Category: Brands

  • Mangaldeep’s conversation with God with Bhumika Chawla

    Mangaldeep’s conversation with God with Bhumika Chawla

    MUMBAI: ITC’s leading incense stick brand, Mangaldeep, has launched a unique ‘slice of life’ campaign that depicts everyday conversations with God.

    With Bhumika Chawla as the protagonist, the brand delves into moments amidst the daily hustle and bustle of life that essentially provides an opportunity for a serene prayer and an intimate conversation with the almighty. The campaign also highlights the unique positioning of ITC’s Mangaldeep, which through its range of divinely fragranced incense sticks brings about a sense of calm and comfort when the mind is anxious.

    The film opens with Bhumika Chawla amidst the daily morning rush at home, handling myriad aspects of a household and yet making time for a short but anxious prayer. The moment she lights the fragranced Mangaldeep incense sticks, a sense of calm prevails for a natural and peaceful conversation with God.

    ITC Ltd chief executive for agarbatti and safety matches business Ravi Rayavaram says, “Mangaldeep’s ‘Conversation with God’ campaign reflects the spiritual core of every Indian. Devotion, prayer and invoking good for everyone, is a way of life for many. This simple life truth promoted by Mangaldeep through its recent campaign is rooted in its core brand philosophy of enabling every individual’s pursuit of devotion. Bhumika Chawla personifies the life of every Indian woman and the challenging morning moments in her life.”

    R K SWAMY BBDO principal consultant Vivek Shenoy adds, “Unlike in a temple where there is a devotional ambience, in her everyday prayer space, the consumer struggles to connect with god unperturbed. In today’s day and age, prayer is often rushed, distracted and mechanical…even when we sit down to do it, a parallel monologue runs in the head that has nothing to do with connecting with the divine. The right fragrance can transform the mental state, creating the climate for that connection.”

    Available across retail outlets in India, ITC Mangaldeep is the second largest agarbatti brand in India and the only agarbatti brand with a large national presence.

    The Mangaldeep brand was launched and marketed by ITC’s Matches and Agarbattis Business Division since 2003. Within a decade of its launch, the brand achieved market leadership in the Dhoop category and a strong No.2 position in Agarbatti category with a combined consumer spend of over 750 crores.

    Mangaldeep’s vision is to be the most loved enabler and partner in people’s pursuit of devotion and spirituality. In this regard, the brand has extended beyond quality incense products into services such as devotional content and religious tourism through its Mobile app. By enabling the daily pursuit of devotion of over 4 lakh users, it is among the highest rated devotional apps in India.

  • Birla Ayurveda launches medicines and personal care products

    Birla Ayurveda launches medicines and personal care products

    MUMBAI: Birla Ayurveda, a part of the Yash Birla Group, launched its collection of personal care products and medicines. The range spreads across four personal care products that include, aloevera face wash, aloevera gel, Kizhi kit and ache oil as well as four Ayurvedic herbs including Shilajit, Brahmi, Ashwagandha and Shatavari, along with four proprietary medicines namely Novajoint, Abdoplus, Arshotex and Eveshor.

    A part of The Yash Birla Group, Birla Ayurveda is renowned for successfully treating aliments such as chronic arthritis, sinusitis, migraine, slip disc, lumbar spondylitis, sciatica, stress, obesity and asthma, as well as neuromuscular and skin related disorders.

    The company believes that the skin is the most sensitive part of the body and a constant exposure to chemicals and artificial ingredients can lead to skin ailments. That is why it is important to invest in natural products.

    “We are very excited to enter the personal care segment as well as the pharmaceutical segment, with our products being natural and chemical free. The products are tested to ensure they are safe, and both the medicines and personal care products are available at an affordable cost. Today, the buyers are very conscious about what they buy and see value in spending on products” said Mr. Ashish Thakur, CEO, Birla Ayurveda.

    The products are available on the company’s website and across various online portals including shophealthy.in and med life. The company is further looking to expand the distribution and availability.

  • BrandVid 2018: Emerging importance of content creators in branded videos

    BrandVid 2018: Emerging importance of content creators in branded videos

    MUMBAI: With the rapid change in the online ecosystem, marketers are gradually increasing their investment for branded content. Subtle product placement and proper storytelling in branded videos are becoming two key elements of video marketing. Facebook and YouTube have emerged as the most important platforms while they are working closely with brands as well as creators.

