Category: Brands

  • OYO launches OYO Wizard to give discounts to members

    OYO launches OYO Wizard to give discounts to members

    MUMBAI: South Asia’s largest hotel chain OYO has launched OYO Wizard, a new membership program designed to recognise and reward frequent customers.

    OYO Wizard is a one of a kind, benefit membership program that aims to deepen and strengthen customer relationships by providing highly rated and curated hotels to its loyal guests at the best price. The newly launched program comes with unique benefits, including guaranteed discounts, upgrades and benefits and is currently available at an early bird membership fee of Rs 99.

    OYO chief of strategy Maninder Gulati says, “With 95 per cent of our revenue coming from repeat and organic customers, we knew it was time to give back. OYO Wizard will enable us to take the OYO experience a step further by making it possible for us to engage with customers in a more personal and meaningful manner. We believe that this initiative is an important milestone in our efforts to streamline our customer offerings across our global hospitality network.”

    The membership entitles its members for 5 per cent instant discount on current booking and instant rewards in the form of OYO Money.  With super OYO benefits, members will also get a 10 per cent discount on their next stay at the same OYO hotel, while they have the option to avail 5 per cent discount across all other partner hotels.

    These benefits are applicable across OYO’s diverse portfolio including OYO Rooms, OYO Townhouse, OYO Home, SilverKey, Capital O and Edition O.

    The benefits will soon be extended to OYO hotels in international destinations like China, Malaysia and Nepal.

    OYO Hotels is South Asia’s largest hospitality chain operating in more than 160 cities across India, China, Malaysia and Nepal. With over 5500 exclusive hotels in its chain and 100,000 rooms, OYO works in close proximity with its asset partners while exercising full control over the hotels for ensuring a quality experience for travellers. Its network includes major metros, regional business hubs, top leisure destinations as well as pilgrimage towns.

     

  • Audience is understanding importance of licensed merchandise: Saugato Bhowmik

    Audience is understanding importance of licensed merchandise: Saugato Bhowmik

    MUMBAI: You walk into a kids store and you see Sponge Bob backpacks, a sipper of Lightning McQueen from Cars, or a t-shirt with the word Barbie embossed on it. Licensed merchandises are everywhere today.

    The retail licensing business in India is estimated to be worth $1.26 billion where entertainment license is valued at $406 million, sports licensing at $30 million and fashion licensing at $594 million. However, Indian brands make up less than 10 per cent of licensing and merchandising activity in India. 

    The Indian licensing and merchandising market is primarily dominated by Disney followed by Viacom18 and Turner (Cartoon Network). While Disney merchandise has been available in India for over 30 years, Viacom entered the business only 8 years back and already has a large share in the segment. 

    Viacom18 Consumer Products is a significant player in the ever-growing consumer products space with its diverse portfolio. Viacom18 has channels including Colors, Nickelodeon, Comedy Central, Vh1 and MTV and sells licensed merchandises for its marquee characters including perfumes, jewellery, footwear, watches, bottles, tiffin boxes, apparel, backpacks, jackets, beauty products, etc. 

    The advancements in technology and expanding marketplaces have been key to successful licensing programmes in India in the last few years. But local trademark owners and licensees need to now follow in the footsteps of international brands and adopt licensing as a core revenue stream.

    While the licensing business is pretty fascinating, it has its own challenges. While you may be able to buy a licensed product in a store or a mall at Rs 200, you will find the same product being sold at street corners for Rs 100. Counterfeit is a huge challenge for the industry and though it can’t be completely eradicated, it can, however, be reduced by exercising raids and creating consumer awareness.

    License India recently concluded its trade show India Licensing Expo 2018 for the budding licensing fraternity to apprise themselves on the concept of licensing as a business module, and explore exhibited licensing opportunities in multiple product categories. The show gathers the potential of the industry to network and connect, to further explore possibilities to grow bigger and faster in the given peripheries. 

    Indiantelevision.com spoke exclusively to Voot Kids, INS and consumer products business head Saugato Bhowmik and Viacom International Media Networks London VP licensing and business development Dan Frugtniet where they discussed the licensing business in India, the scope and challenges, their target consumer and much more. Excerpts:

    Licensing is relatively new in India as an organised sector. How do you view the segment? 

    Saugato Bhowmik: Licensing is an exciting business where India has grown rapidly. It is a young industry and there are a lot of brands that have come to India which have been led by us and our friendly competitors but we still need more brands to come in.

    How big is the licensing sector in India? What is the market size?

