Category: Brands

  • MTR Foods unveils new TVC highlighting its sub-brand Minute Range

    MTR Foods unveils new TVC highlighting its sub-brand Minute Range

    Mumbai: Packaged food products company MTR Foods Pvt Ltd on Wednesday launched a digital film showcasing its MTR Minute Range of products. The film focuses on the hyper-convenience, time-saving and delicious proposition of the portfolio of products.

    The film starts with a snapshot of a usual work-from-home day for a millennial who has ordered lunch in the middle of a busy day but is a little annoyed with the delay in promised delivery time. When she starts questioning the delivery person about the delay, he informs her about the hyper-convenient, delicious alternative to ordering food – the MTR Minute Range – with the signature hand gesture and the ‘ready in mmmm..minutes’ tag. The closure of the film is a showcase of MTR Minute Range that can satisfy any kind of food craving – from breakfast to lunch or dinner and even comfort food.

    Sharing her thoughts on the campaign, MTR Foods GM of marketing Prerna Tiku said, “The millennials and gen-Z are the ‘now’ generation that is constantly on the lookout for hyper-convenience in everything they do. We recognised this need early on and pioneered many concepts to cater to these needs in the foods space and conceived of the MTR Minute Range. Through this film, we aim to raise awareness about the entire range, a perfectly crafted portfolio of products that offer the much-loved Indian taste in a hyper-convenient format across dayparts.”

    The film will be distributed through various media outlets and will be supported by influencer marketing and social media contests, to reach a wider audience. The campaign will be targeted towards Delhi, Mumbai, Bangalore, and Hyderabad and goes live on 20 April.

    The campaign is currently live across MTR Foods’ social media handles.

  • Mitsubishi Electric launches new digital campaign in India

    Mitsubishi Electric launches new digital campaign in India

    Mumbai: Mitsubishi Electric, a global player in electric and electronic equipment for residential, commercial and industrial use has launched its new campaign about how the company is solving the social challenges of industry, infrastructure, life & mobility in India through its integrated products and solutions. In the first phase of the campaign, two digital films of 120-seconds each has been created on the themes of infrastructure and industry which will be launched and promoted through digital media in a phased manner.

    The films have been conceptualised by Hakuhodo India, directed by Sahil Shah and the music has been created by Anand Bajpai, vocals for two songs by Suvarna Trivedi and Anand Bhaskar along with voiceovers from Industry veterans like Rajat Kapoor, Nimisha Shrohi and Sameep Nanda.

    Mitsubishi Electric marked its presence in India in the late 1950s with its first business for electric locomotives. Since then, it has been an endearing journey for Mitsubishi Electric as a premium electric and electronic equipment manufacturer which represents quality. The company is into a wide range of innovative and high-quality products which includes products and solutions for air conditioners, automotive equipment, elevators & escalators, factory automation and industrial systems, semiconductor and devices and transportation systems, said the statement.

    The company launched its corporate strategy on 3 June 2021 with an aim to provide integrated solutions to address diversifying social challenges, in the four fields of industry, infrastructure, life and mobility, uniting all the capabilities inside and outside of the group. For this purpose, the company will enhance its business foundation fostered over the past 100 years and transform its business models to create a sustainable society for all.

    “The campaign resonates the brand’s belief of keeping the society as a central element in whatever we do,” said Mitsubishi Electric India MD Kazuhiko Tamura. “Mitsubishi Electric is an established and quality conscious company which offers a wide range of products. The challenge for the agency was to transform the product-based company image to an image of a company that talks about solutions and problems of the society that it can solve. We kept empathy in the core of communication basis the brief to bring out the essence of Mitsubishi Electric as a corporate citizen which is ready to solve social challenges of India through its products and solutions keeping the society central to it’s thought.”

  • Cred IPL 2022 campaign: Has the brand lost the plot with its ‘nostalgia’ overkill?

    Cred IPL 2022 campaign: Has the brand lost the plot with its ‘nostalgia’ overkill?