    In the first edition of Indiantelevision.com’s BrandVid powered by Colors, spokespersons from the two tech giants spoke about their experience in new video economy. YouTube India entertainment head Satya Raghavan and Facebook India entertainment partnerships head Saket Jha Saurabh discussed what each of them is offering to brands, how brands are operating in the respective ecosystems and what could be the best practices for them to follow.

    Talking about branded videos and digital films, Raghavan said YouTube always thinks about three primary stakeholders which are the consumers, creators and advertisers. Whether it is about integrating a brand within the existing content or a brand wanting to create content with creators, these three elements of the ecosystem always create amazing opportunities together. Going back in time, he mentioned #CrashThePepsiIpl campaign when they discovered all of these three stakeholders actually ended up coming together to make this program a huge success.

    “Last year we started new format called speed dating where we had brands give briefs to our upcoming creators and creators then got 10 minutes to pitch the solutions to brands and out of that also emerged pieces of content. I think we are just at the beginning of the interplay of content integration and branded content,” Raghavan said.

    Facebook has also started out building communities which can be monetised. As a platform, Facebook sees video as a form, not substance. “We feel that from Facebook and Facebook family of apps’ perspective, the idea is how you solve or customise solutions for brands. I think that’s really what we focus on,” Saurabh commented.

    While Facebook has definitely been the dominant one in video marketing ecosystem, he also mentioned how other apps from the group are also growing relevance. As an example, he spoke about Make My Trip’s association with WhatsApp, where the entire booking process was moved to the messaging app, and the company saw a huge fall in call centre complaints. In this case, Make My Trip leveraged the intimacy and inter-connectivity on Whatsapp to engage consumers.

    Fashion and beauty brands have been optimising Instagram on a great scale. “These people understand that visual storytelling is really the thing to do, especially when you are trying to reach a younger audience. Instagram is really a choice when it’s visual storytelling,” Saurabh added. According to him, brands are increasingly realising they have to do platform-first, mobile first content as well as creating customised videos.

    Speaking about what brands can achieve on YouTube, Raghavan said a consumer comes to YouTube to either entertain himself or inform or educate. According to him, it’s important for brands to understand this behaviour and even YouTube spent a lot of time trying to explain brands how to fit themselves into this continuum of things. 

    His advice for brands is that they should think about how they can be a part of all of these three types of storytelling whether its entertainment, education or information. “We are seeing a lot of that happening in financial services space now because brands are starting to penetrate deeper. Earlier, very few of us dabbled on things like the stock market or even mutual funds. But, that category is seeing amazing penetration at this point in time. So, a lot of brands from that area come to us and talk about what they can do about all of these three things.  This game is still to be played and in a couple of years we will see some amazing things happening in that space,” he added.

    Both of the experts were asked if a brand can become media destination for customers where they build a direct engagement with storytelling. Saurabh gave a few niche examples such as Craftsvilla’s birth and growth was aided by Facebook. Royal Enfield is also doing a great job in community building. In the case of Instagram, he gave the example of fashion designer Sabyasachi Mukherji’s page which depicts good storytelling.

    “Brands need to build the community ahead of the transaction, not when they will transact. It may lead to a transaction or different levels of engagement. The fact is that our goal is to make brand managers understand that whether it’s brand marketing or performance marketing, Facebook has solutions for both but building a community and having a certain thematic play in the market is very important,” he said.

    However, while all the gaga is over traditional brands who are investing in branded content, Facebook has noticed that creators are becoming brands as well. Hence, this is about content brands also who are finding their voice on the platform and being able to monetise what they do best.

    Agreeing with him, YouTube’s Raghavan put it in a little different angle. According to him, best practice a brand can follow is actually to think like a creator. “We encourage brands to think like a creator. Create consistent output of content and appreciate the fact that content has always been there. Think like a creator and work with our creators. They understand consumers and that’s how they continue to create content day in and day out. It’s really about the message,” he commented.

  • Perfetti Van Melle India launches Center Fresh Mints

    Perfetti Van Melle India launches Center Fresh Mints

    MUMBAI: Perfetti Van Melle India has launched Center Fresh Mints, a new offering by the Center Fresh brand in the mint candy segment.

    This new offering will provide the benefit of ‘Instant Fresh Breath’ with 3-layers of sugar free mints available in a stylish pocket friendly pack. Center Fresh Mints will be available in peppermint flavour and strawberry mint at a price point of Rs 10.

    Perfetti Van Melle India managing director Rajesh Ramakrishnan said, “We see tremendous opportunity for growth with relevant extensions in the fresh breath needed space. I am confident that this launch will strengthen the position of Center Fresh brand in India and help extend its equity to higher price points.”

