Category: Video On Demand

  • YouTube’s Top 50: T-Series tops & SET India bags 5th slot

    MUMBAI: T-Series stay put in its #1 spot on the top of the charts for the 11th week in a series. One of the India’s largest music labels and movie studio’s destination on YouTube popped up 26% to close out the week with more than 321.3 million views. Way far behind in the second place was Ryan ToysReview. The aging toddler saw his channel go up 4% in its week-over-week view count to top out at nearly 214.8 million views, TubeFilter reported.

    A total of 5,401,711,439 views were amassed by the top 50 most viewed YouTube channels worldwide this week. Tubefilter Charts is a weekly rankings column from Tubefilter with data provided by OpenSlate.

    In the #3 spot was Ed Sheeran. The international star’s new music video for “Galway Girl” is keeping him in the top list at more than 187.7 million views. Puerto Rican musician Luis Fonsi was in the fourth place with over 184.1 million views on the week.

    In the fifth position was SET India. The YouTube home of Sony Entertainment (India) jumped up 19% to end the week with almost 183.1 million views.

    The distribution of the this week’s Top 50 YouTube channels by country of origin is as follows:

    US: 22 channels in the Top 50.
    India: Seven channels
    Great Britain: Six
    Brazil: Three

    The honor of one of the Top Gainers on the chart this week goes to The Late Late Show with James Corden. CBS’ talk show generally does well on the world’s largest video sharing site when its host offers up a new iteration of Carpool Karaoke. The channel witnessed a 232% week-over-week increase in views.

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  • Dekkho makes big-screen debut with Amazon fire TV stick

    MUMBAI: The online video streaming Dekkho has partnered with Amazon to make its big-screen debut and provide its content on Amazon Fire TV Stick.

    Dekkho will be one of the featured apps on the streaming device, allowing users to access its entire content library of movies and videos across genres such as music, food, fashion, travel, lifestyle and comedy on a preferred basis. In addition, Fire TV Stick users can access content from Dekkho offline as well.

    The Amazon Fire TV Stick is a plug-and-play device that connects to the television’s HDMI port and allows users to access digital video content from a host of providers. The device can be set up in just three, simple steps — plug the device in to the HDMI port on the TV; attach the USB cord to the power source; and connect to the wi-fi.

    Dekkho will provide a range of specially curated content for Fire TV, offering a television-like experience through a smart, digital medium. Unlike other paid apps, Dekkho’s Content on Fire TV will be available on a free-to-use basis, thus enabling greater exposure for content creators through a new channel while monetising their properties. Dekkho’s attempt to bring independent online content creators on the big screen and provide them exposure through Amazon’s strong distribution model is the first by any Indian player.

    Dekkho co-founder Tanay Desai said, “Dekkho currently enjoys a unique position in the Indian OTT entertainment market. In a bid to expand our content outreach to smart TVs and similar large-screen offerings, this strategic partnership with Amazon Fire TV Stick will help us increase exposure for content creators on our platform. Moreover, it offers Dekkho an extremely promising entry into a larger online entertainment market and the chance to reach out to maximum viewers between 18 to 30 years of age. The resulting increase in reach can also be leveraged to extend our presence on more big-screen apps in the future and allow our users to stream our massive content catalogue on any digital device of their choice, conveniently and seamlessly.”

  • GoNews becomes NBA India’s first digital member

    NEW DELHI: One of India’s youngest digital news channel GoNews has become the first digital member of News Broadcasters Association (NBA) of India, which has been under pressure in recent times with organization members accusing each of alleged malpractices and a new news channel boss dubbing it a “toothless” body.

    In an official statement, Pankaj Pachauri-founded Cloudburst Mediaworks Pvt. Ltd., owners of GoNews, said the NBA board at its meeting held on 9 May 2017 considered its application and granted it associate member status with effect from 18 May 2017.

