer it to the phone buyers on a platter. This initial “Device+Content” strategy adopted by LeEco in the world’s second largest smartphone market has already garnered rave reviews starting from bloggers and gadgets freaks to common buyers.

  • Patanjali continues TV ad blitz in Feb 2016; spends Rs 20 crore

    Patanjali continues TV ad blitz in Feb 2016; spends Rs 20 crore

    MUMBAI: It’s got ambition: turn Indian prime minister Narendra Modi’s dream of ‘make in India’ a reality. The Swami Ramdev-Acharya Balkrishna-founded Patanjali Yogpeeth & Divya Mandir Trust has launched a slew of fast moving consumer goods products over the past couple of years, set up vast and deep distribution channels reaching them into every nook and corner of rural – and now spreading into urban –  India. Beginning first with ayurvedic products, it moved into cateogries  like toothpaste, ghee, oil, noodles, soap, shampoo, biscuits and what have you dominated by multinationals like Hindustan Lever, Prctor and Gamble, Colgate Palmolive. And it has been making the big boys nervous, slowly chewing away impressive market shares in almost every category.  Revenues are slated to touch Rs 5,000 crore this year and Rs 20,000 crore over the next three years.

    It is backing its onward march with a massive advertising warchest  over the past year, emerging as the top spender on television, a position it continued to retain in the period 11 February 2016 to 11 March 2016.

    According to data that indiantelevision.com has obtained, the brand gave out out checks of close to Rs 28 crores on television ads in this period,  without considering the discounts it has enjoyed on individual deals. As per several industry experts, if one were to take these discounts into account, the guesstimated figure is close to Rs 20 crore.

    What is interesting to note is that unlike most of its rivals,  the genre that Patanjali spends most on is news channels, be it regional  or national news, instead of Hindi GECs. The brand used 65.5 percent of its total television advertising spends on news channels, followed by Hindi GECs with 29.89 per cent and 3.89 percent on regional entertainment channels. The brand also shells out 0.76 per cent or Rs 15 lakhs of its advertisisng spends on its in-house spiritual channel Aastha TV.

    “Going by its advertising spends in the media, Patanjali is going with media differentiation as a strategy. A lot of FMCG brands invest in soft programming which mostly comes down to the GEC sector. When everyone is in one sector, it is good to differentiate oneself and take another positioning,” explained veteran brand consultant and business strategist Harish Bijoor.

    “Secondly”, Bijoor noted,” news is the new entertainment. As a genre, it has changed from simple reporting of facts to what we call news entertainment. If you look at the television debates today, they are often pitted against highly rated entertainment shows, and therefore have larger audiences these days. Not only do you have the men watching, but women also enjoy this new variation of entertainment. Therefore I think Patanjali is playing smart by being visible on the news space.”

    In the Hindi GEC space, it spent close to Rs 1.8 crore on Star Plus, followed by Rs 1.5 core on Sony Entertainment Television and Rs 1 crore on Zee TV approximately. However, the brand buys inventory from most number of channels under Zee Entertainment Enterprises Limited (ZEEL).

    Patanjali has a good presence in the regional entertainment market as well, with Zee Kannada leading others in the genre in terms of Ad EX from the brand.

    As per Broadcast Audience Research Council India’s ‘Top 10 Brands’ report, the Patanjali brand has bagged as many as 21,751 insertions in week 10, followed by Colgate with 15,553 television ad insertions. One can easily see the clear lead that Pantanjali commands over the second in the list. While the brand’s investment is definitely a leading factor for its growing visibility on both TV and the shelves, careful and strategic media buying is also to be credited for its continued domination of television space. The Patanjali group has given part of its media buying mandate to Delhi based agency Vermillion Communications, and if reports by industry insiders are to be believed, there are two other local agencies that work with Patanjali.

    A late entrant to India’s Fast Moving Consumer Goods market with a wide number of retailable products, Patanjali has quickly moved on to go head on with market leaders such as Parle. The brand’s quick rise to fame, at least can be attributed to its aggressive direct marketing strategy and strong distribution reach, thanks to its retail deal with the Future Group.