    Perfetti Van Melle India director-marketing Rohit Kapoor said, “We wanted to introduce a truly innovative mint offering under Center Fresh in India specially approaching 2019 when the brand shall be completing 25 years milestone. It’s the first extension of the brand in non-gum segment. Globally we have seen powermints as a category gaining a lot of traction and we would like to develop the category further in India with the launch of Centerfresh Mints.”

    The launch is supported with campaign on TV, extensively on digital medium and visibility tools for retail & modern trade.

    Commenting on the campaign, Ogilvy executive creative director Anurag Agnihotri said, “The launch campaign for Center Fresh Mints highlights various relatable situations in the lives of today’s youth when you would need instant fresh breath. We have tried to capture these occasions through a hummable, memorable music track.”

    Perfetti Van Melle India Pvt Ltd (PVMI) started operations in India in 1994. The company at present has a diverse portfolio of brands across segments (i.e. candies, jellies, gums & chewies) which it sells through various channels across the country. PVMI is a fully owned subsidiary of the global confectionary conglomerate Perfetti Van Melle, headquartered in Amsterdam.

  • Anchor unveils new brand positioning

    Anchor unveils new brand positioning

    MUMBAI: Panasonic’s Anchor, one of India’s leading manufacturers of electrical construction materials, launched its new campaign ‘Naye India ke Badhte Load ke Liye’. With the advancement and accessibility of technology, there has been a growing demand for new-age electrical appliances.

    The campaign takes a humorous route to highlight how Anchor’s superior product offerings, that feature the latest Japanese technology, are designed to meet new India’s growing demand for new-age electrical appliances.            

    The campaign is conceptualised by Leo Burnett India which emphasises on the fact that Anchor offers security and quality with the latest Japanese technology to suit every customer’s requirements.

    Commenting on the launch of the integrated campaign, AEPL MD Vivek Sharma said, “Anchor Electricals’ Indian heritage and products coupled with Panasonic’s Japanese technology and innovation empower us to provide our customers with a vast range of high-quality electrical products. With the “Naye India ke Badhte Load ke Liye” campaign, we plan to position Anchor by Panasonic as a brand that is familiar with modern India’s expectations from its electrical devices and showcase how the customers benefit from our offerings.”

    However, in the process of building a dream home packed with high-tech electrical devices, one often overlooks the most important measure – using sustainable quality wiring and MCB (switchgears).

    “Anchor by Panasonic is India’s brand of choice for switches and through this campaign we aim to make Anchor by Panasonic synonymous with switchgears and wires& cables too. The future of electrical product market is very promising, with great opportunities in the utilities, industrial, residential, and commercial sectors among others, we at Anchor by Panasonic are well prepared to deliver and own the Indian electrical space on the back of our unique product offerings,” Sharma added.

    Anchor wires and cables are built with high current-carrying capacity that safeguards all connected devices and heavy appliances even during prolonged usage. Anchor by Panasonic’s MCBs are made with the fastest trip mechanism which ensures the timely protection of connected appliances and homes from overloads, short circuits and leakage current.

    Speaking about the campaign, Leo Burnett MD – India and chief creative officer – South Asia Rajdeepak Das said, “The ‘Naye India ke Badhte Load ke Liye’ positioning accurately sums up the need gap that Anchor by Panasonic is trying to fill with its high-quality wires and cables, and MCBs. I’m very happy with the creative thought and how it has translated into an almost eccentric execution. As is a given with all our work, we have transformed the brief into a Humankind idea, and the result is for all to see.”

  • VLCC disrupts festive skin care marketing with Animoji campaign

    VLCC disrupts festive skin care marketing with Animoji campaign

    MUMBAI: With the beauty and skin care category hugely cluttered in the Indian sub-continent, VLCC, along with Grapes Digital has launched a campaign leveraging a brand new feature on the latest Apple phones – the Animoji. 

    The festive season is a particularly busy time for marketers, when almost any conversation finds it difficult to drive recall. However hard they try, cutting ice with the consumer always becomes a challenge. 

    To address this challenge, the campaign has Shiny Aunty and Chaddaji, two very quirky characters, created by Grapes Digital, the creative agency for VLCC.

    By narrating stories and creating product usage contexts, these characters not only win the heart of the consumer, but also managed to create an industry first innovation.

