Category: Video On Demand

  • Arré, Ola Play tie up — latter’s mobile customers to get original content

    MUMBAI: Arré has partnered with Ola Play to offer a wide range of digital content for customers on the go.

    The association will provide Ola’s Prime Play customers a range of popular and trending web-series, social experiments, reality shows, documentaries, as well as non-fiction products, from Arré’s stable. These include Arré’s hit series Official Chukyagiri, and other short format contextual videos.

    Speaking on the partnership, Arré co-founder and CEO Ajay Chacko said, “Ola Play is a unique new medium to build for, and experience engaging, entertaining and personalised content. We know how Indians love digital content and with Play we we’re bringing exciting shows inside their cabs, to add more fun to their everyday ride.”

    Ola Play head and senior director said, “Ola Play is a radically new approach and cutting-edge innovation to the ridesharing world, which revolutionizes the way customers interact with their vehicles and defines the future of shared mobility. Our partners form an integral part of this vision to make Play a truly connected and immersive experience for the customers. In this regard, we are excited to partner with Arré and bring some of their most popular videos and other digital content to our Prime Play users.”

  • Netflix: 46% of streaming couples cheat & watch ahead of partners

    MUMBAI: No relationship is safe. According to a new study (also covering India) released on 13 February by Netflix, nearly half (46%) of streaming couples around the world have “cheated” on their significant other, but it’s not what you think.

    Defined as watching a TV show ahead of your significant other, Netflix cheating was first uncovered in a study in the U.S. in 2013. Four years later, cheating has increased three times[1] and has become a common behavior around the world. This behavior only continues to grow with 60% of consumers saying they’d cheat more if they knew they’d get away with it. And once you cheat, you can’t stop: 81% of cheaters are repeat offenders and 44% have cheated 3+ times.

    In a binge-watching world where it’s easy to say ‘just one more,’ Netflix cheating has quickly become the new normal…

    Where is cheating happening? (Everywhere)

    Cheating happens all over the world….though it varies a bit by country. The most cheaters are in Brazil and Mexico where 57%-58% of streaming couples have cheated, respectively. The most loyal viewers are in Netherlands (73% have not cheated), Germany (65%) and Poland (60%).

    What shows are we cheating on? (All of them)

    While no show is off limits, top cheating temptations are The Walking Dead, Breaking Bad, American Horror Story, House of Cards, Orange Is The New Black, Narcos, and Stranger Things.

    Why do we cheat? (We just can’t help it)

    Most don’t plan to cheat…it just happens: 80% of cheating is unplanned. The trigger for the growing trend in cheating? Two-thirds (66%) of cheaters said that “the shows are just so good we can’t stop bingeing.”

    How do we cheat? (Any way that we can)

    Sleep with one eye open: 25% of cheating happens when one partner falls asleep. But whether this is even cheating is hotly debated. Half say “sleep cheating” doesn’t count (53%), but the morality of “sleep cheating” varies across the globe. Chileans think it’s no big deal, Japan sees it as unforgivable. Many are still cheating in secret: 45% never admit to their indiscretions.

    Is cheating so bad? (Depends on where you live)

    If you stray, don’t beat yourself up about it. Cheating has become more socially acceptable, with 46% saying it’s “not bad at all.” Unless of course you live in Hong Kong, where 40% think watching ahead of your partner is worse than having an actual affair.

    Is my partner a cheat? (Spoiler alert: Most likely)

    Cheating comes in many forms. Netflix has created a series of assets to help explain the phenomenon. Cheating Profiles highlight the most common types of offenders lurking in households around the world. This infographic illustrates cheating motivations and behaviors, and reaction GIFs help couples work through their indiscretions so they can protect their relationship…or keep on cheating.

    Methodology

    *The survey was conducted by SurveyMonkey from December 20-31, 2016 and based on 30,267 responses. The sample was balanced by age and gender and representative of an adult online population who watch TV shows via streaming services as a couple in The United States, Canada, UK, Australia, New Zealand, Philippines, Singapore, India, Japan, Taiwan, South Korea, Hong Kong, UAE, Mexico, Chile, Colombia, Brazil, Argentina, Spain, Portugal, Turkey, Poland, Italy, Germany, France, Sweden, Norway, The Netherlands, and Denmark.