    Saugato Bhowmik: As per our estimate, the licensing business today is around $1.4 billion of retail sales which includes all kinds of licensing — fashion, sports, entertainment and characters. Viacom18 operates in about 40 per cent of the licensing segment which is in entertainment and character licensing and some part of the sports licensing. It has been an exciting journey for the last 5-6 years for Viacom18 consumer products because we have grown rapidly. 

    What is Viacom18 Consumer Product’s market share in the licensing business?

    Saugato Bhowmik: There is no way to identify the market share of any player as there are no syndicated industry reports that suggest market share. Also, it’s difficult to identify the market share of a business that is a horizontal multi-category business. However, what we’ve learnt from our partners is that Viacom18 Consumer Products is the second largest consumer product business in India. The number one player has been in India for 30 years, whereas we have been here for only 6-7 years but we have grown aggressively in the last five years.

    But licensing as a business is still expensive in India…

    Saugato Bhowmik: If you are going to add the value to the brand to a product, that price incremental will happen. Yes, some licensed merchandises like toys, hard lines are important because a lot of the manufacturing base is not yet in India. The Indian government, on the contrary, wants the manufacturing to move to India because that is when the pricing will go down and the industry will grow further. It’s slow going on that front, but we expect that in the upcoming years, as more consumers move into this piece, the demand will grow and you will see manufacturing base growing further. 

    What are your most popular characters for licensing and merchandising?

    We are primarily structured around our brands SpongeBob, Teenage Mutant Ninja Turtle, Dora, Shimmer and Shine and others. We also have Viacom18’s own homegrown animation that has been tremendously successful. Motu Patlu, Gattu Battu, Shiva and Rudra have been some of our exciting properties. Motu Patlu is in the top three brands in India at any given time. We are also seeing spectacular results with Shivaas well.

    You are here at the India Licensing Expo 2018. What is Viacom18 looking at from this licensing expo?

    Dan Frugtniet: India Licensing Expo is a place where common shareholders, stakeholders, licensees, licensors get together to build the industry. We need much more of this. We are a huge believer in these trade shows and expect the footfall to increase over the years. These trade shows are for long term building and commitment on partnership and trust because we need to meet our partners in person. It’s important to have domestic market trade shows where we can help home grown stakeholders have a meeting place but also where all licensors can come and expand their business by meeting their partners.

    What are the key challenges in this sector? What’s your plan to overcome them?

    Saugato Bhowmik: There are a lot of challenges for licensing business in India in terms of infrastructure, retail fragmentation and depth of audience. But all the metrics are in the right direction and the economy is in the right direction. The e-commerce is headed in the right direction and the audience is now understanding the importance/worth of licensed merchandise. We are getting better at it with more licensees coming into the business, more distributors being added to the business, more manufacturers and retailers coming in. The industry is headed in the right direction but we have to continue investing as there is no easy growth. It’s still a long distance to go before licensing as an industry becomes massive yardstick business like it is in the UK and US.

    Today, there are several international brands present in the market that have become kids’ favourite. Is there a competition and challenge for you to create distinguished products?

    Saugato Bhowmik: There is no such theory to prove it and it’s all about brand love. Different people get attached to different brands. A fan of Motu Patlu who is five years old is obsessed with Motu Patlu. The concept of international and domestic doesn’t exist in kids’ head and it’s the characters that they fall in love with. This domestic v/s international characters may be the theory for adult audiences where they may view international brands as more premium. But I can’t really comment on it.

    What about Roadies merchandise? We don’t get to see them a lot. What are your sales points for them?

    Saugato Bhowmik: You can find Roadies collection on e-commerce sites. Earlier we had done several deals in the apparel and eyewear category. We have exited a lot of existing partnerships. We are going a little slow on youth space because we want the right partnership to happen for both MTV and Roadies. For youth, we don’t want to get a deal with smaller partners. While partnering with someone, we look at the product aesthetics, distribution, ability to market as it has to be at a different level altogether, which is why are taking it slow and selectively appointing partner.

    The time between your deciding on launching merchandise and it actually hitting the shop is huge! How do you strategise on what to launch and what to miss?

    Dan Frugtniet: There is nothing worse for a brand owner than its product launch not working because it reflects badly on us. There’s a lot of time, energy and money that goes behind it and that’s why it is best to invest cautiously on youth market as it’s very difficult to identify what is hot and what is not for the target demographic as it changes rapidly and our deals are not fast. It may take us 3-6 months to get the contract signed, followed by 3-9 months to get the product produced, shipped and listed on stores. You’re talking 12 months which is the quickest you can get a product out in the market. By that time, some of the trends have gone! We have to be extremely cautious about what we launch and select the properties with a detailed eye. 