    GoNews, an app-based news channel, was officially launched in April 2017. True to its adage of providing news on the go, the inauguration too was live-streamed to over 20,000 smart phone users who had downloaded the app on their smart phones, besides scores of followers on social media.

    According to Pachauri, creation of app-based news channel was done on purpose so as to disseminate basic information and hard facts to viewers having no or little access to satellite TV.

    A former TV news journalist who had also done a stint as former PM Manmohan Singh’s media advisor, Pachauri said research and data convinced him that satellite TV news was losing its viewership as well as sheen because it had become “highly opinionated” and was increasingly becoming “hostage to advertising”.

    Meanwhile, not all TV news channels in India are members of NBA, but with GoNews’ addition membership strength has gone up to 24 companies with 63 channels. Most NBA India members are also part of a bigger industry organization called the Indian Broadcasting Foundation (IBF).

    NBA was formed some years back after the news channels said their interest was not properly being highlighted by the IBF on various forums. NBA represents the private television news and current affairs broadcasters and is an organization funded entirely by its members. Co-founder of a new news channel, Republic TV, Arnab Goswami recently described the organization as a “cabal” and “toothless” body when asked the reason for NBA India last week opposing release of Republic’s debut-week audience measurement data.

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  • Hooq’s ‘Marlina…” goes to Cannes

    MUMBAI: Hooq, one of the largest Video on Demand service in South-East Asia, has announced that its first Indonesian original production will be screening at the Director’s Fortnight in Cannes which opens this week. This is on the back of a series of announcements from Hooqthat underscores its commitment to Asian film production through ventures with top independent studios and filmmakers in the region.

    “Hooq is very proud that Marlina will be screening at Cannes Directors’ Fortnight this year! We look forward to many more successful Hooq original productions that will gain recognition in the international film industry, but more importantly will keep our customers Hooq’d month after month! Our continued commitment to the Asian film industry will see us investing in more original productions with the goal to give new and established talents an avenue to tell their stories in multiple formats – be it a feature film or a 10-part series,” said Peter Bithos, Chief Executive Officer of Hooq.

    In addition to Marlina the Murderer in Four Acts, In addition to Marlina the Murderer in Four Acts, In addition to Marlina the Murderer in Four Acts, Hooq recently announced a host of original productions – Critical Eleven and Sweet 20 to hit cinemas in May and June 2017 respectively, the highly anticipated On the Job which will debut in cinemas in August followed by a 5-part series that will launch exclusive on Hooq six weeks later and The T Party (working codename) will hit the service later this year. At the same time, Hooq also announced a new initiative Hooq Filmmakers Guild – which is a search for Asian film talents to turn their ideas into reality.

    MARLINA THE MURDERER IN FOUR ACTS
    The most recent work of director Mouly Surya (36), Marlina the Murderer in Four Acts will premiere on 24 May 2017 at Quinzaine des Réalisateur (Directors’ Fortnight) which takes place in parallel to 2017 Cannes Film Festival.

    Marlina depicts the story of a widow on her journey to look for justice after a band of robbers assaults her. This film written by Mouly Surya and Rama Adi is based on Garin Nugroho’s story idea. It is produced by Rama Adi and Fauzan Zidni and starring Marsha Timothy, Dea Panendra, Yoga Pratama and Egi Fedly.

    “It is a big honor to be included in the Directors’ Fortnight line up, an event to seek the world’s famous auters with more edgy works. This is a good event for Marlina and I hope the film will get the opportunity for a wider distribution after this screening,” said Mouly Surya during the press conference at Plaza Indonesia on 12 May 2017.

    Marlina is a co-production between Cinesurya, Kaninga Pictures (Indonesia), Sasha & Co Production (France), Astro Shaw (Malaysia), In addition to Marlina the Murderer in Four Acts, HOOQ recently announced a host of original productions – Critical Eleven and Sweet 20 to hit cinemas in May and June 2017 respectively, the highly anticipated On the Job which will debut in cinemas in August followed by a 5-part series that will launch exclusive on Hooq six weeks later and The T Party (working codename) will hit the service later this year. At the same time, Hooq also announced a new initiative Hooq Filmmakers Guild – which is a search for Asian film talents to turn their ideas into reality.