    Patanjali branded products were already selling well before it decided to invest heavily in TV ads. A media expert close to the development said, “The products were selling a lot already, even before the brand was well known in the media space. But for sure this strong media presence has given the brand a very good exposure, and its sales must have augmented as well. It clearly shows that the brand is aiming for a multi-fold growth.”

    Lauding Patanjali’s  effort in going aggressive with its TV buying, Bijoor cautioned, “I think other brands need to be worried of this late entrant. Not only does it have a very hard working product and an excellent distribution network, its recent entry into advertising spends clearly shows it is reaching for the top.”

    Several industry veterans however beg to differ. Dentsu Aegis Network South Asia CEO and chairman Ashish Bhasin said, “I don’t think Patanjali poses a serious worry for other players in the category. In the FMCG business, they have plans for every competitor. Hypothetically, if there were five competitors for an FMCG brand earlier, now they have one more to consider and marketers will plan accordingly. ”

    When asked if spending huge advertising money will work in the brand’s favour in the long run. Bhasin replied, “The brand has definitely spent a significant amount on television in the past few months. Whether it will sustain the same throughout the year is hard to say. It is understandable for a brand launching itself and trying to build a quick presence for itself to spend in the tried and trusted media. It is too early to say how long its continued dominance of the television space will work out for it.”

    Bhasin isn’t the only one who voices uncertainty about Patanjali continuing with its chart topping spending spree in the coming months. A veteran media player under condition of anonymity opined, “I think Patanjali’s current trend of buying TV ad slots aggressively will go down in a month. It had the gall when it entered media marketing with its aggressive strategy, the brand has achieved that, and I don’t think it has a reason to continue the same spends on television.”

    Other media observers state that the Patanjali group is working to a plan. “The foot on the advertising pedal is not going to be eased,” sas a source very close to the group. “Patanjali’s marketing mavens are  going to move into more clever and refined media buying as it starts  rolling out its products in even more kirana stores and large outlets in urban and suburban India. Both Swamiji and Acharyaji want to create a mutli-product giant competing with long established players, and for that aggressive marketing, distribution and advertising will have to continue.”

    Whether Patanjali continues to spend tens of crores per month or not, the presence of such an aggressive spender among the advertisers definitely augurs well for TV advertising as a whole – and news channels in particular.

  • Patanjali continues TV ad blitz in Feb 2016; spends Rs 20 crore

    Patanjali continues TV ad blitz in Feb 2016; spends Rs 20 crore

    MUMBAI: It’s got ambition: turn Indian prime minister Narendra Modi’s dream of ‘make in India’ a reality. The Swami Ramdev-Acharya Balkrishna-founded Patanjali Yogpeeth & Divya Mandir Trust has launched a slew of fast moving consumer goods products over the past couple of years, set up vast and deep distribution channels reaching them into every nook and corner of rural – and now spreading into urban –  India. Beginning first with ayurvedic products, it moved into cateogries  like toothpaste, ghee, oil, noodles, soap, shampoo, biscuits and what have you dominated by multinationals like Hindustan Lever, Prctor and Gamble, Colgate Palmolive. And it has been making the big boys nervous, slowly chewing away impressive market shares in almost every category.  Revenues are slated to touch Rs 5,000 crore this year and Rs 20,000 crore over the next three years.

    It is backing its onward march with a massive advertising warchest  over the past year, emerging as the top spender on television, a position it continued to retain in the period 11 February 2016 to 11 March 2016.

    According to data that indiantelevision.com has obtained, the brand gave out out checks of close to Rs 28 crores on television ads in this period,  without considering the discounts it has enjoyed on individual deals. As per several industry experts, if one were to take these discounts into account, the guesstimated figure is close to Rs 20 crore.