    Mumbai: Love them or hate them, you can’t ignore them! Yes, we are referring to the ubiquitous Cred bounty ads. Whether you tune into Disney+ Hotstar to catch the day’s play of IPL or switch on your TV, the Cred bounty advertisements are out in full force. This time around, the brand turned the clock back to the 1990s, going on to serve the viewers a ‘bounty’ful of small screen nostalgia in a scene-by-scene recreation of the period’s all-too-familiar advertisements and television shows. There might even be a risk of overkill, with the jarringly repetitive call of “Cred Bounty” playing on a loop, ad nauseam.

    Nostalgia done right? Let’s hear what the industry executives and discerning netizens have to say on the latest bounty of Cred ads unleashed on the unsuspecting viewer.

    Cred ads have consistently played up the 90s nostalgia factor. Be it their 2020’s ‘Not everyone gets it’ IPL campaign with the decade’s popular film stars, playback singers, musicians who have you jamming to Cred jingles. Or its 2021’s ‘Great for the good’ IPL campaign, that had a staid Jim Sarbh doling out the credit card payment app’s virtues followed by a video of diverse celebs and sports stars from the decade in wholly uncharacteristic avatars. So we had a fuming, ballistic Rahul Dravid, a team of 90’s cricketers featuring in a boy-band and an eclectic Kapil Dev channelling his inner Ranveer Singh to the hilt. There was even a normally reticent, fresh off his Olympic-win Neeraj Chopra showing off his acting chops, though he technically belongs to this era.
    These ads were high on entertainment quotient and managed to grab one’s attention without trying too hard. Of course, whether they helped sell the product or not, is another matter entirely.

    For this year’s IPL season, the Bengaluru-based fintech brand has notably decided to play it a tad differently for its ‘Play it different’ 2022 IPL campaign, promoting its Cred Bounty feature.

    So we have the vintage Nirma Super Detergent ad recreated with Karisma Kapoor starring as the modern-day ‘Deepikaji’ in a near-perfect reproduction of the original ad. Then there was the recreation of the 90’s popular reality TV show Antakshari with its original anchors, Annu Kapoor and Renuka Shahane pumping up the energy levels of their teams ‘Afsane,’ ‘Begane,’ and ‘Tarane’ as well as that of the viewers with their infectious enthusiasm. The latest in the series shows Sharma ji chatting up his neighbour Gupta ji about the prizes in store with Cred bounty, in yet another throwback to the 90s ads. All three of the brand’s latest attempt at rewinding the years are rendered in the definitive technicolour aesthetic of the retro-era that effectively transport one back in time.

    While there were several individuals who felt the fintech brand is “revolutionising” the advertising industry with its novel and innovative marketing experiments to grab attention there were the naysayers too, with one user on social media going so far as to declare, “The only reason I am not seeing IPL this season is due to the flurry of irritating ads from Cred.”

    “I don’t hate the new Cred ads. How can I hate something I don’t understand?,” posted Schbang creative strategist Devargh Mukherjee on LinkedIn, with several voices from the corporate world chiming in agreement.

    Bombay Shaving Company founder and CEO Shantanu Deshpande noted tongue-in-cheek that the quality of the Cred ad is directly proportional to the value of the Cred coin.

    Some were scathing in their critique. “Cred I guess you have bought the wrong book of 1000 best marketing ideas or got the wrong agency. Go buy another one or change your agency,” ABC Talkies founder and chief executive officer Shalibhadra Shah held.

    The ads are conceptualised and written by the brand’s established team of writers, comprising Tanmay Bhat, Devaiah Bopanna, Puneet Chadha and Deep Joshi, and produced and directed by Early Man Film and Ayappa respectively.

    “IPL with Cred is a platform for us to work with iconic celebrities in the most creative and twisted ways possible,” Ayappa had said of the latest 90’s blitzkrieg from the Cred factory.

    There were many who lauded the campaign’s production values and attention to detail to reinvent the bygone era’s ads. “Bhai maan gaye, aapki soch and production dono ko,” extolled one netizen.