    Speaking on the innovation, Grapes Digital COO Shradha Agarwal says, “Our agency solutions have always been founded on the pillars of creativity, innovation and technology. The Animoji innovation has managed to disrupt the category and stand-out strongly in the cluttered Diwali space making us the first brand to use it. Going forward, we will continue working towards creating more such innovations and conversations for the brand.”

    VLCC Personal Care digital head Ajeet Bawa adds, “Grapes has always led the game in terms of using innovative approaches to digital advertising. The current Animoji campaign only reinstates the trust that we have in them. We look forward to continued creativity and innovation from their stable for our brands.”

    Grapes Digital is a full-fledged digital marketing agency, founded by Himanshu Arya in 2009. Started as a technology driven agency it has moved towards being a digital first agency, aiming at helping brands embrace creative, technological and digital media evolution and revolutionising all aspects of their business as per the need of the digital age.

    It offers varied digital service like digital strategy & planning, digital content, creative – user experience, design & content, website/app design & development, social media marketing, search engine optimisation, experiential technology marketing, digital media – planning & buying, performance media – planning & buying and influencer marketing.

  • BookMyShow and BBH team up to celebrate the arrival of Cirque du Soleil BAZZAR in India with a new digital ad film

    BookMyShow and BBH team up to celebrate the arrival of Cirque du Soleil BAZZAR in India with a new digital ad film

    MUMBAI: BookMyShow and BBH India have teamed up to welcome BAZZAR, the newest original production of the live entertainment leader Cirque du Soleil, to India with a new digital ad film. The digital ad film brings to life the essence of this spectacle with hand drawn illustrations and slam poetry. The result is a ‘trippy’ film that will blow your mind.

    You can watch the film here

    Marzdi Kalianiwala, SVP- Marketing and Business Intelligence, BookMyShow said, “Cirque du Soleil BAZZAR is about infinite creativity that they bring alive through their unbelievable performances. This immersive theatrical experience is a brilliant mix of state-of-the-art costumes, captivating music and impressive staging which is something that has never been seen before in India. We wanted to bring alive this creativity through an innovative digital ad film while staying true to the nature of the show.” 

    Russell Barrett, Chief Creative Officer & Managing Partner, BBH India added, “Cirque du Soleil BAZZAR, is a mind-blowing entertainment extravaganza and we needed to communicate that in an animation film. Nothing can equal the brilliance of actually catching a show, but we wanted to capture how people who watch the show would feel, or describe it. The slam voiceover helped in creating the mood and gives the film a unique Big Top announcement feel.”

    Credit List

    Agency: BBH India

    ·      Chief Creative Officer & Managing Partner: Russell Barrett

    ·      CEO and Managing Partner: Subhash Kamath

    ·      Creative Directors: Sapna Ahluwalia, Yohan Daver

    ·      Art Director: Sapna Ahluwalia, Akshata Kale

    ·      Copywriter: Yohan Daver, Siddharth Shah

    ·      Illustrator: Shirin Kekre

    ·      Animator: Karl Gonsalves  

    ·      Business Director: Anish Kotian

    ·      Senior Business Partner: Khadija Attarwala

    ·      Business Partner: Rachit Koradia

    ·      Head of Production: Khvafar Vakharia

    ·      Agency Producer: Rahul Prakash, Rahul Kulkarni

    ·       Strategy Director: Yudhishthir Agrawal

    ·       Strategy Partner: Pranoy Kanojia

    Music Production House: Mothership Studios

    ·      Music Post Production – Mothership Studios

    ·      Executive Producer: Kashif Menon

    ·      Producer: Pulkit Sankhala

    ·      Sound Engineer: Amith Gupta

    ·      Voice Over: Roshmin Mehandru

    ·      Music Composer: Arjun Nair (AurMaango Productions)

  • BrandVid 2018: Hyperlocal content a new opportunity for brands

    BrandVid 2018: Hyperlocal content a new opportunity for brands

    MUMBAI: Time spent and attention levels are sliding down for digital as there is so much content to offer that if the content doesn’t have some uniqueness nobody will show interest. The answer to change this is branded content.

    Speaking at Indiantelevision.com’s new video economy event BrandVid powered by Colors, Y&A Transformation co-founder and MD S Yesudas said, “Content is king because people don’t watch platforms, people watch content. So the belief system changed to 'content is king' but instead of meaningful content, distribution actually became god.”

    The event was organised by Indiantelevision.com on 30 October 2018, for the brands, agencies, marketers, broadcasters, publishers and producers to understand how to work closely and create short form and long form content which will connect with the audience directly.