    Chairman of Indonesian Creative Economy Agency Triawan Munaf said, “Mouly Surya’s success in the Cannes Directors’ Fortnight is a major achievement for Indonesian cinema. Aside from being selected in this section for the first time, an Indonesian film is finally being featured again in the world’s most prestigious film festival.”

    The Counselor for Cooperation and Cultural Action of the Embassy of France and Director of IFI Marc Piton said, “Supported by CNC, IFI and Cinema du Monde, Mouly’s work has marked close relationships between Indonesia and France in cinematography. Being selected for the Director’s Fortnight at Cannes also shows that Indonesian films are gaining more recognition internationally.”

    Organized by Societe des Realisateurs de Films (French Directors Guild) and initially held in 1969, the Directors’ Fortnight that runs parallel to the Cannes Film Festival aims to aid filmmakers and contributes to their discovery by the critics and audiences alike. The Director’s Fortnight has discovered and debut famous directors such as Werner Herzog, George Lucas, Martin Scorsese, Jim Jarmush, Michael Haneke, Spike Lee, Sofia Coppola and many more. The selected titles will be premiered at the festival from 18 – 28 May 2017 in Cannes, followed by the premiere in Marseille, Paris, Geneva, Rome, Milan, Florence and Brussels.

    Marlina was previously selected for the Asian Project Market at 2015 Busan International Film Festival and Cinefondation L’Atelier at 2016 Cannes Film Festival. This film received funds from Talents Tokyo through the Next Masters Support Programme and subsidy from Cinémas du Monde from French Ministry of Foreign Affairs.

    Marlina is the fourth full-length feature film from Indonesia to be selected for the Cannes Film Festival. The previous three films are Tjoet Nja Dhien (1988, Semaine de la Critique), Daun di Atas Bantal (1998, Un Certain Regard) and Serambi (2006, Un Certain Regard).

    Mouly directed What They Don’t Talk About When They Talk About Love (2013), the first Indonesian film selected to compete in the World Cinema Dramatic Competition at the Sundance Film Festival. Her first film, Fiksi (2008), led Mouly to be the only female who received Citra Awards for the best director.

  • SonyLiv adds another language to its catalogue, launches first Gujarati rom-com web series

    MUMBAI: Younger by a few years or older by a wide age gap? Arranged by the family, the saccharine sweet romance or the clandestine hush-hush affair?

    The dilemmas of an average, middle-class joint Gujarati family define the flavour of India’s first ever Gujarati rom-com web series ‘Kacho Papad Pako Papad’ on SonyLIV.

    With this show SonyLiv, the digital platform of Sony Pictures Networks (SPN) marks yet another spectacular addition to its regional content catalogue since it introduced the Marathi web series Yolo, earlier this year. By giving viewers a chance to enjoy high quality, relatable entertainment created specifically for them, SonyLiv once again delivers on its brand promise – ‘We Liv to Entertain.’

    A rollicking affair that promises to have you in bouts of laughter, this Gujarati web series has the perfect combination of content and actors that ensures you are glued to your screens. Starring acclaimed actors Rupa Divatia, Pratap Sachdeo, and Bhakti Rathod, ‘Kacho Papad Pako Papad’ revolves around the sprightly misadventures of the Maniyar family.

    The family has an uncanny ability to make any ordinary issue look like an extra-ordinary challenge. It all begins when their son Vipul brings home a girl who is older than him, to be introduced to the family. However, trouble ensues when a girl who is several years younger, professes her love for their son and her intent to marry him.