    Where do you see most of your consumers coming from that want to buy merchandise?

    Saugato Bhowmik: At the moment, most of our consumers come in from six metros but over the next 3-4 years, I do predict that half of our audiences will come from beyond the metro cities because of e-commerce and a lot of local animation licensing taking off.

    What’s your distribution strength and how do you plan on penetrating rural India?

    Saugato Bhowmik: We want to tap into everyone from rural and urban equally. We want to tap into people from all kinds of economy strata and not just have one kind of consumers but have a wide portfolio. 

    What are your online sales like?

    Saugato Bhowmik: E-commerce definitely gives us a lot of access into cities and towns where we did not have any presence in. But, discoverability has always been a challenge on online platforms and we work with our partners to improve our discoverability. 

    How do you choose your partners?

    Saugato Bhowmik: For us to decide on a successful partnership, we ensure the partners have enough expertise and professionalism. Product quality is most important and ensuring the partner has good distribution is also needed.

    Do you think counterfeit is a challenge for the licensing industry or does it not bother you?

    Saugato Bhowmik: Imitation products only get sold if there’s a demand and it makes us happy to see that there is a demand. We do take actions from time to time to send the message out but today, license merchandising business is not yet equipped to address everyone in the Indian market and gradually over a period of time, counterfeiting will go away as our technology and reach gets better. It’s what happened to music streaming, where there was a point when nobody paid for music streaming but today music piracy has gone away. Technology changed the game for them and while it might not change the game completely for us but technology will change the industry.

    Dan Frugtniet: We have reduced counterfeit with direct action by raids and seizures. I think it’s important to educate the consumers about the health risks of giving imitated toys to their kids. If not today, these things will eventually stop.

    How do you view the licensing business in India going forward?

    Saugato Bhowmik: I think more and more players will keep coming in because the industry is going to grow. I think a lot of international players will come in and a lot of Indian brands will also start to understand the licensing business and they will get into it.

    What is your strategy and plan for Viacom18 Consumer Product growth? How do you want to take the business forward?

    Saugato Bhowmik: The plan is to just keep growing very aggressively in high double digits every year because we want to make it a large scale profitable business. We want to continuously grow our existing brand portfolio and bring in more brands, open new categories and new experiences categories. A lot of hard work ahead but an exciting time.

  • BANG BANG launches new avatar

    BANG BANG launches new avatar

    MUMBAI: Launched in 2006 by Roopak Saluja, BANG BANG disrupted the Indian commercials production industry by introducing international directorial talent to the market. Additionally, BANG BANG was also the first to introduce standard global processes like detailed transparent costing, etc.

    With an initial focus on visual storytelling, BANG BANG cornered the beauty and automotive advertising market by significantly raising the bar for production values in Indian advertising. Subsequently, it expanded its repertoire by serving as a home for iconic Indian directors like Dibakar Banerjee.

    Over the years, BANG BANG has produced iconic spots for brands like IKEA, Google, Pepsi, L’Oréal, Sony, Unilever, Indigo, Netflix and dozens of others with Ogilvy, JWT, Lowe Lintas, Dentsu Taproot, Wieden + Kennedy, BBH and many other agency partners.

    BANG BANG launched its new avatar earlier this year, working with Dentsu India on a mammoth production to deliver IKEA’s iconic India launch campaign, being rolled out across media over the coming months.

    To announce its #Production2020 mission and evolution, BANG BANG released this high-octane video last week across social media channels.

    BANG BANG founder and managing director and group CEO of The 120 Media Collective Roopak Saluja said, “It’s hard to overstate the extent of flux our industry has seen in recent years. But wait, there’s more coming. The world needs a recalibrated production model to cater to the needs of 2020. We at BANG BANG have been ramping up to this reality for years and are delivering it here and now in 2018, with commercials at the core but augmented capabilities, backed by a vast body of work, across content, photography, digital, interactive, gaming and more. The one constant is storytelling but there are now a thousand ways to get there.”

  • Jolly Rancher Hotties launched in India

    Jolly Rancher Hotties launched in India

    MUMBAI: Hershey India has launched Jolly Rancher Hotties, a hard candy especially developed to appeal to the ‘hot’ Indian palate.

    The candy is a part of the Jolly Rancher confectionery range, which is known for its unmistakable bold, sweet and tart fruity flavours.