    What is interesting to note is that unlike most of its rivals,  the genre that Patanjali spends most on is news channels, be it regional  or national news, instead of Hindi GECs. The brand used 65.5 percent of its total television advertising spends on news channels, followed by Hindi GECs with 29.89 per cent and 3.89 percent on regional entertainment channels. The brand also shells out 0.76 per cent or Rs 15 lakhs of its advertisisng spends on its in-house spiritual channel Aastha TV.

    “Going by its advertising spends in the media, Patanjali is going with media differentiation as a strategy. A lot of FMCG brands invest in soft programming which mostly comes down to the GEC sector. When everyone is in one sector, it is good to differentiate oneself and take another positioning,” explained veteran brand consultant and business strategist Harish Bijoor.

    “Secondly”, Bijoor noted,” news is the new entertainment. As a genre, it has changed from simple reporting of facts to what we call news entertainment. If you look at the television debates today, they are often pitted against highly rated entertainment shows, and therefore have larger audiences these days. Not only do you have the men watching, but women also enjoy this new variation of entertainment. Therefore I think Patanjali is playing smart by being visible on the news space.”

    In the Hindi GEC space, it spent close to Rs 1.8 crore on Star Plus, followed by Rs 1.5 core on Sony Entertainment Television and Rs 1 crore on Zee TV approximately. However, the brand buys inventory from most number of channels under Zee Entertainment Enterprises Limited (ZEEL).

    Patanjali has a good presence in the regional entertainment market as well, with Zee Kannada leading others in the genre in terms of Ad EX from the brand.

    As per Broadcast Audience Research Council India’s ‘Top 10 Brands’ report, the Patanjali brand has bagged as many as 21,751 insertions in week 10, followed by Colgate with 15,553 television ad insertions. One can easily see the clear lead that Pantanjali commands over the second in the list. While the brand’s investment is definitely a leading factor for its growing visibility on both TV and the shelves, careful and strategic media buying is also to be credited for its continued domination of television space. The Patanjali group has given part of its media buying mandate to Delhi based agency Vermillion Communications, and if reports by industry insiders are to be believed, there are two other local agencies that work with Patanjali.

    A late entrant to India’s Fast Moving Consumer Goods market with a wide number of retailable products, Patanjali has quickly moved on to go head on with market leaders such as Parle. The brand’s quick rise to fame, at least can be attributed to its aggressive direct marketing strategy and strong distribution reach, thanks to its retail deal with the Future Group.

    Patanjali branded products were already selling well before it decided to invest heavily in TV ads. A media expert close to the development said, “The products were selling a lot already, even before the brand was well known in the media space. But for sure this strong media presence has given the brand a very good exposure, and its sales must have augmented as well. It clearly shows that the brand is aiming for a multi-fold growth.”

    Lauding Patanjali’s  effort in going aggressive with its TV buying, Bijoor cautioned, “I think other brands need to be worried of this late entrant. Not only does it have a very hard working product and an excellent distribution network, its recent entry into advertising spends clearly shows it is reaching for the top.”

    Several industry veterans however beg to differ. Dentsu Aegis Network South Asia CEO and chairman Ashish Bhasin said, “I don’t think Patanjali poses a serious worry for other players in the category. In the FMCG business, they have plans for every competitor. Hypothetically, if there were five competitors for an FMCG brand earlier, now they have one more to consider and marketers will plan accordingly. ”

    When asked if spending huge advertising money will work in the brand’s favour in the long run. Bhasin replied, “The brand has definitely spent a significant amount on television in the past few months. Whether it will sustain the same throughout the year is hard to say. It is understandable for a brand launching itself and trying to build a quick presence for itself to spend in the tried and trusted media. It is too early to say how long its continued dominance of the television space will work out for it.”

    Bhasin isn’t the only one who voices uncertainty about Patanjali continuing with its chart topping spending spree in the coming months. A veteran media player under condition of anonymity opined, “I think Patanjali’s current trend of buying TV ad slots aggressively will go down in a month. It had the gall when it entered media marketing with its aggressive strategy, the brand has achieved that, and I don’t think it has a reason to continue the same spends on television.”