    “What makes both the antakshari and the Karisma Kapoor ads stand out is the authentic recreation of the square-sized video and the then picture and sound quality, in order to hit the nostalgia among the credit card users,” stated SoCheers Film director Jitendra Hirawat to IndianTelevision.com. “For this year’s IPL campaign too, they picked up yet another strong insight that most credit card users in 2022 would have grown up in the 90s. Hence, the use of typical 90s ad templates for the execution,” he said, adding that, despite the execution for the campaign being “a little different from all their other properties,” it held up “Cred’s innovative USP.”

    Independent brand strategist Ambi Parameshwaran had a differing point of view. “Cred advertising is attempting to do just one thing: Brand recall. Their ads featuring old film stars and cricketers were much talked about. Their recent series spoofing old ads is patchy. Some of the ads spoofed were hardly memorable to start with. And their spoofs are missing the zing of the Bappi Lahiri or Rahul Dravid spots,” he lamented.

    According to White Rivers Media influencer marketing and video production director Tanish Shah the ad is well shot and packaged too, but slightly more could have been done instead of simply playing repeat. “Perhaps, a lot could have been done to explain the product than just speaking about a particular feature of the product – which is vital. Besides, if I think from that lens, it kind of missed the bus. I’d have to say that the earlier ads were much better, he added.

    There were some who praised the creative agency but dissed the product, saying that Cred ads have done really well in using that to hide a “subpar” product.

    Some industry executives also lauded the brand for the creative freedom the writers of their ads got, positioning “creative freedom” as the most important thing in marketing.

    “Kudos to Cred for giving its agency free rein. However this is also reflective of the dangers of giving agencies free rein,” noted Singapore-based Ambrish Chaudhry on LinkedIn. “Half interesting idea but probably felt more powerful in the boardroom with its advertising and marketing echo chamber than in the real world. Also no consistency with the previous hugely successful campaign and no link to existing brand assets. This could have been an ad for any brand. In my opinion, the recall and link with Cred will be minimal,” he added.

    Similar sentiments were echoed by several creatives. “While everyone’s talking about Cred, Jar, and Zepto for aptly portraying the 80s and 90s, some of us are still dealing with clients who’ve rejected similar ideas in the past and will probably show us these brand films tomorrow as a reference,” rued creative strategist Palak Kaur Anand.

    Meanwhile, J Walter Thompson creative director Anurag Acharya wrote: I think there should be a ‘Cred’ category in ad awards for ads that cater to consumers, not to awards, made for products/services, not for a document called brief.

    One argument that is consistently made out in favour of these ads are that they are meant to strike a nostalgic chord with their target audience- that’s the growing-up-in-the-90 generation and present day credit card users and payers. Millennials aren’t their TG. It’s the people in their late 30s, 40s and 50s, who are the majority spenders of their credit cards. It’s the perfect way to hook the 90s kid, felt many.

    But is the “90s kid” such a prospective demographic as a customer for the brand? Apparently, yes!

    “Well played, Cred, once again! 🙂 Attention-grabbing for those who have grown up with/ seen the older DD ad!,” communications strategy consultant Karthik Srinivasan posted about the campaign.

    So, what is it about nostalgia and why do brands latch onto it for marketing?

    Cred’s not the first, and far likely to be the last to peddle nostalgia- There’s beverage brand Paperboat, which right from its brand name to its packaging has been invoking nostalgia.

    Nostalgia marketing” is a strategy rooted in psychology, and these processes are incredibly effective. Because nostalgia makes us crave the past, and when used in advertising, it appeals on a sentimental, emotional, and powerful level to the audience.

    Well, if the surge in traffic to its app is any indicator, the strategy seems to have paid off for the fintech brand, at least so far. The Cred app saw a spike in traffic to the tune of 10-20 times during the IPL powerplays this season, according to Ganesh Subramanian, who heads architecture at the fintech company.

    So, whether it’s brickbats or bouquets its ads have been garnering, Cred may well be laughing its way to the bank! How much longer will the “nostalgia economy” work for the brand, however, remains to be seen.