    Jolly Rancher Hotties is uniquely crafted. Consumers first experience its tongue-tingling fruity flavours, which then give way to a sudden spicy burst at the centre, thereby leaving a lingering taste, that is a stimulating mix of both sweet and spice. The candy will be available in three exciting flavours – Raw Mango, Pineapple, and Lemon – and is priced at Re 1.

    Hershey India managing director for Jolly Rancher Hotties Herjit Bhalla says, “Hershey India is continuously evolving its product portfolio, based on strong consumer understanding. When we researched the Indian taste preferences, we discovered that as a culture, we prefer hot and spicy flavours as much as the sweet ones. It has always been our vision to provide a differentiated product experience to our consumers. We are very excited about the launch of Jolly Rancher Hotties as it is set to strike a chord with both `meetha’ and `theekha’ being fused into a single offering. Jolly Rancher is a key brand in the Hershey India portfolio, and with the launch of Jolly Rancher Hotties, we aim to offer yet another unique innovation that is set to tingle the taste palate of Indians.”

    The Jolly Rancher Hotties launch will be communicated across media, including television and digital, and will be endorsed by celebrity Tamannaah Bhatia.

    In her comments on the new launch, Tamannaah Bhatia mentions, “Jolly Rancher has always been a favourite, and I would eagerly wait for friends or relatives travelling from the United States to get me a few packs of the candy. I look forward to the exciting launch of Jolly Rancher Hotties in India and to being a part of a brand that I have personally loved over the years.”

  • Tiger Shroff launches PROWL anthem for today’s #ReadyToMove gen

    Tiger Shroff launches PROWL anthem for today’s #ReadyToMove gen

    MUMBAI: Groove and move seems to be the flavour of the season for PROWL, an active lifestyle brand co-created by Tiger Shroff and Mojostar, which has recently released its anthem! 

    The PROWL Anthem revolves around the brand’s brand promise of #ReadyToMove and caters to India’s young and active generation. It promotes a high-activity lifestyle through its unique, no-holds-barred celebration of physical movement and agility, urging young India to do the same in their quest towards peak fitness.

    With music composed by music director Amaal Mallik, sung by Armaan Malik, the brand video is presented by India’s foremost music label T-Series. The PROWL anthem features Tiger Shroff demonstrating his physical prowess in the activewear through gravity-defying stunts and mesmerising viewers with stunning dance moves tailored to the catchy music. With lyrics resonating with the challenge-oriented mind-sets of today’s youth, the brand video subtly urges style and fitness-conscious consumers across India to constantly test their boundaries and keep working towards pushing them forward.

    Mojostar managing director Jiggy George adds, “Ever since we made the brand reveal for PROWL, the interest that the brand has garnered for its differentiated value proposition has been simply amazing. The launch of the PROWL anthem before its upcoming market release will definitely add to the buzz around the brand’s range of stylish active-wear offerings.”

    T-Series chairman and managing director Bhushan Kumar mentions, “Energy, excitement, intensity, movement, flexibility – as a brand, PROWL encapsulates all these elements. We wanted to create a music video that reflected this proposition. We are very happy with how the PROWL anthem has turned out and are confident that it will be very popular amongst the young and trendy Indians of today.”

    The launch of the PROWL anthem has definitely added to the buzz around the brand, which is gearing up for its upcoming market launch in the first week of September. The active wear products of PROWL will be available for purchase post-launch on the brand website and Amazon Fashion.

  • This festive season Cadbury Celebrations sweetens the Brother-Sister bond with its new campaign and premium pack

    This festive season Cadbury Celebrations sweetens the Brother-Sister bond with its new campaign and premium pack

    MUMBAI: Mondelez India, the creators of the Chocolate Gifting market in India have recently rolled out a new campaign for Raksha Bandhan, in line with Cadbury Dairy Milk’s new positioning of ‘Kuch Achha Ho Jaaye, Kuch Meetha Ho Jaaye’. The new exciting packs of Cadbury Celebrations and Cadbury Gifting Portfolio, are making the festive season even sweeter and memorable, along with a heart-warming TVC highlighting the brother-sister bond.