    Other media observers state that the Patanjali group is working to a plan. “The foot on the advertising pedal is not going to be eased,” sas a source very close to the group. “Patanjali’s marketing mavens are  going to move into more clever and refined media buying as it starts  rolling out its products in even more kirana stores and large outlets in urban and suburban India. Both Swamiji and Acharyaji want to create a mutli-product giant competing with long established players, and for that aggressive marketing, distribution and advertising will have to continue.”

    Whether Patanjali continues to spend tens of crores per month or not, the presence of such an aggressive spender among the advertisers definitely augurs well for TV advertising as a whole – and news channels in particular.

  • PVR becomes first exhibitor in India to achieve the 500-screen mark

    PVR becomes first exhibitor in India to achieve the 500-screen mark

    NEW DELHI: PVR has become the largest cinema exhibition company in the country, reaching the mark of 500 screens across the country and become the first exhibitor to do so.

    This achieves comes at a time when the number of single screen theatres is said to be dropping below 10,000 and multiplexes are just around 1000 in a country which has several lakh viewers every day.

    PVR, which now reaches 45 cities pan-India, began its journey in 1997 with the opening of India’s first multiplex cinema PVR Anupam in Saket.

    This led, in turn, to superlative movie experiences. From the first screening of Shahrukh Khan’s “Yes Boss” to Priyanka Chopra’s “Jai Gangaajal” this week, PVR Anupam laid the bedrock for a major business in entertainment.

    PVR’s advent into the multiplex industry came at a time when the entire fate of the movie business was uncertain. Triggered by video piracy and the dilapidated condition of cinemas with poor projection & sound quality, unhygienic atmosphere, dark & dingy environment, people were becoming averse to watching movies at cinema halls. 

    PVR provided choice to consumers to watch any movie under a single roof by way of a clean & hygienic place, staff serving in clean uniforms and a colourful ambience, it transformed the way millions of Indians consume movies. In a way PVR is being credited of ‘Taking India to movies’, reviving the movie industry when all seemed lost.

    Unaware of the multiplex format, PVR had to convince the government authorities, rewrite building bylaws that it was possible to have four cinemas under one roof without compromising on safety parameters.

    Considering India as a heterogeneous market, PVR has given the Indian audience a grand spectra of cinema formats like PVR Heritage, PVR Premier, PVR IMAX, PVR Director’s Cut, PVR Gold Class, PVR Premiere, PVR Talkies and the latest addition being PVR Icon & PVR Superplex.

    A company of many firsts in the Indian multiplex industry, PVR is India’s first fully digital cinema chain and the first in India to sign a 50 screen deal pan India with Dolby Atmos.  PVR is the first to offer online ticketing, queue- less box office through Quick-TIx Counters,  QR code ticketless entry, and ‘on the seat’ food offerings. PVR is also the first multiplex chain to install 3D enabled screens at all its multiplexes.

    Primarily starting as a north centric cinema brand, PVR assumed status of a national cinema chain within 4 years of its starting operations.  The acquisition of Cinemax India in 2012 propelled India into the big league. Being the largest cinema chain in India & entertaining over 70 million patrons, PVR’s dominance in the multiplex industry in India now extends to 501 screens, 111 cinemas in 45 cities across India. PVR has achieved a steady year on year growth with over 18 years of its existence redefining the way people watch movies with the launch of various formats under the gamut of cinema viewing experiences.

    Speaking on the occasion of achieving this milestone, PVR chairman & managing director Ajay Bijjli said “We are very excited to achieve the historic milestone of 500 screens. PVR always pushed the envelope to provide unique cinematic experiences for its audience. We are privileged to have been supported by millions of movie goers across India who have appreciated the brand and made it bigger. We cannot thank enough our shareholders and investors who have shown immense faith in us over the years. With this achievement we continue to inspire excellence in the industry and achieve another milestone of 1000 screens by 2018.”