  • Kingfisher ropes in Rashmika Mandanna, Varun Dhawan as brand ambassadors

    Kingfisher ropes in Rashmika Mandanna, Varun Dhawan as brand ambassadors

    Mumbai: United Breweries Ltd has roped in actors Rashmika Mandanna and Varun Dhawan as brand ambassadors for its iconic brand Kingfisher. The association will kick off Kingfisher’s ‘Spread the Cheer’ campaign, focused on celebrating this year as the ‘Year of the Cheer.’

    Through this campaign, Kingfisher has also created an exciting dance hook-step with Rashmika and Varun as their way of spreading the cheer. The TVC is shot by Raylin Valles and the music is composed by Ram Sampath.

    “Kingfisher has brought joy and energy to the lives of consumers over the years and has always been India’s first choice of a social beverage.  As we look back on this journey with humble pride, we also look ahead with renewed resolve to further strengthen our consumer connections, enhance the aspirational and iconic brand codes and dial up differentiated consumer engagement experiences,” stated United Breweries Ltd CMO Debabrata Mukherjee. “The ever-evolving consumer landscape and the continuous tectonic shifts in the media platforms are energizing us to strive for more in the way we approach integrated marketing communications and how we build winning partnerships. We are thrilled that Rashmika and Varun are joining forces with us as our brand ambassadors as we embark on this invigorating voyage.”

    “For me, Kingfisher represents passion, enjoyment and living life to the fullest. The last two years have been tough for everyone because of the pandemic and now I hope we all spread the cheer with Kingfisher and come together to have a good time,” said Varun Dhawan.

    “Kingfisher is one of the most iconic brands to have come out of India, enjoyed not just locally but across the world. I am very excited to be a part of the Kingfisher brand family,” added Rashmika Mandanna.

  • Turn up the volume! Podcast marketing becomes brands’ new favorite

    Turn up the volume! Podcast marketing becomes brands’ new favorite

    Mumbai: Covid-19 disruptions and months-long lockdowns hampered the marketing industry for the last two years. While some mediums became irrelevant during the pandemic, others witnessed enormous growth. One leading example of the latter is podcast! Experts feel that with the restriction on movement during the pandemic, podcast emerged as a screen-free comfortable medium to deliver content to the listeners and consumers are increasingly inclining toward passive entertainment leading marketers to invest more in audio advertising.

    According to a KPMG study, podcast consumption increased by 29.3 per cent in the first year of the pandemic. A survey by Spotify and YouGov says that as of 2021, 50 percent of Indians prefer listening to at least one episode of a podcast every week. In 2018, PWC estimated that among 500 million internet users in India, only 40 million ever listened to a podcast. But the number changed dramatically during the pandemic as the listener base increased to 57.6 million monthly listeners, revealed another PWC report of 2020. The PWC Global Entertainment & Media Outlook 2020 study also predicted that India’s podcast listening market, the third-largest globally, is expected to reach Rs 17.61 crore by 2023, growing at a CAGR of 34.5 per cent.

    By offering advertising opportunities, the podcast is emerging as an influential platform. The key reason behind brands’ interest and increasing spending on podcast advertising is that it works, and it works more effectively compared to the traditional advertising mediums that have become increasingly less effective. It is a popular medium especially among millennials and gen-Z as the medium lets them learn more about self-love, discover something new, cope with anxiety, or simply entertain themselves.

    Surge in ad sales 

    Spotify, which is believed to be the largest music streaming app in India, recorded a surge in ad sales from a big investment in newer services such as podcasts while recording a 16 per cent increase in paid subscribers in the fourth quarter of last fiscal year. According to reports, Spotify has recorded major growth in the regional market, leading them to launch 30 new podcasts with local creators.

    Local creators tapped into the trend by understanding the need of the time. While the pandemic brought unavoidable challenges to life, podcasts made content consumption easier.