    Commenting on the exciting festive offering, Anil Viswanathan, Director – Marketing (Chocolates), Mondelez India said, “Over the years, Mondelez India has been an intrinsic part of festivals with Cadbury Celebrations becoming India’s favorite gifting option. Cadbury Celebrations brings alive the joy of gifting by getting people together and strengthening relationships especially during festivals like Raksha Bandhan. We aim to bank on the Cadbury Celebrations Premium Selection chocolates with revamped and premium packaging to help us connect with our consumers this festive season. Our Raksha Bandhan TVC, in a heart-warming set up, highlights the innocent brother-sister relation and how a pack of Cadbury Celebrations brings them closer to each other, than ever. Linking in with the recently launched Cadbury Dairy Milk Generosity Campaign, this Rakhi commercial also brings alive the acts of generosity that makes our festivals full or warmth and renewed good feelings amongst relationships far and close”

    The new TVC features the story of a younger brother going the extra mile, by sacrificing the money he saved for his cricket bat, to buy his sister a ‘rakhi’ gift – a box of Cadbury Celebrations. Of a simple sacrifice, that enhances the love between them. The new campaign is led by a TVC and further amplified through digital and social activations along with innovative OOH.

    5The company has been making strides in e-commerce, creating new shopping opportunities through personalization and gifting platforms. This festive season, the company has also designed an ecommerce innovation using personalization to take the gifting experience a notch up. Consumers will be able to customize their Cadbury Celebrations and other eCommerce exclusive Cadbury Gift boxes with heartfelt messages to create a truly special personalized gift for their siblings.

    Abhishek Ahluwalia, e-Commerce Lead, Mondelez India said “Last year, Mondelez India announced the launch of its first direct-to-consumer website “Cadbury Joy Deliveries” – www.cadburygifting.in. This Raksha Bandhan we are taking it a step further with adding a personal touch to the packaging of the Cadbury Celebrations and other eCommerce exclusive Cadbury Gift boxes. The website allows you to customize a heartfelt message and add photographs for your beloved sibling at attractive prices. So this festive season not only is the joy delivered to your doorstep but, it is personalized, too.”

  • Sports accessories brand D:FY clubs quality with affordability

    Sports accessories brand D:FY clubs quality with affordability

    MUMBAI: Affordability is every Indian’s first thought when purchasing anything. However, quality sports shoes tend to be high priced and the likes of Nike Air or Adidas Superstar are beyond the reach of normal people’s budgets.

    Enter the latest entrant to try to make the impossible possible – D:FY (read: defy). Launched by fitness enthusiasts Prashant Desai and Rajiv Mehta, who are marathon runners themselves, it aims to make great sports gear accessible to the Indian makes with great technology and breath-taking looks.

    For Desai and Mehta, the idea for D:FY seeded with a personal need to buy quality sports products at an affordable price as running was becoming expensive for them. “As runners, we had to buy products by global brands that are heavily priced which has always pinched us. There are enough brands available in the market but they don’t give enough quality products and technologies required to run well,” says Desai.

    The company competes directly with Indian brands in the same category such as Action, Power, and Red Tape but aspires to compete with international brands including Sketchers, Nike, Adidas, Puma and Reebok in a year’s time. On this, Pradeep says, “We definitely aspire to compete with bigger players in the market. If you compare a product of D:FY’s which is priced at Rs 5500 with a competitor’s Rs 5500 product, ours is definitely way better in terms of technology. But most people compare apples to oranges whereas they should compare apples to apples.”

    Backed by FMCG mogul Kishore Biyani along with Farhan Akhtar and ex-cricketer Anil Kumble, the company has Indian cricketer Hardik Pandya and actor Nidhi Agerwal as brand ambassadors.

    The company wants to target a mass audience and hence has decided to price it at a sweet spot. D:FY footwear range targets Indian fitness sensibilities — walk, gym and multi-sport that starts from Rs 2200 whereas apparels start from as low as Rs 799.

    Marketing the product efficiently is equally essential to ensure brand awareness and recall and this is where most companies get it wrong. Since digital is available at a much cheaper rate than television D:FY wants to advertise heavily on digital and BTL. It wants to reach consumers at as many touchpoints as possible but will refrain using television at the moment as it comes at an exorbitant cost.

    The company is set to invest Rs 10 crore for advertising during the first year of its operations. An optimistic entrepreneur, Mehta says that they are extremely aggressive about their capital spending and will invest in outdoor, digital, BTL, radio and maybe in-cinema advertising along with influencer marketing.

    The co-owners don’t want to be just another online brand but will look at ramping up the offline presence by opening stores where consumers can touch and feel the product before buying them.

    D:FY is planning an aggressive physical presence with 22 store launches across nine cities of Mumbai, Bengaluru, Hyderabad, Chennai, Surat, Vadodara, Mohali, Bareily and Hubli by the end of September and plans to take this to 100 stores by 2022.