  • PVR becomes first exhibitor in India to achieve the 500-screen mark

    PVR becomes first exhibitor in India to achieve the 500-screen mark

    NEW DELHI: PVR has become the largest cinema exhibition company in the country, reaching the mark of 500 screens across the country and become the first exhibitor to do so.

    This achieves comes at a time when the number of single screen theatres is said to be dropping below 10,000 and multiplexes are just around 1000 in a country which has several lakh viewers every day.

    PVR, which now reaches 45 cities pan-India, began its journey in 1997 with the opening of India’s first multiplex cinema PVR Anupam in Saket.

    This led, in turn, to superlative movie experiences. From the first screening of Shahrukh Khan’s “Yes Boss” to Priyanka Chopra’s “Jai Gangaajal” this week, PVR Anupam laid the bedrock for a major business in entertainment.

    PVR’s advent into the multiplex industry came at a time when the entire fate of the movie business was uncertain. Triggered by video piracy and the dilapidated condition of cinemas with poor projection & sound quality, unhygienic atmosphere, dark & dingy environment, people were becoming averse to watching movies at cinema halls. 

    PVR provided choice to consumers to watch any movie under a single roof by way of a clean & hygienic place, staff serving in clean uniforms and a colourful ambience, it transformed the way millions of Indians consume movies. In a way PVR is being credited of ‘Taking India to movies’, reviving the movie industry when all seemed lost.

    Unaware of the multiplex format, PVR had to convince the government authorities, rewrite building bylaws that it was possible to have four cinemas under one roof without compromising on safety parameters.

    Considering India as a heterogeneous market, PVR has given the Indian audience a grand spectra of cinema formats like PVR Heritage, PVR Premier, PVR IMAX, PVR Director’s Cut, PVR Gold Class, PVR Premiere, PVR Talkies and the latest addition being PVR Icon & PVR Superplex.

    A company of many firsts in the Indian multiplex industry, PVR is India’s first fully digital cinema chain and the first in India to sign a 50 screen deal pan India with Dolby Atmos.  PVR is the first to offer online ticketing, queue- less box office through Quick-TIx Counters,  QR code ticketless entry, and ‘on the seat’ food offerings. PVR is also the first multiplex chain to install 3D enabled screens at all its multiplexes.

    Primarily starting as a north centric cinema brand, PVR assumed status of a national cinema chain within 4 years of its starting operations.  The acquisition of Cinemax India in 2012 propelled India into the big league. Being the largest cinema chain in India & entertaining over 70 million patrons, PVR’s dominance in the multiplex industry in India now extends to 501 screens, 111 cinemas in 45 cities across India. PVR has achieved a steady year on year growth with over 18 years of its existence redefining the way people watch movies with the launch of various formats under the gamut of cinema viewing experiences.

    Speaking on the occasion of achieving this milestone, PVR chairman & managing director Ajay Bijjli said “We are very excited to achieve the historic milestone of 500 screens. PVR always pushed the envelope to provide unique cinematic experiences for its audience. We are privileged to have been supported by millions of movie goers across India who have appreciated the brand and made it bigger. We cannot thank enough our shareholders and investors who have shown immense faith in us over the years. With this achievement we continue to inspire excellence in the industry and achieve another milestone of 1000 screens by 2018.”

  • Le Eco’s Atul Jain: It’s not just marketing, it’s creating an entire ecosystem

    Le Eco’s Atul Jain: It’s not just marketing, it’s creating an entire ecosystem

    MUMBAI:  A late entrant in the market, Chinese smartphone and screen manufacturer LeEco, previously called LeTv, has already created waves with its aggressive approach for the Indian market, and has given existing players like Xiaomi and Samsung a run for their money. Industry insiders unanimously agree that LeEco has disrupted the entire smartphone business in the country, and perhaps even redefined it. After launching its first product in India in January 2016, the company has already broken all records for online smartphone sales and bagged the ‘online top-selling’ tag for its flagship product Le 1s, having sold over 200,000 Le 1s in just 30 days!