     

  • DHX licences kids’ series to Amazon Prime Video

    MUMBAI: DHX Media, one of the the world’s leading independent, pure-play children’s content company, has licensed more than three-dozen kids’ series to Amazon Prime Video’s new subscription-video-on-demand (SVOD) service in India.

    DHX Media territory manager Thom Chapman said: “This volume deal highlights the scale of our library, and our ability to deliver a wide-ranging slate of great kids’ shows to leading streaming platforms as they expand globally. With Amazon Prime Video taking up our programming for the emerging SVOD market in India, we are boosting our international presence and underscoring our reputation as a trusted ‘go-to’ distributor of quality kids’ content.”

    DHX Media titles licensed by Amazon for the region include such evergreen shows as Caillou, Inspector Gadget and Strawberry Shortcake, as well as hits such as Johnny Test, Kid vs Kat, and many more.

    This latest content pact followsa vast offering of DHX Media showsalready available through Amazon Prime Video in other key territories globally. Last year, Amazon licensed the DHX Media original series Looped, exclusively forits members in the U.S., as well as adding library content to the U.S. Prime Video catalogue.In the U.K and Germany, Prime members can enjoy more than three-dozen DHX Media kids’ shows including Teletubbies, Messy Goes to Okido and Hank Zipzer.

  • Hotstar, powered by Akamai, establishes high online viewership during India-England series

    MUMBAI: Hotstar, one of India’s leading premium video streaming platform, leveraged Akamai Technologies, Inc., a global leader in content delivery network (CDN) services, to establish several new online viewership records on its platform for live sporting events during the recently concluded India-England series. On the second One-Day International (ODI) held on the 19thof January, more than 25 million users watched the match on the platform, accounting for a majority of the Internet traffic from India on that day. The viewership peaked at more than 3 million concurrent viewers on the platform during the final T20 match of the England series, establishing a new high in the Asia Pacific region.

    India’s emergence as the world’s second largest smartphone market[2] is reflected in the dramatic growth in traffic witnessed by Hotstar, backed by Akamai’s Intelligent Platform, which saw more than 75 percent of viewers streaming the match from mobile networks.

    Hotstar, an Akamai customer since its launch in February 2015, delivers millions of hours of sporting and general entertainment content backed by Akamai’s Media Delivery Solutions every week.

    “We are seeing dramatic growth in our viewership every month, including in cricket. As millions of new users embrace Hotstar as a way of life, the platform is seeing new highs in sports viewership as well. As data costs fall dramatically, and users increasingly look to their mobile as the primary screen, we are starting to see the emergence of Hotstar as the primary destination in cities with more than a million in population. This trend will accelerate in the next few months, especially during IPL, and we rely on Akamai’s solutions to ensure that we are able to scale in line with this vertical growth in demand,” said Ajit Mohan, CEO, Hotstar.

    “Globally, the smartphone is becoming a key instrument to viewing live sporting events. We saw a significant majority of users accessing content via mobile for this ODI between India and England, making it the largest audience for a sporting event on the Akamai Platform, in Asia. Hotstar is truly leading the change in this paradigm shift in India, and we are proud to partner with Hotstar to bring new features and innovations to provide an unparalleled end user experience,” said Parimal Pandya, Vice President, Media, APJ, Akamai Technologies.

    As the Internet becomes faster and more accessible in India, brands can expect app downloads and usage to surge. Per a recently released App Annie report[3], Android users in India spent close to 150 billion hours on apps in 2016, leading app usage in the world. Indian users also downloaded apps over six billion times, surpassing America, the previous world leader.

  • YouTube challenges Facebook & Twitter with mobile live

    MUMBAI: Beware, Facebook and Periscope. YouTube is ready to ramp up a challenge with its live mobile closeup. Google-owned video network has began to let popular online video personalities broadcast on the go using mobile devices.

    The new mobile live streaming feature allows YouTube content creators whose channels have more than 10,000 subscribers to broadcast through apps tailored for mobile devices such as smartphones.

    According to product managers Barbara Macdonald and Kurt Wilms, this launch will put the power of live streaming in the hands of hundreds of thousands of talented creators, giving them a more intimate and spontaneous way to share their thoughts, lives and creativity.