    As digital players are moving back to the traditional way of storytelling, open mics and sharing content through audio, audio platforms expect even bigger growth numbers in the upcoming years. Gaana.com, another leading music streaming app, is also eying to improve its marketing efficiency by 50 per cent by the end of 2022, tells Gaana head of marketing Shashwat Goswami. 

    Goswami says that their efforts are dedicated to diversification and personalisation. Revealing the marketing strategy for the year, he states, “Our major focus is non-music content for the year because the growth trajectory in the future will be led by podcasts.” 

    On being asked why is so hopeful about the growth of podcasts, he explains that podcasts are highly personalised and getting hyper-local. “Podcasts are becoming increasingly popular among local communities, if it goes at the same pace, we can expect growth in tier 2 and 3 cities,” he asserts. 

    Brands are all up to leverage the medium 

    This change in numbers attracted many brands to invest in the medium. If we see the trends, brands like Oppo, Netflix, HDFC Life, Unacademy, Cadbury’s, and many more started investing in the medium a long time ago. 

    The Man Company, an ultimate solution to becoming a gentleman, is soon launching a very exciting show with a significant modern gentleman as the host and an amazing lineup of guests, reveals The Man Company director-brand marketing Rumi Ambastha. 

    Ambastha feels that this becomes a platform that’s worth exploring both from an education and entertainment perspective. 

    QuackQuack founder and CEO Ravi Mittal says, “The usage of podcasts is going up in India. Our observation shows people who were listening to music are now also switching to podcasts for entertainment, knowledge and inspiration. We are finding this concept interesting for marketing our products.” 

    “Podcasts should see continuous growth in India for now as people opt to get more productive with their free time and consume more audio-based content. Audio-based marketing has a tremendous scope from a sponsorship point of view if done in the right manner leading to a win-win for the podcast and the brands,” he adds, while evaluating the future of podcast marketing. 

    The popular dating app Bumble also collaborated with JioSaavn during the pandemic to spread the message of being together among young adults. With a highly-engaged and young user base, JioSaavn was the perfect destination for Bumble to build a community to foster safe, meaningful, and true connections. 

    Dairy Milk Silk also launched a campaign with Spotify to bring lovestruck couples together. The campaign was targeted toward the couples who couldn’t meet during the lockdown. According to Spotify official data, the campaign reached five million+ listeners and eight thousand Spotify users opted to gift a Dairy Milk Silk to their loved ones. 

    Supertails, an online vet consultation platform, also invests in podcast marketing. Supertails co-founder Varun Sadana says, “We definitely see podcasts as an interesting brand building tool and are working in this direction. Our initiatives for the medium are still in the works and we’re excited to see how our community takes it when we launch.”

    Well! Not just the mainstream brands but other industry players are also investing in the medium. Scenic Communication, a leading communication agency, has invested in the medium by collaborating with leading podcasters. 

    Scenic Communication co-founder Anindita Gupta says, “We invest in the medium by collaborating with leading podcasters.” She added, “as a communication agency we are aware of how significant this platform is going to be in the future of brand engagement and we are working towards a strategy to involve most of our clients to create a presence on this platform.” 

    The relevance of podcast: Explained by experts 

    Gupta feels podcast as a medium has rapidly evolved over the last five years, mainly as an alternative to video, as it allows people to reduce screen time, multi-task, and still consume content of their choice. 

    “Over a period of time, podcasts also became a source of knowledge, entertainment and news, helping both podcasters and brands to engage with a fast-evolving audience willing to ‘Listen’ instead of being attached to an ‘immersive viewing’ experience all the time. This is how podcasts started as a marketing medium and are now used as a tool for brands to showcase their products and services,” affirms Gupta. 

    Adding to it, The Man Company’s Ambastha says, “podcast emerged as an interesting respite from all other video streaming platforms. So one can say podcasts literally and figuratively found their space and voice during the pandemic.”

    “Podcast is a welcome change from the erstwhile omnipresent mobile phones. Gives you the liberty to watch and do other household chores or workout all while listening to your favorite personalised podcasts,” she explains.