    And why not? The company has set itself a target to be the number one online smartphone player in the next five months. It doesn’t take a scientist to guess that a feat like that would be impossible without a sound and efficient marketing strategy to back the brand with. Ask LeEco India Smart Electronics Devices COO Atul Jain about what the secret is behind the brand’s success and he says “It’s the ecosystem that we create.”

    As per Jain, the ecosystem LeEco strives to create in India works on four different parameters – devices (smartphones and screens), content, cloud and platforms.

    “For now we have introduced our devices in the form of the smartphones that boast of breakthrough technology supported by disruptive pricing. We are also working on building the ecosystem and will be able to provide the same from quarter two (Q2) onwards of coming financial year,” says Jain. The brand also plans to enhance its screen presence by bringing in what it calls a ‘super TV’ by Q2.

    On the content side, LeEco has already partnered with over-the-top content provider YuppTV led by Udaynandan Reddy and the Sunil Lulla led Eros International. “We are striving for many more partnerships with Indian media houses in the upcoming months,” Jain reveals. “We are also looking at building a huge content library, be it through partnerships, acquisition or self-produced content,” he adds. It is to be noted that the company has presence in the media in China through Le Movies, its own production house.

    “From a cloud network perspective, we have already introduced content distribution networks (CDNs) in Delhi and Mumbai, and are looking to expand it to ten more cities. LeEco already has 650 CDN networks through the cloud across the world,” explains Jain. “This is in compliance with LeEco’s Chinese model of strengthening its delivery network to boost the smartphone business and maximise profit.”

    Jain shares that outside China, India and the US are the top two biggest markets in focus for LeEco for this financial year. “We have plans for other APAC countries like Indonesia, Singapore and Malaysia, but our biggest business expansion is going to happen in India and the USA.”

    Entering the market this late and establishing a formidable presence wasn’t an easy task for the Chinese technology giant. “We were quite unknown in India even six months ago. To create the awareness around the brand was the biggest challenge. The go to market strategy, setting up a team here, were some of the initial challenges.” Jain explains that instead of being bullish about a strict marketing plan, they kept their eyes open for what the consumers wanted, understanding their needs and translating that into products. “In our case we looked at bill of materials (BOM) pricing and that was very attractive for the consumers. “That becomes very critical when you market to a new place. Secondly, we paid attention to creating awareness about the brand through all the media available to us, and that was relevant to the product, that is, social, digital, and even offline presence through retail stores,” he says.

    Perhaps the biggest boost to sales was the flagship campaign ‘LeEco Day’, wherein consumers enjoyed extremely lucrative offers and prices on the smartphone. It must be noted that several other smartphone brands, including Freedom 251 also went the ‘disruptive’ prices route to meet a completely different and disappointing end.

    Explaining LeEco’s mass media plans, Jain says, “LeEco is also looking at being present in radio, and television advertising isn’t ruled out either. While a substantial chunk of the company’s marketing spends are directed towards digital, moving forward Le Eco will have good spends in television and print as well. Around 30 to 40 percent of the brand’s marketing spends would be towards digital, and the balance split between print, OOH and television.”

  • Le Eco’s Atul Jain: It’s not just marketing, it’s creating an entire ecosystem

    Le Eco’s Atul Jain: It’s not just marketing, it’s creating an entire ecosystem

    MUMBAI:  A late entrant in the market, Chinese smartphone and screen manufacturer LeEco, previously called LeTv, has already created waves with its aggressive approach for the Indian market, and has given existing players like Xiaomi and Samsung a run for their money. Industry insiders unanimously agree that LeEco has disrupted the entire smartphone business in the country, and perhaps even redefined it. After launching its first product in India in January 2016, the company has already broken all records for online smartphone sales and bagged the ‘online top-selling’ tag for its flagship product Le 1s, having sold over 200,000 Le 1s in just 30 days!

    And why not? The company has set itself a target to be the number one online smartphone player in the next five months. It doesn’t take a scientist to guess that a feat like that would be impossible without a sound and efficient marketing strategy to back the brand with. Ask LeEco India Smart Electronics Devices COO Atul Jain about what the secret is behind the brand’s success and he says “It’s the ecosystem that we create.”