    There is an ocean of opportunities for brands today to not just be extremely confined to certain predefined norms of looking at integrating brands with videos but start looking at the whole arena that hyper-local has to offer.

    Talking about the difference in distribution channels from a traditional media perspective, Jagran Prakashan COO digital media Rachna Kanwar said, “We create content for nine websites which spans across news, media, lifestyle, education and many more. We being of the print legacy, are today competing with a lot of TV content put on digital platforms. How you are able to catch the user's attention is important and therefore distribution is very important. It is the key to give your content to the user. As content creators we have to reach wherever the user is and today actually the user is on search, social media on YouTube.”

    According to Lokmat Media senior EVP and head- digital business Hemant Jain, content technology and distribution when synced in the right proportion will deliver growth to any business aspiring to attain scale in the digital space. The early belief of putting print onto a website is not exactly how an online publishing business typically works. Even the e-paper formats of today are a low hanging fruit according to him. From e-paper the traditional publishers went on to a journey which is now called as a very hyper competitive environment of news publishing.

    GroupM business head- entertainment sports and live events Vinit Karnik said, “Content has always been the king and distribution is the god but the missing link between content and distribution is data. Data is the new oil.”

    “I don’t think that the way you define your content strategy is going to remain the same which is very important for the creators and brands to take notice of. While video would definitely give a much better brand impact but you can’t keep distributions in isolation," Jain added. He even highlighted that Pune is a very important market for Lokmat. 50 per cent of traffic which is close to 4 million monthly active users comes from Pune.

    The attention spans are increasingly reducing and one size fits all is not the norm anymore. From a one channel and couple of print mediums, the market has got into cluttered environment.

    Talking about the tech interventions, Karnik said, “Tech interventions are absolutely important you just can’t ignore it, shorter the content size better ability for it to register. Today if you look at e-paper or app of the Lokmat or Jagran, the good old days of you going back to the audience to do a research to understand what they will consume is out of the park. Today, every app gives a consumer an option to choose the kind of interest level he/she has right there on the app and the owners will get the data in real time. Today news is also served to everyone based on their preferences,” Karnik added.

    “Today it’s not like we are giving a big overview to the client or the buyer, we are slicing our data and giving them specifics about which is the time of the day that audience is going to be more receptive for a particular kind of content,” Kanwar added.

    “From a content strategy perspective 20 per cent of the resources go into content creation and conveying and the remaining 80 per cent goes into distribution,” Yesudas added.

    “Distribution is more complex now, if you want to optimise it right. Within the 80 per cent today you have to over emphasis on which platform to choose,” Jain concluded.

  • BrandVid – Can a brand become a media company?

    BrandVid – Can a brand become a media company?

    MUMBAI: Traditional media companies today have a very diverse story and narrative no matter what the subject. A consistent story is shared across paid, earned and owned media. However, media companies are more than that today. They create programming and/or distribute it. They also share the content via various media channels.

    But what we’ve been increasingly seeing is that brands have now started to become media companies by creating and distributing their in-house content. 

    It is challenging for a traditional agency to sustain and survive in a competing environment like this. But is there a way where brands, agencies and publishers can co-exist and collaborate? Well, that was precisely the topic of discussion at BrandVid 2018, powered by Colors. The session saw industry leaders discuss on whether a brand can after all become a media company. And if yes, how can they monetise their assets. 

    Clearly disagreeing with the proposition, Firstpost business head of revenue & strategy Anurag Iyer believes that the objective of becoming a media company and becoming a brand are completely different. He said, “Redbull as a business looks at its studio business as a separate entity and has great traction back to its website, but does its film on adventure and sports result in more Redbulls being sold? I don’t think so! But does it have a great brand rub off with their audiences? Absolutely!”

    On the other hand, Online Fashion portal Myntra is a brand as well as an e-commerce company that is also a media company to some extend as it creates in-house content. But does that mean it will become a full-fledged media company in the time to come? Probably! Myntra VP marketing Achint Setia is of the opinion that brands need to first figure out the role of content and the business objective. For a brand, its business objective is to drive revenue and sales and that’s where content plays a critical role. “Brands have a role to play in consumer’s mind and they should stick to that role. However, that role can get enhanced and more meaningful with the right use of content.”

    But while brands are struggling to find their sweet spot in the cluttered media ecosystem, there hasn’t been a better time for agencies as they get to have the cake and eat it too. Isobar Group MD South Asia Shamsuddin Jasani wants partake of that cake. Though it is a difficult proposition, big global brands want to monetise their content. Global FMCG giants Mondelez and Pepsi want 20-30 per cent of their spends to be recovered via video content and Isobar doesn’t want to miss out on that opportunity. 