    The feature would be available more broadly at YouTube soon.

    However, the functionality remains unchanged. As before, you can set a custom title, enable or disable live chat, and choose to send a notification to all of your subscribers. You can broadcast in portrait or landscape and messages will appear on your screen as fast-moving bubbles.

    Facebook and Twitter have already added such capabilities to their mobile applications, getting an advantage on YouTube.

    YouTube is banking on its reliability and rock-solid infrastructure to tempt people across, as well as a new Super Chat feature. Like Twitch and other live streaming services, this gives viewers the option to pay for a distinct, brightly colored message. It’ll stay pinned to the top of the chat window for up to five hours, and earn creators another slice of cash as they converse with their fans in real-time.

    Macdonald and Wilms said that Super Chat is like paying for that front-row seat in the digital age.

    In December, Facebook began testing a live audio streaming service that will let people essentially broadcast radio-style on the leading online social network.

    The new feature came as an alternative to a Facebook Live tool that lets people stream live video at the social network.

    An audio-streaming option promised to be useful in areas where telecommunication networks have trouble handling the larger data demands of video streaming.

  • Here’s what Netflix has to offer in ’17

    MUMBAI: Netflix subscribers are in for a treat. The subscription based video-on-demand service has announced the premiere dates for its original shows in 2017. The shows include new seasons of popular titles like Orange Is The New Black and House of Cards.

    The streaming service has also upped the amount of original programming this year. More than a dozen shows will return or debut on the platform this year, joining an expanding slate of original movies and stand-up specials.

    Project MC2 (February 14)

    Chef’s Table (February 17)

    Buddy Thunderstruck (March 10)

    Marvel’s Iron Fist (March 17)

    Love (March 10)

    Julie’s Greenroom (March 17)

    Grace and Frankie (March 24)

    Bill Nye Saves The World (April 21)

    Girlboss (April 21)

    Casting JonBenet (April 28)

    Dear White People (April 28)

    Anne (May 12)

    House of Cards (May 30)

    Orange Is The New Black (June 9)

    Netflix has also renewed The OA for a second season. Though, a release date has not yet been announced yet. The OA is about a woman named Prairie Johnson who returns to her family after vanishing for seven years. She comes back changed: she had been blind, but her sight has been restored, and she now calls herself The OA. Upon her return, she gathers a group of four teenagers and a high school teacher to talk about her experiences, then asks them to help save several other people, whom she claims are trapped in another dimension.

  • Viu goes regional with original

    MUMBAI: Vuclip has announced that its premium OTT service Viu, will launch the production of originals, both in long and short form, in regional languages this year, beginning with Telugu. For the same, Viu is partnering with Annapurna Studios, a leading production house for film and TV content, with Telugu film hits such as Shiva, Ninne Pelladutha, Rajanna and Manam in its roster.

    “We know the kind of fervor Telugu films evoke. As a brand, we are a celebration of this fandom and are proud to partner with Annapurna Studios, one of the best production houses in the business. Going regional with our Originals content strategy is a means to bring premium local entertainment to the global Telugu audience” said Vuclip India country head Vishal Maheshwari.

    It will co-produce a premium and uniquely youthful urban entertainer in Telugu titled PillA through this partnership in association with one of South India’s fastest growing digital networks, Tamada Media to be directed by Pavan Sadineni. This show is scheduled to be released in the first quarter of 2017.

    The partnership will also see the co-production of a wedding comedy set in rustic Amalapuram with a working title Pelli Gola which is directed by Mallik Ram.

    The management of Annapurna Studios said, “Digital is gaining traction and mobile and laptop screens are the screens of choice for today’s youth. You can win this audience only by giving them high quality content that resonates with their evolved way of thinking and entertainment preference. Our pedigree and longstanding experience in the Telugu film industry along with Tamada Media’s ability to attract the right talent and execution prowess and Viu’s digital experience and deep consumer insights makes for a win-win combination.”

    Additionally, Viu will host two short form original shows titled Munching with Mahathalli and Cinema Pichollo in Telugu on 18 February that celebrate the fandom of Tollywood cinema. It has partnered with Tamada Media and Whacked Out! Media, respectively for these two short form originals.