    As per Jain, the ecosystem LeEco strives to create in India works on four different parameters – devices (smartphones and screens), content, cloud and platforms.

    “For now we have introduced our devices in the form of the smartphones that boast of breakthrough technology supported by disruptive pricing. We are also working on building the ecosystem and will be able to provide the same from quarter two (Q2) onwards of coming financial year,” says Jain. The brand also plans to enhance its screen presence by bringing in what it calls a ‘super TV’ by Q2.

    On the content side, LeEco has already partnered with over-the-top content provider YuppTV led by Udaynandan Reddy and the Sunil Lulla led Eros International. “We are striving for many more partnerships with Indian media houses in the upcoming months,” Jain reveals. “We are also looking at building a huge content library, be it through partnerships, acquisition or self-produced content,” he adds. It is to be noted that the company has presence in the media in China through Le Movies, its own production house.

    “From a cloud network perspective, we have already introduced content distribution networks (CDNs) in Delhi and Mumbai, and are looking to expand it to ten more cities. LeEco already has 650 CDN networks through the cloud across the world,” explains Jain. “This is in compliance with LeEco’s Chinese model of strengthening its delivery network to boost the smartphone business and maximise profit.”

    Jain shares that outside China, India and the US are the top two biggest markets in focus for LeEco for this financial year. “We have plans for other APAC countries like Indonesia, Singapore and Malaysia, but our biggest business expansion is going to happen in India and the USA.”

    Entering the market this late and establishing a formidable presence wasn’t an easy task for the Chinese technology giant. “We were quite unknown in India even six months ago. To create the awareness around the brand was the biggest challenge. The go to market strategy, setting up a team here, were some of the initial challenges.” Jain explains that instead of being bullish about a strict marketing plan, they kept their eyes open for what the consumers wanted, understanding their needs and translating that into products. “In our case we looked at bill of materials (BOM) pricing and that was very attractive for the consumers. “That becomes very critical when you market to a new place. Secondly, we paid attention to creating awareness about the brand through all the media available to us, and that was relevant to the product, that is, social, digital, and even offline presence through retail stores,” he says.

    Perhaps the biggest boost to sales was the flagship campaign ‘LeEco Day’, wherein consumers enjoyed extremely lucrative offers and prices on the smartphone. It must be noted that several other smartphone brands, including Freedom 251 also went the ‘disruptive’ prices route to meet a completely different and disappointing end.

    Explaining LeEco’s mass media plans, Jain says, “LeEco is also looking at being present in radio, and television advertising isn’t ruled out either. While a substantial chunk of the company’s marketing spends are directed towards digital, moving forward Le Eco will have good spends in television and print as well. Around 30 to 40 percent of the brand’s marketing spends would be towards digital, and the balance split between print, OOH and television.”

  • Gulf Oil inks partnership pact with Manchester United

    Gulf Oil inks partnership pact with Manchester United

    MUMBAI: Gulf Oil Lubricants India Ltd (GOLIL) announced that its parent company Gulf Oil International, a part of the Hinduja Group, had entered into its largest ever single partnership with Manchester United to become its global sponsor and official lubricant cum fuel retail partner till end of 2019 football season.

    Spanning over three seasons, this multi-year partnership was signed by Gulf Oil International vice president Frank Rutten and  Manchester United commercial director Jamie Reigle. “We were working on this deal for over a year and a half. International football is the biggest platform in the  world, and Manchester United a celebrated brand, we couldn’t find a more fitting partner for association given our ambitious target across the world for 2020,” said  Gulf Oil International vice president Frank Rutten.

    The deal will give Gulf Oil International access to Manchester United assets including the club crest and player images and Gulf’s distinctive orange disc will feature on the Club’s digital perimeter boards during Premier League, FA Cup and League Cup matches at Old Trafford though it does not include jersey presence for the brand.