    Sony Pictures Networks EVP and head – digital business Uday Sodhi said: “Regional content consumption is growing rapidly and with access to faster internet speeds, this growth will only amplify. To cater to this emerging demand, we at SonyLiv decided to launch India’s first-ever rom-com Gujarati web-series ‘Kacho Papad Pako Papad’. The show underlines our brand promise of providing the best in entertainment to our viewers, with engaging and relatable content tailor-made to suit their entertainment and language preferences. We hope our viewers enjoy the series, one of the many firsts in our business.”

    Starting 19 May, 2017, the exciting Gujarati web-series will be available on SonyLiv’s web and mobile platforms. Spread across a 12 week duration, with each episode spanning 6–8 minutes, a new episode will release every Friday. SonyLIV users also have the option to subscribe to the entire web series, if they want to binge watch the show.

    Link to the web-series: http://bit.ly/2pUTgV9

  • Amazon renews ‘American Gods’ originals, starring Whittle & McShane

    MUMBAI: Amazon has announced that the highly-acclaimed Amazon Original Series American Gods, which premiered on 1 May, has been renewed for a second season. At present, American Gods is among the top 10 shows in India on Amazon’s international Prime Video service.

    Amazon claims American Gods, produced by FremantleMedia North America, garnered an overall rating of 8.6 on IMDb and a top critics score of 95% on Rotten Tomatoes. Prime Video vice president – international Tim Leslie said, “We’re bringing a second season of Neil Gaiman’s riveting story.”

    As is known Amazon Prime Video is offering 30-day free trial for watching these and other Hollywood and Bollywood movies, US TV shows, kids’ programming and Amazon Originals.

    In Season one, viewers encountered a war brewing between Old Gods and New. The traditional Old Gods, with mythological roots from around the world, fear irrelevance as their believers die off or are seduced by the money, technology, and celebrity offered by the New Gods. Adapted from the award-winning novel by Neil Gaiman, American Gods stars Ricky Whittle (The 100, Austenland) as protagonist ex-con Shadow Moon, Ian McShane (Deadwood, Pirates of the Caribbean) as Mr. Wednesday, who enlists Shadow Moon as part of his cross-country mission, and Emily Browning (Sucker Punch, Legend) as Shadow’s wife, Laura Moon. American Gods Season one also features Gillian Anderson (The X-Files) as Media, the mouthpiece for the New Gods, Kristin Chenoweth (Pushing Daisies, Wicked) as Easter, Pablo Schreiber (13 Hours, Orange Is the New Black) as Mad Sweeney, and Yetide Badaki (Aquarius, Masters of Sex) as Bilquis.

    Written by Neil Gaiman in 2001, American Gods has been translated into over 30 languages and earned numerous accolades including Hugo, Nebula and Bram Stoker Awards for Best Novel.

    Bryan Fuller (“Hannibal,” “Pushing Daisies,” “Heroes”) and Michael Green (“Blade Runner 2049,” “Alien: Covenant,” “Murder on the Orient Express,” “Kings,” “Heroes”) are writers and showrunners. David Slade (“Hannibal,” “The Twilight Saga: Eclipse”) directed the pilot and additional episodes. FMNA’s Craig Cegielski and Stefanie Berk are executive producers along with Fuller, Green, Slade, Adam Kane and Neil Gaiman. Senior Vice Presidents of Original Programming Marta Fernandez and Ken Segna are the Starz executives in charge of “American Gods.”

  • Netflix expands in Europe, brings in two originals, hires 400

    MUMBAI: Netflix, the world’s leading global internet TV service, has announced the creation of 400 jobs at its new European customer service hub which opened this week in Amsterdam. Supporting customers across 11 European countries (Belgium, Denmark, Finland, Ireland, Luxembourg, the Netherlands, Norway, Poland, Romania, Sweden and the UK), the multilingual hub will employ initially a workforce of 170, growing to 345 by the end of 2017 and surpassing 400 by the end of 2018.*

    Amsterdam is the location also of Netflix’s recently expanded European, Middle East and Africa (EMEA) headquarters, which has doubled its workforce since the beginning of 2016.** More than 120 employees from 18 countries work at the EMEA HQ in business development, marketing, PR, public policy and corporate functions such as finance, legal and recruiting.