    Munching with Mahathalli is a 26-episode series in which Tollywood’s Jahnavi Dasetty conducts satirical interviews with stereotypical characters of the Telugu film industry played by her. The show will have special guests from the film industry who will be seen having a gala time with Jahnavi on the show.

    The other show starring ‘Viva’ Harsha is a celebration of Tollywood cinema and the fanaticism associated with it. Titled Cinema Pichollo, the star will be anchoring the show along with Shanmukh Jaswanth in a 26-episode series.

    In addition to adding Telugu premium shows to its catalogue, Viu will become the first OTT VOD service in India with customized video offerings in regional languages starting with Telugu.

  • ditto TV to air ‘Descendants of the Sun’ from 8 Feb

    ditto TV to air ‘Descendants of the Sun’ from 8 Feb

    MUMBAI: After successfully introducing Indian audiences to shows from Turkey and Ukraine, Zindagi, famous for bringing the best of finite drama series from across the globe to viewers in India, is all set to launch “Descendants of the Sun”, an award winning Korean show for the first time on Indian television. The blockbuster Korean drama will also be available live on Zindagi on dittoTV, February 8 onwards. The series has won numerous awards on Korean and international platforms, and will now add to the wide bouquet of shows that dittoTV offers its subscribers.

    Zindagi with its diverse and differentiated content has built a strong core fan base who, with dittoTV, have the option of also tuning into these shows anytime on the go.

    ‘Zindagi with its diverse and differentiated content has built a strong core fan base, as it gives them the opportunity to explore content from beyond the US and UK. Keeping in mind the evolving preferences of viewers, dittoTV offers a wide variety of channels across genres that cater to the diverse content preferences of its subscribers. We are excited to bring to India Zindagi’s first Korean show, “Descendants of the Sun” on dittoTV, enabling viewers who are constantly on-the-go to watch their favourite programs live’, said Z5 Business head of digital, India Archana Anand.

    The heartwarming story line of “Descendants of the Sun” is sure to resonate with the Indian youth, who form an important part of dittoTV’s subscriber base. The trend of finite TV series, a format that Zindagi is well known for introducing to the Indian audience, is gaining momentum amongst viewers. dittoTV will enable them to keep up with the engaging plot twists of the show on their handheld devices, even when they do not have access to a television set.

    dittoTV subscribers can catch this new primetime show from February 8, Monday to Saturday at 8 PM on their Android and iOS phones or any other internet connected device. The subscription charges start from INR 20 per monImage result for Descendants of the Sun’.

  • Future Watch: Expectations from Indian OTT Industry in 2017

    Future Watch: Expectations from Indian OTT Industry in 2017

    India has witnessed an over-the-top (OTT) explosion in 2016. The entry of leading international players, coupled with the rise of local OTT ventures, has only intensified the competition in a market earmarked for exponential growth.

    Statistics underline why OTT is fast becoming the primary medium of entertainment consumption for Indian viewers. Over 65% of the 450+ million internet users in India are currently mobile-only, and the country is adding 6 million new internet users every month who are exclusively accessing digital connectivity through on a mobile phone.

    With almost 2.1 billion people, or 28.7% of the world’s population, already estimated to own smartphones, the rate of smartphone adoption will continue to be robust across the globe with double-digit growth. Smartphones will also outstrip feature phones when it comes to sales and adoption. “Nearly 47.4% of mobile phone users own a smartphone at present. Keeping in mind the industry trends, smartphone users could very well outnumber feature phone users by the end of 2017.”

     Nearly 47.4% of mobile phone users will possess smartphones by the end of this year. By the end of 2017, smartphone users will outnumber feature phone users. (Source: eMarketer)

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    Source: eMarketer

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    Source: iCube

    Mobile is driving the growth for Internet in India; the country is predicted to be home to 640 million internet users and 700 million smartphone users by 2020 (Source: iCube). Online video content, as a result, is thriving; videos comprise 50% of total mobile data traffic at present. This clearly shows the potential that the Indian market is sitting on. The gold rush will continue in the future as well, as more viewers shift towards easy-to-use, on-demand services that offer cross-platform access.