    Pulp Strategy founder and MD Ambika Sharma shares that podcasts are a great way to reach hyper-targeted audiences. “Podcasts can be information, and engagement on-demand while audiences are on the go, they are easy to tune into and offer the advantage of repetitive engagement if the content is great. It is a very useful medium for new-age brands that are majorly targeted to millennials and gen-Z and if we deep dive into the demographics of the users of audio platforms, we realise that 75 per cent of their consumers are from these age groups. Hence, audio streaming platforms become relevant for dating applications,” she further says. 

    4AM Worldwide chief creative officer Anand Nair thinks that audio-based content has certain transparency and intimacy to it. “The beauty of listening to a well-conducted podcast as it transports the listener to the room where the host and the guest are conversing makes it feel like a personal experience. Whether from entertainment or from a learning perspective, this kind of engagement is remarkable in the times we live in where distractions abound,” asserts Nair. 

    “Podcasts make more sense for a certain type of brand targeting a certain type of audience thanks to the level of intimate and extensive engagement it offers. It makes the speaker appear as an authority thus inducing trust which is the precursor to most purchase decisions,” he further says, adding that, “If used strategically as part of a larger media plan, it can help build recall and become a channel to build more evangelists for the brand since the audience listening are likely to be among the influencers of their social circles.” 

    Moreover, podcasts appeal to the mass audience as it has the added advantage of less attention span which does not require any extra screen time making them an ideal option for consuming productive content even in a busy schedule. 

    Grapes Digital CEO and co-founder Shradha Agarwal thinks that podcasts as a platform show a great affinity for story-telling. Explaining further, she said, “The sector has always shown significant growth, which in the past two years got the desired mileage with the onset of a pandemic that necessitated a reduction in the screen time which worked in favour of podcasts.”

    “However, the listenership for podcasts is growing, but on a small base because in the end, it’s difficult to define how many listeners have actually tuned in for how many minutes but there is an immense scope in the industry to grow.”

    “In recent times, various categories of brands have started advertising audio marketing. The brands usually tap the millennials or people in the age bracket of 20-40 years. With the rising popularity of podcasts and the wide reach it exercises, diverse brands are foraying in this platform where e-commerce, fintech, education, food delivery apps etc are highly active on the platform,” Agarwal attests.

  • Bajaj Electricals launches multimedia campaign to promote new range of fans

    Bajaj Electricals launches multimedia campaign to promote new range of fans

    Mumbai: Bajaj Electricals has launched a new multimedia campaign titled ‘Fan Nahin Fantastic’ to unveil its technologically superior range of fans. The campaign is currently live across TV, print, digital and in-store display.

    Through this launch, Bajaj Electricals retains its position as the go-to contemporary fan brand for the modern Indian consumer. The brand’s creative agency McCann Worldgroup India has worked on the films.

    By introducing such unique advanced features, the brand has reaffirmed its position as a leading player and consumer’s go-to choice in the fan category. Founded on the pillars of innovation, technology and nuanced understanding of the consumers, Bajaj Electricals continues its journey towards building the future and opening the world to newer possibilities.

    The brand’s consumer research highlighted that modern Indian consumers are increasingly looking for new-age features in fans and the top three factors they consider while purchasing a fan are speed of the fan, preference for low noise and aesthetic fans that can uplift the home décor, said the statement.

    Keeping this in mind, Bajaj Electricals’ latest offering caters to all these requirements. The range includes the super high-speed 425 RPM fans that offer a high blast of air for quick comfort, silent fans with reduced noise levels and decorative fans in ceiling, tower & pedestal range that are in the premium category. The newly launched models can be purchased from all leading retail outlets and e-commerce websites.

    “Over the years we have tried to understand the requirements of the consumer and have added Super High-Speed, Silent and Decorative fans to our existing vast range,” said Bajaj Electricals business head of consumer products Krishna Raman. “The latest campaign ‘Fan Nahin Fantastic’ is an interesting articulation of the changing needs of today’s modern consumer and we hope the new TVC shown in a lighter vein will strike a chord with them. With the latest range, we aim to go beyond the basic requirement of fans as an appliance by enhancing functionality and appearance in a way that enables our fans to seamlessly fit in our consumer’s daily life.”