    The ongoing expansion of Netflix’s workforce in Europe complements the company’s ever-growing investment in European productions (licensed, original and co-productions). Marking the global launch last month of Las Chicas del Cable, Netflix’s first original series from Spain, the company confirmed plans to announce at least six new European original projects before the end of 2017. The first of these, Dogs of Berlin, was announced on 28 April and will be written, produced and shot in Germany before launching in 2018. The second, a new French original called Osmosis, was announced today and is expected to begin production in France in 2018. Netflix has committed more than $1.75 billion to European productions since entering Europe in 2012, including to date more than 90 original productions in various stages of development.

    “We are delighted to announce the creation of jobs in Europe and the opening of our new customer service hub in Amsterdam, as well as two new European original series. Europe is a creative centre for great storytelling that resonates around the world and we continue to invest in European content,” said Reed Hastings, Netflix co-founder and CEO.

    “The decision by Netflix to add a customer support centre along with its EMEA headquarters in Amsterdam illustrates that our business climate is exactly what leading companies are seeking when investing in their future,” said Jeroen Nijland, Commissioner for Foreign Investment, Netherlands Foreign Investment Agency (NFIA). “The Netherlands’ fast internet speeds, e-commerce strengths and multilingual talent pool make our country a great match for the Netflix expansion to support its rapidly growing European market.”

    *Netflix’s new European customer service hub in Amsterdam is the latest addition to the company’s growing portfolio of internal service centers, the others being located in the USA (Salt Lake City and Utah) and Yokohama, Japan.

    Netflix’s European original series are available to Netflix’s more than 100 million members around the world and include:

    Marseille, Netflix’s first original series from France, now in production for a second season;
    the Golden Globe-winning The Crown set in the UK, now in production for a second season;
    Las Chicas del Cable, Netflix’s first original series from Spain, launched 28 April and already in production for a second season;
    Dark, Netflix’s first original series from Germany, due to launch late 2017;
    Suburra, Netflix’s first original series from Italy, due to launch late 2017;
    Dogs of Berlin, Netflix’s second original series from Germany, due to launch in 2018; and
    Osmosis, Netflix’s second original series from France, due to begin production in 2018.

  • Republic TV to launch on Hotstar

    MUMBAI: Hotstar, India’s leading streaming platform and Republic TV, the nation’s most awaited news venture, today announced a strategic partnership to shape the future of news online. In a first, Hotstar will open up its platform for a third party content provider, marking a big movement in the evolution of the country’s largest streaming service. Hotstar will also introduce News as a distinct category on the platform, adding to its current portfolio of TV Shows, Movies and Sports from around the world.

    Republic TV is one of the country’s first major news service to launch in a digital era. With Arnab Goswami as the founder and lead anchor, the service aims to dramatically alter the news landscape in the country.

    Announcing the partnership, Uday Shankar, Chairman & CEO, Star India said “Hotstar is the fastest growing digital platform in the world and the leading destination in India for curated, high quality stories. Young India has embraced Hotstar. We believe that young, digitally savvy Indians are deeply interested in understanding their country and the world they live in. We are deeply committed to making sure that we continuously widen Hotstar’s offering, and the launch of Republic TV on Hotstar fills a big gap in our portfolio.”

    Commenting on the partnership, Arnab Goswami, Editor-in-Chief and Founder, Republic TV said, “Hotstar is a compelling destination for content cutting across genres and age groups. We are confident of breaking the digital barrier and believe this is the first step as news produced in India goes digital and then global. We believe the coming together of these two exciting brands and services will take news to the 90 million plus viewers on Hotstar every month. You can now catch Republic TV on the move and on demand.”