    A lot of brands mistake content’s role in their business lifecycle. It is not about monetising content for the sake of it or about using content as an ROI drive. It is more about using content to have a deeper relationship with your community. 

    Shamsuddin said, "Big advertisers feel there is some monetisation that needs to happen and they are all grappling with how to create those monetisation opportunities. As an agency, we are working with brands to create those IPs. As brands, they will do it and as agencies we will have to do it because we don’t have a choice or they will push us to do it.”

    Although it’s a vicious and profitable cycle, but when does a brand pause, take a step back and think whether they are overstepping their business objective and should rather focus on sales and revenue? That’s exactly what Marico head of media and digital marketing Ankit Desai thinks. He believes it will be a few hits and a lot of misses for brands if they go the media company route. “While media companies can deal with many misses and start over again, it’s a different ball game for brands as it is linked back to business objective where you don’t have the option of repetitive failure since your marketing money will be wasted and that’s really the challenge.”

    Getting customer attention is a task for most marketers today. The millennial consumer will not stick to your content no matter how well made it is if it isn’t engaging and informative enough. It will take a lot of time for brands to understand the young customer of today. Agreeing that brands will become media companies in the future, Fastrack head of marketing Ayushman Chiranewala said that you cannot time when it will actually happen. He however thinks that it will come from a different business need which will be to be on the top of customer mind because getting the customer attention will only keep getting difficult in the future.

    Brands will become media companies in the times to come and there is no denying that but the timeline is likely to vary. For Myntra, it may happen in less than three years from now whereas Fastrack believes it will take five to 10 years. Interestingly, today content creators are also becoming brands in themselves. They create an IP and later sell products around the IP, eventually creating a brand. 

    All in all, maybe the world in the future will not be about everyone trying to do everything but about a lot of collaborations and partnerships. But every brand and creator should keep their minds open and think about consumer intent first.

  • Ultimate Ears ties-up with Shakti Mohan by using ‘Sutli Bomb’

    Ultimate Ears ties-up with Shakti Mohan by using ‘Sutli Bomb’

    MUMBAI: Speaker brand, Ultimate Ears, has partnered with digital and marketing agency Grapes Digital to launch a series of campaigns this festive season.

    Grapes Digital rings in the festivities for Ultimate Ears by associating it with Shakti Mohan, India’s top choreographer and TV Celebrity for her new web series called “Break A Leg”. The series chronicles the story of non-dancing celebrities trying to learn complex forms of dance in a matter of hours.

    This series is divided into four episodes and will have a fair share of banter with non-dancer celebrities which aired its first episode featuring Aparshakti Khurana and Abish Matthew on 31 October. The show will feature Aparshakti Khurana, Abish Matthew, Kashyap Kapoor, Namit Das, Mallika Dua, Srishti Dixit, Karan Wahi and Ritwik Dhanjani.

    The Diwali themed promo video that features Shakti Mohan with her team of talented dancers performing breathtaking moves with Wonderboom speakers has already garnered 1 million views in five days.

    Further to promote its Wonderboom speakers this festive season, it has launched an influencer marketing campaign called Ultimate Bomb. The campaign aims to encourage people to not burst firecrackers this Diwali, instead blast music with Ultimate Ears speakers and enjoy the festive season. The agency has associated with social media influencers for the same and will be sending across Wonderboom speakers disguised as a big Sutli Bombs to them. The speakers will be wrapped in green thread, making them visually indistinguishable from real Sutli Bombs.

    This activity will be supported on Instagram, wherein the hashtag #UltimateEars will be used in all the influencers’ social media posts to be part of wider online conversations and make campaign more viral.

    Grapes Digital COO Shradha Agarwal says, “We wanted to promote the idea of celebrating Diwali without the noise of crackers and replacing it with good music. Our team came up with this idea of promoting the speakers via influencers, as we understand the impact of micro-influencers in the social eco-system of the millennial, so that we can have greater social impact in brand’s target audience through this innovative idea of ‘don’t burst crackers instead blast music’ crusade.”

    Speaking on the association, Shakti Mohan adds, “Break a Leg is my first ever web series, where celebrities learn dance moves that they have never attempted. What better way to dance this festive season than on some good music. I am glad we partnered with Ultimate Ears for our first video. The initial response has been overwhelming and we are excited for the upcoming videos.”