    The company’s partnership with Manchester United is in addition to its existing global tie-ups with Milwaukee BMW, World Superbikes, the World Endurance Championship with the Gulf Racing Team and Porsche.

    Commenting on this partnership’s mileage in the Indian market, GOLIL managing director Ravi Chawla added, “Gulf Oil’s association with the world of sports has been phenomenal right from motorsports to cricket, where we have partnered with the best of the best. It was therefore logical for us to team up with Manchester United in order to reiterate our brand’s core values of endurance, quality and passion. We look forward to leverage this interesting mix of football and cricket and leverage this partnership to increase consumer engagement with the brand, create new and exciting communication platforms that will emphasis the customer value propositions.”

    The company expects the tie-up with Manchester United to augment its long-term association with cricket for enhancement and further strengthening of its brand equity amongst its customers, especially for personal mobility consumers who use two wheelers or passenger cars.

    After cricket, football is the second most popular sport in India. In recent years with the emergence of domestic leagues, the popularity of the sport is growing exponentially to reach youth, not just in the metros but in the tier-1 and tier-2 cities as well. Moreover, viewership of English Premier League & other football tournaments is gaining momentum in India.

    The partnership marks a further step in Gulf’s intent to strengthen its brand presence globally as well as enable it to engage with Manchester United’s worldwide fan base, including 325 million followers in Asia, which Gulf sees as a major focus area with a strong presence in India and rapidly developing businesses in China, the Middle East and Indonesia.

  • Gulf Oil inks partnership pact with Manchester United

    Gulf Oil inks partnership pact with Manchester United

    MUMBAI: Gulf Oil Lubricants India Ltd (GOLIL) announced that its parent company Gulf Oil International, a part of the Hinduja Group, had entered into its largest ever single partnership with Manchester United to become its global sponsor and official lubricant cum fuel retail partner till end of 2019 football season.

    Spanning over three seasons, this multi-year partnership was signed by Gulf Oil International vice president Frank Rutten and  Manchester United commercial director Jamie Reigle. “We were working on this deal for over a year and a half. International football is the biggest platform in the  world, and Manchester United a celebrated brand, we couldn’t find a more fitting partner for association given our ambitious target across the world for 2020,” said  Gulf Oil International vice president Frank Rutten.

    The deal will give Gulf Oil International access to Manchester United assets including the club crest and player images and Gulf’s distinctive orange disc will feature on the Club’s digital perimeter boards during Premier League, FA Cup and League Cup matches at Old Trafford though it does not include jersey presence for the brand.

    The company’s partnership with Manchester United is in addition to its existing global tie-ups with Milwaukee BMW, World Superbikes, the World Endurance Championship with the Gulf Racing Team and Porsche.

    Commenting on this partnership’s mileage in the Indian market, GOLIL managing director Ravi Chawla added, “Gulf Oil’s association with the world of sports has been phenomenal right from motorsports to cricket, where we have partnered with the best of the best. It was therefore logical for us to team up with Manchester United in order to reiterate our brand’s core values of endurance, quality and passion. We look forward to leverage this interesting mix of football and cricket and leverage this partnership to increase consumer engagement with the brand, create new and exciting communication platforms that will emphasis the customer value propositions.”

    The company expects the tie-up with Manchester United to augment its long-term association with cricket for enhancement and further strengthening of its brand equity amongst its customers, especially for personal mobility consumers who use two wheelers or passenger cars.

    After cricket, football is the second most popular sport in India. In recent years with the emergence of domestic leagues, the popularity of the sport is growing exponentially to reach youth, not just in the metros but in the tier-1 and tier-2 cities as well. Moreover, viewership of English Premier League & other football tournaments is gaining momentum in India.

    The partnership marks a further step in Gulf’s intent to strengthen its brand presence globally as well as enable it to engage with Manchester United’s worldwide fan base, including 325 million followers in Asia, which Gulf sees as a major focus area with a strong presence in India and rapidly developing businesses in China, the Middle East and Indonesia.