    Online sales are equally important for any brand and especially if you are just starting out. Usually, brands partner with multiple e-commerce websites to sell the products which help them in reaching out to a large set of audience. But D:FY has tied up exclusively with Amazon to sell the merchandise which kind of narrow downs the scope of reaching a mass audience that shops online.

    While the products will be available across all channels, the company does not want to sell the products at a discounted rate as it believes the price-point is pretty much justified.

    Though major sales for the brand will come in from metros and mini metros, the co-founders want to reach the rural consumer as well. It will also face a stiff competition from local players that sell sports shoes for as low as Rs 200 and apparel at a mere Rs 100-200.

    Where most manufacturers – national and international – are looking at shifting their manufacturing units to India in order to promote the government’s Make In India initiative, the duo wants to continue manufacturing the sports products in China. They will, however, bring the apparel manufacturing business to India which is also manufactured in China.

    For 2020, the company has set huge targets where it will become more aggressive in terms of marketing and advertising the products, with an increased number of stores and SKUs. The sports brand targets to have revenue worth Rs 60 by the end of its first year’s operations.

    The store has all the feels you get when you walk into a Nike or Adidas outlet. It will, however, be interesting to see if D:FY can create a niche for itself in an already cluttered market where Indians still prefer buying international products for the sake of quality.

  • Behind the scenes of IKEA’s India marketing strategy

    Behind the scenes of IKEA’s India marketing strategy

    MUMBAI: Hej IKEA i Indien! This translates to ‘Hello IKEA in India!’ Unless you’re living under a rock, by now we’ve all heard and read about Swedish furnishing brand IKEA’s great and pompous launch in India!

    Indians alien to the concept of assembling furniture themselves lunged at IKEA’s launch in Hyderabad City. This reflects from 40,000 customers trooping in on the opening day, where the retailer rang up sales of a little over Rs 1 crore the same day.

    But what really made Hyderabad and the nation go gaga over a company that they had probably never even heard of before 2017? Well, the answer is simple – branding and marketing.

    In the global advertising world, IKEA is often cited as a master of branding, marketing and advertising. The company has consistently won the marketing game on social media and traditional mediums to carve some of the finest campaigns to reach out to the masses but India is a different animal altogether. A global campaign or a standard tone would never connect or work with the audiences here as India is an amalgamation of several cultures, traditions and beliefs.

    But how do you connect with a country that has a population of 1.35 billion, doesn’t know a thing about the brand and can’t connect with the concept of self assembling furniture? Labour is cheap here so you can just get your local carpenter to fix anything for you in a jiffy. Hire the best agency available and capture nuances in the communication. For this, the Swedish giant hired Dentsu Impact as its official creative agency to launch the brand’s maiden campaign for India. Its ‘Make Everyday Brighter’ ads resonated fantastically well with Ikea’s belief to create a better life every day and drove home a customer traction that none had ever expected.

    And now, as IKEA moves ahead aggressively to eke out a niche for itself in the country, Dentsu Impact is steadily helping the brand to discover this new culture and expand its footprint, nationwide.

    While we have all read about how the launch of IKEA is a positive step for FDI, generating local jobs and a tough fight for e-commerce players, nobody really knows what went into making IKEA’s launch in India grandiose. To understand this, Indiantelevision.com spoke exclusively to the men behind Ikea’s entry in India – Dentsu Impact president Amit Wadhwa and chief creative officer Soumitra Karnik – where they spoke about what went behind the planning, the agency’s strategy for Ikea, challenges while working for an international brand and much more. Excerpts:

    How did Dentsu Impact end up bagging the IKEA business for India?

    Amit Wadhwa: It was a long process that started way back in February 2016. They called us for the credentials sharing meeting which was more of a chemistry meeting. They shortlisted eight agencies basis the credential meeting and asked us on how they should launch IKEA in India and what should be their strategy. It was quite an elaborate pitch and they gave us three months to work on the pitch which was a little surprising considering how pitches normally happen in India. It took us a lot of time to understand the brand, how it functions and its tonality. Our creative team actually went to Hyderabad and stayed there for a few weeks to understand the Hyderabad market and the requirements for home furnishing there.

    So when did you officially get the mandate?

    Amit Wadhwa: We officially got the mandate in September 2016. But there’s a lot more that we’ve done for IKEA other than the launch campaign.

    What do you mean when you say that? Were they pre-launch initiatives?

    Amit Wadhwa: Yeah, we did an employee branding asking people to join IKEA where we used existing IKEA workers to promote the campaign rather than models. We also launched an experience centre for IKEA before the store launch where people could see the products but not buy them.