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    The Indian OTT industry has been majorly driven by disruption. OTT Trends to watch for in 2017 (Source: MUVI):

    LIVE Streaming:

    As more consumers shift towards anytime, anywhere viewing experience, live streaming will continue to be in demand in 2017. To make the most of it, OTT platforms must have to leverage the following:
    –    Capture live on Ad-hoc/breaking stories (to capture the thrill)
    –    Live Sports & Events
    –    Linear TV schedule of the series programming (creating a VOD playout)

    People are demanding more and more live experiences for their favorite content over-the-top, especially for top content such as news and sports. Studies suggest that viewers in fact demand this content later if they miss the live broadcast.

    Sports live streaming saw impressive reception in the year 2016, with UEFA European Champions 2016 in France scoring massive viewership on SonyLIV’s web and mobile app platforms. With much more expected in the live streaming space in the coming year, the trend is here to stay.

    AR, VR & 360 videos:
    Videos in recent times have moved beyond their traditional boundaries and have become more immersive with the advent of augmented reality and virtual reality tech. With 4K becoming the hot new trend for device manufacturers, video qualities have improved dramatically. As a result, engaging  life-like experiences through videos are no longer far-fetched fantasies, but are actively becoming a part and parcel of the overall entertainment viewing.

    Original Content:

    OTT players have started coming up with their own original series to hook viewers’ attention. This is generating impressive traction and has viewers switching over from the expensive Pay TV, thanks to the freshness and greater relevance of the content as well as the increased convenience of anytime, anywhere viewing.
    Hybrid Platforms:

    OTT right now, is at a position where e-commerce was a few years ago – new, and trending, and adapting to new ways of winning. Making OTT platforms capable of selling physical products along with audio and video service offerings is definitely going to be an upward trend in 2017 due to the synergy between the two sectors. A prime example of this is Amazon, an e-commerce company, which has now jumped into video streaming. Allowing free shipping of Amazon products on Prime Video memberships has very quickly allowed the company to transform most of its e-commerce consumers as streaming service subscribers.

    Rural will drive the internet growth and local languages content will rise:

    India is estimated to have 250 million rural internet users, while non-metros are driving 60% of the overall e-commerce growth. Nearly 43% of internet users are non-English, a number which is estimated to grow to 62% by 2020. This could see a tangible increase in regional language-based content available on the digital medium, as more and more OTT platforms and production houses develop entertainment tailored to meet the specific requirements and sensibilities of their regional audiences.

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    Source: IAMAI India Internet Report, Indian Readership Survey

    Micro transactions & cashless transactions:

    According to a Frost & Sullivan report, there are 66 million unique connected video viewers in India, of which 1.3 million are paid video subscribers. These video subscription numbers, however, are not absolute, and fluctuate drastically every month. But with the country heading towards becoming a cashless economy and colossal changes expected in the way netizens make their day-to-day transactions, the number of OTT subscribers is expected to grow and stabilize, even as the number of unique online video viewers grows to 355 million by 2020.

    E-payments and mobile wallets are getting more popular among the millennials in the country. Digitization of cash will accelerate over the next few years. Non-cash payments, which today constitute 22% of all consumer payments, will overtake cash transactions by 2023.

    Digital payments instruments will drive the growth in non-cash payments, according to a Google BCG Report. Micro-transactions will form a substantial portion of the industry, with over 50% of person-to-merchant transactions expected to be under INR 100 according to the study. The report also predicts that the value of remittances and money transfer that will pass through alternate digital payment instruments will double to 30% by 2020.

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    Source: Google – BCG

    TV ad revenue to shift to Digital by 2017 in Asia-Pacific

    Net advertising revenue in the Asia-Pacific has grown at 5.8% in 2016 and is expected to increase at a compound annual growth rate (CAGR) of 5.5% till 2020. This reflects stable but moderate growth across both mature and emerging markets in the region.

    India and China will continue to be the fastest growing ad markets in the region, expanding in excess of 10% and 8% respectively according to a new report by Media Partners Asia, an advisory, research, and consulting firm. The share of digital media in the advertising market in Asia-Pacific is projected to overtake that of television by 2017 and increase to 44.2% by 2020, up from 30.7% in 2015. The biggest contributors to this growth will be Australia, China, Korea, Japan, and Taiwan.