    “We wanted to create a sharp, disruptive, and humorous storytelling that is completely driven by functionality and highlights the product proposition. The new range of Bajaj fans are designed with technological innovation that offer a bouquet of consumer benefits, tailored to the varied demands of the new-age consumers. And our campaign idea ‘Fan Nahin Fantastic’ demonstrates and underlines this unique proposition,” added McCann Worldgroup executive director and head of creative Ashish Chakravarty.

  • Fraazo announces refresh of its visual branding

    Fraazo announces refresh of its visual branding

    Mumbai: In order to drive the brand messaging as a reliable grocery delivery platform, Fraazo has undertaken a rebranding exercise that will create an impact through the medium of visual branding with a revamped logo.

    The new colours and illustrations signify the vividness of a farm and fresh produce, invoking a sense of happiness, positivity, and dynamism that aligns perfectly with the brand values. The vibrant colors and visual representations are strongly rooted in a simpler life and a deep appreciation for farm-fresh produce.  

    “With this rebranding, Fraazo aims to connect with consumers on a deeper level by bringing about a sensation of reliability and joyfulness,” said the brand in a statement.

    Fraazo is also tapping consumer touchpoints by revamping the user interface (UI) and user experience (UX) of its application, delivery fleet uniforms and produce packaging with motifs of fruits and vegetables which should garner more visibility and top-of-the-mind recall for the brand. They endeavor to become a trusted partner for customers who cook, providing them with the best quality fruits and vegetables.  

    With this change, the green grocer has planned aggressive marketing campaigns to reach out to a larger customer base for higher impact. To accomplish this, Fraazo will be launching out-of-home & print campaigns supported by multi-city on-ground activations.

    “We are elated to announce the rebranding of Fraazo to support our renewed vision as well as branding. The change will help us communicate our brand values to all our stakeholders effectively,” said Fraazo co-founder and CEO Atul Kumar. “We are seen as a trustworthy, reliable partner offering farm-fresh groceries to our customers and to maximize impact and high visibility, we have refreshed the logo and visual branding to target all consumer touchpoints. We’re aiming to capture a larger market share and appeal to a wider scale of consumers. As a team, we’re extremely thrilled to connect with our customers on a deeper level through a refreshed look and feel of Fraazo’s visual elements.”

  • Credenc.com launches its first IPL ad spot with LSG team

    Credenc.com launches its first IPL ad spot with LSG team

    Mumbai: Credenc.com, an education lending fintech platform  on Saturday launched its new ad campaign with the punchline  ‘Potential Hai Toh Possible Hai,’ as part of being the associate sponsor of Lucknow Super Giants (LSG). The campaign aims to highlight the platform’s brand promise of believing in each individual’s potential and encouraging them to fulfill their aspirations.  

    The ad campaign will air during Tata IPL 2022 on Disney+ Hotstar featuring three marquee LSG players: KL Rahul, Quinton De Kock and Manish Pandey. The players will be seen discussing the importance of identifying one’s potential to grow by drawing a parallel between how LSG based the decision of picking players for their team based on the player’s potential, Credenc.com also basis its decision to offer education loans to students based on their merit and potential.

    The underlying message showcased in the commercial is that all students with potential can benefit from Credenc.com’s potential based education loan.

    “Believing in students’ potential has been at the heart of our brand’s core offering, which we have tried to reflect through our first ad film,” said Credenc.com co-founder  Mayank Batheja. “The punchline ‘Potential Hai Toh Possible Hai’ highlights Credenc.com’s brand promise of ensuring aspirants with potential will not be starved for funds for their higher education goals.”

    “The campaign is an organic extension to our brand strategy, which is centered around “Basing their loan decision on student’s potential and not their parental income,” he further said.

    “The film is an expression of situations that many of us may have faced in our lives, when someone gave us a chance by simply believing in our potential that’s it, and nothing else,” shared Credenc.com co-founder Avinash Kumar. “This campaign gave us the opportunity to reinforce in our customers the belief that they can depend on themselves.”