  • ‘Sarabhai’ stands out for wit & cast’s inimitable timing, says Hotstar CEO Ajit Mohan

    MUMBAI: Leading VoD platform Hotstar finally announced the launch date of the much-awaited comedy, Sarabhai versus Sarabhai, to be 16 May. “We looked at the comedy space on digital and realised that there is a glut of content that liberally uses swearing and insults to create comedy. While that has its place, Sarabhai vs Sarabhai’s brand of comedy stands out in sharp contrast as content that’s best known for its wit, sarcasm and the stellar cast’s inimitable timing,” said Hotstar CEO Ajit Mohan.

    Sarabhai vs. Sarabhai is based on the life of a funny and quirky Gujarati family, living in Mumbai. The show’s originality and humour have earned it a spot among the best of Indian television, the sequel of which has now been made for the VoD platform.

    Hotstar is a leading premium streaming platform with more than 100,000 hours of drama and movies in nine languages, and coverage of every major global sporting event.

    “Sarabhai vs. Sarabhai: Take 2″ is the latest in our signature bouquet of content called — Hotstar Originals. Each show in this bouquet, be it On Air with AIB, Cineplay or Tanhaaiyan, is genre-defining in its own unique way, and we’re really excited to see the enthusiasm Sarabhai vs Sarabhai: Take 2 has already drummed up,” added Mohan.

    Following a unique marketing campaign that has sent fans into a frenzy of anticipation, India’s leading video-on-demand platform, Hotstar, finally announced the launch date of the much-awaited comedy, Sarabhai vs. Sarabhai, to be 16th May.

    Sarabhai vs. Sarabhai, back after a hiatus of seven years, will premiere on Hotstar as Sarabhai vs. Sarabhai: Take 2. The show features Satish Shah, Ratna Pathak Shah, Sumeet Raghavan, Rupali Ganguly, Rajesh Kumar and Deven Bhojani, and is produced by Jamnadas (JD) Majethia and Aatish Kapadia. The second season promises the same wit and sarcasm that became the hallmark of the show, along with some new and interesting story tracks and characters.

    Hotstar, keenly aware of the consistent and passionate fandom for the show, designed an immersive marketing campaign which would allow fans to become part of the show’s journey, while giving new audiences a peek into what makes the show a smash hit.

    The quirky digital campaign kick-started with a teaser on April 3rd, taking fans on a virtual tour of the show’s set for the ‘Muhurat shot’ via Facebook Live. Millions of fans immediately responded with incredible enthusiasm, resulting in the show trending on Facebook for 4 days.

    Hotstar dialed up the engagement further with a digital video, inviting suggestions from audiences for naming the second season of the show.

    The video went viral, attracting over 15 million views (and counting), within just 2 days of release. The suffix in the show’s title, ‘Take 2’, was selected from over 50,000 suggestions from fans.

    The new name of the show was finally revealed via the official promotional film for Sarabhai vs Sarabhai: Take 2 on social media, racking up 3 million views within 10 hours of release. The film, which shows the characters diligently cleaning various objects around the house, underscores the show’s proposition as a comedy that is ‘Clean bhi, crazy bhi’.

  • Netflix & iQIYI sign licensing agreement

    MUMBAI: iQIYI and Netflix have signed a content licensing agreement for a subset of Netflix original series like Stranger Things and Black Mirror.

    “Though expectations of our deal are modest in scope, we are delighted that consumers will be able to enjoy these highly-popular series on iQIYI, the leading online video platform in China. Our cooperation will be subject to the relevant regulations on online streaming of imported drama and film content in China,” Netflix stated.

    Founded in Beijing in April 2010, iQIYI is the top online video platform in China to stream both, licensed and original movies, television series, variety shows, cartoons and other content. Netflix is a leading global Internet television network with over 100 million members in over 190 countries enjoying more than 125 million hours of TV shows and movies per day, including original series, documentaries and feature films.

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