    Although television will remain a critical advertising medium, its regional advertising share will decline as ad spending in Australia and China shifts to digital. However, television will continue to be the biggest advertising medium in key markets such as India, Japan, and Korea even in 2020. The Media Partners Asia report forecasts that over the next five years, the fastest growing markets in Asia-Pacific will be India at 10.7%, China at 8.4% and Indonesia at 8.2%. In 2015, the net advertising revenue in Asia-Pacific grew by 5.3%, the slowest rate of growth since 2009. Advertising expenditure growth continued to remain slow in Indonesia and contracted in Singapore, Malaysia, and Hong Kong.

    Social Platforms

    Mobile video accounts for 50% of mobile traffic around the world and, by 2021, video will account for 70% of the overall mobile internet traffic. (Source: Ericsson Mobility Report).
    1 out of 8 people around the world accesses Facebook on a mobile phone at least once a day. (Source: BI Intelligence estimates, Facebook)

    Snapchat is the up-and-coming disrupter. It isn’t just mobile-first; it is mobile-ONLY and is witnessing exponential growth in its mobile audience. (Source: Snapchat, BI Intelligence estimates)

    Skype, WhatsApp video call has brought the world and its people closer to one another. LIVE serves the same purpose, allowing brands an opportunity to add personality and a personal touch to their communication. LIVE comes as a breath of fresh air to engage with dormant audiences and boost engagement. From a brand’s point of view, this can be a way of showing people what actually happens behind the scene rather than pushing out branded content all the time. This will allow them to  tap Audiences which might have otherwise been inaccessible to them. For example, while only a few thousands could attend the Coldplay concert in India, millions could view it on the LIVE broadcast. Additionally, when a brand goes LIVE, it gives an assurance to audiences that there is no gimmick involved and everything that is being showcased is true, which adds credibility. With LIVE, the brand and consumer relation stands to evolve. Facebook LIVE has started a new trail of information share from brands. Some good examples of LIVE video are the El Clasico LIVE voting on SonyLIV, which got a reach of 1 million organically in only 90 minutes while the match was live. Multiple creative uses of the feature can be seen in the coming year, as marketers will look to use it differently to engage their target audiences. With LIVE expected to evolve further in future iterations, brands and marketers can look forward to exciting times ahead.

    Cord Cutting:

    The increased digitisation of entertainment means that cord cutting will continue to grow in the coming year as well. One in every four millennials does not subscribe to pay TV, and 13% have never used a pay TV subscription. Digital TV Research estimates that the number of pay TV subscribers in Canada and the U.S. will fall, while Statista predicts that there will only remain 96.4 million pay TV households by 2019.

    People have been ditching their pay TV connections due to the lack of interesting content on-demand and the high costs of subscriptions. OTT platforms, by providing viewers the flexibility of accessing their favourite content at their fingertips, anytime, anywhere, have been winning this battle.

    On-demand platforms are adding TV programs to their bundles, bringing in a better content library of old as well as original programming, localizing in niche territories, and keeping up with technological innovations such as 4K, AR, VR and 360-degree video production. This will allow them to leapfrog appointment-based TV broadcasters and establish OTT platforms as the default medium of entertainment content consumption.

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    (Abhishek Joshi is Sony Pictures Networks India VP & Head – Marketing & Analytics, Digital Business. The views expressed here are personal, and Indiantelevision.com need not necessarily subscribe to them.)

     

  • SonyLiv appoints Times Internet’s Maruti Indoria

    SonyLiv appoints Times Internet’s Maruti Indoria

    MUMBAI: Sony Pictures Networks India’s video-on-demand platform SonyLiv has appointed Times Internet Ltd’s regional head Maruti Indoria as national sales head for its sports division. 

    Indoria will report to SPNI’s Sr VP and head of digital sales and monetization Samta Dikshit

    On the appointment Indoria said,  “I am delighted to take on this new, exciting and challenging role with SonyLiv. My new endeavour will play a significant role towards revolutionising sports portfolio across segments of viewers. This is going to be a wonderful journey.”

    Prior to joining SonyLiv, Indoria was in various other roles across media sectors, such as regional sales head – digital, DB Digital (Dainik Bhaskar Group), and had stints with Rudra Media, Sify.com, Business Standard and India Today Group.

    Also Read:

    SonyLiv launches original Marathi web-series ‘YOLO’

    Sony’s ‘We Liv to Entertain’ gets 10 million views in a week