    How was it working for an international brand like IKEA? How interesting was it for you to work on a brand’s entry in a market like India?

    Soumitra Karnik: It’s been quite interesting and exciting because every adverting person around the world admires IKEA’s creative ads and it is a dream brand to work with for everyone. However, the challenge is that it’s not really easy to work for IKEA. IKEA is not only about award-winning ads and its products, it’s more than that and you realise that only after you’ve worked with them. The tonality of the brand is extremely exciting as they want to understand the local nuances of each market they enter into.

    What was the brief that team IKEA shared with you when you said they want to launch their maiden campaign in India?

    Amit Wadhwa: No two countries are exactly the same and moreover India is an amalgamation of many countries. What we have done for IKEA is take their belief and marry it with what India stands for. There are great similarities between brand IKEA and what India stands for. Family culture plays an important role for Indian and Swedish families and that’s well ingrained in IKEA as a brand and all their communications.

    How will you ensure that you maintain brand recall through creativity in your campaigns for IKEA?

    Amit Wadhwa: We have launched ad campaigns where it talks more about the products available at IKEA rather than just throwing out a good looking ad. We are creating things which are firsts in the IKEA world. The whole endeavour is to keep a balance between creating a brand language since IKEA has to be distinct and at the same time it needs to connect with the Indian consumers. They are very clear that the ads need to be locally relevant to connect with the consumers.

    What will be IKEA’s strategy for India under your agency’s guidance?

    Amit Wadhwa: It is not a typical client-agency relationship but more of a joint effort by IKEA and Dentsu to ensure we talk to many. Our focus will be on connecting with the family audiences but at the same time, they want to connect with the many.

    Who were your target consumers when you created the campaign? Also, going forward, will the campaigns be targeted at anyone and everyone?

    Amit Wadhwa: When we launched the first campaign, we wanted to target families and everyone. Now, going forward, while families will be at the core of our communication, we will look at targeting bachelors and elderly couples. You will see shades of many of them in our communication, but the core audience will always remain families with kids as IKEA wants to target families.

    What is Dentsu Impact’s plan with IKEA going forward? How will you strengthen the relationship?

    Soumitra Karnik: When we started working on the brand, we were super happy but now we are overwhelmed. It’s going to be an exciting journey with many more stories coming up. What the Mumbai store will bring to us is what we are really looking forward to!

    Are there any constraints while working for a global retailer in India? For instance, how will a person sitting in Hyderabad connect with a brand that’s Swedish unless you really break it down to their level?

    Amit Wadhwa: It’s definitely a challenge, but an interesting one! We understand that there could be challenge in terms of acceptance since it’s a Swedish brand and Indians probably had never even heard of it, but with the right communication, you can overcome that challenge. We really think we were able to overcome that but are working towards creating better communication going forward.

  • BookMyShow Opens Ticket Sales For The World Premiere of Cirque Du Soleil’s – BAZZAR Starting Today in India

    BookMyShow Opens Ticket Sales For The World Premiere of Cirque Du Soleil’s – BAZZAR Starting Today in India

    MUMBAI: Audiences in India will very soon experience the magnificence of the world’s biggest live-entertainment phenomena, Cirque du Soleil, brought to India by BookMyShow. Citibank has come on board as the presenting partner for the world premiere of Cirque du Soleil’s ‘BAZZAR’ in India. The shows will start November 2018 finding their way home in Mumbai from 15th November 2018 and Delhi from 25th December 2018 before moving to other markets. 

    BookMyShow’s long-term association with Cirque du Soleil is aimed at establishing India as a key market to open avenues for global entertainment. Cirque Du Soleil has brought wonder and delight to more than 190 million spectators in over 450 cities on six continents. The company sells over 12 million tickets per year and has close to 4,000 employees, including 1,400 performing artists from close to 60 different countries.

    Unlike any other entertainment company, Cirque du Soleil will not just visit Mumbai and Delhi but will infuse in the city’s culture with the set up of The Big Top, the main tent, where the performances will take place. The Big Top itself is a wonder that is set up over a period of six days and stands tall at 19 meters (62 feet) high and is 41 meters (135 feet) in diameter accommodating 1500 people at once.

    A cast and crew of 62 people will be travelling to India from over 13 different countries and close to 700 tonnes of equipment will be carried via 25 sea containers. The show will feature a range of acrobatic marvels ranging from teeterboard, portage, acrobatic bike, contortion, duo roller skate, duo trapeze, aerial rope, slackline and live music with one singer and two musicians on stage. With performances pairing imagination and impressive scenography, unique characters, remarkable aesthetics and acrobatic feats; ‘BAZZAR’ will feature key Cirque du Soleil elements. The tickets for the nearly two-hour spectacular will be available starting today exclusively on BookMyShow with prices starting just at INR 1,250 (different for both cities).