    Credenc.com is among one of the key sponsors of the RP-Sanjiv Goenka Group owned LSG team for IPL 2022, where the team will sport the brand’s logo on the jersey sleeves.

  • VIP Bags rolls out new campaign with actor Vaani Kapoor

    VIP Bags rolls out new campaign with actor Vaani Kapoor

    Mumbai: VIP Bags has rolled out a new campaign titled ‘pyaar wahi par soch nayi’ featuring Bollywood actor and brand ambassador Vaani Kapoor. The brand campaign highlights the all-new wedding collection of fashionable, cutting edge, swag worthy range of travel bags by VIP Bags, targeting today’s young travelers.

    “The campaign aims to highlight the typical Indian society stereotype with a progressive forward-thinking messaging. It tells the viewers that it’s time to hail the new traditions and break away from the old, push back regressive customs and let the brides be their own person,” said the brand in a statement.

    The ad spot of the campaign showcases emotions of a new bride while she is all set to embark on a new journey and tell women not to succumb to undue pressures after getting married. It features Kapoor as a new bride who epitomises the outlook of a young Indian woman towards marriage and highlights the unjustifiable pressures that new brides have to submit to.

    While promoting the fresh wedding collection for the 2022 season, VIP Bags also highlights social issues which are long prevalent in Indian society.

    “With the wedding season upon us, while touching upon the ceremonial aspects of the occasion, we at VIP Bags wanted to stand for something real and more meaningful with this campaign,” said VIP Industries Ltd vice-president of marketing Praful Gupta. “We roped in Vaani Kapoor for this campaign keeping in mind her ambitious & free-thinking youth appeal. We are confident this campaign will touch the hearts of millions.”

  • Senco Gold ropes in Madhumita Sarcar, Sunita Kaushik as brand ambassadors

    Senco Gold ropes in Madhumita Sarcar, Sunita Kaushik as brand ambassadors

    Mumbai: Senco Gold & Diamonds has announced the appointment of celebrities Madhumita Sarcar and Sunita Kaushik as its regional brand ambassadors. With this move, Senco aims to strengthen its presence in West Bengal and the North-Eastern states of Assam and Tripura.

    Sarcar is a popular Bengali actress and Kaushik is a renowned Assamese actress and dancer. To promote the brand in West Bengal, Senco is coming up with a campaign with Sarcar which will go live on the occasion of Poila Boisakh, the Bengali New Year. Kaushik will represent the legacy brand and its unique jewelry collections in the North-Eastern states of Assam and Tripura on the occasion of Bohag Bihu.

    On signing the two leading ladies as brand ambassadors, the company said, “As part of its ‘hyperlocal’ approach, Senco Gold and Diamonds has chosen Bengali actress Madhumita Sarcar and Assamese actress and dancer, Sunita Kaushik as its regional brand ambassadors, to establish a deeper customer connect and enhance the visibility of the brand in east and north-eastern regions. Kiara Advani has been Senco’s brand ambassador since October 2021.”

    Speaking on becoming the face of Senco in West Bengal, Madhumita Sarcar said, “It is an honor to be associated with a brand like Senco Gold & Diamonds, which has a legacy of over five decades in the jewelry business. The campaign is beautifully planned and executed which brings out the essence of Bengal beautifully.” While Sunita Kaushik said “This is my first brand endorsement in the jewelry category and it is my absolute honor to be on board with such an esteemed brand name, the collection of the brand is something that I personally like and I am more than happy to represent this brand in the North East for the brand.”

    “With a legacy of more than five decades and roots in the east, it was a natural choice for us to onboard regional brand ambassadors for West Bengal and Assam as part of the first phase of our ‘Hyperlocal’ strategy. I am sure our customers in the region will like and connect with our campaigns planned across platforms like print, outdoor, digital and TV featuring the two celebrities,” commented Senco Gold Diamonds director and head of design and marketing Joita Sen.