    Written and Directed by Susan Gaudreau, Cirque du Soleil – BAZZAR will perfectly capture the high-energy excitement, collision of sounds and colours, and showcase a meeting place of diverse characters recreating a traditional Indian ‘bazaar’.  Lead by their maestro in the show, the troupe comes together to invent a whimsical one-of-a-kind universe in a place where the unexpected is expected, the colourful group reimagines, rebuilds and reinvents vibrant scenes in an artistic, acrobatic game of order and disorder.

    “BookMyShow has been and will continue to play a huge part in the transformative journey of the live entertainment category in India. While it has personally been a lifelong dream to work with Cirque du Soleil, their entry into India with BAZZAR will re-imagine this category. We are excited to give our growing customer base in India the opportunity to get access to this global phenomenon,” said Ashish Hemrajani, Founder and CEO, BookMyShow.

    “Cirque du Soleil has been looking at India as a potential market for quite a while now. We wanted to do things right and introduce the brand appropriately to this new audience that was never exposed to Cirque du Soleil before,” said Daniel Lamarre, President and CEO, Cirque du Soleil Entertainment Group. “It is for this very reason that we put our trust in BookMyShow, who’s deep knowledge and understanding of the Indian market is essential for our successful presence in this country. With their help, our long-term objective is to establish a strong and lasting presence in India and to share our creativity with as many people as possible.”

    “Designing a show specifically to introduce Cirque du Soleil to a totally new audience was an exciting creative challenge,” explained Susan Gaudreau, Show Director. “It pushed the creators to find the essence of what we are and articulate it in a way that is universally understandable. With its story centered on the creative process and the energy found in the unexpected, BAZZAR shines a light on what is uniquely Cirque du Soleil. I am very honoured to be in India today to introduce BAZZAR to the Indian people and am very much looking forward to its premiere!”

    Shinjini Kumar, Consumer Business Manager, Global Consumer Banking, Citi India, said, “We are excited to partner with Bookmyshow for the world premiere of BAZZAR, a unique show crafted for India and the world by Cirque du Soleil. We are always looking for opportunities to bring world-class entertainment through our partners to our clients, who like to indulge in exclusive international experiences. Citi customers can look forward to making this an even more memorable event with our special offers and privileges. We cannot think of a better way to celebrate this festive season than to facilitate wholesome entertainment for our customers and their families.”   

    Honorable Chief Minister of Maharashtra, Devendra Fadnavis, has also expressed his support for Cirque du Soleil’s India visit as this would boost tourism in the state by exposing the audiences to new artistic and cultural experiences.

  • Godrej Appliances celebrated the spirit of India and urged people to share their #SochForIndia on India’s 72nd Independence Day.

    Godrej Appliances celebrated the spirit of India and urged people to share their #SochForIndia on India’s 72nd Independence Day.

    MUMBAI: Crafted by Godrej Appliances, the social media campaign #SochForIndia which reached over a million digital Indians, urged them to engage in an open dialogue about their dreams for the nation, on eve of India’s 72nd Independence Day. Initiated last week, the users were asked to describe their ‘SOCH’ (thought) for India in one word.  Adding yet another dimension to the campaign, among the users who partook in the event, the best entries were given personalized merchandise (T-Shirt) with their ‘SOCH’ printed on it, so that they could not only voice their ‘SOCH’ but wear it too.

    Godrej Appliances launched the digital campaign #SochForIndia with intent to capture the underlying sentiments of the citizens and the way they envision India’s future.  The brand sought the support of citizens to make this a movement that goes beyond the usual norm of celebrating the iconic day and proudly voice their vision for the nation.

    The campaign reached 2.4 lacs users and over 19k user engagement were observed.  

    Speaking on the campaign Swati Rathi, Head-Marketing, Godrej Appliances added, “The campaign #SochForIndia was an excellent way to connect with citizens, across the nation, especially, Indian youth and enlist their participation, encouraging them to think about the nation. At Godrej Appliances, 2018 marks the completion of 60 years of being truly Indian. Patriotism is part of our fabric. We chose Independence Day to extend our core philosophy of soch ke banaya hai to #SochForIndia. We hope this will also reflect how Indians across the board have the same dreams as well as inspire them to act on their ‘SOCH’ and bring it alive.”